This book explores the semantic and pragmatic mechanisms underlying grammaticalization. Regine Eckardt argues that language change frequently involves a structural reorganization at the phonological, morphological, and syntactic levels. Speakers not only master the structural aspect of such reanalyses, they also-as the author argues-keep a detailed mental record of what has happened to meaning. The author develops semantic reanalysis as the semantic correlate and tracks its effects in meaning change. Several case studies offer new insights in the architecture of conceptual (...) thinking that is part of the human language faculty. Professor Eckardt develops her approach in terms of formal semantic theory. She shows how neatly tailored analyses in truth-conditional compositional semantics can elucidate the structural mechanisms of meaning change. Her exposition is advanced in the context of several in-depth case studies containing data new to historical linguistics. This book will be of central interest to scholars and advanced students of historical and comparative linguistics and of formal semantics in departments of linguistics and philosophy. (shrink)

The prior issue of Krisis (42:1) published Critical Naturalism: A Manifesto, with the aim to instigate a debate of the issues raised in this manifesto – the necessary re-thinking of the role (and the concept) of nature in critical theory in relation to questions of ecology, health, and inequality. Since Krisis considers itself a place for philosophical debates that take contemporary struggles as starting point, it issued an open call and solicited responses to the manifesto. This is one of the (...) sixteen selected responses, which augment, specify, or question the assumptions and arguments of the manifesto. (shrink)

In focusing on relations between data and vision and proposing to address big data in terms of currently dominant optical metaphors, the paper makes a case for an approach that allows for clearer distinctions between big data as ‘visions’, and data technologies. assessing notions and visions of panoptic data technologies, I outline three perspectives on the nexus between data and vision. Following Bruno Latour’s counter-image of “oligoptica”, I argue, more generally, in favour of a conceptual framework that understands big data (...) as a sociotechnical infrastructure, and discuss, drawing on more recent studies, in which ways this approach allows to address social and ethical implications of present data technologies and practices in a more differentiated way. (shrink)

This article delineates the cosmopolitan praxis of Nietzsche’s imaginary figure of “the good European.” The good European is the child and creator of Nietzsche’s ideal, postmodern, and post-Christian Europe. As Ananta Kumar Giri justifiably argued, cosmopolitanism is, amongst others things, a matter of practical experimentation, a continuous process of self-critique and border-crossing. Nietzsche’s good European is the exemplary cosmopolitan practitioner, who deliberately and literally undertakes travels to transform himself from a “chainsick” person, who is tied to old moral chains, into (...) a rootless freethinker, “artist of life,” and creator of culture.It is argued that the good European represents the individual, who is indeed liberated from an old, obsolete morality, yet who simultaneously shows himself a highly ethical being in his praxis of freedom. The good European in the Nietzschean sense can further be regarded as quite the opposite of Kant’s cosmopolitan citizen, in the sense that selfishness, competition, and the violent edges of human nature are not so much annihilated in a natural and reasonable process towards “eternal peace,” but rather postulated as vital elements of the cosmopolitan spirit. They are indispensable features of the good European as a “citizen of the world” in the Nietzschean sense. (shrink)

1. Der pädagogische Aufbau der Erfahrung.

Long description: Das Spiel konstituiert ein”Dazwischen“, einen Raum des Als-ob, welcher der sozialen Welt sowohl angehört als auch von ihr abgehoben ist. Diese”ontologische Ambivalenz“macht den Begriff des Spiels für viele zu einem idealen Vermittler im Nachdenken über die Beziehung von Subjektivität, Kunst und Alltagspraxis. Ist der Begriff des Spiels auch nach den Diskussionen um den Status des Subjekts im Zeichen der Postmoderne geeignet, die ästhetischen und alltagspraktischen Formen zu fassen, in denen sich Selbstverhältnisse konstituieren? Die Beiträge des Bandes gehen dieser (...) Frage aus kunst-, medien- und kulturwissenschaftlicher, philosophischer, kognitionspsychologischer und soziologischer Perspektive nach. (shrink)

Tous les évènements traumatiques instaurent un rapport spécifique au temps. Parmi eux, le génocide constitue un paradigme de l’expérience extrême. Le génocide est un évènement qui échappe au temps commun et qui instaure une nouvelle temporalité, tant pour les victimes que pour les bourreaux. En analysant des témoignages oraux et écrits de rescapés de la Shoah et du génocide des Tutsi au Rwanda, on constate que la temporalité instaurée par le génocide continue longtemps après la fin des massacres à se (...) réverbérer sur la vie des survivants dont les familles ont été décimées. (shrink)

Friedrich Nietzsche (1844-1900) supported the unification of Europe and reflected on this like few other philosophers before or after him. Many ofhis works are concerned with the present state and future of European culture and humanity. Resisting the "nationalist nonsense" and "politics of dissolution" of his day, he advocated the birth of "good Europeans," i.e. "supra-national" individuals and the "amalgamation of nations." Nietzsche, Wagner, Europe analyzes the development of Friedrich Nietzsche's ideal of European culture based on his musical aesthetics. It (...) does so against the background of contemporary searches for a wider, cultural meaning beyond Europe's economic-political union. The book claims that Nietzsche always propagated the "aestheticization" of Europe, but that his view on how to achieve this changed as a result of his dramatically altering philosophy of music. The main focus is on Nietzsche's passion for and later aversion to Wagner's music, and, in direct connection with this, his surprising embrace of Italian operas as new forms of "Dionysian" music and of Goethe as a model of "Good Europeanism.". (shrink)

