This article combines the model of critical spatiality with collective memory and religious imagination in order to create a theoretical basis from which to study biblical texts. The combination of critical spatiality, collective memory and religious imagination amount to remembered space as hermeneutical method. In order to be able to employ remembered space as hermeneutical method, as applied to Psalm 90 in this article, a number of aspects must be considered. These aspects include the different dimensions of space as per (...) spatial theory, the bases of ancient Near Eastern worldview and spatial orientation, as well as the theoretical principles of collective memory.Contribution: After considering all of these aspects, the article argues that remembered space provides a fresh perspective on the interpretation of biblical texts, highlighting the spatial notions, collective memory and imaginative outcomes underlying biblical texts. As a case in point, Psalm 90 employed remembered space through imaginative remembering to reimagine stability, identity and faith in a post-exilic time of crisis, instability and trauma. (shrink)

Psalm 139 provides both great opportunities and huge challenges for the preacher. It is a Psalm crafted in four parts: part two is an imaginative and poetic affirmation of God’s omnipresence that engages the Jungian perceiving process; part four is a fierce and uncompromising diatribe against God’s enemies that engages the Jungian judging process. Interpretations of these two sections of the Psalm are explored among a sample of 30 Anglican deacons and priests serving as curates who were invited to work (...) in small hermeneutical communities, structured according to psychological type theory and designed to test the sensing, intuition, feeling and thinking (SIFT) approach to biblical hermeneutics and liturgical preaching. The findings from the hermeneutical communities demonstrated that the poetic power of part two was perceived quite differently by sensing types and by intuitive types. The judgement against God’s enemies in part four was evaluated quite differently by feeling types and by thinking types. The implications of these different readings of sacred text are discussed in relation both to hermeneutical theory and to homiletic practice. (shrink)

A group of 20 Muslim educators participating in an M-level module on Islamic Education were invited to explore their preferences for sensing and intuition. They were then invited to work in three groups to discuss Psalm 73:1–10, specifically addressing two distinctive perceiving questions: What do you see in this description and what ideas does this passage set running in your mind? Clear differences emerged between the ways in which sensing types and intuitive types handled these two questions. The intuitive types (...) relished the opportunity to chase after ideas and to make connections. The sensing types stuck more closely to a literal analysis of the text and felt much less confident in chasing after ideas and making connections. These findings support the thesis that scriptural interpretation is shaped, at least to some extent, by the psychological type preferences of the reader.Contribution: Situated within the reader-perspective approach to biblical hermeneutics, the SIFT method is concerned with identifying the influence of the psychological type of the reader in shaping the interpretation of text. The present study demonstrates that this theory holds true for the way in which Muslim educators read Psalm 73. (shrink)

The structure of Psalm 2 is based on direct speeches in the text. These direct speeches characterise the communication that takes place in the text. The text-immanent author addresses the text-immanent reader with a question in the first line and with a makarismos in the last line. The direct speeches of the characters enable the text-immanent reader to undergo a development in his striving towards the beatitude. In this development, the ‘now’ of the birth of the Anointed One / Son (...) is re-enacted in the reading moment of the text-immanent reader. The reception of Psalm 2 makes clear that Hebrews and the Christmas liturgy re-use the text, while retaining this re-enactment character. (shrink)

