In 1885, the Austrian music critic and scholar Friedrich von Hausegger published his book “Die Musik als Ausdruck” (“Music as Expression”) which may be understood as an answer to Eduard Hanslick’s “Vom Musikalisch-Schönen” (“On the Musically Beautiful”, 1854). Unlike Hanslick, Hausegger takes the body as central to any adequate account of music. Hence Charles Darwin’s theory of evolution, in particular his book “The Expression of Emotions in Man and Animals” (1872), becomes a central reference for Hausegger. His (...) treatise is a detailed and systematic reconstruction of the probable development of musical expression. The new edition is the first to present the complete text of the second edition of 1887 (amended by Hausegger) in modern Latin typeface. (shrink)

The correspondence between Richard von Mises and George Pólya of 1919/20 contains reflections on two well-known articles by von Mises on the foundations of probability in the Mathematische Zeitschrift of 1919, and one paper from the Physikalische Zeitschrift of 1918. The topics touched on in the correspondence are: the proof of the central limit theorem of probability theory, von Mises' notion of randomness, and a statistical criterion for integer-valuedness of physical data. The investigation will hint at both the fruitfulness and (...) the limits of several of von Mises' notions such as ``collective'', ``distribution'' and ``complex adjuncts'' (characteristic functions) for further developments in probability theory and in ``directional statistics''. By pointing to the selectiveness of Pólya's criticism, the historical analysis shows the differing expectations of the two men with respect to the further development of the theory of probability and its applications. The paper thus gives a glimpse of the provisional state of the theory around 1920, before others such as P. Lévy (1886–1971) and A. N. Kolmogorov (1903–1987) stepped in and created a new paradigm for probability theory. (shrink)

In der Theoriegeschichte der ästhetischen Theorie hat sich im 20. Jahrhundert eine Lesart der Kantischen Analytik des Schönen herausgebildet, welche die Zweckfreiheit der Künste als Dogma ihrer Funktionslosigkeit versteht. Dem gegenüber gibt es Entwicklungen auf dem Feld der Künste, die in eine andere Richtung weisen. Das Buchprojekt geht von der impliziten Annahme aus, dass ästhetische Theorie sich ihrem Gegenstand gegenüber als angemessen erweisen muss. Es besteht daher eine Notwendigkeit, die theoretischen Parameter der Zweckfreiheit, Autonomie und Funktionslosigkeit neu zu überdenken. Die (...) Strategie dieser Operation besteht darin, sich mit der philosophischen Geschichte des Zweckbegriffs auseinanderzusetzen und diese in ein Verhältnis zu aktuellen Diskursen und Phänomenologien der Kunst zu setzen. Auf dem Prüfstand steht damit die Funktion/Funktionslosigkeit der Kunst in der Gesellschaft sowie eine Neufassung ihrer Zwecke. (shrink)

Die Abgrenzung des Designs von der Kunst, welche die ästhetische Theorie im 20. Jahrhundert vornahm, hat uns implizit eine Definition von Design und designerischem Handeln vorgegeben, die diesem nicht in Gänze gerecht wird. Mit der Auszeichnung der Kunst fand eine Abwertung gestalterischen Handelns statt. Die angebliche Distanz des Künstlerischen zum Funktionalen und Ökonomischen steht heute mehr denn je in Frage, wie sich auch bemerken lässt, dass Design seit seiner Entstehung vielfach durch künstlerische Einflüsse geprägt worden ist. Um heute Design adäquat (...) theoretisch zu fassen, muss seine kategoriale Abgrenzung von den. (shrink)

"Der geschichtliche Sinn, welcher schon das Altertum auszeichnete, bewahrte sich auch auf unserm Gebiete, und es hat schon in fruher Zeit nicht an Versuchen gefehlt, den Entwicklungsgang des Wissens bis zu einem gewissen Termine zu schildern. Nach Diogenes von Laerte, einem freilich nicht immer vollig zuverlassigen Gewahrsmann, hat schon ein Schuler des Aristoteles, der als Naturforscher bekanntere Theophrast, Geschichtswerke uber Arithmetik, Geometrie und Astronomie verfasst, von denen sich jedoch hochstens insofern eine Spur erhalten hat, als nach den ausgezeichneten Untersuchungen von (...) Diels bei einer ganzen Reihe spatlateinischer und spatgriechischer Autoren Anklange an historische Angaben Theophrasts zu finden sind. Ahnliches gilt von der angeblich geometrischen Schrift des Xenokrates, deren ebenfalls Diogenes Erwahnung tut." [...] Der bedeutende Philosoph und Philosophiehistoriker Dr. Wilhelm Windelband (1848-1915) gilt als Begrunder der sudwestdeutschen Schule (auch Badische Schule ), die eine Richtung des Neukantianismus darstellt. Windelbands Hauptaugenmerk galt der Abgrenzung von Natur- und Kulturwissenschaften. Sein wichtigster Schuler war Heinrich Rickert. Sigmund Gunther lebte von 1848 - 1923 und gilt als einer der wichtigsten Mathematikhistoriker. Er wurde mit der Dissertation "Studien zu theoretischen Photometrie" promoviert. In dem vorliegenden Werk gehen beide Autoren ausfuhrlich auf die geschichtlichen Hintergrunde der Naturwissenschaften und der Philosophie ein. Das Buch erschien ursprunglich als funfter Band im "Handbuch der klassischen Altertums-Wissenschaft" und wurde 1888 erstmals veroffentlicht. Der Verlag der Wissenschaften verlegt historische Literatur bekannter und unbekannter wissenschaftlicher Autoren. Dem interessierten Leser werden so teilweise langst nicht mehr verlegte Werke wieder zugangig gemacht. Das vorliegende Buch ist ein unveranderter Nachdruck der Originalausgabe.". (shrink)

