The Novohispanic nun Sor Juana Inés de la Cruz has not been traditionally considered as a philosopher within the Anglophone philosophical sphere because her writings are primarily poems and plays. In the last three decades, only a few philosophers have engaged with Sor Juana's works. However, their scholarship has focused only on a narrow range of issues, such as Sor Juana's defense of the right of women to be educated, and has neglected other dimensions of her thought, (...) such as her position on self-control. In this study, I argue that, in contraposition to traditional interpretations of Sor Juana's views on self-control offered by Octavio Paz and Anna More, it is better to read her as adopting a stance on self‐control that prefigures a position recently adopted by Al Mele (who distinguishes having self‐control from being self‐controlled). In particular, I show that the interpretation that I propose is better than the others I discuss because it fits better Sor Juana's apologetic goals. (shrink)

Connections are drawn here between the writings of Mexico's most important seventeenth-century poet, Sor Juana Inés de la Cruz and the development of the cult of the Virgin of Guadalupe, still today a dominant feature of Catholic worship in Latin America. Techniques of conversion used by the Spanish missions are examined as background to the apparition of the Virgin, in 1531, and to clarify Sor Juana's response in her public verse. Later uses of the synecdoche are set out (...) to illustrate the Guadalupe's shape-shifting powers besides those of other legendary women in Mexican myth and history. A final section looks at the possibilities for new, creative aspects of feminist spirituality and liberation theology challenging Latin American Catholicism, and suggests ways in which women worshipping, and the worship of woman, are evolving in modem Mexico. (shrink)

In her wonderful book, Approaches to the Theory of Freedom in Sor Juana Inés de la Cruz, Virginia Aspe produces a groundbreaking presentation of Sor Juana’s theory of freedom with productive scholarship on the Coimbran Jesuit tradition and Renaissance Humanism in Latin America. In this paper, I center on Aspe’s interpretation of two of Sor Juana’s major works, First Dream, in which a disembodied dreaming soul rises into the nighttime sky in an attempt to take in and (...) understand the universe, and Critique of a Sermon, in which Sor Juana lays out counter-arguments to the Jesuit preacher Antonio Vieira’s designation of the greatest demonstration of Christ’s love and its implications for human freedom and God’s grace. My goal is to supplement and sometimes critique the interpretations endorsed by Aspe so as to ultimately enrich Aspe’s key insights into Sor Juana’s philosophical views. Ultimately, I first argue that Aspe’s Aristotelian interpretation of First Dream is necessary but not sufficient for understanding Sor Juana’s poem, which requires the inclusion 15th and 16th century Neoplatonism. Secondly, I argue that in her interpretation of Critique of a Sermon Aspe misattributes a view to Sor Juana that belongs to Antonio Vieira, which requires a small tweak to her theory of Sor Juana’s views on freedom and human moral psychology. (shrink)

The goal of this paper is to argue that the Neptuno Alegórico and the Theatro de Virtudes Políticas, which were composed in 1680 by the Novohispanic philosophers Sor Juana Inés de la Cruz and Carlos de Sigüenza y Góngora to accompany respectively two arches erected to celebrate the entry of the Spanish viceroy to Mexico City, are notable not only as examples of panegyrical Baroque literature but also as philosophical texts aimed at moral instruction. To be specific, I argue (...) that the Neptuno and the Theatro belong to a hybrid genre that I label ekphrastic moral mirrors. Ekphrastic moral mirrors, which constitute a subset of the traditional speculum principis, are characterized by offering moral instruction to a prince indirectly, by means of an elaborate ekphrasis of a work of art (which, in the case of the Neptuno and the Theatro, were the two arches that they were paired with). I also argue that, insofar as the Neptuno and the Theatro create different audiences that are mutually aware of each other in virtue of systematically relying on ekphrasis deployed in a public setting, they are potentially more effective for moral instruction than other traditional mirrors of princes. (shrink)

​This paper examines the life and work of the Novohispanic philosopher Sor Juana Inés de la Cruz, who used a great deal of irony to respond to what, we argue, were gender-based microaggressions in 17th century New Spain. The case of Sor Juana is particularly interesting not only because it suggests that microaggressions are not the product of our time, as has been suggested in the literature, but also because it reveals some of the advantages as well as (...) limitations of using irony when one is subject to microaggression. The case of Sor Juana also provides insights regarding the difficulties of using irony to address microaggressions that take place in the classroom. (shrink)

