This work treats in one volume the most important fields in Islamic studies: Persian literature and philology; Islamic history and historiography; Arabic literature and philology; and Islamic philosophy and jurisprudence. The essays are representative of the fields in which one of the most illustrious Arabists and Persianists in the world, Ahmad Mahdavi Damgani, has been an indispensible contributor for close to 65 years.

A aliança entre a Filologia e a História do Livro é indiscutível, do ponto de vista metodológico, e valiosíssima para a compreensão mesológica de qualquer edição, sendo certo que nenhum livro se publica sem estar inscrito numa dada moldura ecológica da cultura. Por isso mesmo, ultrapassando os limites próprios da actividade bibliográfica, o historiador do livro não pode prescindir da leitura dos textos que se escondem sob a opacidade do objecto livro.

"The Natural System" is the name given to the underlying arrangement present in the diversity of life. Unlike a classification, which is made up of classes and members, a system or arrangement is an integrated whole made up of connected parts. In the pre-evolutionary period a variety of forms were proposed for the Natural System, including maps, circles, stars, and abstract multidimensional objects. The trees sketched by Darwin in the 1830s should probably be considered the first genuine evolutionary diagrams of (...) the Natural System—the first genuine evolutionary trees. Darwin refined his image of the Natural System in the well-known evolutionary tree published in the Origin of Species, where he also carefully distinguished between arrangements and classifications. Following the publication of the Origin, there was a great burst of evolutionary tree building, but interest in trees declined substantially after 1900, only to be revived in recent years with the development of cladistic analysis. ¶ While evolutionary trees are modern diagrams of the Natural System, they are at the same time instances of another broad class of diagrams that may be called "trees of history": branching diagrams of genealogical descent and change. During the same years that Darwin was sketching his first evolutionary trees, the earliest examples of two other trees of history also appeared: the first trees of language evolution and of manuscript genealogy. Though these were apparently independent of evolutionary trees in their origin, the similarities among all these trees of history, and among the historical processes that underlie them, were soon recognized. Darwin compared biological evolution and language evolution several times in the Origin of Species, and both Ernst Haeckel and the linguist August Schleicher made similar comparisons. Both linguists and stemmaticists (students of manuscript descent) understood the principle of apomorphy—the principle that only shared innovations provide evidence of common ancestry—more clearly than did systematists, and if there had been more cross-fertilization among these fields the cladistic revolution in systematics might well have taken place in the nineteenth century. ¶ Although historical linguists and stemmaticists have in some respects had sounder theory than have systematists, at least until recently, they have also had the practical problem of very large amounts of data, a problem not often faced by systematists until the advent of molecular sequencing. The opportunity now exists for systematists to contribute to the theory and practice of linguistics and stemmatics, their sister disciplines in historical reconstruction, through application of our commonly used computer programs for tree estimation. Preliminary results from the application of numerical cladistic analysis to a large stemmatic data set have been very encouraging, and have already generated much discussion in the stemmatics community. (shrink)

This paper is a critical review of Jonardan Ganeri’s Philosophy in Classical India.

Philology haunts the humanities, through both its defendants and its detractors. This article examines the construction of philology as the premier science of the long nineteenth century in Europe. It aims to bring the history of philology up to date by taking it seriously as a science and giving it the kind of treatment that has dominated the history of science for the last generation: to reveal how practices, instruments, and cooperation create visions of timeless (...) knowledge. This historical inquiry therefore asks how one modality of textual interpretation could morph into an integrated system of knowledge production, which ostensibly explained the whole human world. Ultimately, it advances a central argument: philology operated as a relational network, one that concealed diversity and disunity, projected unity and stability, and seemed to rise above the material conditions of its own making. The article scrutinizes the composition of philology as a heterogeneous ensemble, the functioning of philology comparable to other sciences, whether human or natural, and the historical contingency in the articulation of philology. (shrink)

