Horace does not distinguish neatly between the public "Augustan" voice he adopts in stanzas 1-3 of Odes 3.14 and the private "Horatian" voice he adopts in stanzas 5-7. In the latter, Horace both differentiates himself from and assimilates himself to Augustus, as portrayed earlier in the poem, and thus offers a portrait of himself that is best understood as a Horatio-Augustan composite. As both voices coexist in his self-representation, the similarities and differences between them cannot be interpreted as expressions of (...) acceptance or rejection of Augustus as many have done. Instead, Horace is engaged in a form of identity negotiation. (shrink)