Aristotle recognises preternatural affections in numerous passages from his ethical writings, where he claims that some desires and emotions are beyond human nature, too strong for our nature to withstand, and that an action motivated by them is συγγνωμονικὸν: something excusable. However, there has been some reluctance among scholars to explicitly acknowledge that Aristotle recognised preternatural affections as a category of excuse in its own right. The aim of this paper is to remove the obstacles that stand in (...) the way of such a recognition, and to show that Aristotle developed a normative account of preternatural affections, based on the natural human capacity to withstand, allowing him to class them as genuine cases of βία, compulsion. (shrink)

In the social science literature, conspiracy theories are commonly characterized as theories positing a vast network of evil and preternaturally effective conspirators, and they are often treated, either explicitly or implicitly, as dubious on this basis. This characterization is based on Richard Hofstadter’s famous account of ‘the paranoid style’. However, many significant conspiracy theories do not have any of the relevant qualities. Thus, the social science literature provides a distorted account of the general category ‘conspiracy theory’, conflating it with a (...) subset of that category that encourages unfairly negative evaluations of conspiracy theories. Generally, when evaluating theories, one should focus on the most plausible versions; the merit of a theory is independent of the existence of less plausible versions of it. By ignoring this and glossing over important distinctions, many academics, especially in the social sciences, have misclassified many conspiracy theories and in doing so have contributed to an epistemically unfair depiction of them. Further, even theories that genuinely fit the description of ‘the paranoid style’ cannot be completely dismissed on that basis. All conspiracy theories ought to be judged on the totality of their individual merits. (shrink)

What interferes with learning and performing skills well? The Zhuāngzǐ story of the ferryman who steers a sampan through treacherous deeps with preternatural skill highlights one crucial factor: anxiety. Managing or eliminating anxiety is a pivotal step in acquiring and performing skills and, the discursive context of the story suggests, in living a flourishing life. To fare well, in life as in boat-handling, we must learn to forget the deeps and row.

Although the commentary on Aristotle’s problematic discussion of slavery is vast, his discussion of nobility receives little attention. The fragments of his dialogue On Noble Birth constitute his most extensive examination of nobility, and while their similarity to the παμβασιλεύς of the Politics has recently been recognized, their relevance to natural slavery has hitherto gone unnoticed. Yet by declaring that true nobles – particularly the god-like ἀρχηγός – preternaturally possess superhuman characteristics, Aristotle precludes their easy inclusion in the kind “human” (...) in a manner inversely mirroring the preternatural subhumanity of natural slaves. Building on recent scholarship which argues that Aristotle’s “defense” of natural slaves is better understood as an indictment, On Noble Birth becomes most coherent if read as a hypothetical investigation into what would be required for “nobility” to name something true rather than equivocal, with the conclusion that “true nobility” is an empty set. (shrink)

What interferes with learning and performing skills well? The Zhuāngzǐ story of the ferryman who steers a sampan through treacherous deeps with preternatural skill highlights one crucial factor: anxiety. Managing or eliminating anxiety is a pivotal step in acquiring and performing skills and, the discursive context of the story suggests, in living a flourishing life. To fare well, in life as in boat-handling, we must learn to forget the deeps and row.

Transhumanism is a scientific and philosophical movement that proposes to overcome, through new technologies, the restrictions imposed on us by our biological condition. Some transhumanists assume that the struggle against natural limits could lead to a radical change in our body or even to its replacement. Other authors, such as Nicholas Agar, propose a moderate enhancement that does not exceed the framework of what we understand to be human. In this article, I will offer a plausible interpretation of the project (...) of human enhancement from a Thomistic perspective. To carry out my analysis, I will focus on three fundamental metaphysical and anthropological questions: How do advocates of radical enhancement understand the relationship between limits, imperfections and evils in human nature? How is this relationship understood from moderate positions? And Is any of these proposals compatible with Aquinas’ anthropology? I will conclude that the identification of limits with imperfections and evils assumed by radical positions is incompatible with Aquinas’ anthropology. Nevertheless, this does not entail that any bio-modification is unacceptable. Aquinas’ peculiar metaphysics, together with its anthropology in which the natural, the supernatural and the preternatural realms intertwine, can offer an interesting framework to assess the human enhancement project. (shrink)