What makes this a beautiful book? Concision and depth provide a rich contrast for beauty. Indeed, the distilled chapters are patterned for meditative rhythms: personal connection to a particular Psalm, interpretation, invitation for reflection, even an original psalm written by Blair Gilmer Meeks that is included in each chapter. Here psalms are more than ancient voices; they are relevant voices in the contemporary period. Feeling, relevance, and creativity make this little book a powerhouse meditative tool for those in the (...) Judeo-Christian tradition.Suchocki has always been adept in her writing tone. Her words convey her felt experience. “Reading Psalm 139 is like being a little child, wrapped in a feather quilt of delectable warmth, on a cold winter night. Safe... warm... loved” (29). With the strength of this tone, we are invited to engage the psalms experientially. This is an essential grounding for those who approach faith from a process perspective.Historical or literary interpretation nested within each chapter provides analytic space. The psalms have their own past and ground of experience that intersects with our own. Any such intersection holds the possibility of novelty and emergence. Meeks's contemporary psalms contribute to such novelty and demonstrate a creative response to ancient texts. All this impresses upon the reader what a remarkably ambitious project this is within the economy of 108 pages.This short work is nonetheless ambitious because it is a process project. It is a process project that has some standards to meet; standards of experience, relevance, and creativity as essentials for the process community are clearly met. One disappointment of the book is the continual reference to God as an object about whom many declarations are made. This happens throughout the interpretive, reflective, and creative sections of each chapter. This default to a more traditional theological perspective of subject/object relationship is perhaps a consequence of keeping things concise. There is, after all, only so much work that can be accomplished in any given book. Even so, process thought is set apart from other theological approaches in its commitment to divine-human relationship. The timbre of that relationship is the extent to which one speaks from one's own perspective without speaking for another.To be sure, the biblical imagination of the psalms often speaks about God or makes declarations about what God is like. It is exactly in this place that process thought can help us move more carefully and thoughtfully. Assertions about God's character run the risk of diminishing God to an object captured. Process theology has the unique metaphysic to elaborate a robust image of the God we long for without overstating God's actions and thus limiting God's own becoming.A meditative tool that is as generous to God's becoming as to human experience would make this book unique. Attention to God's becoming, limiting our language about, but not our experience of, God is a critical spiritual discipline for congregational leaders. As a local church works within a scientific and antiauthority milieu, local clergy and congregational leaders can get themselves into tight theological corners by asserting what God intends or does. On the other hand, if local clergy and congregational leaders are asserting the human longing for God, we can be honest and even tenable about our experience of God. Therein we might find greater congruence and grounding in process thought as we take up Suchocki's project for meditation within our interrelational existence. (shrink)

SummaryIn this study recent exegetical methods such as inquiry into strophes, structure and style are applied to Psalm 16.Part I deals with the ancient crux interpretum, v.2–4a. With regard to the question whether “the holy ones” means divine powers or some category of Israelites, we militate for the latter interpretation. The psalmist addresses himself to God and those with whom he shares the land. From this position, principally chosen, he begins to meditate on his heritage.Part II shows that in the (...) corpus of the psalm, v.4bc-10, the theme “heritage” is developed in such a way that God's vicinity appears to be its fundamental value. This transposition makes it possible that the most threatening aspect of our earthly existence comes up: death. The psalmist draws the utmost consequences from God's vicinity. Since there is no limit to the length of God's protection, he is safe even from the Sheol.In Part III then we see that the praying person, carried by his personal growth, expresses in v. 11 the hope for an unassailable happiness of life, also for others. (shrink)

This study utilises a posthuman perception to explore the psychological changes brought on by the relationship between humans and robots in the post-apocalyptic context with the schizoanalytic framework of Deleuze and Guattari. Through the analysis of Becky Chambers’ fiction, A Psalm for the Wild-Built, the article explores how the characters’ self-perceptions and psyche alter when they engage with sentient robots. In light of contemporary discussions around AI and technology, post-apocalyptic fiction also provides a forum for considering how human–machine relationships are (...) evolving. With the Schizoanalytic study, the creation of new reality, psyche, and subjectivity are analysed. Alongside, the idea of “Cyborg Embodiment” by Donna Haraway sheds light on how character’s concepts of embodiment and self are changing. The posthuman subjectivity framework of N. Katherine Hayles directs an examination of shifting emotional vistas. This study offers insights into the complex interplay between human and robot experiences by weaving these posthuman concepts along with schizoanalysis, thus enhancing our understanding of human psyche in the post-apocalyptic narratives. The analysis explores the relationship between human and robot experiences in post-apocalyptic fiction, using posthuman concepts, thereby contributing to the discourse at the intersection of Artificial Intelligence and society. (shrink)

