COVID-19 lockdown presented a novel opportunity to study the experiences of people attempting to maintain friendships in the context of worldwide, government-enforced physical distancing and lockdown. Here we report on an experiential, idiographic qualitative project with a purposive sample of Scottish students. Data was collected via one-to-one on-line interviews with nine student participants. Data was transcribed and analyzed using Interpretative Phenomenological Analysis. Analysis highlighted three group-level experiential themes and associated subthemes. Participants’ shared experiences of maintaining friendships were reflected in a (...) dynamic process by which ‘changes to communication’ were associated with experiences of ‘effort and balance’ across friendships. Participants reported becoming particularly aware of the psychological processes involved in maintaining friendships, in turn, this was associated with ‘reflection and growth.’ These experiential findings resonate well with several longstanding classic theories; however, they also speak to the particularities of the context in which the study was conducted. They suggest the need for a pandemic psychology that moves beyond the typical focus on the direct impacts of infectious disease to address the wider psychosocial impacts with equal vigor. (shrink)

Of all my recollections connected with the H of C that of my having had the honour of being the first to make the claim of women to the suffrage a parliamentary question, is the most gratifying as I believe it to have been the most important public service that circumstances made it in my power to render. This is now a thing accomplished.….

In a recent article Mark Ian Thomas Robson argues that there is a clear contradiction between the view that possible worlds are a part of God's nature and the theologically pivotal, but philosophically neglected, claim that God is perfectly beautiful. In this article I show that Robson's argument depends on several key assumptions that he fails to justify and as such that there is reason to doubt the soundness of his argument. I also demonstrate that if Robson's (...) argument were sound then this would be a problem for all classical theists and not just those who hold the possible worlds view. (shrink)

In this article I reply to Jon Robson's objections to my argument that God does not contain any possible worlds. I had argued that ugly possible worlds clearly compromise God's beauty. Robson argues that I failed to show that possible worlds can be subject to aesthetic evaluation, and that even if they were it could be the case that ugliness might contribute to God's overall beauty. In reply I try to show that possible worlds are aesthetically evaluable by (...) arguing that possible worlds are maximally rich representations of possible events. I further argue that nothing in God's being can be aesthetically non-evaluable since God must be maximal beauty – a beauteous maximality which needs no ugliness. Finally I show in what sense Christ's heavenly scars can be beautiful. (shrink)

Jacob (history, New School for Social Research) proposes that the science of the 17th and 18th centuries was eventually accepted because it was made compatible with larger political and economic interests. A celebration of the recently concluded 33 volume edition of the Collected works of John Stuart Mill, produced over a period of nearly 30 years, the last 20 under the guiding genius (and hand) of general editor Robson. Following a tributary history of the project itself, essays cover Mill's (...) career as a thinker and as a bureaucrat and public servant, exploring the effects of the various milieu--domestic, political, administrative, religious, and cultural--in which he moved. Annotation copyrighted by Book News, Inc., Portland, OR. (shrink)

So, on 22 July 1865, under the title ‘Philosophy and Punch’, did England's premier comic weekly greet the election of J. S. Mill as MP for Westminster. Mill held his seat for only one term, until the general election of 1868, when his Whig-Liberal colleague Robert Wellesley Grosvenor was re-elected, but Mill was replaced by the loser in 1865, the Conservative W. H. Smith, Jr., who, though he never went to sea, became the ruler of the Queen's navy. The reasons (...) for that reversal have engaged the attention of many, including Mill himself; I should like to introduce into the discussion material from an ignored source, the comic weeklies, which took a continued and close look at Mill's behaviour during his parliamentary years. While this evidence generally does not disconfirm earlier judgments—including my own— it does more than merely add to the induction. First, it shows how different political stances led journals to focus on different aspects of Mill's parliamentary career, and to adopt different rhetorical strategies in portraying him in picture and word. Second, it demonstrates how the hardening of party allegiances during the parliament of 1865–68, which accelerated in the preparatory campaigns for the general election of 1868, affected Mill adversely. Third, it suggests strongly that it was not his ‘crotchets’ or ‘whims’, especially women's suffrage and proportional representation, that damaged his chances for re-election, but his advocacy of causes unpopular with the majority of Liberals as well as with Conservatives. (shrink)

