This article is centred on the idea that from the analysis and interpretation of data from the crowd noise (at historical and engaging events) it is possible to define the manifestation of extroversion of people’s perceptions and emotions. What I seek to reveal in my artistic research is not the conjugation of perceptions and emotions for individual participants but rather the collective feeling, the energy that connects and refines the involvement of individuals and creates from it a new and indivisible (...) whole: a collective perception and sentiment that in the multilayering of noise finds its full manifestation. Crowd noise, therefore, represents the synthesis of this unique collective emotion, a psychological and physical synergic experience channelling its force, energy and form into a distinctive event that is noise itself. What I am investigating is the sum, neutralization, enrichment and suppression of the constitutive elements of the emotion experienced by participants in an event, and noise ‘as a register of the intensity of relationships’ between them. Showing and describing an event, its sensations and atmosphere, or the perceptions and emotions of a moment, is impossible. The questions, how emotions emerge, how mental and physical perceptions are stimulated by our senses or how consciousness develops, are unanswerable; what is possible to show as an artist is what happens in the middle, what lies between the lines, within the fabric of events, and what one grasps and realizes from the exploration of what is in the involuntary traces the experience itself leaves behind. (shrink)

The concept of simultaneity and contemporaneity is fundamental to and the core of my artistic practice but it also fits perfectly with the theme of my research. Creating multimedia art and installations with the help of new media is one way to best express the concept of non-separation, as evidenced by language itself. In Italian the word confusione, from the Latin term cunfusionem (mixing, blending), and in English confusion, is often used as a synonym for noise. In English, commotion is (...) a synonym for blare, and it has been derived from the Latin word cum movere, which means moving together. Contemporary art and installation are both staticity and change intermingled in a single place and time. The study of crowd, and the emotion that emerges from the deep immersive experiencing of art, is also strongly linked to another concept developed by Bergson: intuition. By ‘intuition’, Bergson meant an elementary, indivisible experience of sympathy, through which a person is moved into the inner being of an object and can comprehend what is unique and indefinable in it. I hypothesize the presence and expression of emotion in the collective experience of installation art, and both my creative efforts and theoretical research are aimed at facilitating the audience’s understanding or intuition of this emotion in an immersive multisensory environment. Using a range of both technological and classical tools and means of expression in my work, but more generally, artists create a product that can mediate and unfold the complexity of the phenomenological event by rendering it in a new form accessible to all. (shrink)

There is something frustrating in the concept of algorithm that can even worry: its limitations. An algorithm does not need the time to define itself, it possesses in its structure everything that defines it and can work exclusively in a site, such as a computer, which is itself another finite system. Whenever a particular algorithm will be executed it will always be inexorably equal to itself because the number of possible states is finite. A logical­mathematical algorithm is essentially very different (...) from a living being that reveals its being only in the passage of time, in the relationship with the environment, in the happening of events. On the contrary there is a strong relationship between living things and the art, since art essentially needs time to express itself. The art has a time dimension, if for no other reason, because the purpose of art is reaching human beings. But art, through technology, can also broaden its horizons. Art can make use of the technology and can do exactly as the man whose expression is, to grow, to expand, to discover new identities, to conduct an investigation in those distant places, on the border with the irrational. (shrink)