Finland is internationally known as one of the leading centers of twentieth century analytic philosophy. This volume offers for the first time an overall survey of the Finnish analytic school. The rise of this trend is illustrated by original articles of Edward Westermarck, Eino Kaila, Georg Henrik von Wright, and Jaakko Hintikka. Contributions of Finnish philosophers are then systematically discussed in the fields of logic, philosophy of language, philosophy of science, history of philosophy, ethics and social philosophy. Metaphilosophical reflections (...) on the nature of philosophy are highlighted by the Finnish dialogue between analytic philosophy, phenomenology, pragmatism, and critical theory. (shrink)

As the Byzantinist Ihor Ševčenko once observed, "Philology is constituting and interpreting the texts that have come down to us. It is a narrow thing, but without it nothing else is possible." This definition accords with Saussure's succinct description of the mission of philology: "especially to correct, interpret, and comment upon the texts." Philology is not just a grand etymological or lexicographical enterprise. It also involves restoring to works as much of their original life and nuances as (...) we can manage. To read the written records of bygone civilizations correctly requires knowledge of cultural history in a broad sense: of folklore, legends, laws, and customs. Philology also encompasses the forms in which texts express their messages, and thus it includes stylistics, metrics, and similar studies. _On Philology _brings together the papers delivered at a 1988 conference at Harvard University's Center for Literary and Cultural Studies. The topic "What is Philology?" drew an interdisciplinary audience whose main fields of research ran the gamut from ancient Indo-European languages to African-American literature, signaling a certain sense of urgency about a seemingly narrow subject. These papers reveal that the role of philology is more important than ever. At a time when literature in printed form has taken a back seat to television, film, and music, it is crucial that scholars be able to articulate why students and colleagues should care about the books with which they work. Just as knowledge will be lost if philological standards decline, so too will fields of study die if their representatives cannot find meaning for today's readers. _On Philology _will be of interest not only to students of philology but also to anyone working in the fields of hermeneutics, literature, and communication. (shrink)

A prehistory of today's humanities, from ancient Greece to the early twentieth century Many today do not recognize the word, but "philology" was for centuries nearly synonymous with humanistic intellectual life, encompassing not only the study of Greek and Roman literature and the Bible but also all other studies of language and literature, as well as history, culture, art, and more. In short, philology was the queen of the human sciences. How did it become little more than (...) an archaic word? In Philology, the first history of Western humanistic learning as a connected whole ever published in English, James Turner tells the fascinating, forgotten story of how the study of languages and texts led to the modern humanities and the modern university. The humanities today face a crisis of relevance, if not of meaning and purpose. Understanding their common origins—and what they still share—has never been more urgent. (shrink)

Aristotle Poetics: Editio Maior of the Greek Text with Historial Introductions and Philological Commentaries. Edited by Leonardo Tarán and Dimitri Gutas. Mnemosyne Supplements, vol. 338. Leiden: Brill, 2012. Pp. xiii + 536. $226, €162.

Extra destinatum -- The philologist and the Epicurean -- Homer atomized -- The pervasive influence.