In his last work, "Crisis of the European Sciences and Transcendental Phenomenology", Edmund Husserl formulated a radical new approach to phenomenological philosophy. Unlike his previous works, in the "Crisis" Husserl embedded this formulation in an ambitious reflection on the essence and value of the idea of rational thought and culture, a reflection that he considered to be an urgent necessity in light of the political, social, and intellectual crisis of the interwar period. In this book, James Dodd pursues an (...) interpretation of Husserl's text that emphasizes the importance of the problem of the origin of philosophy, as well as advances the thesis that, for Husserl, the "crisis of reason" is not a contingent historical event, but a permanent feature of a life in reason generally. (shrink)

Following up on his previous book, _Violence and Phenomenology_, James Dodd presents here an expanded and deepened reflection on the problem of violence. The book’s six essays are guided by a skeptical philosophical attitude about the meaning of violence that refuses to conform to the exigencies of essence and the stable patterns of lived experience. Each essay tracks a discoverable, sometimes familiar figure of violence, while at the same time questioning its limits and revealing sites of its resistance to (...) conceptualization. Dodd’s essays are readings as much as they are reflections; attempts at interpretation as much as they are attempts to push concepts of violence to their limits. They draw upon a range of different authors—Sartre, Levinas, Schelling, Scheler, and Husserl—and historical moments, but without any attempt to reduce them into a series of examples elucidating a comprehensive theory. The aim is to follow a path of distinctively episodic and provisional modes of thinking and reflection that offers a potential glimpse at how violence can be understood. (shrink)

This provocative collection of essays written by the influential Greek scholar E. R. Dodds between 1929 and 1971. represents the wide range of his literary and philosophical interests. Insightful and learned, the essays combine profound scholarship with the lucid humanity of a teacher awareof the special value of Greek studies in the modern world.

This article explores the nature and theoretical import of a hitherto neglected class of fictions which we term ‘self-involving interactive fictions’. SIIFs are interactive fictions, but they differ from standard examples of interactive fictions by being, in some important sense, about those who consume them. In order to better understand the nature of SIIFs, and the ways in which they differ from other fictions, we focus primarily on the most prominent example of the category: video-game fictions. We argue that appreciating (...) the self-involving nature of video-game fictions is key to understanding various otherwise puzzling phenomena concerning the ways in which consumers respond to them. Video-game fictions are, however, far from being the only extant example of this class; and we suggest that the recent philosophical interest in video games would be better focused on the wider class of self-involving interactive fictions. (shrink)

It is frequently claimed that we can learn very little, if anything, about the aesthetic character of an artwork on the basis of testimony. Such disparaging assessments of the epistemic value of aesthetic testimony contrast markedly with our acceptance of testimony as an important source of knowledge in many other areas. There have, however, been a number of challenges to this orthodoxy of late; from those who seek to deny that such a contrast exists as well as attempts by those (...) who accept the distinction to provide an explanation and defence of the contrast. In Section I, I outline a little of the nature and history of the debate over aesthetic testimony. Section II, focuses on the opposing positions on aesthetic testimony, optimism and pessimism, and takes steps to clarify what exactly is at issue between them. In Section III, I survey considerations which have been adduced in favour of pessimism ranging from brute appeal to intuition to complex argumentation before turning in Section IV, to look at motivations for optimism. Finally, in Section V, I consider some alternative views which claim that, for a variety of reasons, it is a mistake to construe the debate over aesthetic testimony as concerned with the epistemic standing of aesthetic beliefs formed on the basis of testimony. (shrink)

This book pursues the problem of whether violence can be understood to be constitutive of its own sense or meaning, as opposed to being merely instrumental. Dodd draws on the resources of phenomenological philosophy, and takes the form of a series of dialogues between figures both inside and outside of this tradition. The central figures considered include Carl von Clausewitz, Carl Schmitt, Hannah Arendt, Jean-Paul Sartre, Ernst Jünger, and Martin Heidegger, and the study concludes with an analysis of the (...) philosophy of Jan Patocka. (shrink)

I argue that believing that p implies having a credence of 1 in p. This is true because the belief that p involves representing p as being the case, representing p as being the case involves not allowing for the possibility of not-p, while having a credence that’s greater than 0 in not-p involves regarding not-p as a possibility.