Critics contend that Aristotelianism demands too much of the virtuous person in the way of knowledge to be credible. This general charge is usually directed against either of two of Aristotelianism’s apparent claims about the necessary conditions for the possession of a single virtue, namely that 1) one must know what all the other virtues require, and 2) one must also be the master of a preternatural range of technical/empirical knowledge. I argue that Aristotelianism does indeed have a very (...) high standard when it comes to the knowledge necessary for the full possession of a virtue, in both of these respects. However, focus on the necessary conditions for full virtue tends to obscure an important fact: some kinds of knowledge are much more important to various virtues than others are. A proper appreciation of the significance of this fact will go a long way toward answering critics’ worries about Aristotelianism’s knowledge requirements. (shrink)

‘Tales of dread’ is a genre that has received scant attention in aesthetics. In this paper, I aim to elaborate an account of tales of dread which effectively distinguishes these from horror stories, and helps explain the close affinity between the two, accommodating borderline cases. I briefly consider two existing accounts of the genre – namely, those of Noël Carroll and of Cynthia Freeland – and show why they are inadequate for my purposes. I then develop my own account of (...) tales of dread, drawing on two theoretical resources: Freud’s ‘The “Uncanny”’, and Tzvetan Todorov’s The Fantastic. In particular, I draw on Freud to help distinguish tales of dread from horror stories, and I draw on Todorov to help explain the fluidity between the genres. I argue that both horror stories and tales of dread feature apparent impossibilities which are threatening; but whereas in horror stories the existence of the monster is confirmed, tales of dread are sustained by the audience’s uncertainty pertaining to preternatural objects or events. Where horror monsters pose an immediate, concrete danger to the subject’s physical well-being, these preternatural objects or events pose a psychological threat to the subject’s grasp of reality. (shrink)

Autopoietic societies have produced three major images of civilization: the Greco-Roman, the Eurocentric Western, and the Settler Society type. The most important incarnation of the latter to date has been America. This article explores the deep-going differences between American and European ideas of civilization. It examines how the American kind of autopoietic civilization expresses itself in preternaturally distinctive conceptualizations of nature and freedom, life and death, order and chaos, city and ecumene. The article discusses the political and social implications of (...) this. (shrink)