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 122.2 (2001) 255-263 [Access article in PDF] Philology And Cuisine In De Re Coquinaria John Edwards The text of Apicius' De Re Coquinaria contains many disputed readings. Through bisociation, the use of one discipline to illuminate another, some of them can be resolved. To put it simply, the translation should fit the plate. Just as Homer, the poet of the Achaians, wrote a (...) description of a Troy whose existence was proven by close textual readings and subsequent field work by Schliemann, so Apicius, the Roman artist of cuisine, left recipes whose language can be emended and whose tastes can be verified through practical experiment in the modern kitchen.The limits of a strictly philological approach to Apicius became apparent when, during my composition of The Roman Cookery of Apicius, the translation of a number of recipe titles was inconsistent with the technical information which followed. This was extraordinary because of Apicius' imperative, laconic style, whose formulae more resemble the ritualistic epithets of the annals of the Hittite kings than the informed, conversational prose of an Elizabeth David or an M. F. K. Fisher. In his text there is little question of subjectivity in the nomenclature, or puns or literary allusions to test the reader. Indeed, in all ten books of the Coquinaria and in the later and derivative Excerpts of Vinidarius only twice does Apicius emerge from anonymity, at 4.2.12 ("ad mensam nemo agnoscet quid manducet"), and at 1.9.1 (miraberis); and, in any case, I think these uncharacteristic asides are really the happy observations of a copyist. The third atypical remark which puzzles is a reference to a lost and presumably illustrated version of his book. The reference is tantalizing and colloquial, the words perhaps of an editor: "patellam aeneam qualem debes habere infra ostenditur" (4.2.14).The Coquinaria is not written in the colloquial Latin of Petronius' Satyricon, with which it is probably contemporary. His text is spare to the point of postmodern bleakness; there is nothing, except some of the actual ingredients, of the decadence of the Cena Trimalchionis. It is a collection of lists and brief instructions, often formulaic, never personal. It follows, then, that what remains is the essential manual, stripped of nuance and personality through centuries of use and transmission, rather [End Page 255] like the spare lists of foodstuffs written by Anthimus in his De Observatione Ciborum or in Gargilius' De Hortis. The words must literally convey their meanings to the careful cook. The temptation to be swayed by a perhaps unusual or delicious adjective must be resisted. Although his text refers obliquely to his predecessors (the authors of lost Sicilian, Greek, and Egyptian monographs) and in spite of the fact that the sea routes which supplied Italian markets with oriental spices in the first century reached as far as southern China and the Banda Sea, the ascription of an historically interesting definition should be resisted unless the culinary facts are convincing.An illustration of a probably misunderstood recipe title occurs at 5.3.3, Pisum Indicum, in the Milham text (1969). The variant readings are pisum indicam in the Codex Vaticanus and indicum pisum in the New York Academy of Medicine Codex.These phrases take the accusative because the verb coques is assumed, while the gender is arbitrary throughout the section of recipes for peas in book 5, Ospreon. At 5.3.5, for instance, one reads Pisam Vitellianam sive fabam and later at 5.3.8, Pisam adulteram versatilem. These cases are consistent; but in the phrase pisum indicam the gender is confused, and in the phrase indicum pisum the syntax is irregular, since all of the other eight recipes for peas begin with Pisum, Pisam, Aliter pisa, or Aliter pisam. These variations are caused by the mixing of classical and late Latin forms in a text much altered by the long history of its transcription. Another example of unusual, that is English, syntax occurs with Frontinianum porcellum (8.7.10), "Frontinian pork."If one rejects the Vatican and the New York codex readings, the ambiguous... (shrink)

In these learned essays, Joseph M. Levine shows how the idea and method of modern history first began to develop during the Renaissance, when a clear distinction between history and fiction was first proposed. The new claims for history were met by a new skepticism in a debate that still echoes today. Levine's first three essays discuss Thomas More's preoccupation with the distinction between history and fiction Erasmus's biblical criticism and the contribution of Renaissance philology (...) to critical method and the way in which Renaissance rhetoric, as in Thomas Elyot's Book of the Governor, continued to inhibit the autonomy of history. He then shows how these issues persisted into the eighteenth century, even as critical method developed. He concludes with a close description of the great controversy that culminated in Edward Gibbon's day over the authenticity of a biblical text that had been used for centuries to defend the Trinity but which turned out to be a forgery. Levine shows how by then all sides were ready to concede the autonomy of history. (shrink)

Our methods of research, duly elaborated hereafter, would benefit from being applied to the realm of the East. For that matter, the examination of Syriac, Armenian, Coptic or Arabic manuscripts does not differ in the least from that of a Greek or Latin manuscript. The rules developed by classical philologists are just as valid for the study of the Maxims of Phtahhotep and the Precepts of Kagemeni…Alphonse Dain (1975), Les Manuscrits (Paris, Les Belles Lettres)One of the objects of a comparative (...) history of the scholarly practices in the West, the Far East, the Arab world and classical antiquity is the role of libraries in the constitution, transmission and transformations of the great textual corpora. To the institutional and social aspects of the politics of social memory should be added the range of intellectual and technical practices which have as their aim the conservation of this inheritance: material conservation and transmission - copying texts, restoring them, transferring them from one medium, one script and one language to another - but also work on the literal level and the meaning, the content and the form. (shrink)

In The Nay Science, Vishwa Adluri and Joydeep Bagchee undertake a careful and rigorous hermeneutical approach to nearly two centuries of German philological scholarship on the Mahabharata and the Bhagavad Gita.