In Codex Ambrosianus of the Syro-Hexapla, marginal readings related to the headings of some of the Psalms occur. The importance of these variants for the history of the Greek and Syriac Psalm headings warrants further discussion. To this end, this paper undertakes a comparative study of the marginal notes that accompany the headings of the Psalms in the Syro-Hexapla. These notes do not occur for all headings and only rarely do variants from all three occur (as is the (...) case for Ps 7). These variants are compared to the readings of the headings of the Septuagint (LXX) and the Syro-Hexapla. Three matters are investigated in this paper, namely the rendering of the technical term לַמְנַצֵּ֥חַ in the Three (Aquila, Theodotion and Symmachus), references to the name of David and some instances where the LXX has a substantial plus in comparison to the Masoretic Text (MT), such as in Psalms 98 (97), 104 (103), 43 (42) and 56 (55). Research to date demonstrates that Field did not use these notes in Codex Ambrosianus to their full extent. As far as the three elements under investigation are concerned, this paper demonstrates that the Three frequently differ from the LXX in their rendering of certain aspects of the headings. In some instances, the Three reflect a rendering much closer to the Hebrew. In others, they contain a rendering that is dependent on the Hebrew, but which displays a lack of understanding of especially some of the technical terms in the Hebrew. Contribution: The research shed new light on the variants recorded in the margin of Codex Ambrosianus and their value for the text-critical study of the headings in the Psalms in the MT and the Septuagint. Textual Criticism is one of the core disciplines for the study of the text of the Hebrew Bible and its translation and transmission in different ancient languages. (shrink)

In an era during which more and more people show signs of narcissism, extreme individualistic views and a lack of empathy for others, the evidence that a definite change in society has taken place cannot be denied. This change is, in many ways, the result of the fast-growing pace of development and availability of technology, also known as the Fourth Industrial Revolution, in terms of which change has become a daily occurrence. Accessibility to the Internet and social media platforms contributes (...) to the rapid change in society and how people and specifically younger generations view themselves and approach others. Amid this change, the church must act as a positive change agent and should not oppose change. Change has become a constant in the Fourth Industrial Revolution, and the church thus needs to become an agent in this process of change, to reorientate the focus of society and overcome the self-centeredness induced by current technological progress in society. What should such a focus look like? In answering this question, perspectives from Psalm 82 and the Old Testament are considered. Contribution: This article makes an interdisciplinary contribution, drawing knowledge from the Psalms in the Old Testament, social anthropology and technological advancement studies as to contribute on the relevance of theology today and the importance of understanding generational differences in a time of technological growth and the Fourth Industrial Revolution. (shrink)

Biblical scholars are divided regarding the presence of Deuteronomistic theology in Psalms 44, 74, 80 and 89. This article re-examines this issue through the lens of trauma and argues for two points. Firstly, Psalms 44, 74, 80 and 89 do not reject Deuteronomistic theology because the accusations of God in these psalms do not indicate attribution of responsibility but demonstrate trauma victims’ negative cognition and emotion associated with the traumatic event. Secondly, the concept of post-traumatic growth (PTG) (...) helps to clarify two crucial elements of Deuteronomistic theology concerning divine retribution and divine promise. Psalms 44 and 74 assume the first element; Psalms 80 and 89 presuppose the second.Contribution: This article provides a fresh angle from trauma studies to approach biblical texts in the Hebrew Bible, clarifying the connection between Deuteronomistic theology and communal laments. (shrink)

