The Zofingia Club was a discussion group to which C.G. Jung belonged as a medical student: in 1897 he became Chairman, and gave five lectures. These have survived and are published here in a supplementary volume to the _Collected Works._ The lectures are of great interest to anyone concerned with Jung's early ideas, as a young medical student from a strongly Swiss Protestant background. The Lectures are: The Border Zones of Exact Science ; Some Thoughts on Psychology ; An Inaugural (...) Address on Becoming Chairman of the Zofingia Club; Thoughts on the Nature and Value of Speculative Inquiry ; and Thoughts on the Interpretation of Christianity with Reference to the Theory of Albrecht Ritschl. (shrink)

Club guessing principles were introduced by Shelah as a weakening of Jensen’s diamond. Most spectacularly, they were used to prove Shelah’s $\textsf{ZFC}$ bound on $2^{\aleph _\omega }$. These principles have found many other applications: in cardinal arithmetic and PCF theory; in the construction of combinatorial objects on uncountable cardinals such as Jónsson algebras, strong colourings, Souslin trees, and pathological graphs; to the non-existence of universals in model theory; to the non-existence of forcing axioms at higher uncountable cardinals; and many more.In (...) this paper, the first part of a series, we survey various forms of club guessing that have appeared in the literature, and then systematically study the various ways in which a club guessing sequence can be improved, especially in the way the frequency of guessing is calibrated.We include an expository section intended for those unfamiliar with club guessing and which can be read independently of the rest of the article. (shrink)

Released in 1999, _Fight Club_ is David Fincher’s popular adaption of Chuck Palahniuk’s cult novel, and one of the most philosophically rich films of recent years. This is the first book to explore the varied philosophical aspects of the film. Beginning with an introduction by the editor that places the film and essays in context, each chapter explores a central theme of _Fight Club_ from a philosophical perspective. Topics discussed include: _Fight Club_, Plato’s cave and Descartes’ cogito moral disintegration identity, (...) gender and masculinity visuals and narration. Including annotated further reading at the end of each chapter, _Fight Club_ is essential reading for anyone interested in the film, as well as those studying philosophy and film studies. (shrink)

The separation thesis states that business and moral decision making should and can be differentiated clearly. This study provides empirical support for the competing view that the separation thesis is impossible through a case study of the Rotary Club, which fosters an ethical orientation among its global business and professional membership. The study focuses attention on the Club in the early to middle 20th century. Based on a reading of their service doctrine, the four objects of Rotary and the Four (...) Way Test, the author argues that the example of the Rotary Club undermines the separation thesis. The Rotary message was conceptually ambiguous: it did not clearly differentiate business roles from social activities; rather both fed into each other, with the business tools developed by members and disseminated by Rotary, utilized in nonbusiness contexts with a view to enhancing societal well-being. (shrink)

The title of this book invites the question "what makes a metaphysical club real?" Overthinkers like myself may wonder whether metaphysical clubs can partake of varying degrees of reality or whether the distinction is, more likely, one between imposters and the genuine article. It only heightens the curiosity to read, in the general introduction to the book, that metaphysical clubs both preceded and followed the so-called "real" one and that the real one was itself divided into two phases. (...) Given, then, that there appear to have been more than one actual metaphysical club, what is the point of characterizing the subject of this anthology as real?The Real Metaphysical Club focuses entirely and thoroughly on the club... (shrink)

After a couple of weeks I eventually got around to reading the preprint and started wondering about recasting the argument in my preferred formalism. I arrogantly assumed that this would allow one to smooth out parts of the proof and simplify the details of the definition of the forcing conditions (at the cost of taking the framework set out in §§1,2 below as given). However when I tried to write things down I found myself, to my chagrin, more or less (...) cornered in making my definitions into most of the intricacies that Friedman had been. I suppose that this shows that the original proof is in some sense the natural one (or one of a family of ‘natural’ ones). Nevertheless I obstinately persisted and this note is the result. (shrink)

If one accepts the social hierarchy that this taste structure masks, it is easy to accept the validity of the particular criteria which serve as the working test of excellence. In fact, the high value placed on rationality, complexity, irony, reflexivity, linguistic innovation, and the “disinterested” contemplation of the well-wrought artifact makes sense within cultural institutions devoted to the improvement of the individuality, autonomy, and productive competence of the already privileged individuals who come to them for instruction and advice.8 Appreciation (...) for the technical fine points of aesthetic achievement is also understandable among people whose daily work centers on the business of discrimination. But it is worth keeping in mind that the critical dismissal of literary works and institutions that do not embody these values as failures is an exercise of power which rules out the possibility of recognizing that such works and institutions might be valuable to others because they perform functions more in keeping with their own somewhat different social position, its material constraints, and ideological concerns. The essay critical dismissal of the Club and other “popularizers” is an act of exclusion that banishes those who might mount even the most minimal of challenges to the culture and role of the contemporary intellectual by proclaiming their own right to create, use, and value books for different purposes.My preoccupation with the Book-of-the-Month Club arises, then, out of a prior interest in the way books are variously written, produced, marketed, read, and evaluated in contemporary American culture. My subjects might best be described as ways of writing rather than Literature, ways of reading rather than texts.9 I have begun to examine the Club’s editorial operation with the intention of eventually comparing the manner, purpose, and substance of the editors’ choice of books with the choices of actual Book-of-the-Month Club members. Such a comparison seems potentially interesting for a variety of reasons. 8. For a discussion of the connections between the social position and role of literary academics and the values they promote through the process of canonization, see Jane Tompkins, Sensational Designs: The Cultural Work of American Fiction, 1790-1860 , esp. pp. 186-201.9. See, for instance, my earlier effort to specify how a group of women actually read and evaluate individual books in the much-maligned romance genre, Reading the Romance: Women, Patriarchy, and Popular Culture . I am indebted to Mary Pratt’s discussion of the concept of “literariness” and the way it disciplines ideologically this particular way of describing my own interests. Janice Radway is an associate professor of American civilization at the University of Pennsylvania. She is the author of Reading the Romance: Women, Patriarchy, and Popular Literature and is a former editor of American Quarterly. This article is part of a larger study, the working title of which is “The Book-of-the-Month Club and the General Reader: The Transformation of Literary Production in the Twentieth Century.”. (shrink)

The Reality Club is an informal group of adventurous intellectuals whose by-invitation-only membership roster reads like a Who's Who of American arts, science, politics, and business—particle physicist Gerald Feinberg, anthropologist Mary Catherine Bateson, linguist Vitaly Shevoroshkin, cyberneticist and video artist Paul Ryan. Theirs are the cutting-edge minds of our time, whose ideas are creating the reality of tomorrow. The Reality Club has been meeting once or twice a month, in private sessions in New York City, since 1981. Now it's going (...) public in a series of thematic books, of which WAYS OF KNOWING—thirteen provocative essays on the theme of how we learn, think, and process information—is the third volume. Like its predecessors, SPECULATIONS and DOING SCIENCE, it is required reading for anyone who appreciates the life of the mind, the unflinching search for truth, and reading for sheer intellectual pleasure. (shrink)

SummaryThe Fair Intellectual Club was the earliest female intellectual sociability on record in Britain in the eighteenth century. A study of the club provides insights into the motivations for founding such a society. The reading list of the club contains some twenty pamphlets on a variety of subjects including the education of both sexes, friendship and moral issues. The particular question in mind while assessing these materials will be, as far as this club is concerned, what kind of philosophical understanding (...) of sociability inspired these ladies. The Fair Intellectual Club also provides a platform for discussion of questions about the identity, the responsibility, and the gender of learned persons, in addition to their role as active agents in the production of knowledge in the eighteenth century. (shrink)

My article discusses the character of Marla, the narrator’s lover, in the film Fight Club. Her only option, within the terms of the film’s logic, I argue, is to define her worth derivatively, by association with the narrator. Fight Club, then, despite its somewhat self-effacing attitude about the rejuvenation of masculinity that it portrays, reinforces a familiar patriarchal story: men’s sense of worth lies in their joint world-making activities. Women’s sense of worth lies in their attachment to individual men who (...) undertake these activities. My main argument builds upon three preliminary discussions. The first is a brief outline of the contours of the concept of self-respect. The second is an analysis of the links between gender, personhood and the grounds of self-respect. The third is an account of my approach to interpreting Fight Club given its many layers of irony. Drawing on these preliminary discussions, I examine two interpretations of the film’s social commentary— what I call the “gender-neutral” and the “gender-specific” interpretations. I show that on both of these readings the film implies that Marla, as a woman, must regain her self-respect through an intimate relationship with the narrator. (shrink)

This article arises from the dialogue between three researchers who have dedicated an expressive part of their academic careers to look at the practice of reading, especially literary as a possibility for more critical personal and social participation. However, in a country where books are still expensive and most people do not have the purchasing power to buy them, it is undeniable that the discontinuity of public reading policies comes in the process contrary to the formation of literary readers. Furthermore, (...) this break, as it will be presented in the body of the article, delays the achievements that were achieved in short steps in our country, especially in the late 20th century and the beginning of the 21st century. Thus, it is important to look at the suspension of important public reading policies and those that are being engineered in contemporary times, since we are living in a moment opposite to that shown by the historicity of literary reading, because with the loss of literature in official documents, as, for example, there is no specific component in the National Common Curricular Base – BNCC, and the non-mandatory nature of literature as a discipline. On the other hand, there is an unschooled movement being disseminated by friends, publishers, book clubs and libraries – known as the reading clubs which, despite not being a recent practice, have gained expression in the last six years in terms of Brazil and has been strengthening in the social moment we are going through as a result of the pandemic. (shrink)

When William James spoke about belief to the philosophy clubs of Yale and Brown in 1896, he forewarned his audience of the nature of his comments by describing them as a “sermon on justification by faith” (James 13), titling the talk “The Will to Believe.” Although there is disagreement about the substance of James’s remarks, it is fairly innocuous to assert that James thought they were appropriate because of the prevalence of the “logical spirit” of many of those who (...) practiced academic philosophy that led them to the conclusion that religious faith was untenable. Aware of his audience, James presents his view on the permissibility of religious faith on the terms and grounds familiar to professional philosophers. .. (shrink)