Friedrich Nietzsche: Philosophy of History Nietzsche was well-steeped in his contemporary methods and debates in the philosophy of history, which carried over into his philosophy in essential ways. Once a prodigy in classical philology, Nietzsche’s philosophy is everywhere concerned with traditions, historical shifts in custom and meaning, and, to adapt his key expression, “how things […].

Various scholars have argued that the rise of modern information technology over the past century has coincided with a steady decline of traditional methods of learning and interpretation, and has contributed to the general sense of “worldlessness” or anomie. In the words of Paul Ricoeur, “we are overwhelmed by a flood of words, by polemics, by the assault of the virtual, which today create a kind of opaque zone.” Philology, the ancient discipline that grew in the past two centuries (...) to encompass literary study, linguistics, and intellectual history, was originally conceived as a return to the past with the aim of retrieving the knowledge of bygone times. While the recent revival of interest in philology recognizes its importance to the humanities, it remains unnamed as such. The aim of my exploration of the history and practices of philology is to suggest how it can reinstate the presence of the past. With its attentiveness to language—undertaken in the silent spaces of private study, archive, and library—philology not only confirms the presence of the dead but also enacts a more fundamental return to “world.”. (shrink)

The Cambridge History of Modern European Thought is an authoritative and comprehensive exploration of the themes, thinkers and movements that shaped our intellectual world in the late-eighteenth and nineteenth century. Representing both individual figures and the contexts within which they developed their ideas, each essay is written in a clear accessible style by leading scholars in the field and offers both originality and interpretive insight. This first volume surveys late eighteenth- and nineteenth-century European intellectual history, focusing on the (...) profound impact of the Enlightenment on European intellectual life. Spanning twenty chapters, it covers figures such as Kant, Hegel, Wollstonecraft, and Darwin, major political and intellectual movements such as Romanticism, Socialism, Liberalism and Feminism, and schools of thought such as Historicism, Philology, and Decadence. Renouncing a single 'master narrative' of European thought across the period, Warren Breckman and Peter E. Gordon establish a formidable new multi-faceted vision of European intellectual history for the global modern age. (shrink)

A discussion of Nietzsche's philology as the prelude to his philosophy of science.

Using new archival material, this article reconstructs the editorial history of Philosophical Grammar, an edition that Rush Rhees crafted from Wittgenstein's papers. Contrasting the often‐held view that Rhees, in editing Philosophical Grammar, arbitrarily interfered with Wittgenstein's Big Typescript, the article illuminates the work, motives and reasons that underlie Rhees’ editing. Although recent philological evidence supports his editorial decisions, Rhees, at the time, made them based on his desire to do justice to his understanding of Wittgenstein's philosophical orientation. Against this (...) background, purely text‐philological criticism of Philosophical Grammar seems to come from a philosophical culture that was alien to Rhees. (shrink)

This study addresses two desiderata of historical emotion research: reflecting on the interdependence of textual functions and the representation of emotions, and acknowledging the interdependence of studies on the premodern and modern periods in the history of emotion. Contemporary research on the history of emotion is characterised by a proliferation of studies on very different eras, authors, themes, texts, and aspects. The enthusiasm and confidence with which situations, actions, and interactions involving emotions in history are discovered, however, (...) has led to overly direct attempts to access the represented objects (emotions/feelings/affects); as a result, too little attention has been paid to the conditions and functions of their representations. That is why this study engages with the emotion research of historians from an unashamedly philological perspective. Such an approach provides, among other things, insights into the varied, often contradictory, observations that can be made about the history of emotion in modernity and premodernity. (shrink)