The Man Who Tapped the Secrets of the Universe (1946) by Glenn Clark is a work of biography and philosophy, exploring the life and ideas of the versatile artist, writer, and philosopher Walter Russell. New Thought writer and professor Glenn Clark (b. 1882, d. 1956) was a fervent believer in the power of prayer and the Light of God to reveal the secrets of the universe. As he explains in Chapter One: We Go Seeking, he had been searching "...for a (...) man who has discovered the universal law which lies back of the Sermon on the Mount, and who consciously uses that law with full awareness of its meaning, and full obedience to its principles." He believed that he had found that man in Walter Russell. Walter Russell (b. 1871, d. 1963) was a man who seemed preternaturally adept at everything he wished to try. After being removed from school at the age of nine and sent to work at a dry goods store, he worked a number of low-paying jobs. But he had "absolute faith...that anything can come to one who trusts to the unlimited help of the Universal Intelligence that is within so long as one works within the law and always gives more to others than they expect, and does it cheerfully and courteously." Throughout his life, he found success as a musician, painter, sculptor, writer, ice skater, philosopher, and lecturer. He was commissioned to sculpt a 28-figure Mark Twain Memorial just a few years after he began sculpting. And in 1943, President Franklin D. Roosevelt asked him to sculpt the Four Freedoms Monument. He designed several buildings in New York City and invented the cooperative ownership model (aka the co-op). And most of these pursuits were undertaken with no formal education. By the time Clark met with Russell, he had achieved success in his artistic, literary, architectural, physical, and even scientific pursuits. So when Clark was searching for a man who knew the secrets of the universe and was referred to Russell on more than one occasion, he knew that he had to meet him. Large portions of the book, particularly in the chapters We Meet the Man, We Meet the Man of Action, and The Five Laws of Success, are presented as an interview with Russell, giving us insight into his beliefs straight from the source. "Every successful man or great genius has three particular qualities in common," he says. "The most conspicuous of these is that they all produce a prodigious amount of work. The second is that they never know fatigue. And the third is that their minds grow more brilliant as they grow older, instead of less brilliant. Great men's lives begin at forty, where the mediocre man's life ends. The genius remains an ever-flowing fountain of creative achievement until the very last breath he draws." At the heart of Russell's philosophy is a belief that every man "has consummate genius within him. Some appear to have it more than others only because they are aware of it more than others are, and the awareness or unawareness of it is what makes each one of them into masters or holds them down to mediocrity..." To know that we have genius inside of us, and to have absolute faith in our inner voice and in the Universe, is to unlock that genius. Through the story of Russell's brilliant life and his Five Personal Laws of Success (humility, reverence, inspiration, deep purpose, and joy), the reader gets a plain-language example of genius-in-action. He demonstrated his great energy, lack of fatigue, and "ever-flowing fountain" of genius throughout his long life, maintaining his creativity until his death in 1963 at the age of 92. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:ManifestsRachel Blau Duplessis (bio)O great classic cadences of English poetry We blush to hear thee lie Above thy deep and dreamless.—Denise Riley, Mop Mop GeorgetteThat tall white pasture clump that we call cow parsnip, Queen Anne’s lace magnified, are, in Latin, umbellifers, a flat-topped or rounded flower cluster. But sometimes people call them “umbrella flowers.” This work is closer to umbrella flowers than to umbellifers, down there on the (...) ground with bricolaged theorizing practices, folk etymologies, my poetry, and intransigent details. That was a tribute to the essay as woodsy ramble [Good xii and x].And to the essay as personal—a way of marking and mocking the professional codes and impersonal solemnities of the representation of thought. If saying “I” like a heroine will adequately undermine unsituated false universals, I’ll say “I” yes I will. “I” will report that in 1966 or so I diminished all the way down to a scant handful of one-line poems, and to gnomic statements, barely effective. The kind of development they needed was not rhetorical but historical.I, Lady, you are my true love’s lady. You stand in the middle of the room, Sunlight streaming around you. Sunlight takes hold of the seeds in you And wets them. I want to hold myself to you, But you are myself. Can I?This 1966 fragment issues directly from, and is a preternatural reminder of a passionate problematic—questions of gender, in relation to an engagement with poetry, poetry figured as a set of psychosocial and intellectual institutions imbuing a practice of writing in lines. This fragment knew and represented issues, points of political and cultural contradiction about the construction of authorship and the poetic career before their maker could see them as such. The fragment was a cognitive act, not just in autobiography. It functioned as a probe of a situation then almost invisible and always underacknowledged; to have understood it then, one would have needed the cultural apparatus precipitated (though not elaborated) by a social movement—second wave feminism, something that had not yet occurred.Despite mirroring each other in a dramatic hinged appositive, with Lady as hinge (“I, Lady, you”), the female “I” is separated by the very concept “Lady” from her addressee, one traditional addressee of poems, the female “you.” “Lady” is both hinge and barrier; she belongs to “my true love”—a charming and smug ballad turn, filled with idealizations of class and sexuality. Yet the “I” wants to hold this “you” figure to herself, actualizing in female-to-female attraction the long half-life of a Petrarchan structure of feeling in order to create female authorship. Now that gesture could be interpreted as desire (in a [End Page 31] lesbian, matrifocal, or preoedipal plot), or as self-aggrandizing forms of egoistic desire. Is the desired embrace regressive? immature? narcissistic? self-serving? greedy? masturbatory? (all these having been thought of as bad attitudes with a bad press—one might now wonder). Fueled by an ambisexual or polysexual suggestiveness, the poem makes a wobbly declaration of vocation in its desire to embrace singular, hieratic woman herself, yourself, myself. Yet as pronouns multiply, a serious problem is accosted. “But you are myself. Can I?”The fragment stops, startled, where the cultural problem began. Authorship was compromised and almost aborted; in any event, these issues, which seemed to me, in my (then commonplace) ignorance of female cultural production, to have no analogues, pointed me toward total blockage. The “can I” is not simply a personal questioning of my own powers, but concerns general contingencies of gender and female place in culture, a then invisible social horizon. Am “I” forbidden to poetry by one—but one key—law of poetry—the cult of the idealized female? Should “Lady” be ditched totally? or examined? both? and how to poke at a Petrarchanism that seems utterly belated, never uniformly hegemonic, and not, after all, the whole content of poetry? (As I bear down upon it, it recedes, is evasive.) Yet any number of writers do take “Lady” for granted as one of the institutional assumptions of poetry. Many male writers get to say Lady early and often... (shrink)

