This study explores the intricate relationship between Salar vocal folk music and the Islamic faith, focusing on the Salar community in Qinghai Province, China. This research aims to examine how Islamic religious practices have shaped Salar vocal folk music and identify the challenges to its preservation. Data were collected through a qualitative methodology, including ethnographic fieldwork and interviews with three key informants: religious leaders, cultural inheritors, and folk musicians. The findings reveal that Salar vocal folk music serves as a medium (...) for religious devotion, moral instruction, and communal bonding. However, the study also highlights significant challenges, such as modernization and the disengagement of younger generations from traditional practices. The implications for research and practice include the need for increased formalized education programs, government support, and community-based initiatives aimed at preserving Salar music. Digital preservation efforts, such as archiving traditional songs, are recommended as an additional measure to safeguard this cultural heritage. The study is limited by its focus on a specific region and small sample size. Future research should explore how modern technology and media can be leveraged to engage younger audiences in traditional music practices. Preserving this unique musical tradition is essential for maintaining the Salar people’s cultural and religious identity in the face of globalization. (shrink)

This study examines the contemporary status and cultural preservation of Salar vocal folk music within the Salar Muslim community in Qinghai Province, China, highlighting its role in sustaining cultural and spiritual identity. The research aims to understand the impact of modernization and cultural integration on these traditions and explore strategies for their preservation. Using a qualitative approach, data were gathered through fieldwork in Xunhua Salar Autonomous County, including participant observations, semi-structured interviews with local musicians and cultural practitioners, and document analysis (...) of preservation policies. Audio-visual recordings of performances further supported the thematic analysis of challenges and strategies for preserving this music. Findings reveal that while government initiatives contribute significantly to preservation, greater community engagement, educational initiatives, and the use of modern technology are essential to bridge generational gaps in cultural appreciation. The study underscores the need to integrate cultural preservation into educational and religious frameworks aligned with community-centered approaches. Recommendations include targeted educational programs, innovation in media to engage younger generations, and the establishment of legal protections for intangible cultural heritage. These findings offer implications for ethnomusicologists, policymakers, and educators, supporting broader cultural preservation efforts in multi-ethnic contexts. (shrink)

The Tianqin, often a plucked zither or lute, holds significant cultural and musical heritage in China. The objective of this study is to explore the evolutionary perspectives on the culture of a Chinese folk musical instrument by examining its playing techniques and cultural changes. Conducted in Longzhou County, Guangxi Zhuang Autonomous Region, China, this study involved ethnographic fieldwork, including participant observation and interviews with key informants such as Tianqin musicians and craftsmen. Data analysis was performed using thematic analysis, revealing that (...) the Tianqin has transitioned from a ritualistic instrument to a symbol of cultural heritage and mass entertainment. The findings highlight the instrument's adaptability through innovations in playing techniques and materials, supported by governmental initiatives promoting Tianqin culture. This research underscores the importance of preserving and promoting traditional musical instruments in contemporary society. The study's insights contribute to a broader understanding of cultural adaptation and innovation in ethnomusicology. (shrink)