Este artículo distingue entre creatividad e innovación, asume el enfoque sistémico en estudios de innovación y lo aplica a las innovaciones poéticas y literarias. Se centra en sor Juana Inés de la Cruz, la gran poeta y escritora del virreinato español en México a finales del siglo XVII. Sor Juana vinculó las artes literarias con las ciencias y técnicas de la época barroca y consiguió apoyos sociales, políticos y religiosos que la convirtieron en una mujer emprendedora y altamente (...) innovadora. También se analiza el resurgimiento de la figura de sor Juana en el siglo XX, gracias a escritores como Amado Nervo, Clara Campoamor y Octavio Paz, así como a investigadores mexicanos e internacionales que han generado una gran innovación social, cultural e institucional, el sorjuanismo, cuyos hitos principales se analizan. (shrink)

Ce texte manuscrit non autographe du xviiie siècle n'est pas daté mais le contenu en situe la rédaction vers 1681. Il était parfaitement inconnu jusqu'en 1980 quand le prélat mexicain Aureliano Tapia Méndez découvrit, dans sa ville de Monterrey, cette copie tardive d'un texte de sa compatriote Juana Ramirez de Asbaje (ou Asuaje), religieuse hiéronymite sous le nom de Sœur Jeanne Inès de la Croix et considérée comme le plus grand poète de l'Amérique coloniale. Pratiquement tous les spécialiste...

El presente trabajo lleva a cabo una reflexión sobre el proceso de incorporación de la conciencia feminista en el imaginario occidental a partir de los casos de Christine de Pizan y sor Juana Inés de la Cruz, que permiten ejemplificar el concepto de heroicidad epistémica propuesto por José Medina. Para ello se expondrán las posiciones críticas de ambas autoras y se valorará el efecto que tuvieron en sus respectivos contextos, así como el rastro que dejaron en momentos posteriores. Este (...) recorrido servirá para problematizar dicho concepto y apuntará la necesidad de enmarcarlo históricamente desde las expectativas del presente. (shrink)

In this chapter, I focus on the faculties by which we gain knowledge, namely, sensibility and the understanding, as well as on the methodological framework within which Sor Juana Inés de la Cruz examines them. I stress the importance that the author gives to sensibility and the physiological apparatus that grounds and explains sensation.With respect to her conception of understanding, I will show that it is both the sign of man’s filiation with God and a faculty that displays deficiencies (...) and limitations with respect to the difficult task of attaining knowledge.Finally, I examine Sor Juana’s criticism both of the Neoplatonic method, which looks for a vision of the universe as a whole, as well as of the deductive method of the Aristotelian- Scholastic tradition, which attempts to reduce the unmanageable diversity of beings to some specific characteristics and laws.My conclusion is that Sor Juana shares with modern philosophers the critical attitude against tradition; she holds that traditional methods do not enable us to reach knowledge about either the remotest causes or the closest effects. On my view, Sor Juana takes an epistemological approach to philosophy, as do Bacon and Descartes, but she does not propose a new method; this is not because of some radical skepticism on her part, but because of the enormity of the task of the human mind achieving complete knowledge. (shrink)

La vida de sor juana inés de la cruz, su pensamiento ligado a la poesía, al encuentro con los mitos. leída por teólogos, por filósofos y poetas, parece haber superado las fronteras del lenguaje, las fronteras de la simple fe; este texto intenta entender la condición mística de su pensamiento.

En el presente artículo, exploramos las conexiones que existen entre el arte culinario y la obra poética de Sor Juana Inés de la Cruz. En particular, usamos un estudio detallado de las analogías que emergen entre la comida y la preparación culinaria por un lado, y la poesía y la composición poética, por otro lado. En este artículo mostramos que el arte culinario funciona como causa o catalizador de la creación poética y que existe una relación íntima y profunda (...) entre el buen sazón, lo bello, y el bien para la monja jerónima. (shrink)

Don Carlos de Sigüenza y sor Juana Inés de la Cruz no solo se encuentran en la encrucijada del paso de la edad media a la moderna, y del viejo al nuevo mundo, sino de la vieja a la nueva vía de reflexión y de la vieja a la nueva ciencia. Es lo que se intenta mostrar en estas páginas.

