This article is about nationalism from an unlikely perspective: Hannah Arendt. Though Arendt is famously no supporter of nationalism, I argue that her writing on narrative provides an illuminative way of examining the phenomenon. In the first section, I build upon Arendt’s narrative theory—and Leah Bradshaw’s analysis of it—to develop a distinction between narratively true stories and false ones, or reveries. I argue that while Arendt’s work on the matter often pertain to the tales of individuals, the thought is transferable (...) to the stories of nations. In the latter half of the paper, I turn these two questions on to instances of contemporary nationalism. Section two is on England, and section three is on Israel. I do not suggest that my conclusion about these case studies are definitive, but I do hope that their inclusion in this paper helps to demonstrate how Arendt’s philosophic analysis could be turned on the world. (shrink)

In recent years, critical theorists such as Amy Allen and Robert Nichols have aimed to “decolonize critical theory,” by which they mean to make the tradition of critical theory less hostile to, and more compatible with, the ideas and movements of Indigenous peoples. In this article, however, I argue these efforts have failed to consider the relationship of two key elements of critical theory with Indigenous thought: that all normativity is generated immanently to historically and socially located struggle, and that (...) normativity is negatively defined. These two elements, I argue, are not fully endorsed in the work of many Indigenous thinkers. By drawing on the work of a diverse group of contemporary Indigenous scholars, I show, first, that nature is generally a relevant normative category in Indigenous thinking in a way that is irreducible to historical location. Second, I argue that for many Native scholars, right action is not simply a matter of resisting colonialism. While resistance features heavily, of course, I suggest that Indigenous thinking often includes a substantive positive vision of living well that has not—as of yet—been considered by critical theorists. (shrink)

This response to Eileen Hunt's The First Last Man: Mary Shelley and the Postapocalyptic Imagination (2024) addresses the question of whether there is such a thing as a general apocalypse, or whether when we speak of apocalypses we are always presupposing a certain community of humans or beings.