This essay examines Giambattista Vico’s philology as a contribution to democratic legitimacy. I outline three steps in Vico’s account of the historical and political development of philological knowledge. First, his merger of philosophy and philology, and the effects of that merge on the relative claims of reason and authority. Second, his use of antiquarian knowledge to supersede historicist accounts of change in time and to position the plebian social class as the true arbiters of language. Third, his understanding (...) of philological knowledge as an instrument of political change, and a foundational element in the establishment of democracy. By treating the philological imagination as a tool for bringing about political change, Vico’s plebian philology is radically democratic, and a crucial instrument in the struggle against the elite, from antiquity to the present. -/- . (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 127.2 (2006) 305-309 [Access article in PDF] J. E. Lendon. Soldiers and Ghosts: A History of Battle in Classical Antiquity. New Haven: Yale University Press, 2005. xii + 468 pp. 10 maps. 31 black-and-white figs. Cloth, $35. Necessity, just as a craft, always causes innovations to prevail, and although for a city at peace fixed norms are best, there is need of much (...) contrivance for those compelled by multiple circumstances to proceed. —Thucydides 1.73.3 War, culture, and change from Homer to Vegetius represent the focus of this work, presaged by the author's study of Caesarian battle narrative (ClAnt 18 [1999]: 273–329) and an interpretive review of some recent works (CJ 99 [2004]: 441–49). The reviewer must confess that his own work inspired much of this book's conceptual and factual content (e.g., 318, 401, 403, 411–12, 414, 415, 426, 432, 434–35) and that he provided Delphic responses (per epistulas electronicas) to a diligent inquirer, although he did not see individual chapters before publication and declined to read a final version of the manuscript. The author's own fertile imagination and vivid style animate these pages. Nestor could only advise Achilles.The work has its own historiographical ghosts. A cultural approach to war is now au courant, as a result of the clash of cultures in the so-called "War on Terror" (e.g., V. D. Hanson, Carnage and Culture [2001]) and Shannon French, The Code of the Warrior [2003], both missing from Lendon's bibliography) and as a reaction to the much imitated but seriously flawed "face-of-battle" approach to military history (e.g., John Lynn, Battle: A History of Combat and Culture [2003]; cf. E.L. Wheeler, JRA 11 [1998]: 644–51 and Electrum 5 [2001]: 169–84 for the naïve foibles and excesses of "face-of-battle" studies). Lendon follows what is already a common theme of the cultural approach: culture, rather than technological progress and hardware, shapes the conduct of war.Older specters also lurk in the shadows: Jean-Pierre Vernant's structural anthropological school, which discovered that war happens and has ritualized aspects, warrior codes of conduct, and even rules (e.g., Problèmes de la guerre en Grèce ancienne, 1968); and Hans Delbrück (whom Lendon finds "perverse," 394), the progenitor of studying war within the total context of its time and society in his Geschichte der Kriegskunst im Rahmen der politischen Geschichte (4 vols., 1920). Delbrück's twin principles of Quellenkritik and Sachkritik, basic analytical tools for detailed work, are not exploited in Lendon's sweeping interpretations.Lendon tiptoes carefully among the briars of previous work: war has rules [End Page 305] and culture shapes warrior ethics. A brilliant prologue (1–4), demonstrating from the Vietnam War how rules and culture continue to affect the American conduct of war, raises false hopes, as the rules-culture-conduct nexus is (regrettably) not pursued. But fancy footwork also escapes (for the most part) the face-of-battle morass: unit cohesion and its emphasis on "buddies" are wisely sidestepped in assessing combat behavior; the high road lies with the psychology of the warrior and the stimulus of competition, now a favorite Anglophone emphasis like initiation rites in the 1970s and transhumance in the 1980s. Unique, however, is that for Lendon culture in ancient warfare provides more than a context: culture is an active agent. In an age of limited technological advancement like Antiquity, change meant recreating the past and, as he argues, looking backward made Greek armies better, but eventually ruined Rome.Lendon attempts a very delicate balancing act. A curious (but not unique) editorial decision conceals the "Author's Note and Acknowledgments" at the end of this work. The note is aimed at the proverbial readership in never-never land (so popular with press editors): both ignorant and "adept" readers. A true confession yields that specialists will find nothing new about What or When; originality lies only with the Why of change. A promise of novelty and... (shrink)