Resumen: En el siguiente análisis intentamos, por una parte, contextualizar la loa El divino Narciso de sor Juana Inés de Cruz dentro de los paradigmas estéticos y culturales de su época. Y por otra, reactualizar la lectura crítica de ella desde la perspectiva de una retórica o poética subalterna, entendiendo esto último como la deconstrucción literaria y su posterior reorganización de las significaciones que justificaron el colonialismo. Lo anterior tiene por finalidad dar cuenta cómo, mediante la manipulación precisa de (...) los códigos hegemónicos, se logra invertir los contenidos simbólicos de una de las representaciones más tempranas y persistentes del continente americano: la figura América-mujer, imagen que naturalizó y justificó su alteridad.: In the following analysis, we tried first to contextualize La loa El Divino Narciso from Sor Juana Inés de la Cruz within esthetical and cultural paradigms of her time. Then, we tried to update her critical reading from the perspective of a subordinate rhetoric or poetics. We understand it as the literary deconstruction and subsequent reorganization of the meanings that justified colonialism. This approach has the purpose of accounting for the way in which accurate manipulation of hegemonic codes makes it possible to reverse the symbolic contents of one of the earliest and most persistent representations of the American continent: the America-woman figure. This image naturalized and justified its otherness. (shrink)

Mediante un análisis histórico y documental, se indaga en las posibles percepciones e influencias que en la vida de Sor Juana Inés de la Cruz pudo haber tenido su exposición a los incipientes movimientos sociales y culturales de la época del virreinato en la Nueva España. A lo largo de su obra, la poeta novohispana se refiere a España y a la Nueva España. De la primera, recoge la tradición literaria y la transforma, dedica poemas a los representantes de (...) la monarquía y reconoce su propia herencia española; de la segunda, recoge la lengua nahua, el español mexicano y el eco de otras lenguas. (shrink)

Through a historical and documentary analysis, I investigate the possible perceptions and influences that Sor Juana Inés de la Cruz could have had by her exposure to the incipient cultural and social movements at the time of the viceroyalty in New Spain. Throughout her work, she refers to Spain and New Spain. From the first, she collects the literary tradition and transforms it, dedicates poems to the representatives of the monarchy and recognizes her own Spanish heritage; from the second, (...) she collects the Nahua language, Mexican Spanish and the echo of other languages. This agglutination is the result of an integral and conciliatory vision. The work of Sor Juana Inés de la Cruz is a mirror of a modernity underpinned by a proposal of equity, of joint traditions articulated in the prodigy of the word and creative freedom. (shrink)

scholars often use letter correspondences to uncover missing historical information. For example, while searching for the influential but unacknowledged women in the history of pragmatism, Charlene Haddock Seigfried discovered John Dewey’s letters to Elsie Ripley Clapp. Using these letters, Seigfried defended Clapp’s name as an early pragmatist. Similarly, Joan Smith cited Dewey’s letter to John T. McManis to show that Ella Flagg Young likewise influenced Dewey’s work. More recently, Eduardo Mendieta has defended a different approach to letters, and argues that (...) we should take the letters, diaries, and notebooks of certain philosophers more seriously—not just for the historical or... (shrink)

El artículo se pregunta por el problema del Otro en América Latina, considerando la reflexión de Lévinas y de Ortega y Gasset a partir de la fenomenología de Husserl. El examen recae en dos figuras paradigmáticas de la modernidad barroca: la así denominada Malinche y Juana Inés de la Cruz, teniendo como telón de fondo el debate entre Ginés de Sepúlveda y Bartolomé de las Casas acerca de la humanidad o animalidad de los así llamados indígenas. Se le presta (...) especial atención a las perspectivas adoptadas por Tzvetan Todorov, Leopoldo Zea, Octavio Paz y Bolívar Echeverría sobre las figuras mencionadas. (shrink)

Este artículo aborda la poesía de Edith Stein a partir del tópico de la Revelación. Entendida como «la buena nueva» de la venida y la resurrección de Cristo, la Revelación se relaciona con el mandato del amor al prójimo, cuya sola posibilidad radica en el amor a Dios, pues «quiere que le amemos, cuando manda que amemos al prójimo», como explica sor Juana. Y así, se relaciona también con la mayor «fineza» de Jesús hacia a los hombres, según la (...) carta Atenagórica, que consiste en «los beneficios que nos deja de hacer» para contener nuestra ingratitud; en el amor al prójimo, la correspondencia del amor es para Él, pero la utilidad es nuestra. En la poesía de Edith Stein, la Revelación se corresponde con la revelación del lector, con lo que se consuma la representación de la mayor fineza: para el lector, y para él solo, es la utilidad de la lectura. (shrink)

