Palaestra Logica William Henry Forbes,..

John Wyclif’s logical works have lain under a kind of fog since they were first published in the 1890s. My first aim is to clear up some long-standing confusions by dispelling this fog once and for all. A partial identification of Wyclif’s source material then allows me to make a more dramatic claim about persistent misunderstandings of what is thought to be his earliest work.

Previously, the author tried to show that some arguments in one of the two versions of Nicholas of Autrecourt’s Quaestio de intensione visionis are taken almost verbatim from the anonymous Tractatus de sex inconvenientibus. This paper concentrates on the arguments themselves in order to consider two main issues: the ‘translatability’ of limit decision problems, manifest in Autrecourt’s juxtaposition of questions de maximo et minimo, de primo et ultimo instanti, and the intension and remission of forms; the importance of Parisian discussions (...) of limit decision problems prior to the adoption of the new analytical languages developed at Oxford. Thus, the paper is divided in two sections, the first concerning some arguments of Autrecourt’s question, the second focusing on the link between one of Autrecourt’s arguments and the medieval tradition of commentaries on Aristotle’s De caelo, in which it is possible to find some antecedents of the analytical approach that later Parisian scholars would apply to these problems. (shrink)

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the foot of each page.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the foot of each page. There are now over 100 volumes, representing the greater part of classical Greek and Latin literature.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the foot of each page. There are now over 100 volumes, representing the greater part of classical Greek and Latin literature.

This chapter contains sections titled: Socrates' Place in a Critical History of Philosophy Plato's Genetic Development Socrates Logico‐Philosophicus A Later, Self‐Critical Plato The Unity of the Platonic Socrates' Thought Socrates Oxoniensis Socrates' “Failure in Love” Socrates Politicus Redivivus.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the front of each page. There are now over 100 volumes, representing the greater part of classical Greek and Latin literature. The aim of the series remains that of including the works of all the principal classical authors. Although this has been largely accomplished, new volumes are still being (...) published to fill the remaining gaps, and old editions are being revised in the light of recent research or replaced. (shrink)

The point on the Hippodrome. A compilation of the known facts about the hippodrome contests and the Hippodrome. — 70. A new gymnaslic establishment in the south of Delos. Description of the large gamma-shaped terrace laid out in the southern part of Delos and its interpretation as a gymnastic establishment. — 71. "Was the Agora of the Italians an Établissement du Sport?". Comment on Ν. Κ. Rauh's hypothesis. There is nothing to suggest that it was a specifîcally Italian palaestra (...) or a gladiatorial arena. What is known of the name of the building and its lay-out does not accord with thèse functiona, nor do the indications of a cuit of Hermes and Heracles, which is more readily explained by the Italian nationality of those who used it. — 72. The Colossus and the Palm-tree. A. Hermary's theory, which would make the Colossus an archaizing copy, dedicated in the 4th c, of the one that had broken the fall of the palm-tree, remains weak; but it does hâve the advantage of dating this accident, which at the time would hâve counted among the omens considered inauspicious for the Sicilian expédition, like the one that befell the palm-tree of Eurymedon. — 73. On the Aphrodite and Pan group from the Institution of the Poseidoniasts of Berytos. Eros personifies the amorous relationship of the two rivals rather than rebuffing Pan. Comparison with a pelike of the Euphronios period on which an ithyphallic boy is rebuffed by a young man brandishing a sandal. (shrink)