This volume charts the Bible's progress from the end of the Middle Ages to the Enlightenment. During this period, for the first time since antiquity, the Latin Church focused on recovering and re-establishing the text of Scripture in its original languages. It considered the theological challenges of treating Scripture as another ancient text edited with the tools of philology. This crucial period also saw the creation of many definitive translations of the Bible into modern European vernaculars. Although previous translations (...) exist, these early modern translators, often under the influence of the Protestant Reformation, distinguished themselves in their efforts to communicate the nuances of the original texts and to address contemporary doctrinal controversies. In the Renaissance's rich explosion of ideas, Scripture played a ubiquitous role, influencing culture through its presence in philosophy, literature, and the arts. This history examines the Bible's impact in Europe and its increasing prominence around the globe. (shrink)

In the Early Modern era of encyclopedias, the Bible functioned as a tool for managing and organizing the superabundance of information. From Johann Alsted to Johann Scheuchzer, this paper traces the use of the Biblical encyclopedia and the ways that the Bible was deployed to control the data that flooded the world of Early Modern scholarship. In a variety of contexts, the Bible served as a structure for generating meaningful statements from informational noise. In turn, the use of the Bible (...) as a principle of organization would have profound implications for the status of the Bible in Early Modern scholarly culture. (shrink)

This article places the Réflexions critiques sur la poésie et sur la peinture (1719) by Jean-Baptiste Du Bos (1670–1742) within the context of contemporary philology and antiquarianism. This was Du Bos’s magnum opus, in which he argued that the quality of art should be gauged on the basis of the aesthetic pleasure its audience derived from it and that beauty and moral uprightness were not necessarily connected. The work is usually connected with Locke’s sensualism and empiricism, but this article (...) argues that another important context is Du Bos’s interest in contemporary scholarship. This connection is demonstrated through an analysis of Du Bos’s earlier work, in particular his Histoire des Quatre Gordiens, prouvée et illustrée par les Médailles (1695), his interaction with philologists like Pieter Burman the Elder (1668–1741), and references in the Réflexions to the work of, among others, Isaac Vossius (1618–1689). (shrink)

This essay examines how Indo-Pacific indigenous plant names went from being viewed as instruments of botanical fieldwork, to being seen primarily as currency in anthropological studies. I trace this attitude to Alexander von Humboldt, who differentiated between indigenous phytonyms with merely local relevance to be used as philological data, and universally applicable Latin plant names. This way of using indigenous plant names underwrote a chauvinistic reading of cultural difference, and was therefore especially attractive to commentators lacking acquaintance with any indigenous (...) language or culture. When New Zealand anthropologists embraced this role for Māori phytonyms in the 1890s, however, they did so possessed of a relatively in-depth understanding of Māori culture and the Māori language. This discussion has three primary aims: to illuminate nineteenth-century scholarly engagements with Indo-Pacific plant classifications, in contrast to a prevailing historiographical emphasis on European disregard for this subject; to analyse how indigenous phytonyms acted as ‘boundary objects’ interfacing between cultures and disciplines; and to illustrate the politics of scientific disciplinarity in a colonial context. (shrink)

The article discusses 15th-century humanist Giovanni Pontano. Particular focus is given to his philosophical views on the origin of language, its impact on everyday life, and grammar. According to the author, Pontano brought forward ideas on the social uses of language which scholars have usually attributed to the later Enlightenment period. It is suggested that Renaissance humanism may be more important to philosophical history than previously thought. Details related to Pontano's views on semantic precision and the affective, active, and (...) social roles of language are also presented. (shrink)

Halbfass (Indian philosophy, U. of Pennsylvania) combines specialized philological and conceptual investigations with general philosophical and comparative reflections to present a history of the ontology of the Vaisesika system, which is commonly considered the lowest of the Vaisesika school, he focuses on the older period up to Udayana, whose work paves the way for Navyanyaya. Paper edition (unseen), $19.95. Annotation copyrighted by Book News, Inc., Portland, OR.