What follows shall provide an introduction to a predominantly philosophical and polemical, but historically revealing, paper on the foundations of the theory of probability. The leading Russian probabilist Aleksandr Yakovlevich Khinchin wrote the paper in the late 1930s, commenting on a slightly older, but still competing approach to probability theory by Richard von Mises. Together with the even more influential Andrey Nikolayevich Kolmogorov, who was nine years his junior, Khinchin had revolutionized probability theory around 1930 by introducing the modern measure-theoretic (...) approach, which is still standard today and which allowed for a sufficiently general treatment of important new notions such as “stochastic processes.” This development had its first culmination in Kolmogorov's booklet, Grundbegriffe der Wahrscheinlichkeitsrechnung, written in German in 1933, which has exerted an enormous influence world wide. (shrink)

ArgumentThe paper is based on a hitherto unexplored document (audiotape of an interview accompanied by a German transcript) from 1953, located in the Freud Papers at the Library of Congress. It contributes to a better understanding of the impact of Freud and of Psychoanalysis on personalities from the exact sciences, here represented by the noted applied mathematicians Richard von Mises and Hilda Geiringer from Vienna. The detailed discussion of the interview sheds some new light on the different roles of Kraus (...) and Freud in the Vienna culture, on the Vienna Jugendkulturbewegung (youth culture movement) during WWI in which Geiringer was involved, on Freud’s and Siegfried Bernfeld’s standing around 1930 among German philosophers and psychologists, and on Wilhelm Fließ’ theory of periodicity, which von Mises—based on his attitude as an applied mathematician—defended against superficial accusations. Finally, new biographical material is provided for von Mises and the remotely related Freud family, and for Geiringer’s and von Mises’ early lives. The interview, which was taken during the Cold War, also allows conclusions as to how politics influenced the memories and views of the participants. Part of the aim of the paper is historical documentation of unknown material (letters by Karl Kraus and Wolfgang Köhler, one book review by Wilhelm Ostwald, a file on Richard Pfennig), including some correction of erroneous information in the literature. (shrink)

ArgumentThe article describes a special type of scientific and philosophical “non-conformism” as exemplified in the versatile work of Richard von Mises. While the historical impact of von Mises' practical and organizational work in applied mathematics is beyond doubt, it is shown that von Mises' insistence on cognitive connectibility of various scientific domains was not, in the end, successful although it stimulated the theoretical discussion considerably. Von Mises developed a principally critical attitude towards what he considered “one-sided” in several streams of (...) modernity and tended to be “anti-modern” even in those of his activities which belonged to “modernism.” Reasons can be found in his biographical experiences, in particular in his unorthodox academic education and repeated emigrations. Thus biographical research has considerable potential for historical explanation. The paper delves into the existing premises and sources for a scientific biography of Richard von Mises which is yet to be written, and publishes in the appendix a revealing biographical sketch authored by von Mises' widow, the applied mathematician Hilda Geiringer. (shrink)

Der Beitrag beschäftigt sich aus philosophischer Perspektive mit der kontroversen öffentlichen Diskussion zur documenta fifteen. Einigen Stellungnahmen in dieser Debatte liegen implizit Prämissen einer kantisch geprägten ästhetischen Theorie zugrunde; ihnen stehen anders situierte Diskussionsstrategien aus außereuropäischen Kontexten gegenüber. Im Text wird der kantische universalistische Gedanke eines ästhetischen Gemeinsinns kritisch im Sinne einer postkolonialen Kritik gelesen. Gibt es andere universale Annäherungen an künstlerisches Arbeiten, die stärker von einer Haltung des Zuhörens geprägt sind? Entsprechend den in diesem Feld möglichen Differenzen variiert auch (...) das Verständnis, was es bedeutet, in einem Künstler:innenkollektiv zu arbeiten. (shrink)