As Jasper Reid argues in his book, there are plenty of reasons for taking More’s philosophy seriously, both as an example of early modern metaphysics and a speculative effort in its own terms. More’s metaphysics was experimental, fictional, and theological at once, for it deliberately and passionately engages with the study of nature, stories of preternatural apparitions and the mysteries of revealed religion. More’s philosophical inquiry feeds on experiments, stories, and visions, and these become an organic part of his (...) metaphysical equipment. This, of course, was a hazardous and edgy undertaking, which no doubt contributed to the bad... (shrink)

In recent years the issue of whether mysticism can be induced by drugs has been pursued by both scholars of mystical literature and psychological researchers. R. C. Zaehner is perhaps the best known among the scholars of religious literature who have addressed the issues of drug-induced mysticism. While on the side of empirical psychology investigators such as Walter N. Pahnke, R. E. L. Masters, and Jean Houston have pursued some of the same issues using the techniques of laboratory experimentation. Zaehner, (...) who was familiar with both Eastern and Western mysticism, argued that drug-induced experiences are not the same as religious mystical experiences of the theistic variety. It was farcical, he argued, for Aldous Huxley to posit a connection between his preternatural feeling of oneness with his chair and the Beatific Vision. The issue between Zaehner and Huxley was not over the veridicality of Huxley's mystical experience. It was over the significance of Huxley's experience: Was it or was it not a drug-induced mystical experience of the sort attained by mystics after heroic struggles of self-discipline? This was the issue again when Zaehner came to address himself to the claims of Timothy Leary, a chief proponent of ‘the LSD experience’, and, in general terms, this has been the central issue pursued by the psychological researchers. (shrink)

Dada’s Subject and Structure argues that Dadaist praxis was far more theoretically incisive than previous scholarship has indicated. The book combines theoretical frameworks surrounding ideological subject formation with critical media and genre histories in order to more closely read Dadaist techniques (e.g. montage, irony, nonsense, etc.) across multiple works. These readings reveal both Dada’s preternatural focus on the discursive aspects of subject formation—linguistic sign, literary manifesto, photographic image, commodity form/aesthetics, which comprise the project’s chapters—and on Dada’s performative sabotage and (...) subversion of them. In addition to highlighting commonalities between Dadaist works, artists, and chapters previously imagined disparate, the book shows how Dada simultaneously prefigured structuralist theories of subject formation and pre-performed post-structuralist critiques of those theories. (shrink)

El presente trabajo se propone profundizar en una noción característica de la obra del filósofo tardoantiguo, Evagrio Póntico. Dicha noción es la de logismoí. Las distintas modulaciones y sentidos con que Evagrio se refiere a este tópico, justifica la necesidad de acercarse a éste a fin de lograr una conceptualización coherente del mismo que contemple todos sus sentidos. Se trata principalmente de dilucidar si estamos frente a una realidad psíquica y/o frente a lo que nuestro autor considera una sugestión (...) class='Hi'>preternatural. Creemos que comprender estos como el correlato cognitivo de las pasiones, enfermas a raíz de la ignorancia de sí, constituye la clave de bóveda para acceder a una conceptualización coherente. (shrink)

The target article's use of core concepts is confused and excessively broad. Two main types of experiences have been described in relation to shamanism: magical flight and mediumship/possession. The first refers to visual and remembered experiences of events in other realms, the second to embodied experiences of ceding mental control and personality to a preternatural entity. These experiences grossly correspond to two main experience modalities exhibited by highly hypnotizable individuals in a secular setting.

