Saturn and Melancholy remains an iconic text in art history, intellectual history, and the study of culture, despite being long out of print in English. Rooted in the tradition established by Aby Warburg and the Warburg Library, this book has deeply influenced understandings of the interrelations between the humanities disciplines since its first publication in English in 1964. This new edition makes the original English text available for the first time in decades. Saturn and Melancholy offers an unparalleled inquiry into (...) the origin and development of the philosophical and medical theories on which the ancient conception of the temperaments was based and discusses their connections to astrological and religious ideas. It also traces representations of melancholy in literature and the arts up to the sixteenth century, culminating in a landmark analysis of Dürer's most famous engraving, Melencolia I. This edition features Raymond Klibansky's additional introduction and bibliographical amendments for the German edition, as well as translations of source material and 155 original illustrations. An essay on the complex publication history of this pathbreaking project - which almost did not see the light of day - covers more than eighty years, including its more recent heritage. Making new a classic book that has been out of print for over four decades, this expanded edition presents fresh insights about Saturn and Melancholy and its legacy as a precursor to modern interdisciplinary studies. (shrink)

This volume, first published in 1954, is one of three presenting the correspondence of David Hume. It collects letters from 1737 to 1776 which do not appear in J. Y. T. Greig's two volumes of 1932, and offers a rich picture of the man and his age. The correspondents include such famous thinkers as Adam Smith, James Boswell, and Benjamin Franklin.

Former colleagues of distinguished philosopher Raymond Klibansky examine tolerance from a number of perspectives, including historical roots in Bayle and Locke, the plea for tolerance in literature and poetry, as well as judicial, cultural and societal aspects.

1. Logic and foundations of mathematics. (It 68-June).--2. Philosophy of science. (It 68-June).

Raymond Klibansky est né à Paris en 1905, dans une famille d'origine juive allemande. De l'Allemagne cultivée de l'entre-deux-guerres et des sociétés d'étudiants, via la montée du nazisme et le sauvetage de la bibliothèque Warburg, jusqu'à son rôle d'espion pour les Britanniques, ce philosophe a côtoyé les plus grands esprits de ce siècle.

L'Europe prétend être une personnalité culturelle née voilà des siècles dans l'Athènes des philosophes. Cette certitude est-elle lieu commun ou réalité vérifiée? Raymond Klibansky et David Pears ont dirigé, à la demande de l'Unesco, cette vaste enquête visant à dresser un état des lieux de la philosophie en Europe aujourd'hui. On y trouvera donc des inventaires, pays par pays, des grandes tendances et interrogations en philosophie, mais également, à partir de quelques coups de sonde très diversifiés - sur l'éthique universaliste, (...) les droits de l'homme, les nouvelles formes de rationalité scientifique, les rapports entre le langage et l'esprit ou bien encore l'enseignement comparé de la philosophie en Europe -, une des interrogations philosophiques entre pays, donc du dialogue pourtant nécessaire entre penseurs et intellectuels, par-delà les frontières nationales et culturelles. Au terme de cet étonnant voyage au pays des concepts, la conclusion inéluctable est bien : " Philosophes, encore un effort pour être européens... ". (shrink)

l. Logic and philosophy of science.--2. Metaphysics and analysis.--3. Values, history and religion.--4. History of philosophy. Contemporary thought in eastern Europe and Asia.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)