This article examines the exchange between Montoro and Sor Juana about the nature of jealousy and its connection with romantic love. First, it shows that, while Montoro's position echoes Augustine's view of love, Sor Juana's position has strong parallels with views held in the courtly love tradition. Second, the article considers Sor Juana's responses to Montoro, which aim to establish that jealousy is not inherently wrong (as Montoro holds) and that it cannot be severed from love. Finally, (...) the article shows that Sor Juana's insights provide support for those who defend the importance of jealousy in human life. (shrink)

Sor Juana Inés de la Cruz -- Gabriel Álvarez de Toledo -- Pedro de Peralta Barnuevo -- Francisco Botello de Moraes.

La presente obra ofrece la primera historia completa de toda la filosofía novohispana desde 1521 hasta 1821. Se trata de una visión unitaria y completa de toda la filosofía de la época colonial de México, única en su género y con muchas aportaciones valiosas y originales, con método y bases de verdadera investigación histórico-filosófica. Se abre el libro con una hermenéutica de la historia de la filosofía novohispana en la cual el autor, siguiendo las orientaciones más modernas, comprende e interpreta (...) la historia de las ideas en México a partir de sus verdaderos comienzos: desde la polémica entablada por Agustín Rivera y Agustín de la Rosa sobre la validez o no de la acción de España en la enseñanza de la filosofía y de la ciencia en la Nueva España. En su conjunto la obra, estructurada cronológicamente, estudia las actividades y manifestaciones filosóficas de las órdenes religiosas en los tres siglos clásicos, estableciendo una división entre humanistas y escolásticos. Entre los humanistas, destacan fray Juan de Sumárraga, fray Bartolomé de Las Casas, Vasco de Quiroga y Francisco Hernández. En la exposición de los escolásticos, y atendiendo a las diversas órdenes, traza un resumen de las obras principales de los autores más destacados: Diego Valdés, Alonso de la Vera Cruz, Pedro de Hortigosa, Antonio Rubio y Antonio Arias, así como sor Juana Inés de la Cruz. (shrink)

