Volume 25, Issue 1-2, February - April 2020, Page 1-2.

This essay attempts to address the crucial relation of feminist philosophy to minorities inside and outside of feminism. To do so it turns to Gilles Deleuze and Félix Guattari, focusing on their concept of “becoming minoritarian” and related concepts. Aided by close readings of two canonical but ultimately negative assessments of Deleuze and Guattari, Alice Jardine's “Woman in Limbo” and Rosi Braidotti's Patterns of Dissonance, the essay outlines and argues the merits of a “minoritarian” feminism.

I survey some important semantical and axiomatic theories of self-referential truth. Kripke's fixed-point theory, the revision theory of truth and appraoches involving fuzzy logic are the main examples of semantical theories. I look at axiomatic theories devised by Cantini, Feferman, Freidman and Sheard. Finally some applications of the theory of self-referential truth are considered.

Pelagia Goulimari interviews Talia Bettcher on core issues and concepts in Women Writing Across Culture, both in relation to Bettcher’s work and in the context of wider debates in feminist, queer and transgender theory. How to theorize “woman,” “trans woman,” “trans woman of colour,” “trans feminism”? How to put together experience, local knowledge, and communication across worlds? How to amplify experiments crossing the boundaries between theory, literature and life-writing? How to pursue an intersectional ethics of intimacy and “interpersonal spatiality”?

This essay marks the centenary of 1922, annus mirabilis of modernism but also the year when my grandparents became child refugees in the Asia Minor Catastrophe. In Mrs. Dalloway and her Diary, Virg...

This essay is part of a larger project on the singular in Toni Morrison's novels. The essay focuses on Morrison's early novels, particularly her first two novels, The Bluest Eye and Sula, and makes...

This 2022 edited collection marks the centenary of the annus mirabilis of modernism. Here we are, after modernism. Yet critics, writers, artists, readers and audiences now encounter modernism after...