Bron Taylor defines dark green religion as follows: '… a deep sense of belonging to and connectedness in nature, while perceiving the earth and its living systems to be sacred and interconnected'. Can Psalm 104, with its conspicuous focus on nature, also be described as an expression of dark green religion? Utilising especially the dark green values of belonging, interconnectedness and sacredness, it was found that the psalm aptly confirms Earth as home, illustrates a deep-seated kinship with other living creatures (...) and acknowledges nature as intrinsically worthy or sacred through its close association with God. Of the four kinds of dark green religion, Gaian Naturalism and Naturalistic Animism, Gaian Spirituality and Spiritual Animism, the psalm belongs to the last-mentioned, acknowledging Yahweh as upholding and 'permeating' the harmonious whole of creation. The poet is, however, also well informed of 'natural' knowledge of his environment. The psalm's joy, awe, astonishment, humility and fear, being almost overwhelmed by awesome nature, are emotions that can also be shared by adherers to the naturalist view, those who doubt if there is some spiritual world running parallel to the natural world. The religious-like experience of naturalists provides common ground with the religious and enhances a much-needed change of view of respect towards nature. (shrink)

The existing research on Peshitta has mostly overlooked the translation techniques used in Peshitta Psalms. Prior studies have primarily focused on comparing Peshitta Psalms with the Masoretic Text (MT), the Septuagint and Targum, leaving a gap in the analysis of Peshitta Psalms within the context of Classical Syriac Poetry. This study will delve into how adeptly the Syriac translator employed poetic elements to construct strophic structures and poetic style within the Peshitta Psalm. This article presents an (...) analysis of strophic structure, word repetition, sound figures and versification in the Syriac translation of Psalm 29, comparing them with their Hebrew counterparts. In this study, the utilisation of the Biblia Hebraica Stuttgartensia (BHS) is employed for the MT, while the ‘Leiden edition’ is employed for the Peshitta. The findings from this analysis reveal that the Syriac rendition of Psalm 29 within the Peshitta incorporates numerous poetic elements. This suggests the translator’s familiarity with the strophic arrangement, word repetition, alliteration and various other poetic characteristics utilised by Hebrew scribes. The Peshitta translation of Psalm 29 closely resembles the MT Hebrew text, resulting in a balance of fidelity and aesthetic elegance. The Syriac rendition incorporates poetic elements like strophic arrangement, word repetition and alliteration but employs these features in a distinct manner. The Syriac text has a lower frequency of alliteration and word repetition but still possesses appealing poetic characteristics. The Syriac approach to verse composition closely resembles the Hebrew method, with some exceptions. Contribution: This study explores the Syriac translator’s use of poetic elements in Peshitta Psalms, revealing their familiarity with Hebrew techniques and the unique incorporation of elements. It provides insights into the evolution of Classical Syriac Poetry and contributes to our understanding of Biblical and Syriac poetry. (shrink)

Since the time of Mowinckel, the verb בקר in Psalm 27:4 was often interpreted as referring to a priest’s function of examining an offering. The parallel part of the verse and other intratextual and intertextual considerations render this interpretation of the verb improbable. The context of the psalm and the cluster of Psalms 25–34, as well as parallels Psalm 27 has with Psalm 23, suggest that the verb בקר refers to reflection on the privilege of being in YHWH’s presence. (...) The enjoyment of such communion with YHWH, which includes the study of his Torah, is portrayed as the culmination of the journey of life in Psalms 25–34. The author argues that this is also hinted at in Psalm 27.Contribution: The contribution of this article towards the focus of HTS as “Historical Thought and Source Interpretation” centered around its use of the literary context of a psalm to question the notion of a reconstructed cultic setting as the only possible hermeneutical key to interpret Psalm 27. (shrink)

Psalm 5 is often described as an example of a prayer of someone who has been falsely accused of wrongdoing. Based on the contents of the middle part of the psalm, its wisdom features and especially the parallels it forms with Psalm 1, it is argued in this article that the editors of the Psalter attempted to present the psalm as a prayer of David at the time of his flight from Absalom. In this prayer of the endangered king, he (...) pronounced judgement on the actions and attitudes of his opponents and respectfully entrusted himself to the care of Yahweh. In its literary context, the psalm was therefore probably meant to censure arrogant and irreligious compatriots of the editors, because they exploited fellow Jews, and also to provide hope and encouragement to those exploited members of the in-group. (shrink)