"I think many people would find it a useful resource, both in terms of information on particular philosophers and as a point of inspiration for designing courses that incorporate the work of women philosophers.... I expect I will refer individual students to this book as a resource for their own work and I will consult it in designing future courses." —Teaching Philosophy "With intelligence and agility, the writers [present] female thinkers who influenced the famous philosophers of their respective ages. This (...) should become a standard text in both philosophy and women’s studies classes and will have great appeal to lay readers as well. Highly recommended." —Library Journal This study of women philosophers from the Middle Ages to the 20th century covers a wide spectrum of ideas—from religion, to evolution, to political theory. This unique volume brings creative women thinkers into mainstream discussions of the history of philosophy. Contributors examine the work of, among others, Hildegard of Bingen, Vicountess Conway, Sor Juana, Mary Wollstonecraft, Hannah Arendt, Angela Davis, and Hypatia herself. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Hypatia’s Daughters: Fifteen Hundred Years of Women Philosophers ed. by Linda Lopez McAllisterSue M. WeinbergLinda Lopez McAllister, editor. Hypatia’s Daughters: Fifteen Hundred Years of Women Philosophers. Bloomington and Indianapolis: Indiana University Press, 1996. Pp. xiv + 345. Cloth, $49.95. Paper, $22.50.Hypatia: born in the fourth century A.D.: philosopher, mathematician, astronomer, teacher; brutally murdered in Alexandria in 415 A.D—whether for holding religious views regarded as heretical or because she (...) was a woman who dared to be a scholar and teacher remains a matter of speculation. Today, she gives her name to the journal for feminist philosophy. She is a symbol for those women who, over the centuries, have struggled to be part of the philosophical life of their time.Until very recently, the centuries that separated Hypatia from the present were assumed to have been a philosophical desert for women. But times have changed. Hypatia’s Daughters is a sign of this change. It contains eighteen articles on seventeen philosophers: Hypatia; Hildegard of Bingen, Heloise, and Christine de Pisan from the Middle Ages; Elizabeth of Bohemia, Sor Juana de la Cruz, Anne Conway, Damaris Masham, Catharine Trotter, Belle van Zuylen and Mary Wollstonecraft from the seventeenth and eighteenth centuries; Anne Doyle Wheeler and Harriet Taylor Mill from the nineteenth; Charlotte Perkins Oilman, Edith Stein, Hannah Arendt, and Angela Davis from the late nineteenth century into contemporary times. Few are known as well as they deserve, but many names are familiar even to non-specialists. Their ideas, however, are another matter.The collection in no way constitutes a definitive selection of women philosophers; those discussed are not presented as the most significant women philosophers in the history of philosophy. (A different kind of study would be necessary for evaluations of that kind.) The women here studied have little in common as a group; they wrote on many topics of philosophical concern; their views and their supporting reasoning differ. Further, as the subjects of the articles differ in their ideas, so do the contributors’ approaches and their methods of studying those ideas differ. These differences are the strengths of a collection that is stimulating, enlightening, provocative. The following examples indicate their range.Andrea Nye examines the correspondence of Heloise and Abelard and, in a second article, of Elizabeth of Bohemia and Descartes. Heloise and Elizabeth are usually regarded as passive followers or, at best, no more than serious questioners seeking answers of their correspondents. Nye’s fresh look at the Heloise-Abelard correspondence finds not only important differences between two ways of thinking, but also sees already underlying their disagreement what she calls the “macroquestion” of philosophy’s future: philosophy as “a professional discipline independent of political or social concerns or... an ongoing critical and cultural discourse.” (25) Elizabeth’s persistent questions to Descartes reveal ideas that challenge his views, especially on moral issues and physiological-psychological [End Page 164] phenomena; these are views that have a greater complexity than the basic issue of mind-body interaction that is usually identified as central to their exchange.Writing on Harriet Taylor Mill, Jo Ellen Jacobs examines changing attitudes towards her subject, beginning with views of Taylor Mill’s contemporaries and moving through the decades into our time. She finds parallels between criticisms of Taylor Mill and attitudes towards the so-called intellectual woman. In times encouraging of women, Taylor Mill is regarded as having made important contributions to the development of J. S. Mill’s thinking, in addition to writing and speaking about her own ideas and positions that did not always follow those of J. S. Mill. In less encouraging times, her significance tends to be minimized.Hannah Arendt is not usually thought of as a feminist. Joanne Cutting-Gray, through her discussion of Arendt’s early book on Rahel Varnhagen, develops implications of that study for Arendt as a “feminist thinker,” in particular through her focus on “the politics of alterity.” Cutting-Gray finds in the Varnhagen biography “an analogy between Jewish and female alterity [that] can stretch our understanding of women and politics.” (281)And there is more, much more: Martha Brandt Bolton’s scholarly examination of the philosophical works... (shrink)

This new anthology of early modern philosophy enriches the possibilities for teaching this period by highlighting not only metaphysics and epistemology, but also new themes such as virtue, equality and difference, education, the passions, and love. It contains the works of forty-three philosophers, including traditionally taught figures such as Descartes, Spinoza, Leibniz, Locke, Berkeley, Hume, and Kant, as well as less familiar writers such as Lord Shaftesbury, Anton Amo, Julien Offray de La Mettrie, and Denis Diderot. It also highlights the (...) contributions of women philosophers, including Margaret Cavendish, Anne Conway, Gabrielle Suchon, Sor Juana Inéz de la Cruz, and Emilie Du Châtelet. (shrink)

Lezama, and later Deleuze, discovered that the baroque does not refer to an essence, but to an operative function. That operative function is the fold, which "curls and multiplies", as Lezama writes, and proliferates to infinity. We all know the examples with which Lezama placed his concept of the American baroque: the poems of Domínguez Camargo, those of Sor Juana, the architectures of the Kondori Indian, the baptismal fonts of Aleijadinho, "ornamented like accordions, with spiraloid leaves that ascend"; the (...) chapel of the Rosary, in Puebla, omamentada "without truce or free spatial parenthesis". This is how the fold operates, it is like a leprosy or a lichen -in the past, certain lichens were called leprosy-: it infests by enveloping and developing, it proliferates by setting in motion the fold-unfold pair. Lezama does not seek to reconfigure the sequences of history, but to superimpose other cycles on them, create gaps and vanishing points in chronological and causal narratives, divert the emphasis placed on cultures and redirect it to imaginary eras, until the meaning comes from a series of scales established in the historical. The eras would be ordered according to their potentiality to create images; thus it would be possible to establish the points where the image was imposed as history. The Carolingian imaginary era, for example, forged a link between the prodigies, the marvelous islands, the battles against the Saracens and theocratic reason. How are these scales established and how do they operate? How do counterpoint, images and links work? (shrink)