This paper is divided into a surveying and argumentative part and a slightly longer documentary part, which is meant to verify or at least make more plausible claims made in the first part. The first part deals in broad outline with the relationship of Frank and von Mises to the Vienna Circle of Logical Empiricism on the one hand and to the physicists and mathematicians in the German-speaking world on the other. The varying special positions, partly the non-conformity of the (...) two Austrian scientists are emphasized, in particular, their adherence to Ernst Mach’s epistemology and their shared interest in probability theory and applied mathematics. The impact of emigration and the after-effects in the U.S. are discussed. This leads to new insights into the fine structure of the Vienna Circle and the latter’s relationship to German academia within ‘Weimar Culture’. P. Forman’s interpretation (1971) of von Mises’ position is critically discussed. The second, documentary part, uses recently discovered correspondence between Frank and von Mises, and, to a lesser extent, von Mises’ personal diary. It aims at further substantiating some of the introductory theses and will at the same time provide material for a thorough biographical appreciation of the two scholars and friends. (shrink)

Ist Kunst eine Form des Handelns? Und wenn ja, in welchem Sinne? Handlungen werden häufig als praktische Verkörperung von Intentionen aufgefasst. Die Beiträge des Bandes zeigen: Von der kunstphilosophischen Tradition her lässt sich die Frage nach Kunst und Handlung sowohl mit Blick auf die Hervorbringung von Kunst als auch mit Blick auf ihre Erfahrung stellen. Kunst im Rahmen einer Poetik aufzufassen bedeutet allerdings, sie als eine Handlung zu bestimmen, der bestimmte Ziele zu eigen sind.

To call a piece of music sad or joyous need not imply reference to a subjective state. Speaking in this vein, we do not have to attribute sad or joyous feelings to the composer or to the performer. Nor do we predict that listeners will become sad or joyful when they will listen to a performance of that composition. Musical expression is not a mode of consciousness in those who produce it and it is not an effect of music either. (...) Rather, it is a feature of the music itself. Once we have discarded the psychological reduction of expression, the way may be clear to explore the intricate relation between expression and subjectivity. Friedrich von Hausegger’s Music as Expression (1885/87) stands out among the guides to be recommended for a journey along that path. (shrink)

.................................................................................................... ..................... 2 2 LF-Binding and Feature Deletion......................................................................................... 3..

This paper is mainly concerned with tense in embedded constructions. I believe that recent research – notably the work by Ogihara (1989) and Abusch (1993) – has contributed much to our better understanding of its semantics. The proposals made by the two authors are, however, still too simplistic in some regards. Among other things, they neglect the interplay of tense with temporal adverbs of quantification and with frame-setters. To get this composition right is a touchstone for every theory of tense (...) and tense semanticists have been concerned with this problem from the beginning on, as witnessed by the analyses in Kratzer (1978), Bäuerle (1979), Dowty (1979/1982), to mention a few. (shrink)

Summary Verbs of creation (create, make, paint) are not transparent. The object created does not exist during the event time but only thereafter. We may call this type of opacity temporal opacity. I is to be distinguished from modal opacity, which is found in verbs like owe or seek. (Dowty, 1979) offers two analyses of creation verbs. One analysis predicts that no object of the sort created exists before the time of the creation. The other analysis says that the object (...) exists throughout the act of creation. I investigate three theories: Theory I says that no object of the sort created and which is caused by the very act of creation exists before the creation. In this theory, verbs of creation must embed a property. Theory II can regard the indefinite object of a creation verb as a quantifier and gives it wide scope with respect to the verb. The theory has to make sure that the objects quantified over exist only after the event. While Theory I and II start from the assumption that the extension of all nouns depend on time, Theory III says that Individual Level predicates do not depend on time. This ontology will enable us to treat verbs of creation as first order relations. The theory will entail that a picture does not mean the same as there is a picture. The paper discusses various approaches to the problem: Krifka, Parsons, Landman, Kratzer and Zucchi. (shrink)

Our discussion is couched within a compositional implementation of the analysis of the Perfect developed by Iatridou et.al. (a version of Extended Now of McCoard 78, Dowty 72, 79). The basics.

It is well known that indefinite phrases are more liberal in taking scope than other quantifying phrases. In general, the scope of indefinites is not limited by the finite clause in which they occur, although the scope of universal quantifiers is. Wh-phrases behave very much like indefinites: in languages with wh in situ, their scope need not be restricted by anything like clause boundedness.