In recent decades, evidence-based medicine has become one of the foundations of clinical practice, making it necessary that healthcare practitioners develop keen critical appraisal skills for scientific papers. Worksheets to guide clinicians through this critical appraisal are often used in journal clubs, a key part of continuing medical education. A similar need is arising for health professionals to develop skills in the critical appraisal of medical ethics papers. Medicine is increasingly ethically complex, and there is a growing medical ethics (...) literature that modern practitioners need to be able to use in their practice. In addition, clinical ethics services are commonplace in healthcare institutions, and the lion’s share of the work done by these services is done by clinicians in addition to their usual roles. Education to support this work is important. In this paper, we present a worksheet designed to help busy healthcare practitioners critically appraise ethics papers relevant to clinical practice. In the first section, we explain what is different about ethics papers. We then describe how to work through the steps in our critical appraisal worksheet: identifying the point at issue; scrutinising definitions; dissecting the arguments presented; considering counterarguments; and finally deciding on relevance. Working through this reflective worksheet will help healthcare practitioners to use the ethics literature effectively in clinical practice. We also intend it to be a shared evaluative tool that can form the basis of professional discussion such as at ethics journal clubs. Practising these critical reasoning skills will also increase practitioners’ capacity to think through difficult ethical decisions in daily clinical practice. (shrink)

The examination of power, space, and identity formation within diasporic literature has garnered significant attention due to the escalating global mobility of migrants across the world. This article studies the complex integration of spatial hierarchy, civil violence, and gendered responses to power representations in Jhumpa Lahiri’s novel, The Lowland (2013). We utilise Henri Lefebvre’s theories to dissect the spatial dynamics of the novel across three dimensions: representations of space and conceived space, spatial practice and perceived space, and representational space and (...) lived space. Lefebvre’s framework is instrumental in understanding how physical and conceptual spaces can simultaneously serve as tools for domination and sites for transformative resistance. The novel weaves distinct spatial realms, such as the exclusive Tolly Club and the diminishing lowland, to symbolise postcolonialism and state control. The findings highlight how conceived space is portrayed as a postcolonial realm marked by violence and gendered spatial injustice, reflecting male dominance and societal norms that suppress female subjectivity. However, the study also reveals that this conformity is not static but showcases the agency of female characters like Gauri and Bijoli in resisting and renegotiating spatial constraints. (shrink)

O presente artigo nasce a partir do diálogo entre três pesquisadoras que têm dedicado parte expressiva de suas carreiras acadêmicas a olhar para a prática da leitura, em especial, a literária como possibilidade de uma participação pessoal e social mais crítica. Todavia, em um país que livro ainda custa caro e que a maioria das pessoas não têm poder aquisitivo para comprá-lo é inegável que a descontinuidade de políticas públicas de leitura venha no processo contrário a formação de leitores literários. (...) Ademais, esse rompimento, como será apresentando no corpo do artigo, atrasa as conquistas que foram alcançadas a curtos passos em nosso país, em especial, no final do século XX e início do século XXI. Desse modo, é importante olhar para a suspensão de importantes políticas públicas de leitura e as que estão sendo engendradas na contemporaneidade, uma vez que estamos vivendo um momento inverso ao que mostra a historicidade da leitura literária, pois com a perda da literatura nos documentos oficiais, como, por exemplo, não haver um componente específico na Base Nacional Comum Curricular - BNCC, e a não obrigatoriedade da literatura enquanto disciplina. Em contrapartida, existe um movimento não escolarizado sendo divulgado por amigos, por editoras, por clubes de livros e bibliotecas -, conhecido como os clubes de leituras que apesar de não ser uma prática recente, ganhou uma expressividade nos últimos seis anos no que corresponde ao Brasil e vem se fortalecendo no momento social que estamos atravessando em decorrência da pandemia. (shrink)

The Grolier Club of New York has been mounting exhibitions of books and prints since 1884, and many of them are recognized as landmark treatments of their subjects. Most of them have also been accompanied by published catalogs or related books. A recent instance was the exhibition, in the early months of 2021, drawn from Steven Lomazow's vast collection of American magazines, consisting of over eighty-three thousand separate issues from 1731 to the present. The substantial and profusely illustrated book that (...) has resulted is a welcome new survey of the subject, for it contains not only a record of the comprehensive exhibition but also fifteen essays written by Lomazow and seven other contributors (five chronological chapters, ten topical ones).The appearance of this book is an occasion for thinking about the status of magazines as research material. Although there is a considerable literature devoted to the history of magazines, they still do not always receive the attention they deserve. For example, author bibliographies generally give detailed physical descriptions of an author's books but simply list the magazine contributions. The illogic of this approach should be obvious, for magazines are printed matter, just as books are, and are thus subject to all the same complications. Two examples will illustrate how copies of supposedly identical issues can vary. In the nineteenth century, individual issues were often reprinted when the supply ran low, so that the publisher would be able to make up complete volumes for sale in a publisher's binding at the end of the year; these second printings were not labeled as such, but they could of course contain textual differences, both intentional and accidental. In the twentieth century, some American magazines had regional “editions” in which the text was shifted around in order to accommodate different advertising, keyed to local markets (the New Yorker is an example); as a result, page citations for a given contribution might not be the same in different copies (and cutting of text could also occur).The illogic of neglecting magazines has implications for biographical, as well as bibliographical and textual, study. There are many instances in which periodical publication was crucial for an author's career. It often provided an author's first public exposure and at any point in a career might have reached a larger audience than the books. Collectors, on whom preservation of the evidence initially depends, have been as guilty as bibliographers of slighting magazines. For instance, they have traditionally paid attention to anthologies that contain first book appearances of particular works (because they are “books”), without recognizing that issues of magazines are also anthologies (and frequently of more significance for promoting an author's reputation). Preservation relies also on institutional libraries to do their part; but (although “little magazines” now seem to be safe from further destruction) mainstream and mass-circulation magazines (both present and past) are continually being discarded by libraries in favor of digital reproductions. And reproductions are no more adequate as substitutes for the originals of magazines than they are for books, since they do not provide a basis for studying the unreproducible physical details that affect the reading experience and are essential for bibliographical research. Furthermore, since copies of a magazine issue can vary (just as copies of a book can), the number of copies that are preserved is a serious concern.These are among the considerations that make one glad to see Lomazow's book, for here is a collector who has focused on magazines for their own sake. Even though his book does not go into the matters I have raised, it can still serve to publicize the cause. One hopes that it, along with the wide attention his exhibition received, will stimulate appreciation of the importance of magazines in cultural history and the consequent need to collect and preserve them. (shrink)

Below are reflections on Peirce’s conception of abductive methods and Russell’s conception of regressive methods. Along the way, it will be necessary to examine the marked differences between Russell and Frege on the ins and outs of logicism, from which latter the regressivist ideas first emerged. Russell was aware of Peirce’s contributions to the algebraization of logic and Peirce was aware of Russell’s writings on logicism. However, in framing his thoughts about regressive methods, Russell showed no familiarity with Peirce’s treatment (...) of abductive methods. In 1907, Russell read to the Cambridge Mathematics Club an essay entitled “The regressive method of discovering the premises of mathematics.” Since that paper didn’t see the published light of day until three years after Russell’s death in 1970, Peirce couldn’t have taken notice of it in developing his ideas about abduction. Even so, it has been suggested that there exists a noteworthy similarity between Russell’s regressivism and Peirce’s abductivism. The principal purpose of this essay is to show the resemblance to have been misjudged, in which case, my title would have to be corrected. (shrink)

The latest book by the Slovenian critic Slavoj Zizek takes the work of French philosopher Gilles Deleuze as the beginning of a dazzling inquiry into the realms of radical politics, philosophy, film (Hitchcock, Fight Club ), and psychoanalysis. Of Organs without Bodies Joan Copjec ( Imagine There's No Woman ) has written: "With all his ususal humor and invention, Zizek -- the acknowledged master of the 180 degree turn -- here takes a trip into "enemy" territory to deliver Deleuze of (...) a marvelously rebellious child, one that seriously challenges Deleuze's other progeny with a surprising but convincing bid for succession. Those who thought Deleuze's forward march into the future would follow a straight path are forced to rethink their stance. From now on all readings of Deleuze will have to take a detour through this important -- even necessary -- book." Eric Santner ( On the Psychopathology of Everyday Life ) describes Organs without Bodies as offering "an entirely new degree of conceptual clarity and political urgency. Through his deep engagement with the logic of Deleuze's project, Zizek opens up new possibilities of thought beyond the terms of the current political debates on globalization, democratization, war on terror. Once again, Zizek has produced an utterly timely and radically untimely meditation." Recently profiled in The New Yorker , and hailed by the Village Voice as "the giant of Ljubljana," Zizek is one of the most provocative and entertaining thinkers at work today. (shrink)

