Nelson Goodman observed that we use only certain ‘good’ (viz. projectible) predicates during reasoning, with no obvious demarcation criterion in sight to distinguish them from the bad and gruesome ones. This apparent arbitrariness undermines the justifiability of our reasoning practices. Inspired by Quine’s 1969 paper on Natural Kinds, Peter Gärdenfors proposes a cognitive criterion based on his theory of Conceptual Spaces (CS). He argues the good predicates are those referring to natural concepts, and that we can capture naturalness in terms (...) of similarity. In contrast to Quine, he does not primarily rely on logic, but geometry. He frames his account as a descriptive project, however, and it is not obvious how it addresses the normative dimension of Goodman’s Riddle. This paper develops a charitable reconstruction of his argument, based on the idea that the instrumental success of our projectible concepts is grounded in their cognitive-pragmatic naturalness. It then explores three lines of reasoning against the argument: Evolutionarily motivated skepticism, the miracles argument, and the relation between instrumental and pragmatic success. I conclude that in its current form, the CS account fails to provide any justification of reasoning beyond appealing to its instrumental success, and that a metaphysically robust notion of naturalness helps to achieve the desired goal. (shrink)

Editor’s Introduction to the Special Issue ‘The Cognitive Ontological Dimensions of Naturalness’, including brief introductions of the individual contributions.

Long description: Trotz ”Spatial Turn“ in den Kulturwissenschaften bildet die Verknüpfung von Raum, Wissen und Medien noch immer ein Forschungsdesiderat. Dem begegnet dieser Band, indem er die Wechselverhältnisse von räumlichen Zusammenhängen, medialen Konstellationen und Wissenskonstitution untersucht. Die medien- und geschichtswissenschaftlichen Beiträge analysieren sowohl räumliche und mediale Bedingungen wissenschaftlicher Praxis als auch Räume und Räumlichkeiten von Medien. Dabei richten sie den Blick vornehmlich auf die Konstruktionsweisen von Wissensräumen durch analoge und digitale Medien und fragen aus einer topologischen Perspektive nach der epistemischen (...) Relevanz medialer Anordnungen. (shrink)

The article discusses the relevance of sensor-technologies as media. Beyond technical affordances sensors act as agents of implementing and activating a more-than-human sensorium within encompassing technoecologies of sensation. Outlining the onto-epistemological implications of being ‘in touch with’ sensor-media, the contribution raises questions of what it means to be included in an infrastructure of sensorial interfaces - not only of tech-assisted human-to-human or human-to-machine communication, but of unmanageable processes of machine-to-machine exchange. Delineating sensors as media necessitates reflections on the temporal relations (...) that define the ‘contemporary condition’ of intensified global computation, technological interconnectedness and the ontogenesis of sensor-media milieus, their respective temporalities and concomitant aesthetics of experienced time. (shrink)