Contextualizationof Biblical texts is a priority of every exegete, who endeavors to bring the ancient scripts to dialogue with contemporary issues. This paper, which studies Psalm 72 and a prayer composed for good governance in Anambra State Nigeria, focuses on this hermeneutical interpretation. The writer adopts a simplified literary method in Biblical research that takes cognizance of the varied poetic techniques in Psalm 72 and engages in a detailed comparative study of a Psalm composed more than two millennia ago (...) and a prayer of our time. Such comparative study reveals a striking similar preoccupation of the composers of both texts. Both prayed for good governance of which all developing countries today are in dire need. (shrink)

The Psalms are a heterogeneous collection of texts that may come from many different periods, yet a reasonably consistent picture emerges of the sins they mention. These are mostly to do with social interactions, though there is some attention to sins of thought and intent. Because so many Psalms are concerned with supplications by those oppressed by others, the emphasis tends to fall on malice rather than on more ‘obvious’ sins such as murder or adultery, which are little (...) mentioned. There is not much reflection on the nature of sin as such, though Psalm 51 suggests that it goes back even as far as one’s conception. (shrink)

This article investigates the form and purpose of Psalm 101 from two perspectives: As a unique composition from the late Persian or early Hellenistic period, and in terms of its function within the context of Book IV of the Psalter. It is suggested that it was designed by exponents of wisdom and Torah piety to serve as a 'royal psalm' at exactly this location in the Psalter. It was meant to offer support to faithful Yahwists by criticising the apostate Judean (...) aristocracy of its time of origin and serve as a prayer with which Yahweh could be beseeched to establish his righteous rule by judging evildoers and thus vindicating the faithful. (shrink)

Psalm 73 is a challenging Psalm in which the Psalmist draws on rich imagery to juxtapose doctrine and experience and to juxtapose the goodness of God with divine retribution. Drawing on data provided by 15 theological educators within the Anglican Diocese of Cyprus and the Gulf, this study tests the thesis that the imagery of Psalm 73 will be perceived differently by sensing types and by intuitive types and that the issue ‘Is God really good to the upright?’ will be (...) judged differently by feeling types and by thinking types. The findings from this study are consistent with the broader hermeneutical theory that the psychological type profile of the reader, in terms of perceiving preference and judging preference, plays a formative part in shaping the interpretation of biblical material.Contribution: Situated within the reader-perspective approach to biblical hermeneutics, the SIFT method is concerned with identifying the influence of the psychological type of the reader in shaping the interpretation of text. The present study demonstrates that this theory holds true for the way in which theological educators read Psalm 73. (shrink)

This article examines communication between a human being and God in the Jewish philosophy of Hermann Cohen (1842–1918). The article focuses on two distinct forms of biblical communication: lyrical psalms and a godly revelation in a still small voice. It investigates Cohen’s Jewish philosophy in light of communication theories to deepen the philosophical and theoretical discussion. The article examines previously unexplored ideas in Cohen’s writings, analyzes his religious perceptions in terms of communication, and at the same time expands the (...) concept of communication. This new perspective sheds new light on Cohen’s Jewish philosophy and offers a new philosophic perception of divine-human communication. (shrink)

There is a quotation in the Holly Quran from the book of Psalms in 21:105: “The righteous shall inherit the earth”. A similar sentence can be found in Psalm37:29: צַדִּיקִים יִֽירְשׁוּ־אָרֶץ וְיִשְׁכְּנוּ לָעַד עָלֶֽיהָ. A comparison between these verses would illustrate that “صالح” is the Quranic equivalent of the Hebrew word “צַדִּיקִ”. This equivalence would allow us to compare usages of “صالح” in Quran and “צַדִּיקִ” in the book of Psalms. This comparative study will show that: (a) on (...) the one hand, “צַדִּיקִ” has been used in Psalms either as an attribute of God or as a description of some peoples and on the other, “صالح” has been used in Quran for describing either some peoples or their acts, (b) These two words have similar usages in Psalms and Quran to the extent that they have been used for the description of some peoples and (c) the Quranopsalmic use of this notion can be linked with the concept of “divine selection(istifā)”. (shrink)