Kenley Dove’s article [OWL, IX-4] seems to overlook that certain thinker who could probably be the key to the proper elucidation of Hegel’s thought on creativity, i.e. Plotinus. Dove’s threefold breakdown of classical Greek and medieval Christian ideas of creation is cogent, though he fails to include the Neo-Platonic bridge which could not only harmonize for him the “deterministic” metaphysics of the Greeks with the ex nihilo “free-act-of-God” metaphysics of Aquinas, but also provide him with a way to understand that (...) Hegel represents a reconciliation of all of these positions. (shrink)

Betr. u.a. Erasmus und die Reformation in Basel.

Literary controversies are instructive both in themselves and by illuminating the historical contexts that surrounded them. The Zurich dispute between Johann J. Bottmer, Johann J. Breitinger, and J...

Hermann von Helmholtz (1821a "1894) galt als der bedeutendste Physiker und Physiologe seiner Zeit. Er reflektiert in seinen Texten kritisch die Grenzen und den Horizont mAglicher Erkenntnis mit theoretisch-philosophischer Aufmerksamkeit. Aus der FA1/4lle seiner Publikationen stellten der Philosoph Moritz von Schlick und der Physiker und Mathematiker Paul Hertz 1921 aus AnlaA der 100-Jahrfeier seines Geburtstages den Band "Schriften zur Erkenntnistheorie" zusammen: a [ Aoeber den Ursprung und die Bedeutung der geometrischen Axiome (o.J.) a [ Aoeber die Tatsachen, die der Geometrie (...) zugrunde liegen (1868) a [ ZAhlen und Messen, erkenntnistheoretisch betrachtet (1887) a [ Die Tatsachen in der Wahrnehmung (1878). In ihrem Vorwort schreiben Hertz und Schlick: "Der oberste Gesichtspunkt, der uns bei der Auswahl und ErlAuterung der Schriften geleitet hat, war die RA1/4cksicht auf die Sache, auf die zur Sprache kommenden Probleme. Seine Schriften werden hier von neuem dargeboten um der Wahrheit willen, die in ihnen enthalten ist oder sich aus ihnen gewinnen lAAt." Nun erscheint dieses von Schlick und Hertz zusammengestellte Buch in einer bibliophilen Ausgabe...". this is a valuable edition of important papers on the foundations of mathematics published at a reasonable price.a (Zentralblatt fA1/4r Mathematik)..".Zweifellos handelt es sich hier um scharfsinnige Arbeiten, die zum erstenmal in ihrer Zeit die erkenntnistheoretische Relevanz der nichteuklidischen Geometrien thematisierten." (Neue ZA1/4rcher Zeitung). (shrink)

(i) Inferences from the (assumed) truth of the asserted sentence. Hearers may have conditional beliefs (if p, q) and upon hearing p asserted they can infer q by Modus Ponens (with suitable caveats about the reliability of their initial conditional belief and the new information that p).

After cataloguing various ‘improper’ sense of only, those which are taken with restricted scope (‘no more than [within a fixed domain]’) as opposed to the purely exclusive ‘proper’ sense, Ockham (1980:137) remarks that These are the senses, then, in which the exclusive expression can be taken improperly. And perhaps there are still other senses in which it can be taken improperly. But since they are not as widely used as the ones we have dealt with, I will leave them to (...) the specialists. Larry Horn: “A glorious picture indeed: monasteries crammed to the spires with specialists on only, laboring away on the fine points of the semantics of exclusive propositions. Those were the days!” (Horn 1996: 26-27). (shrink)

v. 1. Truth of the world -- v. 2 Truth of God -- v. 3. The spirit of truth.

The idea that humans are clearly distinguished from other animals and from the natural world in general is a cornerstone of European philosophy and culture at least from the sixteenth century onward. Often, this idea is related to understandings of ‘humanism’ that emerged in that period and legitimized regimes of power and control over non-European cultures; it also sanctioned the exploitation of the natural world in the form of extractive capitalism. Critiques of Eurocentric mindsets hinge on certain understandings of ‘humanism,’ (...) arguing for a transformation or even abandoning of humanist traditions in the sense of ‘posthumanism’ or ‘critical posthumanities.’ In their selective interpretation of European humanism—exemplified with Immanuel Kant’s philosophy—the current critique shows elements of an Occidentalist construction of humanism. If we want to overcome the idea that humans—and within that group particularly the white, male, educated Europeans—are the ‘masters of the world,’ we are confronted with conceptual challenges that need philosophical and theoretical reflection. The ontological and epistemological implications of non-anthropocentric ways of thinking and knowing provide a clear alternative to some problematic aspects of European philosophy and humanism. Engaging with new interpretations of other-than-human agency, relational understandings of animism, and intra-active production of knowledge can provide a relevant contribution to the ongoing discussion across intellectual, cultural, and political fields, an approach that takes the specificity of human animals seriously without identifying them as the center of knowledge and power. (shrink)

This archive-based study of the philosophy of Leo Strauss provides in-depth interpretations of key texts and their larger theoretical contexts.