Existing evidence suggests that children from around the age of 8 years strategically alter their public image in accordance with known values and preferences of peers, through the self-descriptive information they convey. However, an important but neglected aspect of this 'self-presentation' is the medium through which such information is communicated: the voice itself. The present study explored peer audience effects on children's vocal productions. Fifty-six children (26 females, aged 8-10 years) were presented with vignettes where a fictional child, matched to (...) the participant's age and sex, is trying to make friends with a group of same-sex peers with stereotypically masculine or feminine interests (rugby and ballet, respectively). Participants were asked to impersonate the child in that situation and, as the child, to read out loud masculine, feminine and gender-neutral self-descriptive statements to these hypothetical audiences. They also had to decide which of those self-descriptive statements would be most helpful for making friends. In line with previous research, boys and girls preferentially selected masculine or feminine self-descriptive statements depending on the audience interests. Crucially, acoustic analyses of fundamental frequency and formant frequency spacing revealed that children also spontaneously altered their vocal productions: they feminized their voices when speaking to members of the ballet club, while they masculinized their voices when speaking to members of the rugby club. Both sexes also feminized their voices when uttering feminine sentences, compared to when uttering masculine and gender-neutral sentences. Implications for the hitherto neglected role of acoustic qualities of children's vocal behaviour in peer interactions are discussed. This article is part of the theme issue 'Voice modulation: from origin and mechanism to social impact (Part II)'. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Playing Attention":Contemporary Aesthetics and Performing Arts Audience EducationMonica Prendergast (bio)IntroductionThe spectator is an essential element of the kind of play we call aesthetic.1We all watch television. We all go to the movies. Some of us also attend live performances such as plays, concerts, operas, dance recitals, poetry or prose readings, and so on. What are the differences to be found among these experiences? The audience experience of television (...) or film is a shared one, although a more fragmented sharing in the case of television, as it is with live arts events. We are aware that we are not alone in viewing a show, that it is a collective event. But we also realize that our presence does not really matter (aside from boosting ratings or adding to box office profits) and that the performance will continue with or without us. We may exit or enter the room or auditorium at will and never offend the actors, because their presence is "mediatized" and we are not sharing the same time or space with them.2 Attending a live performance is otherwise; our presence is a key element of the event and definitely can and does make a significant difference both for ourselves and for the performers. Although the size and qualities of the event and audience may alter this assertion — a huge stadium rock concert is arguably a more mediatized live performance than a small folk club date — it still holds true that presence is one of the most important qualities of audience in live performance.If we can accept that audience presence is central to performance, then it follows that aesthetic education in the performing arts needs to pay some attention to this phenomenon. In a First World culture that is currently over-saturated with mediatized performance, the future health and vitality of live performance is endangered if educators neglect to address the challenges and processes involved in being an audience for the performing arts in arts education curricula. This essay explores how aesthetic/arts education may [End Page 36] assist young people to grow in awareness and understanding of the essential role that is played by audience in attending performance. In examining the work of four contemporary aesthetic philosophers — Hans-Georg Gadamer, Paul Ricoeur, Paul Thom, and James O. Young — I focus on the areas of spectatorship, attention, interpretation, and evaluation/criticism as important qualities of audience-in-performance. I will then offer a possible curriculum framework for audience education in the performing arts that is performative in form and nature; that is, creative, experiential, emergent, and open question-driven.Both classical and contemporary aesthetic philosophy tends to ignore the performing arts in general and audience-in-performance in particular.3 Plato derides performance as anti-reason and Aristotle salvages it by focusing on the audience's experience of catharsis in tragedy, but this fascinating debate gets lost over time as philosophers get caught up in questions around the definition and nature of art. Examinations of audience in aesthetics tend to assume an audience engaged in the more reflective, contemplative, and individual activity of viewing a work of visual art, reading a poem, or appreciating beauty in general. Discussions of performing arts deal with the text of a play or the score of a musical piece as the primary aesthetic object, with performances of these texts or scores considered somehow secondary, less-definable therefore less worthy of serious philosophic consideration.4 Although a number of aesthetic philosophers have taken up performance and audience issues in more recent years, especially regarding issues around "authentic" performance of music on original instruments, the experience of audience-in-performance remains understudied.5 Others, such as Nick Zangwill, try to negate the audience altogether as being a relatively insignificant part of an aesthetic event and argue that the central focus of aesthetics should be on the artist and the creation of artworks.6Fortunately, there have been a few voices in the field that do attend more closely to performing arts in general and audience in particular, or whose work can be effectively applied to this distinct type of aesthetic event. In the next section I will describe... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Brief Mention: Shameless Interests: The Decent Scholarship of Indecency*Kenneth J. ReckfordGood intentions go astray. I had meant simply to celebrate the ease and naturalness with which classical scholars treat obscene subject-matter nowadays, but there were difficulties, which may prove instructive.I had felt oddly grateful, after reading and reviewing Dover’s 1993 Frogs, for how he explained (and of course, printed) the old scatological jokes that Merry (1905) had omitted, and (...) which Adam Parry copied onto the blackboard for our fascinated Greek 106a class in fall, 1951. How strange they seem now, all those expurgated editions, those unhelpful commentaries, those mystery-keeping professors. Like Byron, we all had comic encounters with the “grosser parts”:They only add them all in an appendix,Which saves, in fact, the trouble of an index...Perhaps we worked harder than Byron. I remember, early on, struggling with Cat. 56 (which even Housman misinterpreted in his notorious 1931 “Praefanda,” for Catullus does not look on, masturbating, but plunges in, making a threesome); and I struggled with Martial. I may even, at sixteen, have been the last of the Victorians, learning about sexual by-paths from Latin poetic grammar and syntax. (Loebs were forbidden under pain of death: but had I consulted Ker’s Martial, I would have found the offending passages translated into Italian, not English: “On the theory,” Rolfe Humphries once said, “that God doesn’t understand Italian.”) We laughed; it was good fun. Yet our half-prurient inquisitiveness was mixed with genuine philological research; we resented roadblocks to learning; and years later, when Fordyce’s Catullus appeared with twenty-two “dirty poems” left out, we felt absolutely betrayed.So I give thanks for unexpurgated texts and helpful commentaries (such as Dover’s Clouds and Frogs, and Henderson’s Lysistrata, and Ferguson’s Juvenal); for good translations, too, like Charles Martin’s The Poems of Catullus (Johns Hopkins, 1990), which combines plain speaking with a certain subtle elegance. I honor the pioneers: Arrowsmith and Parker, and Sullivan; Henderson’s Maculate Muse (1975) and Dover’s Greek Homosexuality (1978; earlier writings too); Adams’ Latin Sexual [End Page 311] Vocabulary (1982) and Richlin’s Garden of Priapus (1983).* Here were basic materials for further study and interpretation. Definitions and distinctions came first: between primary obscenities and euphemisms; between different generic conventions and expected attitudes (as in oratory, comedy, epigram). In art, too, the blacking-out of erect penises on Greek vases has been removed; wall-paintings from Pompeian brothels have been made accessible, even without a bribe; budding scholars of both sexes discourse learnedly on such subjects as “Male Discharge Imagery on Greek Vase-Painting” (at a 1995 colloquium); and now Martin Kilmer’s Greek Erotica (1994) has brought new precision to the study of, e.g., intercrural intercourse between “courting” men and youths, and heterosexual intercourse a tergo (where an oil flask may suggest anal penetration, as against vaginal). The details, the illustrations and descriptions, are increasingly accurate. Gradually, too, old-time scholarly taboos have been breached, so we can handle “dirty” words and pictures without fear of degradation. We are most grateful that obscenities are no longer kept in quarantine, or treated as the exclusive hunting preserve of a “gentleman’s club” (writing in Latin, of course), so that, taking our cue from Catullus and Martial, whose “poems are dirty but our lives were pure,” we may pursue the decent scholarship of indecency.Let me, though, introduce two caveats for philologists. First, that the poetic indecencies of Aristophanes, Catullus, Martial, and Juvenal remain “untranslatable”: not from embarrassment now, but from linguistic impotence. Take Catullus’ mentula, that ugly, dangling noun, so much more evocative than “prick” or “cock”; or take irrumabo and irrumator, those powerful, almost onomatopoeic four-syllable words. “Fuck in the [End Page 312] mouth” (early Richlin) explains but loses the tone. Martin does better with Cat. 16:I’ll fuck the pair of you as you prefer it,oral Aurelius, anal Furius...a touch of wit, accessible to non-Latinists. (Will Shackleton Bailey’s new Loeb of Martial send American students scurrying to their dictionaries to look up “sodomized”?)My second caveat is more nostalgic. In our innocent (or... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Louis Agassiz and the Platonist Story of Creation at Harvard, 1795-1846David K. NartonisIn 1846, naturalist Louis Agassiz took Harvard College by storm with his idealist approach to nature. In his initial lectures, repeated in New York the following year, Agassiz announced, "We have that within ourselves which assures us of participation in the Divine Nature and it is a particular characteristic of man to be able to rise in (...) that way above material Nature, and to understand intellectual existences." He then made it clear that by intellectual existences he meant a divine plan of creation. "What naturalists intend when they speak of what they call 'types'... may be easily understood by comparison. We all know that architects construct our dwellings according to plans conceived by them before the erection of the edifice."1 There is no doubt that Agassiz valued the careful collection of observational data. "It has only been step by step that man has acquired an insight into this plan."2 But his empiricism, if that is the right term, was entirely subordinate to apprehension of divine ideas, which alone deserved to be called science. In one recent account, The Metaphysical Club, which contains an excellent discussion of Agassiz's American career, author Louis Menand accurately describes this dual emphasis on observation and intuition. But Menand leaves unstated the problem of [End Page 437] Agassiz's welcome at Harvard, attributing his instant popularity to force of character.3A fuller explanation of Agassiz's welcome is to be found in the Scottish textbooks that dominated the Harvard philosophy curriculum prior to his arrival.4 Like Agassiz, textbook authors Thomas Reid, Dugald Stewart, and Thomas Brown recognized observation and intuition as twin sources of human knowledge. According to them, we observe our own moral tendencies and interpret them in the light of intuited ethical principles that even God must obey. Similarly, we observe nature and interpret its workings with the aid of intuited principles of common sense.5 There is no doubt that this dual emphasis on observation and intuition was entirely consistent with Agassiz's idealist biology. But his definition of species and genera as intellectual existences in the divine mind was not to be found in the official Scottish texts. In fact, Dugald Stewart, who governed the philosophy curriculum after 1820, insisted that there are "no existences in nature corresponding to general terms, and the objects of our attention in all our general speculations are not ideas but words."6 This was "long misunderstood by philosophers, who imagined that a generic word expresses an actual existence distinct from the individuals of which the genus is composed."7 Similarly, Thomas Brown lamented, "One fundamental error... as long as it retained its hold of the understanding, must have rendered all its energies ineffectual, by wasting them in search of objects, which had no real existence... I allude to... the various orders of universals."8 In this one respect, Stewart and Brown were in agreement with Alexander Pope when he counseled his many American readers "presume not God to scan" and ridiculed those who would "soar with Plato to th' empyreal sphere."9But Harvard students and faculty were also reading books that promoted the intellectual existences that Agassiz saw behind nature and the Scots did [End Page 438] not. Chief among these books were Plato's Works (ca. 360 BCE), Philo's De Opificio Mundi (20 BCE to 50 CE), Ralph Cudworth's The True Intellectual System of the World (1678), and John Norris's An Essay towards the Theory of the Ideal or Intellectual World (1701–04). These combined with such widely popular literature as John Milton's Paradise Lost (1668) and the prose works of Samuel Coleridge to form a kind of unofficial curriculum that ultimately made Agassiz's idealist view of nature especially welcome at Harvard.10 Modest at first, Harvard interest in intellectual existences bloomed with the appearance of books by Romantic writers on campus. In order to illustrate this long development, I will bolster my explanation with data from Harvard College library borrowing records—handwritten lists of the books borrowed by each library user during a one- or two-year period... (shrink)

