Adam Kolber argues against retributivist theories of punishment, based on considerations of moral uncertainty. In this reply, I suggest that Kolber’s argument will not have the implications he supposes, in part because, if it’s able to raise difficulties for retributivism, similar problems will arise for a wide variety of other approaches to punishment.

A person sometimes forms moral beliefs by relying on another person''s moral testimony. In this paper I advance a cognitivist normative account of this phenomenon. I argue that for a person''s actions to be morally good, they must be based on a recognition of the moral reasons bearing on action. Morality requires people to act from an understanding of moral claims, and consequently to have an understanding of moral claims relevant to action. A person sometimes fails to meet this requirement (...) when she relies on another person''s moral testimony, and so there are moral limits on such reliance. (shrink)

Do citizens have an obligation to obey the law? This book differs from standard approaches by shifting from the language of obedience to that of deference. The popular view that law claims authority but does not have it is here reversed on both counts: law does not claim authority but has it. Though the focus is on political obligation, the author approaches that issue indirectly by first developing a more general account of when deference is due to the view of (...) others. Two standard practices that political theorists often consider in exploring the question of political obligation - fair-play and promise-keeping - can themselves be seen as examples of a duty of deference. In this respect the book defends a more general theory of ethics whose scope extends beyond the question of political obligation to questions of duty in the case of law, promises, fair play and friendship. (shrink)

, encapsulates his deep hostility to Marxist thinking. his deep hostility to Marxist thinking. his deep hostility to Marxist thinking. his deep hostility to Marxist thinking. By contrast, my own allusion is friendly, By contrast, my own allusion is friendly, and is meant to point up a nice parallel and is meant to point up a nice parallel my argument has with a schematic my argument has with a schematic aspect of Marx’s thinking. aspect of Marx’s thinking.

Hilbert's program attempts to show that our mathematical knowledge can be certain because we are able to know for certain the truths of elementary arithmetic. I argue that, in the absence of a theory of mathematical truth, Hilbert does not have a complete theory of our arithmetical knowledge. Further, while his deployment of a Kantian notion of intuition seems to promise an answer to scepticism, there is no way to complete Hilbert's epistemology which would answer to his avowed aims.

Brings together classical and contemporary arguments about pure democracy versus representative government, the role of elites in a democracy, possibilities for greater popular participation, the relationship between democracy and capitalism, democracy and male domination, and the linkage between majority rule and minority rights.

Although Joyce was losing his sight when he wrote Ulysses, Stephen's and Bloom's visual experiences are extraordinarily rich and complex. Absorbing the influences of popular visual attractions such as dioramas, stereoscopes and mutoscopes, their perceptions of Dublin are shaped by what Walter Benjamin calls 'unconscious optics'. Analyzing closely the texture of their impressions and of Joyce's prismatic narrative styles, Philip Sicker explores the phenomenon of sight from a wide-ranging set of perspectives: eighteenth-century epistemology, theories of the flaneur, Italian Futurist (...) art, photography, and the silent films Joyce watched in Dublin and Trieste. The concept of 'spectacle' as a mechanically-constructed visual experience informs Sicker's examination of mediated perception and emerges as a hallmark of modernist culture itself. This study is an important contribution to the growing interest in how deeply the philosophy and science of visual perception influenced modernism. (shrink)

Periodic and unexpected shortages of drugs, biologics, and even medical devices have become commonplace in the United States. When shortages occur, hospitals and clinics need to decide how to ration their available stock. When such situations arise, institutions can choose from several different allocation schemes, such as first-come, first-served, a lottery, or a more rational and calculated approach. While the first two approaches sound reasonable at first glance, there are a number of problems associated with them, including the inability to (...) make fine, individual patient-centered decisions. They also do not discriminate between what kinds of patients and what types of uses may be more deserving or reasonable than others. In this article I outline an ethically acceptable procedure for rationing drugs during a shortage in which demand outstrips supply. (shrink)

The idea that there should be no limits on freedom of discussion receives passionate defenses from some of the most thoughtful and eloquent writers in our language, for example, Milton's evidential transparence condition and Mill's condition of equal benefit. My interest lies in exposing the consequences of this view for the derivative value of free discussion. I'm going to be particularly concerned with those instances in which these conditions are problematic.

In Paul and Image, Philip Erwin challenges conventional interpretations of First Corinthians by focusing on the role that ancient Roman visual culture played in the lives of Paul and those of the people of Corinth.

The script focusFollowsMouse.user.js provides a very simple implementation of "click-free" web browsing: it defines a mouseover method for every HTML link, input, select and text area which calls the focus() method on that control. (Click on the link to install it as a Greasemonkey script.).

This stunning paperback volume showcases the winners and best entries for the International Garden Photographer of the Year competition and accompanies a major exhibition at the Royal Botanic Gardens, Kew, in May 2011 and touring the UK and USA thereafter. ‘The contemporary camera maybe a technological marvel but it can’t take photographs, only the photographer can do that. To succeed it involves making an incredible complex of choices and only one chance in the entire history of time to make them (...) as close to perfect as possible. A carefree snap - easy, a composed and considered picture, well, that requires a synergy of skills and perhaps a dash of genius. So that's why this album is such a treat to revel in, its a feast of the worlds best gardens, gardeners, the plants and animals growing and living in them in the very best photographic forms. The images will 'wow' you, make you wish you had been there, wish it was your garden in the picture or wish you had squeezed the button. It’s a testament to a huge array of skills and a catalogue of remarkable beauty’. Chris Packham – BBC Presenter and photographer. (shrink)