In this article, I am starting with a question which many years ago was at the center of the debate on structuralism. Are structures to be found in the object or in the subject ? If we take one of the famous analyses by Jakobson, we ascertain that as long as attention is brought to bear on the graphemic or phonological elements, or on rhymes and accents, then the objectivity of the examination is incontestable. The absolute or relative computation of (...) phonemes or groups of phonemes and the specification of their place in the text are independent of the critic's subjectivity. Subjectivity begins to impose itself when categories like "abstract" and "concrete" or "metaphor" and "symbol" are introduced, and even more so when these categories are grouped into classes the denomination of which does not have its basis in the data offered by the text but in nomenclative schemata developed by the critic . Cesare Segre, director of the Institute of Romance Philology at the University of Pavia and president of the International Association of Semiotic Studies, is coeditor of the journals Strumenti Critici and Medioevo Romanza and the series Critica e Filologia. His principal works of linguistic and semiotic criticism are Lingua, stile e società, Esperienze ariosteche, Semiotics and Literary Criticism , I metodi attuali della critica in Italia , La tradizione della Chanson de Roland, and Le strutture e il tempo . His editions of old Italian and French texts are Fornival's Li bestiaires d'Amours, Ariosto's Orlando Furioso, Giamboni's Libro de' Vizi e delle Virtudi, and the Chanson de Roland. "Narrative Structures and Literary History" originally appeared in Strumenti Critici . His contribution to Critical Inquiry, "Culture and Modeling Systems," appeared in Spring 1978. Rebecca West's previous contribution to Critical Inquiry was the translation of Guilio Carlo Argan's "Ideology and Iconology". (shrink)

Social and cultural difference. "Only historicize": history, material culture (food, clothes, books), and the future of Dante studies -- Dante's sympathy for the other, or the non-stereotyping imagination: sexual and racialized others in the Commedia -- Contemporaries who found heterodoxy in Dante: Cecco d'Ascoli, Boccaccio, and Benvenuto da Imola on Fortuna and Inferno 7.89 -- Dante's limbo and equity of access: non-Christians, children, and criteria of inclusion and exclusion, form Inferno 4 to Paradiso 32 -- Metaphysical difference. Toward a (...) Dantean theology of eros: form Dante's lyrics to the Paradiso -- Amicus eius: Dante and the semantics of friendship -- Paradiso and the mimesis of ideas: realism versus reality -- Dante squares the circle: textual and philosophical affinities of Monarchia and Paradiso (Solutio distinctiva in Mon. 3.4.17 and Par. 4.94-114) -- Difference as punishment or difference as pleasure: from the tower of Babel in De vulgari eloquentia to the death of Babel in Paradiso 26 -- Aristotelian disruptions 1: wealth and society. Aristotle's Mezzo, courtly Misura, and Dante's Canzone "Le doci rime": humanism, ethics, and social anxiety -- Dante and wealth, between Aristotle and Cortesia: from the moral Canzoni "Le dolci rime" and "Poscia ch'amor" through Convivio to Inferno 6 and 7 -- Aristotelian disruptions 2: love and compulsion. Archeology of the Donna Gentile: the importance of disconversion in conversion narratives -- Dante and Cecco d'Ascoli on love and compulsion: the epistle to Cino, "Io sono stato," the third heaven -- "Voi che 'ntendendo il terzo ciel movete," a dramatization of "utrum de passione in passionem possit anima transformari": conflict, compulsion, consent, conversion -- Critical philology and Italian cultural history. The case of the lost original ending of Dante's Vita nuova: more notes toward a critical philology -- Critical philology and Dante's Rime. (shrink)