This article is dedicated to the topic of pre-conscription training in the Soviet Union in the interwar period, including such aspects of it as basic laws to attract young people to the Red Army, their implementation into practice by local authorities, analysis of practices in dopryzovnykiv eliminate illiteracy, ideological work of recruits. The focus was on the same prize in 1940, as a kind of logical end of all policies of the Communist Party to prepare young men for service in (...) the armed forces during the interwar period. Pre-conscription training or military training of boys before their involvement in the Armed Forces was established in the USSR in August 1923 and carried on training meeting for 2 months to two years. With the outbreak of World War II pre-conscription training was compulsory discipline for pupils and students of colleges, trade schools. Call-up boy thoroughly studied local recruitment office on social origin, political - ideological attitudes, health and education. The determining factor in this case were just the ideological sentiment recruit Young men that recruited into the Red Army prepared for this first "right" informing contemporary political situation, the international situation and the heroic feats of martial page Red Army. During the interwar period the army was for many Soviet citizens not only school of the martial arts, but also school of the illiteracy and certain minimal knowledge, true ideological bright colors. The typical portrait of the call-up boy: it was a man with an education in grades 1-4 forms, or completely illiterate, which then conscription to the army learned to write and read, ideologically informed "rightly" about the current situation in the country and the world, physically healthy and prepared for military service in a variety of sports clubs and courses of military training. (shrink)

Camille Desmoulins's Le Vieux Cordelier is one of the best known newspapers of the French Revolution. Yet, despite this, there has long been uncertainty over the intellectual content of the newspaper and, in particular, over Desmoulins's use of Tacitean passages to support his views. This article seeks to shed light on this important newspaper by setting it not just in the context of the debates of the winter of 1793–1794, but also in that of the ideas and arguments of the (...) Cordelier Club. The article demonstrates that in drawing on English republican ideas in Le Vieux Cordelier, to assert classical democratic republicanism against the views upheld by the Hébertists and the Revolutionary Government, Desmoulins was writing firmly in the tradition of the Cordelier Club. ☆ This article is based on papers given at the BSECS Conference in January 2001 and at the History ‘Work in Progress’ seminar at Sussex University in February 2001. I am grateful to all who commented on the paper and also to those who have read subsequent drafts, particularly Blair Worden, Richard Whatmore, Brian Young, and Maurice Hutt. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:What a Wall Wants, or How Graffiti ThinksNomad Grammatology in the French BanlieueDavid Fieni (bio)[End Page 72]>> Nomad GrammatologyThe now infamous series of inflammatory remarks that Nicolas Sarkozy, as interior minister, repeatedly unleashed during the summer and fall leading up to the banlieue riots of 2005 sparked a swift and fierce public outcry. Commentators in both the French and foreign press were quick to criticize Sarkozy’s vow to “flush (...) out [the thugs of La Corneuve] with a Kärcher [pressure washer]” (il faut [les] nettoyer au Kärcher).1 It was pointed out by Azouz Begag, as the newly appointed minister of equal opportunities, that such “warlike” language indiscriminately victimizes young people in the banlieue, while journalist Doug Ireland argued that Sarkozy’s comments conveyed hints of ethnic cleansing by equating urban youth, largely of Maghrebi origin, with dirt that needed to be violently removed from the otherwise smooth and clean civic spaces of the French Republic.2 The populist rage that Sarkozy articulated by using the term racaille (rabble, scum) received most of the attention, including an essay in Le Monde that explored the word’s etymology (intended as a lesson in the politics of language for the French interior minister).3It is the Kärcher reference, however, that most interests me here. Kärcher, a company based in Germany, whose own website touts it as “the most recognized and trusted name in high-pressure cleaning equipment,” manufactures machines used to clean city walls and public latrines. By proclaiming that he wanted to “kärcherize” the “racaille,” Sarkozy evoked a specific technology of urban cleansing that vividly illustrates the increasingly brutal approach to the banlieue that marks French urban policy since the 1980s. The Kärcher water blaster is not a mere metaphor, but an actual machine used to scour graffiti from a variety of hard-to-clean surfaces. Sarkozy’s comments thus equate banlieue youth (la racaille) with their signs of passage through urban space (le graff, as graffiti is often called). The young banlieusards themselves become illegible signs on the new smooth spaces of the HLM housing estates. The rhetorical dehumanization of young people from “troubled neighborhoods,” combined with hostility to graffiti, reveals the neo-logocentrism operative in the penal republican state that reiterates colonialism’s pseudo-scientific rationale for depriving supposedly illiterate peoples of history, reason, and even the very capacity for thought, a rationale that ultimately justifies their exclusion from the entire chain of civilizational benefits and rights attendant upon literacy and reason. One piece of anti-Sarkozy graffiti in Brest near the port de commerce, depicting Sarkozy as the national cop wielding a billy club, displays an explicit awareness of this interpretation of what nettoyer au Kärcher means (fig. 1). Text accompanying the cartoonish caricature reads, “Article 1: Nettoyage des graffitis au Kärcher” (Article 1: Cleaning graffiti with a Kärcher).4It would be an error, however, to suggest that the category, “banlieue youth,” exists independent of the statements that construct it as an identifiable group. Mustafa Dikeç’s recent demonstration of the way that French urban policy “produces” the banlieue as a space to be policed and contained also extends to the way that specific groups within these spaces are produced through the media, statistics, law, and other techniques.5 The [End Page 73] act of naming the racaille effectively produces them as a social category precisely at the same moment that the necessity of cleansing their living inscription from the cité is asserted. I am calling this nettoyage or erasure of these groups “neo-logocentric” because part of its target is graffiti, which, as I hope to demonstrate, represents an important emerging global practice of inscription that produces multiple transnational connections among ghettoized spaces around the world. Graffiti functions as a kind of alternative literacy that operates within a plane that connects with literacy in the narrow sense of the term, but remains independent from it. The strong reactions that graffiti elicits, as adduced by Sarkozy’s remarks (and one could cite dozens of other examples), suggest that the new technologies of thought, mobility, and inscription that graffiti engineers are what make it... (shrink)

Frederic Kellogg has already published several works on legal pragmatism and on Oliver Wendell Holmes in particular.1 In this volume, he focuses on the early history of Holmes' views, on his readings in law and philosophy, and his interests in science in the years of the Metaphysical Club. Drawing on sources like Francis Bacon, John Stuart Mill and Chauncey Wright, Holmes developed an inductive approach to common law reasoning; eventually, as I discuss below, this approach needed refinement when he (...) engaged with constitutional interpretation. Other parts of the book focus on contemporary issues like legal indeterminacy, hard cases, the role of politics in legal interpretation, Rorty's neopragmatism, liberalism and... (shrink)

Lipski's book on KOR can be read from one main perspective: how does opposition come about? This does not refer to opposition in general, but to opposition within totalitarian or nearly totalitarian conditions. Such conditions are interesting because they rule out social action by autonomous self-motivated subjects. Lipski answers the question directly in the chapter on “The Prehistory of KOR.” Birth is preceeded by a long process of formation of intellectuals' circles and the strengthening of social, occupational, and experiencial links, (...) e.g., the role of post-AK circles. In the footnotes one learns all about the “Neo-Pickwickists Club” founded after the war by Lipski and Manturzewski. Elsewhere in the text Lipski emphasizes “friendship.”. (shrink)

Much recent work in the study of popular culture has emphasized the extent to which it is not only a site of signifying practices, myths, meanings and identifications, but also an arena of intensities, of affective flows and corporeal state-changes. From this perspective, many areas of popular culture (from calisthenics to social dance to video gaming) can be seen as sites at which rich and complex—if sometimes dangerous—processes of embodied learning/teaching take place. By comparison, the world of formal education can (...) seem hopelessly clumsy in its inattention to such issues. From a personal perspective, I can attest that nothing surprises my students more than when I try to get them to think about the ergonomics of studying, or advise them that getting some exercise and cutting down on sugar will probably improve their work as much as further studying will, or when I advise graduate students that their mood and physical state will make as much difference to the quality of their lectures as will their level of formal preparation; and yet experience has convinced me of the accuracy of these assertions. I would aver that I have learned more about successful lecturing—in particular about the improvisational skill of ‘reading’ a room, and adjusting an affective–informational flow accordingly—from DJing in dance clubs than from any formal training in pedagogy that I have received. What conclusions could be drawn from these observations, and how do they relate to existing strands of pedagogic theory? These are the questions which this article will ultimately seek to address. (shrink)

This paper assesses the role of attention in learning by comparing the effects that different reading modalities and participation practices have in learning, and uses book clubs as venues of learning interactions. Specifically, this paper presents the basic findings of a case study conducted on a gender mixed crime fiction face-to-face book club in Athens. Based on grounded theory methodology, the results indicate that exchanges are framed in terms of an agonistic “gift economy” and circulate among two basic reading (...) modalities grounded in different structures of paying attention and invested with different cognitive value: a) a deep –effortless- immersion of attention in the momentary experience of reading and b) a deep -effortful- re-reading which divides time in order to obtain deeper insight. The study locates a group of marginalized women, who are unable to enter the agonistic exchange cycle as givers and stay in a permanent ‘cognitive debt’. The construction of regimes of worth among members has implications for the study of interactions in many learning environments. In this respect, this paper attempts to bring together insights from social sciences and cognitive theories, in order to open up a fruitful dialogue between the two with pedagogical implications and future cross-disciplinary research directions. (shrink)