This paper critically examines several game theoretic interpretations of Hobbes' state of nature, including Prisoner's Dilemma and Assurance Game, and argues instead that the best matrix is that of a combination of the two, an Assurance Dilemma. This move is motivated by the fact that Hobbes explicitly notes two distinct personality types, with different preference structures, in the state of nature: dominators and moderates. The former play as if in a Prisoner's Dilemma, the latter play as if in an Assurance (...) Game. But when meeting one another, the Assurance Dilemma represents their differing strategies, and can explain various other features of Hobbes' state of nature, as well as a key informational role played the Sovereign. (shrink)

Roy Sorensen introduced the concept of an epistemic blindspot in the 1980s. A proposition is an epistemic blindspot for some individual at some time if and only if that proposition is consistent but unknowable by that individual at that time. In the first half of this paper, I extend Sorensen work on blindspots by arguing that there exist blindspots that essentially involve hopes. In the second half, I show how such blindspots can contribute to and impair different pursuits of self-understanding. (...) My arguments throughout this paper draw on Luc Bovens’s account of hope. (shrink)

Neste artigo, a partir de uma noção ampliada de diálogo, pretendemos sugerir algumas reflexões para que juntos possamos encontrar ações pertinentes para o momento em que vivemos, o isolamento social devido a pandemia do coronavírus. Inicialmente trabalharemos com quatro categorias: o diálogo consigo mesmo, o diálogo com as plantas, o diálogo com a história e o diálogo com os ancestrais. O artigo tem a pretensão de contribuir com as disciplinas de Filosofia e Sociologia no Ensino Médio, em diálogo com a (...) comunidade escolar. (shrink)

Este artigo consiste em uma reflexão cênico-teórica acerca das reverberações artísticas e filosóficas do pensamento imanente em dança em intersecção com o pensamento filosófico de Gilles Deleuze e Félix Guattari. A Teoria da Dança Imanente sugere uma performance artística em movimento na qual o corpo dialoga consigo para criar uma dança própria, pessoal e subjetiva. Assim, objetiva-se analisar o dispositivo teórico-conceitual da Dança Imanente em aberturas e intersecções performativas que culminam no entrelaçamento entre corpo, arte e filosofia. O procedimento metodológico (...) deu-se em diálogo bibliográfico e artístico, no qual as principais referências teórico-práticas são: Ana Flávia Mendes, Gilles Deleuze, Félix Guattari, Fischer-Lichte, Zourabichivli, dentre outros. A pesquisa questiona a designação ideal e a iminência em dança propondo a emancipação do criador-performer por vias imanentes. (shrink)

A formação docente pode ser analisada sob várias perspectivas. Neste artigo procura-se enfocar a formação docente como um instrumento político de manipulação e de controle das racionalidades e subjetividades dos sujeitos em formação. Procura-se entender essa dominação sobre seus alunos. Trata-se de um exercício estratégico de biopoder exercido por uma governamentalidade dominante. Este papel das formações parece ser um dos principais elementos motivadores das licenciaturas e das formações continuadas de docentes no Brasil. A mobilização das racionalidades e subjetividades esperada pela (...) governamentalidade gera estratificações nas relações entre os atores envolvidos com educação, criando grupos definidos de cooperação e rompimentos entre os sujeitos. A formação como um espaço de manifestação dos dispositivos disciplinares e de poder são identificados nas ações de formação docente e correspondem à estratificação e à manutenção do biopoder de controle das racionalidades e das subjetividades do indivíduo. O objetivo deste trabalho é analisar as condições da existência do poder exercido sobre as formações docentes. Busca-se reconhecer três formas estratégicas através das quais estes dispositivos de disciplinamento são exercidos. A primeira se dá em relação ao posicionamento dos formadores e formandos em questões étnicas, sociais e religiosas que estabelecem padrões éticos e morais aceitáveis pela governamentalidade. A segunda, pelas formas de dominação exercidas nas formações docentes que tendem a separar os indivíduos de seus produtos intelectuais e subjetividades. A terceira, pelas formas de sujeição praticadas em relação ao indivíduo mobilizadas externamente pelas instituições ou internamente pelo próprio indivíduo submetido ao processo formativo, assegurando sua submissão ao biopoder dominante. (shrink)