Postcolonial theoretical examinations on the translation of the Bible in Africa have revealed the systematic process of domination and restructuring of the worldview of Africans. The colonial agenda that coloured the missiological thrust influenced the choice of words and concepts used to translate the Scriptures. By examining the word Elohim in Psalm 82, this article highlights how this development is realised in the translation of the Asante Twi Bible. For instance, in Psalm 82, the plural Elohim has been translated as (...) anyame in the Asante Twi Bible, a translation that is not only inappropriate but alters the religious worldview of the Asante people. As a mission agenda, the term anyame was coined to redefine the religion of the Akan people as polytheism. This redefinition has had a profound and longstanding impact on the language and religious thinking of the people. At the least, this article recommends a constructive reading of Psalm 82 in the Asante Twi Bible in order to decolonise it from colonial impositions that sought to wrongly qualify the life and thought of the people. At the most, the article calls on African biblical scholars to pay more attention to the impact of colonialism in their interpretation of the Bible in order to draw attention to changes in structure of the indigenous language and thought patterns, and to look for creative ways to redeem traditions of the African people.Contribution: The study demonstrates the continuous need to decolonise the Bible in Africa in order to help recover some of Africa’s religio-cultural identity lost during the missionary drive. (shrink)

The purpose of this article was to compare Jerome’s and Augustine’s sermons on the fifth book of the Psalms with regard to their views on the rich and the poor. After a brief consideration of the different audiences of Jerome and Augustine, we focused on their attitudes to wealth and poverty, and almsgiving and its relationship to eschatology. In both Jerome’s and Augustine’s commentaries we were confronted with problems regarding the nature of the collections, the composition of the audiences, (...) and a lack of overlap between the two works, but it was possible to discern congruences and differences in their exegesis. In their preaching on poverty and riches, both homilists associated Judas with the devil and wealth. With regard to the identification of Christ and the poor, Jerome offers a somewhat uneasy exegesis in explaining that Christ stands at the right hand of the pauper, although the Lord himself is rich. Augustine mentioned the identification of Christ and the poor a few times in Enarrationes in Psalmos and framed the poverty of Christ within the body of the church, emphasising the common humanity of his congregation. In his sermons, mainly delivered to monks, Jerome advocated total renunciation. Augustine made more allowances for human frailty, advocating partial and gradual dispossession. The Songs of Ascent provided both our authors with the opportunity to consider the place of almsgiving in an eschatological context. Contribution: We investigate the views of two prominent Latin fathers on wealth and poverty in their sermons on Psalms 109–150. The focus on wealth and poverty is evident. Judas is identified with the rich and Christ with the poor, placing Christ and riches against each other in an either/or position. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:THE MOB AND THE VICTIM IN THE PSALMS AND JOB Robert Hamerton-Kelly Woodside Church IrecaiI a passage from Elie Wiesel's novel, Night, where, looking at the frail body of a young boy writhing on the gallows—his body weight was too light to kill him outright when he dropped through the trap door—someone asksthe narrator, "Where is nowyourGod?" This question is often on my mind, not least because for (...) the last seven years ofmy tenure at Stanford I studied ethnic conflict and filled my mind with the most discouraging images. I found myselfsaying on occasion that I felt ashamed to be a human being, which was only a slight exaggeration. I noted with wry amusement that a few years ago it was reported that the wolves were fleeing from the Caucasus in great numbers because ofthe human violence there, a sad irony in the light of Thomas Hobbes' motto, Homo homini lupus. I had long suspected thatthat was an insult to wolves, and now I had the proof. Lately we have Philip Gourewitch's new book on the Rwanda holocaust of 1994, where they killed one million people in ten weeks, not with weapons