In April 1939, G. E. Moore read a paper to the Cambridge University Moral Science Club entitled ‘Certainty’. In it, amongst other things, Moore made the claims that: the phrase ‘it is certain’ could be used with sense-experience-statements, such as ‘I have a pain’, to make statements such as ‘It is certain that I have a pain’; and that sense-experience-statements can be said to be certain in the same sense as some material-thing-statements can be — namely in the sense that (...) they can be safely counted on. When Moore later read his paper to Wittgenstein, Wittgenstein took violent exception to it, and the two entered into a heated exchange. The only known notes of this exchange are a previously unpublished verbatim record of part of it, taken by Norman Malcolm. This paper is an edition of Malcolm’s notes. These notes are valuable for both philosophical and scholarly reasons. They give us a glimpse of a sustained exchange between Wittgenstein and a real-life interlocutor; they contain a defence by Wittgenstein of the idea that a word’s use can illuminate its meaning; and they provide evidence of Wittgenstein’s philosophical engagement with the topic of certainty, and with Moore’s thought on it, long before he began to write the notes which make up On Certainty, in 1949. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:460 HISTORY OF PHILOSOPHY accurate understanding of the mind of Aristotle. Nifo's shift on the question of Aristotle and immortality thus represents a noteworthy chapter in the history of Renaissance Aristotelianism.6x EDWAKDP. MAHONEY Duke University 6x I should like to thank the United States Government for a Fulbright fellowship during 1962-1963; the National Foundation for the Humanities for a fellowship during 1968-1969; and the Duke UniversityResearch Council for grants (...) for microfilms. BIBLIOGRAPHY OF THE WRITINGS OF JACOB LOEWENBERG Compiled by Edwin S. Budge It is hoped that all of Professor Loewenberg's published writings, exclusive of his many book reviews, are listed herein. His unpublished doctoral dissertation, "The Genesis of Hegel's Dialectical Method" (1911), is available on loan from Harvard University, although the "gist" of this, as Dr. Loewenberg has indicated, may be found in the introduction to the first item cited in the bibliography. Dr. Loewenberg, it might be added, also translated a short work by Gilbert Chinard, France for the Soldier (Berkeley: University of California, 1918), and quite likely was consulted by his wife Kate in the course of her translation of Emile Meyerson's Identity and Reality (New York: Macmillan Company, 1930; reprinted by Dover, 1962, and Peter Smith, 1963). Jacob Loewenberg's personal papers are in the possession of his daughter, Mrs. Jeannot Nyles, of Berkeley, California. 1912 1916 BIBLIOGRAPHYOF THE WRITINGSOF JACOBLOEWENBERG "Vorwort," pp. v-vi; "Einleitung: 'Die jugendlichen Denkversuche Hegels'," pp. vii-xxii; in Hegels Entwiir/e zur Enzyklopiidie und Propiideutik nach den Handschri/ten der Harvard-Universitiit. Mit einer Handschri[tprobe. By Georg Wilhelm Friedrich Hegel. Herausgegeben yon Dr. J. Ltwenberg. Leipzig: Verlag von Felix Meiner, I912. xxiv, 59 pp. (Hegel-Archiv. Herausgegeben von Georg Lasson. Band I, Heft 1.) "Interpretation as a Self-Representative Process," The Philosophical Review, Vol. XXV, No. 3 (May, 1916), 420-423. "Mysticism and Idealism," University o/ California Chronicle, Vol. XVIII, No. 1 (January, 1916), 72-91. "An address before the Philosophical Union of the University of California, December 10, 1915." 1917 1918 1919 1920 1921 1922 1923 NOTES AND DISCUSSIONS 461 "The Spirit of Hegel's Philosophy," University of California Chronicle, Vol. XVIII, No. 3 (July, 1916), 373-393. "The Teachings of Royce," The California Alumni Fortnightly, Vol. IX, No. 14 (September 30, 1916), 216-217. "Classic and Romantic Trends in Plato," The Harvard Theological Review, Vol. X, No. 3 (July, 1917), 215-236. "An address before the Philosophical Union of the University of California, February 23, 1917." "Josiah Royce: Interpreter of American Problems," University of California Chronicle, Vol. XIX, No. 1 (January, 1917), 39-47. "The Prophetic Songs of Swinburne," University of California Chronicle, Vol. XX, No. 10anuary, 1918), 106-115. "Preface," pp. vii-xii in Lectures on Modern Idealism. By Josiah Royce. New Haven: Yale University Press, 1919. Pp. 259. (Semicentennial Publications of the University of California, 1868-1918.) "Ethics and the War," Mills Quarterly, Vol. I, No. 4 0anuary, 1919), 6-9. "An address delivered at Mills College, October 18, 1918." "Multiplicity and the Social Order," The Harvard Theological Review, Vol. XII, No. 2 (April, 1919), 137-164. "President Wilson's Americanism," University of California Chronicle, Vol. XXI, No. 1 (January, 1919), 1-15. "Introduction," pp. 3-37 in Fugitive Essays; with an Introduction by Dr. J. Loewenberg. By Josiah Royce. Cambridge: Harvard University Press, 1920. Pp. 429. (Semicentennial Publications of the University of California, 1868-1918.) "Philosophy and Humanism," University of California Chronicle, Vol. XXIH, No. 3 (July, 1921), 298-318. "Read before the Kosmos Club of the University of California, April 4, 1921." "The Apotheosis of Mind in Modern Idealism," The Philosophical Reviewj Vol. XXXI, No. 3 (May, 1922), 215-236. "A fragment of a larger essay." "The Idea of Mutability in Literature," University of California Chronicle, Vol. XXIV, No. 2 (April, 1922), 129-151. "The Metaphysics of Critical Realism," pp. 167-194 in Issues and Tendencies in Contemporary Philosophy. Edited by George P. Adams and J. Loewenberg. 462 HISTORY OF PHILOSOPHY Berkeley: University of California, 1923, Pp. 224. (University of California Publieations in Philosophy, VoL IV.) Read before the Philosophical Union of the University of California, March 30, 1923. "'The Metaphysics of Modern Scepticism," The Philosophical... (shrink)

This paper examines how communities of naturalists in mid-nineteenth-century Britain were formed and solidified around the shared practices of public meetings, the publication and reading of periodicals, and the making and printing of images. By focusing on communities of naturalists and the sites of their communication, this article undermines the distinction between amateur and professional scientific practice. Building on the notion of imagined communities, this paper also shows that in some cases the editors and illustrators utilized imagery to construct a (...) specifically British naturalist community. Following three ‘amateur’ natural-history periodicals (Science Gossip,Midland Naturalistand theJournal of the Quekett Microscopical Club) the article demonstrates how the production and reproduction of natural history in the nineteenth century was contingent on community debate – and that this debate both was highly visual and moved across printed and geographical boundaries. This paper investigates images both for their purported success and for their ascribed value to natural history. Additionally, it considers the debates over their limitations and alleged failures of printing. Altogether, the article argues that investigating the communal practices of observation, writing, drawing and engraving allows for a better understanding of the shared practices of nineteenth-century natural history. (shrink)

We examined developmental changes in British children’s (8- to 10-year-olds) and adolescents’ (13- to 15-year-olds,N = 340; FemaleN = 171, 50.3%) indirect bystander reactions (i.e., judgments about whether to get help and from whom when witnessing social exclusion) and their social-moral reasoning regarding their reactions to social exclusion. We also explored, for the first time, how the group membership of the excluder and victim affect participants’ reactions. Participants read a hypothetical scenario in which they witnessed a peer being excluded from (...) a school club by another peer. We manipulated the group membership of the victim (either British or an immigrant) and the group membership of the excluder (either British or an immigrant). Participants’ likelihood of indirect bystander reactions decreased from childhood into adolescence. Children were more likely to get help from a teacher or an adult than getting help from a friend, whereas adolescents were more likely to get help from a friend than getting help from a teacher or an adult. For both indirect bystander reactions, children justified their likelihood of responding by referring to their trust in their teachers and friends. Adolescents were more likely to refer to group loyalty and dynamics, and psychological reasons. The findings support and extend the Social Reasoning Developmental (SRD) approach by showing the importance of group processes with age in shaping children’s judgments about how to respond indirectly by asking for help from others, when they are bystanders in a situation that involves exclusion. The findings have practical implications for combating social exclusion and promoting prosocial bystander behavior in schools. (shrink)

The article, being a part of the just prepared book, deals with two different interpretations of Nietzschean text. C. G. Jung devoted five years' Seminar to discuss "Thus spoke Zarathustra" in the Psychological Club (1934–39), M. Heidegger was giving lectures and developing his controversy (Auseinandersetzung) with Nietzsche between 1934–48, some pauses including. The thesis exposed in the article suggests that in Nietzsche's text they were looking for the kind of language, capable to generate transformation of individual and general culture of (...) being. The quest for such a regenerative code is explored in three main semantic fields: the "natural", the sacred and the artistic. The task of regaining "natural" character of human unity, despite of theoretical inadequacy of the category of "nature"; the aim of taking care of alive essence of sacrum as well as the possibilities of regeneration that may be found in the sphere of artistic experience, are considered in the light of Jungian and Heideggerian perspectives of reading Nietzsche. Ambivalence of their interpretations helps to show also certain continuous difficulties to get access to the sources of life. To endure these, at first unknown, conditions of our lives, allows the mind to learn and shape thinking from experience. Jung's and Heidegger's dialogues with Nietzsche may let us see that enduring in the unknown does not have to paralyze the growth of thinking. (shrink)