O presente artigo examina a relação entre lógica e filosofia a partir das teses críticas apresentadas por Heidegger ao longo dos escritos que culminam em "O que é metafísica?". Em particular, mostra-se que a polêmica afirmação sobre o fim do primado da lógica na filosofia, enunciada com a tese acerca da relação entre o nada e a negação, tem como alvo crítico o assim chamado idealismo lógico da Escola de Marburg, não representando um ataque geral à lógica enquanto lógica formal, (...) pura e simplesmente. Tomando a noção de "idéia", em sentido kantiano, com a tese da dissolução da idéia da lógica, Heidegger pretende uma limitação fundamental em toda investigação ontológica conduzida por uma reflexão lógico-transcendental, independentemente do modo como possa ser melhorada ou até mesmo reformulada. O problema do nada, tematizado em "O que é metafísica?", é analisado aqui como o caso limite do primado da lógica no questionamento ontológico.Based on the critical theses presented by Heidegger in texts which culminate in Was ist Metaphysik?, the present paper deals with the relation between Logic and Philosophy. It shows specifically that the polemic statement about the end of the primacy of Logic in Philosophy, founded on the thesis of the relation between negation and nothing, has as its critical target the so-called logical idealism of the Marburg School, and does not intend a general attack on formal Logic simpliciter. Taking in account the Kantian notion of "idea", Heidegger intended in the thesis of the dissolution of the idea of Logic a fundamental limitation for every ontological investigation grounded in logical-transcendental reflection, regardless of the way it can be improved, or reformulated. The question of nothing approached in Was ist Metaphysik? is analyzed here as a case that demonstrates the limits of the primacy of Logic in ontological questions. (shrink)

In “Punishment as a Costly Signal of Reform,” Jim Staihar argues that prisons should provide inmates with opportunities to sacrifice in ways that signal their genuine reform to others. I first show why Staihar’s program would be valuable, but only in restricted contexts. I then argue that costly signaling programs will usually be either not sufficiently costly to be taken seriously by the signal’s receivers or not rational for inmates in harsh prison environments to complete. Next, I consider the worry (...) that some inmates will choose to participate in costly signaling programs as mimics, rendering ineffective the signals of truly reformed inmates. What Staihar must say, but does not, is why the non-mimicker’s expected utility gain will be sufficiently higher than the mimicker’s such that only sincere participation is incentivized. I conclude by showing why Staihar’s proposal could nevertheless be a valuable part of a hybrid program of legal punishment. (shrink)

A hermenêutica pode contribuir para uma reflexão filosófica na escola, propiciando ao estudante uma noção de conjunto. O papel da hermenêutica é tornar o estudante consciente dos pré-conhecimentos que possui e que configuram todo o compreender.

Este trabalho visa mostrar a forma em que o filósofo Kant percebe o conceito de ciência e interage com ele na escrita da Crítica da Razão Pura, por essa razão, é necessário recorrermos a textos do período pré-crítico onde poderemos perceber como foi construído o conceito de ciência em Kant a partir daquilo que ele vivia no século XVIII. Assim, esse texto possui seis alíneas descritivas, quais sejam: a primeira norteia o leitor a entender o ponto de onde partimos e (...) o caminho a ser percorrido, seguido pela descrição do problema que envolve a ciência em suas nuances. A terceira alínea descreve a formação Kantiana, em sua historicidade, desde o que se estudava na Alemanha, seguido pela forma em que Kant apresenta o conceito de ciência como condição de possibilidade e a última aponta uma possibilidade de reflexão à luz daquilo que Kant entende sobre ciência. (shrink)

This book argues that correspondence theories of truth fail because the relation that holds between a true thought and a fact is that of identity, not correspondence. Facts are not complexes of worldly entities which make thoughts true they are merely true thoughts. According to Julian Dodd, the resulting modest identity theory, while not defining truth, correctly diagnoses the failure of correspondence theories, and thereby prepares the ground for a defensible deflation of the concept of truth.