Reflecting current debates on ‘organizational virtues’ as going beyond the capitalocentrist bias of contemporary economies and to see diversity as ‘ethical responsibility,’ this article explores ‘ethical organizing’ at the intersection of alternative organizations and diversity. Our interest in a diversity-oriented analysis of alternative organizations stems from the assumption that those which question taken-for-granted notions of existing economies and follow alternative values of autonomy, solidarity, and responsibility might also be likely to challenge existing diversity relations and, thus, potentially open up new (...) avenues for ethical organizing. Discussing our findings in terms of Lewis and Simpson’s (in)visibility vortex, our study shows that even though organizations position themselves discursively as ‘alternative,’ this positioning is not related to diversity issues. We conclude that a shift is needed to fully constitute ethical organizing, namely the establishment of a strong connection between alternative organizations’ virtues with, e.g., the feminist, anti-racist, queer, and disability rights movements. (shrink)

La nostalgie est cet état psychique qui se tient quelque part entre le deuil, la dépression et la mélancolie, avec lesquels on la confond souvent. Définie très tôt comme la maladie de l’exilé, la nostalgie est un pharmakon, à la fois baume et poison pour celui qui s’y adonne. À partir des écrits de Jean Améry, survivant de la Shoah, et de sa propre expérience auprès des survivants du génocide rwandais, l’auteur, psychanalyste, distingue ici deux positions face à la nostalgie (...) : la position nostalgique et l’évitement, toutes deux à l’origine d’états pathologiques qui peuvent conduire à la mélancolie, voire au suicide. (shrink)

Apuleius’ tale of Cupid and Psyche is shown to feature detailed knowledge of ancient magic integrated into the plot, especially the magic of the so-called ‘Sword of Dardanus’ spell and of other papyri with Middle Platonic content. A recently published gemstone from Perugia testifies to the wide distribution of the ‘Sword’. Apuleius’ allusion to the erotic spell involves both Cupid and Venus torturing Psyche. Although Venus’ intentions are to prevent the bond between the lovers, her actions inadvertently echo those depicted (...) in the ‘Sword’ and contribute to the couple's eternal union. Ancient magic is therefore shown to be potent and effective, despite Venus’ plans. This is a methodology Apuleius is known to use widely, for example in his obvious allusions to, and adaptations of, Hellenistic poetry in the story. Magic joins poetry and philosophy as a category of texts shown to be playfully integrated into Apuleius’ construction of the plot of Cupid and Psyche. (shrink)

ABSTRACTIn this paper, we investigate three different ways of defending the claim that national football associations ought to pay their men’s and women’s football teams the same amount. First, we...

While an ethical obligation to report findings of clinical research to trial participants is increasingly recognised, the academic debate is often vague about what kinds of data should be fed back and how such a process should be organised. In this article, we present a classification of different actors, processes and data involved in the feedback of research results pertaining to an individual. In a second step, we reflect on circumstances requiring further ethical consideration. In regard to a concrete research (...) setting—the one of clinico-genomic research—we discuss what kinds of difficulties have to be faced when returning individual research results to trial participants. In a last step, we elaborate on a stepwise model to trigger the individual feedback process. Hence, this paper gives guidance on how to feedback individual research results in a specific research setting and responds at the same time to new challenges in the debate on the duty to return individual research findings. (shrink)

La mesure d'audience est au coeur de l'activité des médias dits de masse: elle sert de référence pour quantifier les auditoires et s'impose comme mode de consultation du public. Le présent numéro d'Hermès présente tout d'abord les systèmes de mesure d'audience des différents médias , mettant en évidence que l'audience est le résultat d'un ensemble de contraintes et d'un consensus toujours fragile entre les partenaires concernés. La deuxième partie, plus particulièrement centrée sur la télévision généraliste, analyse les effets de la (...) concurrence sur les programmes et les programmations. La partie suivante s'interroge sur la validité de l'audience comme moyen de connaissance des publics, et sur la possibilité de créer d'autres types de liens avec le téléspectateur. Enfin, la spécificité d'Internet par rapport aux médias traditionnels permet d'affirmer que la mesure d'audience n'y jouera sans doute jamais le rôle central, un nouveau mode de relation s'instaurant avec l'usager.Audience research is at the centre of mass media activity: it serves as a reference to quantify viewers and are considered to be THE way to survey audiences. This issue of Hermes first presents different audience rating systems used by the media , emphasizing the fact that the audience is the result of many constraints and of an invariably weak consensus between the partners concerned. The second part focuses more particularly on traditional TV channels, analyses the effects of competition on schedules and programming. The section that follows questions the validity of the audience as a means of getting to know viewers and also questions the possibility of creating other types of links with the viewer. Finally, the specificity of the Internet as opposed to more "traditional" media leads us to observe that audience rating might never play a central role in this media since a new type of relations is being created with users. (shrink)