This chapter contains sections titled: Acosta, José de (1539–1600) Alberdi, Juan Bautista (1810–84) Bello, Andrés (1781–1865) Bilbao, Francisco (1823–65) Bolkvar, Simón (1783–1830) Casas, Bartolomé de las (1484–1566) Caso, Antonio (1883–1946) Cruz, Sor Juana Inés de la (1651–95) da Costa, Newton Carneiro Affonso (b. 1929) Dussel, Enrique (b. 1934) Frondizi, Risieri (1910–83) Gaos, José (1900–69) González Prada, Manuel (1848–1918) Gracia, Jorge J. E. (b. 1942) Haya de la Torre, Victor Raúl (1895–1979) Hostos, Eugenio Marka de (1839–1903) Ingenieros, José (1877–1925) Korn, (...) Alejandro (1860–1936) Lastarria, José Victorino (1817–88) Lemos, Miguel (1854–1917) Mariátegui, José Carlos (1895–1930) Martk, José (1853–95) Méndez Sierra, Justo (1848–1912) Mora, José Maria Luis (1794–1850) Miró Quesada, Francisco (b. 1918) Rabossi, Eduardo (1930–2005) Ramos, Samuel (1897–1959) Rodó, José Enrique (1872–1917) Romero, Francisco (1891–1962) Sahagún, Fray Bernardino de (1499–1590) Salazar Bondy, Augusto (1925–74) Sarmiento, Domingo Faustino (1811–88) Ofelia Schutte (b. 1945) Sepslveda, Juan Ginés de (ca. 1494–1573) Torretti, Roberto (b. 1930) Vasconcelos, José (1882–1959) Vaz Ferreira, Carlos (1872–1958) Villoro, Luis (b. 1922) Vitoria, Francisco de (ca. 1483–1546) Zea Aguilar, Leopoldo (1912–2004) Acknowledgment Further Reading. (shrink)

A partir de la idea gadameriana de la implicación entre lenguaje y tradición, en este artículo se pregunta sobre cuál es la tradición que ha conformado el pensar en español en el mundo iberoamericano? En cuanto Iberoamérica se conforma a partir de la Conquista y dominación de España y Portugal sobre el Nuevo Mundo, no puede ocultarse que el pensamiento en español en América tiene un origen imperial y violento, pues esta lengua, específicamente el castellano desplazó a las lenguas autóctonas (...) de América y con ello a sus culturas originales. Pero desde el mismo siglo XVI, los naturales, mestizos castellanizados, empezaron a utilizar la lengua impuesta para conformar junto con los criollos una auténtica cultura nacional, dentro de la cual el pasado de las culturas prehispánicas vencidas por las armas, la religión y la lengua españolas cobra un nuevo significado dentro de la abigarrada cultura barroca con una enorme originalidad y un gran potencial emancipador. En el caso de México esta cultura barroca magistralmente pensada y escrita en español durante los siglos XVII y XVIII por Sor Juana Inés de la Cruz, Sigüenza y Góngora, Clavijero, Alegre y Marqués, entre otros, dio lugar a lo que varios autores han llamado “el nacionalismo criollo”, originaria ideología de la independencia. Así pues, el castellano originariamente una lengua imperial y conquistadora, se ha convertido a lo largo de los siglos en un espacio cultural de construcción de identidades y de recurso para la emancipación de los pueblos y naciones hispanoamericanas. Pero habrá que reflexionar sobre los riesgos del español, o más específicamente del castellano, de reproducir el papel excluyente y colonialista que ha tenido en diferentes momentos históricos. En el ámbito latinoamericano es particularmente importante que la lengua que hablamos se abra en diálogo intercultural con las lenguas, culturas y saberes indígenas que han sobrevivido quinientos años de dominación. Esta fue la actitud y la tarea de los primeros humanistas que vinieron a evangelizar y castellanizar. A esta comunidad de diálogo intercultural pertenecen desde Vives, Vitoria, de la Veracruz y Las Casas, hasta los republicanos del exilio español como Xirau, Sánchez Vázquez, José Gaos, Gallegos Rocaful, Wenceslao Roces, Eduardo Nicol, León Felipe, entre otros mucho. Todos ellos han sido forjadores de un diálogo intercultural que constituye lo más valioso del pensar en español aún en nuestros días. (shrink)