Unusability pessimism has recently emerged as an appealing new option for pessimists about aesthetic testimony—those who deny the legitimacy of forming aesthetic beliefs on the basis of testimony. Unusability pessimists argue that we should reject the traditional pessimistic stance that knowledge of aesthetic matters is unavailable via testimony in favour of the view that while such knowledge is available to us, it is unusable. This unusability stems from the fact that accepting such testimony would violate an important non-epistemic norm of (...) belief formation. In this article I present an objection to unusability pessimism and argue that Robert Hopkins, the view's most prominent defender, fails to motivate adequately the claim that there are such non-epistemic belief norms. The cases which putatively legitimize usability norms can be explained by appeal to more familiar norm types: epistemic norms of belief formation, and non-epistemic norms which govern action other than belief formation. The intent of this article is not primarily negative, however, and I will also argue that understanding why the unusability position fails helps us to identify a promising new direction for the pessimist's opponents who wish to defend the legitimacy of forming aesthetic beliefs on the basis of testimony. (shrink)

How can experience provide knowledge, or even justified belief, about the objective world outside our minds? This volume presents original essays by prominent contemporary epistemologists, who show how philosophical progress on foundational issues can improve our understanding of, and suggest a solution to, this famous sceptical question.

Julian Dodd offers an original approach to the controversial concept of authenticity in musical performance. He argues that the fundamental norm is not historical authenticity but interpretive authenticity: being faithful to the work by evincing a profound, far-reaching, or sophisticated understanding of it.

Introduction -- The type/token theory introduced -- Motivating the type/token theory : repeatability -- Nominalist approaches to the ontology of music -- Musical anti-realism -- The type/token theory elaborated -- Types I : abstract, unstructured, unchanging -- Types introduced and nominalism repelled -- Types as abstracta -- Types as unstructured entities -- Types as fixed and unchanging -- Types II : platonism -- Introduction : eternal existence and timelessness -- Types and properties -- The eternal existence of properties reconsidered -- (...) Types and patterns -- Defending the type/token theory I -- Unstructuredness and analogical predication -- Musical works as fixed and unchanging -- Abstractness and audibility (again) -- Works and interpretations -- Conclusion and resumé -- Defending the type/token theory II : musical platonism -- Platonism it is : replies to Anderson and Levinson -- The existence conditions of works of music -- Composition as creative discovery -- The nature of the compositional process : replies to objections -- Composition and aesthetic appraisal : a reply to Levinson -- Composition and aesthetic appraisal : understanding, interpretation, and correctness -- Musical works as continuants : a theory rejected -- A theory introduced -- Explicating and motivating the continuant view -- The continuant view and repeatability -- Further objections to the continuant view -- Musical works as compositional actions : a critique -- Currie's action-type hypothesis -- Davies's performance theory -- Sonicism I : against instrumentalism -- Sonicism introduced -- Sonicism motivated : moderate empiricism -- Instrumentation : timbral sonicism introduced -- Scores -- Instrumentation, artistic properties, and aesthetic content -- Levinson's rejoinder -- Sonicism II : against contextualism -- Introduction : formulating contextualism -- Contextualist ontological proposals -- Levinson's doppelgänger thought-experiments -- Artistic, representational, and object-directed expressive properties -- Aesthetic and non-object-directed expressive properties -- Conclusion : the place of context. (shrink)

How do we form aesthetic judgements? And how should we do so? According to a very prominent tradition in aesthetics it would be wrong to form our aesthetic judgements about a particular object on the basis of anything other than first-hand acquaintance with the object itself (or some very close surrogate) and, in particular, it would be wrong to form such judgements merely on the basis of testimony. Further this tradition presupposes that our actual practice of forming aesthetic judgements typically (...) meets, or at least approximates, this ideal. In this paper I target this descriptive claim and argue—by appeal to some empirical work concerning belief polarization and echo chambers in aesthetics—that our actual practice of forming aesthetic judgements is heavily dependent on social sources such as testimony. I then briefly consider what normative implications this descriptive claim may have. (shrink)

As an academic discipline, Religious Studies has sought to differentiate itself from Theology both in focus and methodology. Scholars have broadened their research to include sacred traditions outs...