As witnessed by recent films such as _Fight Club_ and _Identity_, our culture is obsessed with multiple personality—a phenomenon raising intriguing questions about personal identity. This study offers both a full-fledged philosophical theory of personal identity and a systematic account of multiple personality. Gunnarsson combines the methods of analytic philosophy with close hermeneutic and phenomenological readings of cases from different fields, focusing on psychiatric and psychological treatises, self-help books, biographies, and fiction. He develops an original account of personal identity (...) and offers a provocative interpretation of multiple personality: in brief, "multiples" are right about the metaphysics but wrong about the facts. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Trains Of Thought And AfterthoughtsJohn EllisWhen I think about how this conference has gone, it’s hard not to begin with the fact that so many came. “We happy few” turned out not to be so few after all.* While I cannot be the most objective judge of a conference that I spent so much time helping to plan, it still seems to me that being able to listen, on (...) two successive evenings, to talks of the quality of Bernard Knox’s and Stanley Crouch’s was a rare treat. Stanley’s talk had the effect that all first-rate criticism must have; it made those who heard it want to rush out and get the book to read or reread it. And I shall long remember Bernard’s anecdote about Aristophanes being subpoenaed, which was just about the funniest and most instructive story I’ve ever heard. Singling out any of the shorter papers is unfair, for I enjoyed all of them, but I have to say that poetry as a genre would not be lagging behind the other genres (fiction and drama) in our age if there were more people who could read poetry like Rosanna Warren.Rather than commenting on how things turned out, I should tell you a little of how we wanted things to turn out, so that you can get your own sense of the relation between our intent and what actually happened. The one stark fact that faced everyone involved in planning this conference was that it was easy to say what we didn’t want to do—we could see examples of that everywhere—but deciding how to chart a new course was an altogether different question. There was one shape [End Page 197] we knew we didn’t want, but there were all kinds of possible shapes we could have chosen to replace it. The program as you heard it was in fact the result of many different trains of thought.Take the panel on poets and critics; it might seem just a nice invention, but was actually the result of a studied train of thought. The most visible sign of what has gone wrong with academic criticism is that it is now largely written for and read by other academic critics. Academic criticism in the process has lost touch with the wider world of readers and writers. Academic critical essays have become a game played on campuses in an increasingly isolated and parochial world where they are heavily involved in matters of professional hierarchy and the place of individuals within it, but in very little else in the real world. The “poets and critics” panel was, in part, an attempt to begin to bring academic criticism back to the reality of readers and writers, to subordinate the unquestionable cleverness and intellectual ingenuity of academics to a common sense and realism that recently seem to have been in somewhat short supply.The panel on how to read a book results from a quite different train of thought. Academic criticism has now assumed a forbidding verbal complexity. A highly elaborate verbal superstructure covers over the essentials of the situation—literature and its readers—to the extent that it becomes a barrier that obscures what is real in it. This panel was in part an attempt to cut through pseudo-complexity and to return to the basic elements of the situation. I might well have said “the basic theory of the situation,” since I’m always reluctant to concede theory to people who have no exclusive claim to it (as they imagine) but merely misuse it.1The notion of “back to basics” really requires no justification. There is a charming story of a man who has played golf all his life, but each year goes back to his first teacher and says to him quite simply: teach me how to play golf. The teacher instructs him as he does anyone else who has never played the game, beginning with how to hold a club, how to stand, and so on. This might seem a rather obsessive habit—unless you know who this man is. One has to assume that this... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Hesiodic Catalogue of Women and Archaic Greece by Kirk OrmandAndromache KaranikaKirk Ormand. The Hesiodic Catalogue of Women and Archaic Greece. Cambridge: Cambridge University Press, 2014. x + 265 pp. Cloth, $90.The Hesiodic Catalogue of Women, a text in fragmentary form that poses questions about its date, performance, and genre context, is put in new light in the rigorous study by Kirk Ormand, who traces the main themes (...) and mythological details of the Catalogue’s intriguing storytelling. With the external façade of a recounting poem largely connected to heroic genealogies, the Catalogue has attracted significant scholarly attention. Ormand breaks new ground by focusing consistently throughout his book not solely on matters of poetic production but rather on the “end result” and the social forces that produced and proliferated the poem. The key themes of contest, rape, marriage, and changes in the institution of marriage become the template on which the mythological structure of heroic genealogies is set. Ormand sees them not as a static platform but as the moving axis that problematizes female roles as women change home and status. The Catalogue presents largely the consumption of women without ever presenting a female point of view; the female figures are tools in creating heroic genealogies with the birth of the hero as a focal point without much interest in further births or other moments of the female life. As becomes clear from the first introductory chapter, Ormand assumes an authorial stance that is well aware of the oral hexametric epic tradition but is also consciously creating an act of aristocratic nostalgia of the past in the new political frame of the polis.The second chapter delves into much-needed research on the socioeconomic exchange of hedna, a practice often conflated with dowry and aristocratic wedding gift exchange. Ormand carefully disentangles the literary attestations and underlines how hedna was a marker of aristocratic values distinct from other forms of gifts. Influenced by Ian Morris’ view that oral poetry reflects social practices at the times of performance that resonate with audiences, Ormand brings a new understanding of hedna not as economic exchange in a bride-wealth social nexus (according to the anthropological work of Jack Goody) but rather as something that ensures a kind of membership, so to speak, in an aristocratic club. Functioning like a hidden auction, the offering of hedna creates a competitive framework that silently raises the price of aristocratic membership. Displaying and offering more wealth ensures belonging to the elite but also defines the measure that marks and solidifies aristocratic status while raising the bar for others. Marriage offers the forum of competition, and the bride becomes a marker of value (through her beauty) that enables such a kind of gift-giving, and, through it, belonging to the elite. By exploring the historical context and literary attestations of this type [End Page 171] of gift exchange, Ormand presents a convincing case that the Catalogue, an epic poem that can be largely seen functioning as a counterpart of sympotic poetry, has a similar role: within the early context of the rising polis it provides an elite ideology connecting aristocrats to heroes through the nexus of the poetic (undemocratic) device of hedna.In chapter 3, Ormand’s analysis of the story of Mestra, a well-known shape shifter in myth, lucidly illustrates his arguments about elite ideology and how marriage defines female identity in the narrative of the Catalogue. Connections between the female and mobility are of course not new, but Ormand brings a new point of view to a central issue in archaic and classical literature, namely, the implicit struggle between natal and spousal families for the woman (as in the myths of Demeter and Persephone, the Danaids, Antigone, and Electra, among others). In the Hesiodic narrative of Mestra, her shape-shifting and passage from rape to marriage exemplify social tensions and the evolution of social and legal thinking on citizenship, endogamy, and exogamy and ultimately the oikos as a unit of the polis.The fourth chapter shifts toward the fluidity in oral poetic production and culminates in a parallel reading of Atalanta’s race with Hippomenes as a recasting of the... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:“We all love with the same part of the body, don’t we?”Iuliia Voznesenskaia’s Zhenskii Dekameron, New Women’s Prose, and French Feminist TheoryYelena Furman (bio)Starting out as a poet who eventually turned to fiction, Iuliia Voznesenskaia was also one of the main figures of the Soviet feminist movement, a fact that makes her biography both unusual and courageous. In the 1970s, Voznesenskaia’s involvement with the dissident movement in Leningrad resulted (...) in several arrests, imprisonment, and time in the camps.1 Although she was not initially interested in women’s issues, her incarceration in all-women’s camps and prisons convinced her that “the situation of women in our country demands special attention” (“Zhenskoe dvizhenie v Rossii” [“The Women’s Movement in Russia”] 41). Along with several other women dissidents, she founded the Soviet feminist movement, putting out the samizdat women’s journal Zhenshchina i Rossiia (Woman and Russia), which precipitated immediate reprisals from the KGB. A women’s club, Mariia, and a journal by the same name followed, as did more KGB reprisals. For her feminist activity, Voznesenskaia was expelled from the Soviet Union in 1980, settling in West Germany.2In 1985, in West Germany, Voznesenskaia wrote her first and best-known novel, Zhenskii Dekameron (The Women’s Decameron). The novel is set in a Leningrad maternity ward containing ten new mothers from different backgrounds with different life experiences: Larisa, Emma, Natasha, Nelia, Galina, and Valentina are educated and all have careers except Galina, whose occupation, admittedly strange for a feminist novel, seems to be a dissident’s wife; Ol’ga works in a shipyard; Irishka is a secretary; Al’bina is an Aeroflot flight attendant doubling as an escort on the KGB’s payroll; Zina is homeless and has served time in the camps; Valentina is a Party worker, whereas Galina is part of the dissident community. Quarantined together for ten days because of a spreading infection and inspired by Emma’s reading of Boccaccio’s Decameron, the women begin to tell each other stories to pass the time. As its title makes clear, Voznesenskaia’s novel is heavily indebted to Boccaccio’s, borrowing its structure and many of its themes, such as an emphasis on storytelling and sexual explicitness. The humor and poignancy of the women’s stories make it a highly enjoyable read, and the focus on female sexuality and the author’s play with the narrative set this novel apart from other Soviet writers’ works.3 The novel also features what is surely a unique occurrence in Russian and Soviet literature: an openly feminist character (Larisa), referred to by the authornarrator as “zhenshchinoi vpolne emansipirovannoi, mogushchei ukrasit’ soboi liuboe zapadnoe feministicheskoe obshchestvo” [“a completely emancipated woman, capable [End Page 95] of adorning any Western feminist group”] (13), who is moreover depicted in a wholly positive light.4Yet despite enjoying a modicum of success, including being translated into several languages and staged as a play, Zhenskii Dekameron remains an under-read and underrated work.5 The reasons for its relative obscurity are closely allied with Voznesenskaia’s political activities in the 1980s. Exiled abroad for being politically undesirable to Soviet authorities, she could not have her work published in the Soviet Union; rather, the novel came out in Russian in Israel in 1987 (Curtis 186n2).6 The lack of visibility from which she suffered in her native country changed only in the (post)glasnost’ period: in 1991, the novel was published in Russian in Tallinn, and in 1992, in Moscow.7 Despite being able to be published, however, Zhenskii Dekameron seems not to have made a strong impact on either readers or critics, and there does not appear to be any discussion of it in Soviet/ Russian literary journals.The novel likewise suffers from a lack of familiarity in the West. The interest Voznesenskaia generated among Western European and American feminists in the early 1980s was for her feminist activism in the Soviet Union, which preceded her novel writing. Zhenskii Dekameron seems to have made a modest impact on readers; scholars, too, discuss it only occasionally. The most comprehensive treatment of the work to date has been Jerzy Kolodziej... (shrink)

Whoever writes in blood and aphorisms does not want to be read, but rather to be learned by heart.Here's what is necessary: one blow with a club, one scar; one slap on the face, a handful of blood. Your reading of what other people write should be just like this. Don't be lax!In several recent articles, Leigh Kathryn Jenco questions the use of Eurocentric methodologies in conducting cross-cultural research within and about Chinese traditions.3 As she says, "postcolonial and 'non-Western' societies (...) can be positioned as particularly challenging case studies, offering 'alternative' views of self, culture, and society. However, their rich traditions of historical, political, and literary scholarship can play no role in... (shrink)