This article examines Gloria Anzaldúa’s critical appropriation of Mexican philosophical sources, especially in the writing of Borderlands/La Frontera. We argue that Anzaldúa effectively contributed to la filosofía de lo mexicano by developing an Inter-American Philosophy of Mexicanness. More specifically, we recover “La Mexicana en la Chicana” by paying careful attention to Anzaldúa’s Mexican sources, both those she explicitly cites and those we have discovered while conducting archival research using the Gloria Evangelina Anzaldúa Papers at the Benson Latin American Collection at (...) the University of Texas at Austin. The eight Mexican philosophical sources we examine and discuss here are: José Vasconcelos (1882-1959), Miguel León-Portilla (1926-2019), Juana Armanda Alegría (1938- ), Octavio Paz (1914-1998), Samuel Ramos (1897-1959), Rosario Castellanos (1925-1974), Sor Juana Inés de La Cruz (1648-1695), and Jorge Carrión (1913-2005). (shrink)

In Latin America, institutionalized feminist philosophy is a recent phenomenon, dating for the most part since the 1980s. Historically, the gifted writer/philosopher/poet Sor Juana Inés de la Cruz (Mexico, Colonial Period) and the utopian socialist activist Flora Tristán (France and Peru) are especially recognized for their original feminist contributions. The Uruguayan philosopher Carlos Vaz Ferreira wrote the moderately pro‐feminist treatise Sobre feminismo in 1918, during the suffragist phase of the movement. Contemporary feminist philosophy has followed the general theoretical trends (...) established since the 1970s in Western European and Anglo‐American feminist philosophy and theory. Feminist philosophers have challenged traditional androcentric readings of the canon and have pursued alliances with colleagues in Women's Studies programs. As of the mid‐1990s, a firm tradition of feminist studies has been established in several countries. Important feminist journals and publications include Debate feminista (Mexico), Estudos feministas (Brazil), Isis Internacional (Chile), and Feminaria (Argentina); Hiparquía (Argentina) currently publishes feminist and non‐feminist articles by women philosophers. (shrink)

This book is a detailed exploration of the Hispanic intellectual context and the different Aristotelian traditions that prevailed until the 16th century. Through a review and contextualization of Aristotelian thinkers and texts, it argues that a unique Aristotelian tradition was formed in New Spain. The characteristic differences of Novohispanic Aristotelianism are a consequence of five factors: contact with the autochthonous cultures of America, the impact of the colonial organization, the influence of the Salamanca humanist tradition, the presence of the Italian (...) Aristotelianism of Renaissance translators in the university curricula and in the intellectual polemics of the time, and a peculiar assimilation of primitive and Old Testament Christianity in relation to indigenous people. The book analyzes the works of Alonso de la Veracruz, Bartolomé de las Casas, Bernardino de Sahagún, Sor Juana Inés de la Cruz, Carlos de Sigüenza y Góngora, and Francisco Xavier Clavijero, reconsidering them in light of the history of ideas in New Spain and the contributions of Byzantine translators. It also offers a reflection on the problem of addressing Mexican colonial sources. This volume will be of interest to undergraduate and postgraduate philosophy students, as well as researchers focused on Aristotle, Renaissance philosophy or Latin American studies. (shrink)