What is the relationship between acquaintance and aesthetic judgement? Wollheim’s acquaintance principle (AP) is one answer. Amir Konigsberg—the most recent critic of AP—has produced a number of examples which he claims will require us to restrict AP even further than has previously been suggested. I argue that Konigsberg is mistaken and that his examples do not necessitate any further restrictions on AP. This failure, however, is not the result of some specific flaw in Konigsberg’s argument; rather it is an artefact (...) of a deeper problem at the heart of the current debate over AP (and its successors). I conclude by arguing that this problem—the absence of any satisfactory reformulation of AP itself—has far-reaching consequences for our theorizing in aesthetics. (shrink)

Era Nietzsche um relativista conservador ou, pelo contrário, seria possível alocar o filósofo no sítio teórico do pensamento crítico? Tal pergunta-problema delimita o presente artigo. Ela se refere a uma conhecida querela entre modelos interpretativos (SEBOLD, [20--?]) pós-modernos e naturalistas e, especificamente, deriva da revisão de literatura de uma pesquisa em andamento, realizada no âmbito do curso de doutorado do Programa de Pós-Graduação em Educação da Universidade Federal do Espírito Santo, a partir da qual observamos uma ausência, talvez um esquecimento (...) em relação à contribuição de Nietzsche para a filosofia crítica no campo da Educação, espaço acadêmico no qual as pesquisas, em grande medida, alinham-se à recepção relativista de seu pensamento. A hipótese central, comprovada pela análise de posições filosóficas de Nietzsche (1979; 1992a; 1992b; 1998; 2000; 2003; 2004) e de alguns de seus comentadores, considera que o filósofo é um pensador crítico (HEIT, 2018; HEIT; PICHLER, 2015), não relativista (MARTON, 2011), perspectivista (CORBANEZI, 2013; MATTOS, 2013) e adepto a um tipo perspectivístico de naturalismo (CARVALHO, 2018; HEIT, 2016; HEIT, 2015; ITAPARICA, 2018), traços que de certa forma tendem a impactar a cosmovisão, quase hegemônica, no que diz respeito à recepção nietzschiana no campo da educação. O objetivo central do artigo é destacar que a discussão destes aspectos pode levar a um reposicionamento da filosofia de Nietzsche no universo do pensamento contemporâneo, incluindo-se aí a pesquisa em educação, bem como compreender em que medida a perspectiva crítica se choca com a perspectiva relativista no que diz respeito à teorização de uma formação de caráter emancipatório. Em termos metodológicos, a análise da revisão de literatura recorre à hermenêutica crítica. (shrink)

Why is it that we cannot legitimately make certain aesthetic assertions – for instance that ‘Guernica is harrowing’ or that ‘The Rite of Spring is strangely beautiful’ – on the basis of testimony alone? In this paper I consider a species of argument intended to demonstrate that the best explanation for the impermissibility of such assertions is that a particular view of the norms of aesthetic belief – pessimism concerning aesthetic testimony – is correct. I begin by outlining the strongest (...) instance of such ‘arguments from assertion’ and demonstrating that it presents a powerful motivation for embracing pessimism; the view that it is illegitimate to form aesthetic beliefs on the basis of testimony alone. I then go on to argue that, appearances notwithstanding, the pessimist’s opponents – optimists concerning aesthetic testimony – are able to provide an explanation for the impermissibility of these assertions which is at least as good as, and in some respects better than, that offered by their pessimist. The explanation I propose draws on some important work on signalling in aesthetics, by Denis Dutton and others, to argue that the problem with such assertions is closely parallel to the problem Dutton claims is generated by forgeries. Those making such assertions misrepresent a piece of aesthetic labour as their own, when, in fact, it is the work of another. I also explore the wider implications of this view for debates in aesthetic epistemology and beyond. (shrink)