My title refers to a very modern problem, for what else is modernization than a process of rational differentiation of society in autonomous, mutually isolated sub-spheres, to the point where no one any longer knows what the unity of it all is? We differentiate, we specialize, we hyperspecialize, and then we get puzzled over the fragmentation we have produced around us, between ourselves and even within ourselves. Look at our own area. You cannot even specialize in practical ethics any more. (...) You have to limit your attention to medical ethics, for example, the ethics of engineering, or business ethics. And within business ethics, my own field of research, the homo universalis is also threatened with extinction. You can do marketing ethics, ethics of finance or computer ethics, until you finally become the typical ‘expert’: someone who knows almost everything about almost nothing.From the despair over hyper-differentiation, the call for integration arises: the call for meaning, for reconfiguration, for making sense of our world and our lives again, the call for reconnection with the great traditions of our culture, the call for community.If we read the great theorists of modernization — Weber, Durkheim, Parsons, Habermas, Münch — we learn that the quest for integration is in fact an equally important aspect of modernization as is differentiation. They are two sides of the same coin. In this sense, I think, the integrative endeavour of the EEN can still be considered a modern one.We are presently facing an escalation, or a climax, of modernity. We live in a state of hypermodernity, in which technological, economic and cultural forces dynamize our society on an unprecedented scale. We are really living high up on the dazzling slopes of the exponential growth curves that the Club of Rome predicted over 25 years ago. Everyone speaks of change. Everything is changing, and with institutionalized change, everything has become uncertain. Within uncertainty, however, social disintegration is lurking. Does not the structural uncertainty that we are introducing in our society bring us back to a state of nature, to a state outside the hypothetical social contract on which modern social communities are based? Is not the life of the individualized, flexible wanderers on the labour market again resembling the pledge of man which Hobbes described as ‘solitary, nasty and brutish’ . Has not the life of many in our society again become ‘very unsafe and very insecure, full of fears and continual dangers’, in the way that Locke depicted the state of nature .I understand business ethics as an integrative undertaking in our society, integrative in particular with respect to the economy and the realm of formal organization, integrative also at the interface between life-world and system, to use the terminology of Habermas.Integrative endeavours in our society have an ambiguous relation to change. Change is a key challenge to business ethics. Should we accept disruptive forms of change as inevitable, in order to remain on speaking terms with the economy and its spokesmen? Or should we fiercely resist certain changes? Is change on our side, perhaps? Business ethics is sometimes presented as a way to help managers cope with the many paradoxes of our time. One-dimensional technological rationality, we say, is no longer adequate to grasp the complexities, ambiguities and paradoxes of our world. Successful management requires more flexible, more creative forms of thinking. Philosophy and ethics are then presented as alternatives. But then aren’t we, the philosophers, simply promoting ourselves as the new masters of change for our time? Isn’t the so-called postmodern consciousness in fact an ideological underpinning of hyper differentiation, and in this sense the ultimate self-realization of the spirit of modernity? What sense of direction do we offer, as business ethicists?I would like to speak about the integration of micro, meso and macro-levels in business ethics, from the perspective of social change. My basic thesis is that only an adequate ethics of responsibility can integrate a highly differentiated and ultra-complex society like ours. This integration through responsibility opens up new directions of social change, that proceed simultaneously at the micro, meso and macro-level.In order not to complicate matters too much, I will limit myself to two dimensions of change which are important for business ethics at the moment: economic change ; organizational change . In relation to these changes, I will conclude with some reflections on changes in business ethics itself, the ones that I think are needed. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Surviving American Culture:On Chuck PalahniukEduardo MendietaIn an age in which American culture has become the United States' number one export, along with its weapons, low intensity conflict, carcinogenic cigarettes, its "freedom," and pornography, it is delightful and even a sign of hope that there are writers who have taken on the delicate and perilous task of offering a prognosis of what ails this culture. In the following essay I (...) argue that Chuck Palahniuk's works ought to be read as a mortician's report on American culture. Chuck Palahniuk broke into the literary world by way of the movie version of his first novel: Fight Club (1995). He has gone on to write six other novels: Survivor (1999), Invisible Monsters (2000), Choke (2001), Lullaby (2002), and Diary (2003). He also has published an interesting travel book, Fugitives and Refugees; A Walk in Portland, Oregon (2003), but since this is not properly fiction, I will not discuss it in this essay.1Clearly, Palahniuk has already produced a corpus worthy of careful consideration and analysis. Yet, as a west coast writer, far from the literary circles and brokers of the east coast, indeed far away from the clubs of self-promotion and self-monitoring that censure and hold in tight grip the monopoly of criticism that highlights "worthy literature," Palahniuk has not attracted a lot of critical attention. It is only with his most recent work Choke that he has began to be widely reviewed and commented on. In the following I provide a thematic reconstruction of each one of the six published novels, in chronological sequence. I will argue that Palahniuk is not trying to write the "great American novel," although he is profiling himself as a quintessential "American" writer in the midst of post–Cold War megalomania and celebrated Pax Americana. He has taken on a culture that has become so gargantuan, [End Page 394] fragmented, and differentiated but at the same time so rich, so self-reflexive, so historicized and also so mimicked that one novel cannot tell its story in one narrative with one dramatic thread. Many novels, many short cuts, many vignettes, are necessary: one polyphonic, asynchronous, temporally bi-directional, hyper-textual, and cyber-encyclopedic novel made up of individual novels, where each novel is the Bildungsroman of an American hero but told in reverse. These heroes, I will argue, are testimonies to the resilient power of individuals to resist even the most invasive and persistent onslaughts by culture on the physic life of freedom and individuality. I will also argue that he is neither a commercial nor academic writer; that is, he is not the kind of writer who writes either in order to maintain a living or secure tenure. He is a writer with a mission, a vision, and a very distinctive style. The stories that Palahniuk tells are stories that begin at the end, and end at the beginning: they are turned around Bildungsromans. They are, in other words, about unmaking, uncoupling, and disentangling our selves from the normal self into which we have been socialized. These stories are, thus, about the discovery of moral resources that lay dormant in the very simplicity of human solidarity and trust in our will to survive morally untainted, or at least redeemable. I will conclude by arguing that Palahniuk's novels are about surviving American Culture, and about how deviance is the health of the individual in a sick society.One could characterize Fight Club as the intelligent man's response to Robert Bly's Iron John (1990),2 or the fictionalized version of the Michael Kimmel's Manhood in America: A Cultural History (1996).3 Alternatively, one could argue that Fight Club is the fin-de-sieclé response to Barbara Ehrenreich's prognosis in her The Hearts of Men: American Dreams and the Flight from Commitment (1983) of 1970s and 1980s narcissistic and hedonistic masculinity.4 Chuck Palahniuk's first novel is a biting and poignant look at men in American culture after the end of affluence and the simultaneous "feminization" of masculinity. It is at the same time about the struggle for a viable sense of masculinity in an age in... (shrink)

This article examines transnational patterns and compares national specificities of new right reading practices and literary politics in Germany and the United States. It focuses on questions of canonization, politicization, and self-victimization and studies the performance of reading as ›metapolitical‹ cultural technique in online book clubs on both sides of the Atlantic.

The following translation is an extract from the third chapter of Watsuji Tetsurō’s Hidden Japan [埋もれた日本] 1951. The translation is composed of two sections: “Until I met Sōseki” [漱石に逢うまで], and “Sōseki’s Character” [漱石の人物]. The former section discusses Watsuji’s indirect encounters with Natsume, namely, reading Natsume’s work as it was serialized in literary magazines during the Meiji era (1868–1912) and the impression Watsuji formed of Natsume as a teacher at Tokyo First Higher School (Ichikō). The latter section discusses Natsume as Watsuji’s (...) personal acquaintance. Here the focus is on how Watsuji came to know Natsume through participating in the famous Thursday Club [木曜会], which was held at Natsume’s home, Sōseki Sanbō [漱石山房]. The contributions of this translation to the literature are threefold: it i) provides a multidimensional account of Natsume, ii) offers insight into the legendary Thursday Club, and iii) also tells us about Watsuji himself. (shrink)

Theodor Adorno has been quoted as responding to the Humanist Union stating ‘I might possibly be willing to join if your club had been called an inhuman union, but I could not join one that calls itself “humanist”’. Adorno’s opposition to forms of humanism (both liberal and Marxist) which posit the existence of our humanity is reflected in readings of The Frankfurt Institute’s history such as that produced by Martin Jay. While this is the case, one of Adorno’s highly (...) admired students, Alfred Schmidt, commemorated his teacher by proclaiming him a ‘philosopher of Real Humanism’. In categorising Adorno’s work as embodying a ‘Real Humanism’, Schmidt points towards an understanding and orientation towards the human (and our understanding of it) which cannot be accurately characterised through the philosophies of Humanism and Anti-Humanism as oppositional viewpoints. Rather, the Real Humanism of Adorno (as well as some of his fellow travellers) understands the human as the negative image of our currently existing society’s inhumanity, and urges us to take an ethical orientation towards the constitution of the human through the abolition of our inhumanity. If we, like Adorno, are to believe in the new categorical imperative that we must make sure ‘that Auschwitz never repeats itself, so that nothing similar ever happen[s] again’, then we must fundamentally orient ourselves towards the goal of ‘real humanism’ – a society free from the domination of ourselves and the other. (shrink)

I'm now in my forties, but my teacher is still alive and well; so I'm still one of the junior generation. When I was a graduate student, my teacher told me that I didn't have enough background in Chinese traditional studies, and in a burst of energy I went off and read my way, albeit in a rather random fashion, through everything from the Four Books to the Cheng brothers [Cheng Hao and Cheng Yi, Confucian scholars of the Song dynasty] (...) and Zhu Xi. My studies had started off with fiction, and the Four Books came afterwards; I had started off as an "educated youth," and became a student later. Doing things that way round, one can expect to have problems; but even so, when I read the ancient classics, I still feel some singular emotions, which I cherish purely because they are my own. When I finished reading the Analects and closed my eyes to think about it, I felt that to utter those great truths so often and so earnestly Confucius must have been a very sweet and naive old man. His students were always hanging on his every word and, in his concern for them, he said that A could do this, or B could do that, like an old lady listing the characteristics of her grandchildren. Sometimes the old gentleman had a furtive side to him, as in the chapter "The Master went to see Nanzi" [See Analects VI. 28; Nanzi was the wife of Duke Ling of Wei]. When he emerged, he insisted that he had committed no "impropriety." In a nutshell, I liked him, and if I had been born during the Spring and Autumn period [722-481 b.c.e.], I would have gone and studied under him, because the atmosphere round him was like that of the Pickwick Club. His ideas were actually pretty ordinary, and there is nothing special about them to win our admiration. The ceremonial on which he laid such particular emphasis was in my view much the same as the rituals performed during the Cultural Revolution—I've been through all those morning requests for instructions and evening reports myself and it wasn't very interesting. It may be indispensable for the very young, but for educated adults it is a burden. However, if I'd gone along to be taught by Confucius, I would have gone for the atmosphere, and I would not have expected to learn much. (shrink)