_Many scholars argue that the spiritual dimensions of aesthetic practices and resistance have been undertheorized or omitted. This paper examines aesthetic processes taken up by Amelia Mesa-Bains (1994, 1999) and Gloria Anzaldúa (1987, 2015) to theorize how some Chicanx artists employ an aesthetic based on spirituality as relational, memorial, and material practice to critique colonial ideologies embedded in dichotomies such as man/woman, subject/object, fine/folk art, and individual/community. By focusing on Mesa-Bains’ altar installations and Anzaldúa’s writing process, I draw out how (...) social relations and memory work operate to interpret the relationship between aesthetics and spirituality. I argue that the relational dynamic of their aesthetic sensibilities and techniques show ways some Chicanx scholars and artists subscribe to a sense of spirituality that maintains interconnected relations with others who have been disempowered and marginalized._ _ __To support this position, in the first half of the paper, I analyze the relational sensibilities central to_ _Chicanx aesthetic sensibility of _rasquache domesticana,_ which highlights the concrete spaces in which Chicanx, their aesthetic perception, and techniques generate a communal resistance that is sustained through spirituality. The second half turns to Mesa-Bains’ altar installation for Sor Juana Inés de la Cruz (1994) and Anzaldúa’s writing process described in Borderlands (1987) to clarify ways in which aesthetics and spiritual relations engender practices of resistance to social dichotomies. _. (shrink)

Our paper examines Gloria Anzaldúa’s critical appropriation of Mexican philosophical sources, especially in the writing of Borderlands/La Frontera. We demonstrate how Anzaldúa developed a transnational Philosophy of Mexicanness, effectively contributing to what has been recently characterized as the “multi-generational project to pursue philosophy from and about Mexican circumstances” (Vargas). More specifically, we recover “La Mexicana en la Chicana” by paying careful attention to Anzaldúa’s Mexican sources, both those she explicitly cites and those we have discovered while conducting archival research using (...) the Gloria Evangelina Anzaldúa Papers from the Benson Latin American Collection at the University of Texas at Austin. The three sections of our paper: 1) define the terms Mexican and philosophy in conversation with Anzaldúa’s work, 2) examine the Mexican philosophical sources that Anzaldúa cites in Borderlands/La Frontera, and 3) present the other major Mexican philosophical influences on Anzaldúa that we have found in her archive. The eight Mexican philosophical sources we discuss here include: José Vasconcelos (1882-1959), Miguel León-Portilla (1926-2019), Juana Armanda Alegría (1938- ), Octavio Paz (1914-1998), Samuel Ramos (1897-1959), Rosario Castellanos (1925-1974), Sor Juana Inés de La Cruz (1648-1695), and Jorge Carrión (1913-2005). (shrink)

on the morning of friday, 6 March 2020, an "Author Meets Critics" session took place in the Sor Juana room of the Hacienda Santa Clara to discuss Marilyn Fischer's Jane Addams's Evolutionary Theorizing. Chaired by Barbara Lowe, the dialogue yielded opportunities to both praise Fischer's scholarship and reassess the nature and meaning of Jane Addams's canonical work of American philosophy, Democracy and Social Ethics. The discussion proved significant enough that the editors of The Pluralist sought to reproduce it in (...) these pages.In Jane Addams's Evolutionary Theorizing, Fischer provides an "archaeological" and "architectural" treatment of DSE, delving into the source material: Addams's own lectures... (shrink)

_Experiencing Philosophy_ begins with the assumption that philosophy is not merely something you know but also something you experience and participate in. The book presents philosophical theories and ideas with reference to their practical relevance to the lives of student readers. To this end, a number of engaging features and inserts are provided: • _Original Sources_: Numerous primary readings are included, introducing students directly to the philosophical work of diverse thinkers ranging from Plato to Martin Luther King Jr. Each reading (...) is thoughtfully excerpted and followed by reflective questions. • _Philosopher Profiles_: Abstract ideas are connected to the lives of real historical figures through fascinating biographical profiles. • _Take It Personally_: To illustrate how philosophy can be useful and relevant, each chapter begins by placing the material in a personal context. • _Know Thyself Diagnostics_: This book takes seriously—as did Socrates—the Delphic Oracle’s dictum to “know thyself.” Students are given self-diagnostics to explore their own philosophical values, ideals, and beliefs. • _Philosophers in Action_: Philosophy is something you do, not just something you know. Prompts are provided throughout the text inviting students to conduct thought experiments, analyze concepts, and discuss and debate controversial points. • _Thinking about Your Thinking_: These metacognitive prompts require students to engage in higher-order thinking, not only about the presented readings and ideas but also with respect to their own values, assumptions, and beliefs. • _Plus_: Built-in study guides, diagrams, famous philosophical quotations, comics, feature boxes, and more! (shrink)