L'évolution de la mesure d'audience TV est indissociable des principales étapes qui ont mené d'une télévision publique en situation de monopole à un système mixte public/privé. Les résultats du panel postal de l'ORTF, premier dispositif fiable et permanent , sont réservés aux seuls dirigeants des chaînes, afin d'éclairer une politique de programmes encore volontariste, tandis que le CESP mène une enquête parallèle à destination de la profession publicitaire. La montée de la compétition entre chaînes publiques s'accompagne de l'attention croissante accordée (...) à l'audience et, en 1982, la mise en place de l'audimétrie-foyer représente une véritable révolution, par la rapidité et la précision des résultats obtenus. Avec l'arrivée des chaînes commerciales et la concurrence entre diffuseurs qui en résulte, les publicitaires sont en mesure d'exiger leur participation au contrôle de l'outil géré par Médiamétrie et imposent l'audimétrie individuelle , qui permet un suivi par cible.The evolution of TV audience research is indissociably linked to the main stages of television’s own history which saw it progress from a single state-owned channel with no competition to a system where public and commercial channels co-exist. Results from the ORTF postal panel set up in 1969, the first reliable and permanent measuring device, are only given to channel executives to help shed some light on a programming policy which is still volontarist. The CESP also conducts a parallel survey used by advertisers. The rise in competition between public channels has gone hand-in-hand with the growing attention paid to audience ratings and the introduction, in 1982, of rating measurement meters represented a real revolution since results are accurate and rapidly obtained. The arrival of commercial channels and the resulting competition between broadcasters meant that advertisers were able to demand a say in the control of the “Médiamétrie” audience ratings system and imposed the introduction of the TV “people meter” which permits the calculation of target audiences. (shrink)

ABSTRACT The first part of this article relies on a number of well-known notions drawn directly from Bakhtin's work, while bringing to bear others inspired by the Bakhtinian perspective. The second part proposes a study dealing with the diverse kinds of verbal interactions rooted in Bakhtin's notion of responsive act. These include interdiscursivity, interlocution, and intralocution, elaborated by Jacques Brès among others, as well as moves and shifts, which we owe to Frédéric François. In the third part, this body of (...) notions is tested on a corpus of verbal interactions between young children and adults, and between two or more children. The study stresses the diversity and early use of these different kinds of dialogical relations in children's language practices. It also shows how a Bakhtinian approach can contribute to research on language acquisition. (shrink)

Disjoint imperative sentences like ( Nimm die ) Hände hoch, oder ich schiesse! , literally ( take your ) hands up, or I’ll shoot! intuitively present the addressee with all her alternatives for action. The speaker informs that all future worlds, as far as the speaker can forsee, are such that the addressee raises her hands or gets killed. I propose a semantic/pragmatic analysis for sentences in the imperative mood that adopts this exhausitve description of future alternatives as a semantic (...) backbone. Different contextual instantiations of alternatives capture a wide range of uses of sentences in imperative mood, as well as coordinations of imperative and declarative sentences, in a uniform way. (shrink)

The collection focuses on meaning change as a topic of interdisciplinary research.

We argue that cognitive penetration in non-early vision extends beyond the special situations considered by Pylyshyn. Many situations which do not involve difficult stimuli or require expert skills nevertheless load on high-level cognitive processes. School learning effects illustrate this point: they provide a way to observe task dissociations which support the discontinuity hypothesis, but they show that the scope of visual cognition in our visual experience is often underestimated.

During the last third of the 19th century, the ‘new’ French psychology developed within ‘the hypnotic context’ opened up by Charcot. In spite of their claims to the scientific nature of their hypnotic experiments, Charcot and his followers were unable to avoid the miracles that had accompanied mesmerism, the forerunner of hypnosis. The hysterics hypnotized in the Salpêtrière Hospital were expected to have supernormal faculties and these experiments opened the door to psychical research. In 1885 the first French psychology society (...) was founded. The research carried out by this society may seem surprising: its members – Charles Richet in particular – were interested in strange phenomena, like magnetic lucidity, ‘mental suggestion’, thought-reading, etc. Very quickly, psychologists applied themselves to finding rational explanations for these supposedly miraculous gifts. Generally, they ascribed them to unconscious or subconscious perceptual mechanisms. Finally, after a few years, studies of psychical phenomena were excluded from the field of psychology. However, during the 4th International Congress of Psychology, which took place in Paris in 1900, the foundation of an institute devoted to the study of psychical phenomena was announced, but Pierre Janet and Georges Dumas founded within it the Société Française de Psychologie, from which psychical research was excluded. As for Charles Richet, disappointed by the psychologists, he devoted himself to the development of a new ‘science’ which he called ‘Métapsychique’. Several hypotheses have been put forward to account for this early research undertaken by the French psychologists, pertaining as much to parapsychology as to scientific psychology. (shrink)