ofmass destruction butwith machetes and clubs primedwith six-inch nails, and Rwanda is a Christian country. The voice ofconscience cries out, "Where is our God?" in all this; why does He spend his time causing statues to ooze oil in suburban Massachusetts rather than defending the children of Kosovo against depraved nationalists.1 It is some comfort that the psalmist cried the same question and thus provides a convenient way into a meditation on violence in the Psalms. It occurs first in 42,3: "I have no food but tears / day and 1I refer to the phenomena reported in connection with the comatose teenage girl, Audrey Sosa, who is believed by some to be a channel for miracles. 152Robert Hamerton-Kelly night:/ and all day long men say to me,/ Where is now your God?" and again at 42,10, "Nearly breaking my bones / my oppressors insult me / as all day long they ask me / Where is now your God?" In 79, 10 it occurs in a national lament, "Why should the pagans ask, Where is their God?" and this recalls two prophetic oracles, in Joel 2,9, "Spare yourpeople Yahweh!/ Do not make your heritage a thing of shame, a byword for the nations./ Why should it be said amongthe nations,/ Where is their God?" and Micah 7,10 "When my enemy sees it (my vindication)/ she will be covered with shame,? she who said to me: Where is Yahweh your God?" So there are two classes of such sayings, one by an individual and one by the nation. Much ink has been spilled on the questions, Who is the victim?, and Who are the enemies? The answers have canvassed all the possibilities from the lone individual beset by spiritual temptations, or David himselfin his days and nights as a fugitive, to the nation beset by rival nations.2 The victim surrounded by persecutors is clearly a major category in the Psalms, present in two thirds ofthe collection; one hundred out ofthe one hundred and fifty explicitly or implicitly refer to a victim surrounded by enemies.3 Let me cut to the chase and recall that according to René Girard's mimetic theory, which I take as a point of departure, the situation of the victim surrounded by a mob ofenemies is a structural not an historical situation.4 The deep structure ofhuman history is a victim surrounded by the mob, a lamb slain since the foundation ofthe world. This deep structure controls the shape of emergent history but that emergence conceals its deep structure by turning history into myth. Myth covers up the blood stains and stifles the voice of the victim, myth accuses the victim, presents the victim as guilty or willing and the persecutors as innocent. To this day much that claims to be history is really myth. History happens only when the voice ofthe victim comes to word, and for that reason the gospel is irreducibly history and not myth. The 2Raymund Schwager (53ff) gives the following information... (shrink)

Situated in the larger collection of Psalms 51-72, also known as the second Davidic Psalter, the smaller group of Psalms 65-68 is found. This smaller collection of psalms can be classified mostly as psalms of praise and thanksgiving. The relation and compositional work in this cluster of psalms become apparent on many points in the pious expressions between groups and persons at prayer, especially in the universal praise of God, and in the imagery referring to (...) the exodus, the Jerusalem cult and blessing. Such piety becomes most discernible in the imagery and expressions in Psalm 66. The psalm's two main sections may be described as praise, with verses 1-12 being praise by the group or the 'we', and verses 13-20 being praise by the individual or the 'I'. Personal or individual piety and private piety are expressed by the desire of the 'we' and the 'I', and the experienced immediacy to God by transposing the past into the present through the memory of the exodus narrative, the Jerusalem cultic imagery and the use of body imagery. In this research article, an understanding of piety in Psalm 66 in terms of the memory of past events and body imagery is discussed from a perspective of space and appropriated for a time of pandemic where normal or traditional ecclesiological formal practices cannot take place. CONTRIBUTION: This article makes an interdisciplinary contribution based on knowledge from the Psalms in the Old Testament, social anthropology, literary spatial theories and practical theological perspectives on the church in order to contribute to the relevance and practice of theology today, during a time of turmoil and a global pandemic. (shrink)