Gabrielle Suchon’s Treatise on Ethics and Politics offers surprising descriptions of sexual difference for an ostensibly feminist work. Stereotypically feminine traits—such as excessive emotions, chattiness, and deception—are compared to earthquakes, storms, wildfire, and apparitions. Although these descriptions may seem off-putting to modern readers, I argue that in offering these unflattering descriptions of women, Suchon is making a novel intervention in debates about the nature of sexual difference. In the Renaissance and Early Modern period, the salient question about feminine difference was (...) whether it was a preternatural deformity, and specifically a monstrosity. While most pro-woman authors argued that women were not preternatural, Suchon argues the affirmative, claiming that “persons of the sex are true wonders.” In doing so, Suchon presses on a tension at the heart of scholastic conceptions of women while also provoking an emotional response that might encourage men to reconsider whether patriarchal practices are truly to their advantage. (shrink)

In this essay, I advance an argument against the expansion and acceptance of postmodern metaphysical antirealist ideologies in the development of nursing theory in North America. I suggest mystical theoretical explanations of care, the rejection of empirical epistemology, and a return to divinity in nursing represent an intellectual dead end, as these ideas do little to help resolve real‐world health issues and also negate the need for the academic discrimination of bad ideas. I examine some of the philosophical foundations of (...) nursing theory and deconstruct some of the more preternatural theories that have become established as the dominant conventional wisdom in the academy. It is argued that this can be characterized as a form of self‐deception, and overall has had a negative impact on advancement of the nursing profession and public health care. Reasons behind the widespread acceptance of these irrational theoretical stances in nursing and the ongoing support for mystical therapeutic interventions are explored. (shrink)

En el presente artículo se analiza la última relección teológica de Francisco de Vitoria dedicada al problema de la magia. Vitoria se pregunta por la licitud del uso del arte mágico, diferenciando entre magia natural, que se basa en causas naturales (desconocidas para la mayor parte de la gente) y magia preternatural, que implica la intervención de agentes espirituales. Vitoria acepta la existencia de ambos tipos, pero considera que la magia preternatural es moralmente ilícita, ya que busca manipular (...) o controlar lo que está más allá de la capacidad natural humana, atentando contra la virtud de la religión. El estudio se centra en la relación entre causalidad, religión y moralidad en el contexto de la magia. (shrink)

The Shroud of Turin, a linen cloth with but a faint image, continues to capture the interest of many people of diverse beliefs. Although the measured age of the cloth is relatively recent, other scientific findings indicate an earlier provenance. Any firm conclusions regarding the cloth's history remain premature. No satisfactory explanation has been found as yet for how the image on the cloth was produced structurally or stylistically. Iconographic evidence suggests that the image was the source of facial peculiarities (...) found in early works of religious art. The body image bears a striking yet preternatural correlation with Scriptural accounts of wounds. Curiously, the image on the cloth functions as a photographic negative, exhibiting a high degree of resolution, as if the original were produced in pixels. Despite serious efforts to discover some artistic origin md medium, scientific evidence points in the direction that it was not produced by hands. If it is tme that the medium is the message, as Marshall McLuhan wrote, then the Turin Shroud may be a parable for the modern age. (shrink)

This article presents Schelling’s doctrine of creation, primarily as outlined in his lectures on mythology and revelation. Schelling there presents not a will to power, but a power to will or not to will—the decisiveness of freedom rather than blind willing. Accordingly, Schelling is able to surpass the tradition of the metaphysics of presence through freedom as an unprecognoscible act prior to potency/power. Schelling’s will is not natural but preternatural, capable of bringing forth something original, i.e., that which first (...) becomes possible only once it has already become actual. (shrink)

Relying on the results of the fist paper of this pair (Vermeir, 2004), which argued the importance of theories of the imagination in debates on divination, I unearth the role of the imagination in a discussion on dowsing. References to the imagination often stayed implicit because of its negative associations, but I show in detail how the imagination was used to negotiate between the material and the spiritual, and between the natural, the supernatural and the moral. Natural philosophers, theologians as (...) well as moralists struggled for authority over divinatory phenomena. The debate evolved around the questions whether moral states could be naturalised and whether subtle material vapours could have moral qualities. (shrink)

This article focuses upon the popular devotion for la Santa Muerte that emerged in Mexico and is gaining a rapid increase in notoriety in the country and abroad. The first sections reconstruct in detail its protean manifestations, as well as the interpretations contained in extant scholarly investigations, popular Mexican press and other texts. The final section, adopting a fine-grained, theological-epistemological viewpoint argues that la Santa’s interventions in human affairs, essential to explain her popularity, although usually described as ‘miracles’ can be (...) better understood as paros—a term employed by devotees in order to define the end of a situation, usually unpleasant or unfavourable. It is also argued that a careful examination of such paros provides us with deeper insights into the devotion’s success and resiliency. (shrink)