Best Book of June 2015 (The Christian Science Monitor) Book of the Year by the Conference on Christianity and Literature C. S. Lewis is the 20th century's most widely read Christian writer and J.R.R. Tolkien its most beloved mythmaker. For three decades, they and their closest associates formed a literary club known as the Inklings, which met every week in Lewis's Oxford rooms and in nearby pubs. They discussed literature, religion, and ideas; read aloud from works in progress; took philosophical (...) rambles in woods and fields; gave one another companionship and criticism; and, in the process, rewrote the cultural history of modern times. In The Fellowship, Philip and Carol Zaleski offer the first complete rendering of the Inklings' lives and works. The result is an extraordinary account of the ideas, affections and vexations that drove the group's most significant members. C. S. Lewis accepts Jesus Christ while riding in the sidecar of his brother's motorcycle, maps the medieval and Renaissance mind, becomes a world-famous evangelist and moral satirist, and creates new forms of religiously attuned fiction while wrestling with personal crises. J.R.R. Tolkien transmutes an invented mythology into gripping story in The Lord of the Rings, while conducting groundbreaking Old English scholarship and elucidating, for family and friends, the Catholic teachings at the heart of his vision. Owen Barfield, a philosopher for whom language is the key to all mysteries, becomes Lewis's favorite sparring partner, and, for a time, Saul Bellow's chosen guru. And Charles Williams, poet, author of "supernatural shockers," and strange acolyte of romantic love, turns his everyday life into a mystical pageant. Romantics who scorned rebellion, fantasists who prized reality, wartime writers who believed in hope, Christians with cosmic reach, the Inklings sought to revitalize literature and faith in the twentieth century's darkest years-and did so in dazzling style. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Thinking with Heidegger:Rethinking Environmental Theory and PracticeKevin Michael DeLuca (bio)Environmentalism is tired. It is a movement both institutionalized and insipid. The vast majority of Americans claim to be environmentalists while buying ever more SUVs, leaf-blowers, and uncountable plastic consumer goods. Indeed, environmentalism itself has become just another practice of consumerism, a matter of buying Audubon memberships, Ansel Adams calendars, and 'biodegradable' plastic bags with one's Sierra Club credit card. (...) As a practice of everyday life, environmentalism has devolved into another lifestyle choice.On the political front, carbon-copy blow-dried presidential candidates proclaim their allegiance to the environment, an allegiance that is more a sign of fealty to opinion polls than a concern with environmental issues. In the world of real-politic, environmental regulations are gutted as corporations write legislation for the politicians they have bought. Outspent and outmaneuvered, mainstream environmental groups preach at the altar of broken promises about the potential of lobbying and insider access while awaiting the blandishments of the next candidate. As [End Page 67] a political practice, mainstream environmentalism has degenerated into a marginal special-interest group.On the intellectual front, a confusing array of reform environmentalists, deep ecologists, social ecologists, ecofeminists, wilderness advocates, social justice activists, social constructionists, and Christian ecologists offer a cacophony of competing paradigms and programs while exchanging charges and countercharges of wrong-headedness and infidelity. If on the level of practice an exhausted environmentalism has achieved both institutionalism and irrelevance, intellectually environmentalism has reached several stasis points. This is crucial, for at a level that is unusual for social movements, environmentalism has always highlighted the importance of how we think about the environment, that ideas of nature are powerful because practices follow from ideas. In other words, how we think about nature guides how we act toward nature. In the midst of this melee I want to suggest we reconsider the work of Martin Heidegger.I want to think Heidegger in distress: in the distress of machination; in the distress of the technological enframing of the earth; in the distress of the environmental crisis. In rejecting a Heideggerian hermeneutics, a piety to textual exegesis, I hope to stress Heidegger in order to stress environmental theory. With few exceptions,1 two insufficient responses typify the reception of Heidegger in environmental thinking. One is to champion Heidegger as some proto-environmentalist. Certainly, quotes from such works as Being and Time, Contributions to Philosophy: From Enowning, "The Question Concerning Technology," "Building Dwelling Thinking," and "The Age of the World Picture" inspire such a reading. Such readings, however, present a simplified Heidegger. For example, a poor reading of an essay such as "The Question Concerning Technology" produces the conclusion that Heidegger was anti-technology.2 These misreadings are not merely accidental but a result of the goal of the citation. The challenge of Heidegger is not engaged to develop environmental theory; rather, Heidegger is cited to lend some borrowed legitimacy to the fledgling enterprise. The most prominent example of this move occurs in Devall and Sessions' Deep Ecology, wherein Heidegger joins a potpourri of thinkers, including Dogen, Job, St. Francis of Assisi, Giordano Bruno, Spinoza, Thoreau, Chief Seattle, Herman Melville, John Muir, Aldous Huxley, Gandhi, Rainer Maria Rilke, Aldo Leopold, Robinson Jeffers, Mary Austin, Rachel Carson, Barry Commoner, Stanley Diamond, and [End Page 68] David Brower from a host of traditions, including Taoism, Hinduism, Zen Buddhism, Christianity, Native American thought, Romanticism, and ecological science (1985, 79–108). The result is confusion, at best.On the other hand, in a second response Heidegger serves as a kind of bogeyman, a Nazi used to tar the more radical environmental groups. The syllogism is simple and simplistic: Deep Ecologists are bio/ecocentric; Deep Ecologists quote Heidegger; Heidegger was a Nazi; Therefore, Deep Ecologists are Nazis/fascists. (To push this thinking to its logical extreme, then, all nonanthropocentric thinking is fascist.) Both responses may be useful for polemics but serve to prevent a possibly productive exploration of Heidegger for the engagement of the difficult problems that have stumped environmentalism on multiple levels.Violating HeideggerAs a prefatory word, even a cursory glance at Heidegger's work reveals him to be a thinker who... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Pragmatism's Evolution: Organism and Environment in American Philosophy by Trevor PearceAlexander KleinTrevor Pearce. Pragmatism's Evolution: Organism and Environment in American Philosophy. Chicago: The University of Chicago Press, 2020. Pp. 384. Paperback, $35.00.Pragmatist pioneers were young lions in the days of Darwin. Evolutionary-biological thinking infused this philosophical movement from the start. And yet the last time a major monograph appeared on classic pragmatism and evolutionary biology—Philip Wiener's Evolution and (...) the Founders of Pragmatism (New York: Harper Torchbooks, 1949)—the author could personally thank Ralph Barton Perry, William James's junior colleague and eventual biographer. John Dewey himself wrote the foreword.Almost seventy-five years later, we have Trevor Pearce's painstakingly researched Pragmatism's Evolution. The author has graduate training in both biology and philosophy and is a former student of William Wimsatt and Robert Richards's (343). The book offers an intricate portrait of how debates about evolutionary biology informed the thinking of a loose-knit group of pragmatists between the years 1860 and 1910. While a remarkable variety of figures are discussed, ten pragmatists command the most attention: Chauncey Wright, C. S. Peirce, Francis Ellingwood Abbot, John Fiske, William James, Josiah Royce, John Dewey, Jane Addams, G. H. Mead, and W. E. B. Du Bois (18). Call them "the American Ten."Without downplaying Darwin, an overarching theme is the special significance of Herbert Spencer. Despite many specific disagreements with him (see e.g. 74, 207–8, 253–54, 281), the American Ten all accepted something more fundamental from Spencer: an intellectual framework that explains mind and morality in terms of functional relationships between organism and environment.After an introduction outlining what Pearce identifies as four chronological "cohorts" of pragmatists (more on this concept below), he examines the 1860s and 1870s reception of Darwin (chapter 1) and Spencer (chapter 2), showing how senior pragmatists like Wright, Peirce, and James defended evolution during this period. In chapter 2, we meet the Metaphysical Club's arch Spencerian, John Fiske, and we get a reading of James's critique of Spencer's psychology and sociology. Chapter 3 gives a highly detailed, reference-work-like portrait of the second cohort's training in evolutionary biology during the 1880s—chiefly Royce, Dewey, Addams, Mead, and Du Bois. In chapter 4, we learn that in the 1880s and 1890s, idealists like Edward Caird, Samuel Alexander, David George Ritchie, and Josiah Royce all co-opted ideas from evolutionary biology, which they apparently thought compatible with Hegelian dialectics. Chapter 5 shows that central planks of Peirce's metaphysics and Dewey's ethics are responsive to an 1890s dispute over the causes of the biological variation upon which selection acts (the so-called "factors" debate). The final two chapters show how pragmatist ethics (chapter 6) and epistemology (chapter 7) were infused with substantive ideas about evolution and about scientific experiment more generally.The depth and use of historical scholarship on offer here are both remarkable. On depth, Pearce draws from nineteen special collections and archives housed at institutions from California to Manchester, UK. The reference list (published on Pearce's website) runs [End Page 160] to 118 pages and was apparently too long for inclusion in the book. Archival research and lengthy bibliographies are to be expected in today's history of philosophy. But the sheer range of sources Pearce draws from is, by any measure, impressive.The use to which he puts those sources is provocative. Close reading, and in particular argument reconstruction, is usually the stock in trade for historians of philosophy. Pearce takes a different approach (7), seeking interpretive insight through a kind of philosophical network analysis. The nodes are mainly philosophers, scientists, and social critics. Unlike digital network analyses, Pearce connects his nodes by hand, via a great multiplicity of social, educational, and intellectual relations. We learn who studied evolution where, with whom, and when; what specific texts were assigned in classes taken, in classes taught; who attacked whom, who sided with whom; and so on.The resulting networks are rich, though they can be difficult to track due to their complexity. At its best, the book uses networks to produce genuine insights that... (shrink)