Alnwick distances himself from Scotus, as he appears in Lectura Oxoniensis and the commentary on Metaphysics, though the natural propensity of the will is affirmed in q. 9 d. 49 of Book Four of Reportata Parisiensia. However, this question could be spurious, or else more susceptible to the Parisian influence of teaching of Henry of Ghent, with whom Alnwick aligns himself when he sanctions without any doubt the fact that man desires to pass from a lesser good, guaranteed by (...) philosophical speculation of an Aristotelian- Averroist matrix, to a supreme good, which coincides with the clear vision of divine essence, because man knows that essence both naturaliter and supernaturaliter. Alnwick tenaciously debates natural knowledge in the prologue to the Commentary on the Sentences, thanks to the use of discursus, which serves to set up a chain of syllogistic deductions in order to arrive at quidditative concepts of divinity in both an affirmative and negative sense. These concepts assure the wayfarer a general k... (shrink)

the Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text with commentary but with a brief apparatus criticus at the foot of each page.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the front of each page. There are now over 100 volumes, representing the greater part of classical Greek and Latin literature. The aim of the series remains that of including the works of all the principal classical authors. Although this has been largely accomplished, new volumes are still being (...) published to fill the remaining gaps, and old editions are being revised in the light of recent research or replaced. (shrink)

Rather than having been designed to function as a slave market, the Agora of the Italians appears to hâve functioned as a multifaceted recreational facility for the members of the Roman collegia of the island. That is, it functioned as a combined palaestra, bath, banquet hall, and gladiatorial arena, such as thèse probably existed at the turn of the second-first centuries B.C. Architecture lly, the building enjoys distinct similarities with the ludii gladiato- rii at Pompeii and at Rome.

The Oxford Classical Texts, or Scriptorum Classicorum Bibliotheca Oxoniensis, are renowned for their reliability and presentation. The series consists of a text without commentary but with a brief apparatus criticus at the front of each page. There are now over 100 volumes, representing the greater part of classical Greek and Latin literature. The aim of the series remains that of including the works of all the principal classical authors. Although this has been largely accomplished, new volumes are still being (...) published to fill the remaining gaps, and old editions are being revised in the light of recent research or replaced. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Feminine Role Designations in the Comedies of PlautusZ. M. PackmanThere is a considerable degree of inconsistency in the role designations applied to female characters in the list of personae published with each of the Plautine comedies in the standard modern editions. My purpose here is to compare these role designations as they appear in modern editions with the designations attested by the scene headings of the manuscripts, identifying and (...) where possible accounting for discrepancies, and to propose, on the one hand, a general reading of the system of female role designations as assigned in the manuscripts, and, on the other, a critique of modifications introduced by modern editors. Editions chiefly referred to are the Oxford Classical Texts and the Teubner and Budé series. 1 For role designations in manuscripts I have depended on the text and apparatus of Friedrich Leo (1895–96) as well as the apparatus of the Budé texts.To begin with the role of matrona: of all characters so designated in the OCT, only one—the nameless wife of the local Menaechmus in Menaechmi—is so called also in both the Teubner and the Budé editions. In other cases, those designated matrona in the OCT are called uxor in the Teubner and the Budé (Alcumena in Amphitryo and Phanostrata in Cistellaria), or, in those same editions, mulier (Eunomia in Aulularia, Cleostrata and Myrrhina in Casina, and Dorippa in Mercator). In one case (Artemona of Asinaria) the OCT’s matrona is also matrona in the Budé, but uxor in the Teubner. Philippa in Epidicus, Philocomasium in Miles Gloriosus, and Palaestra and Ampelisca in Rudens are each called mulier in the Personae of the OCT, Budé, and Teubner—but Telestis in Epidicus, called mulier in the OCT, is identified as virgo in the Budé and Teubner editions. In the one play where the OCT uses the word uxor as a role designation (for the young sisters in Stichus), the same characters are designated sorores in the Teubner, and uxor (singly) and sorores (together) in the Budé. [End Page 245]Where the OCT applies the designation virgo (Phaedria in Aulularia, Planesium in Curculio, and Lucris in Persa), or the designation meretrix (Philaenium in Asinaria; the Bacchises in Bacchides, with the addition of the word sorores; Selenium and Gymnasium in Cistellaria; Erotium in Menaechmi; Pasicompsa in Mercator; Acroteleutium in Miles Gloriosus; Philematium and Delphium in Mostellaria; Lemniselenis in Persa, and Phronesium in Truculentus), the Teubner and the Budé do the same—but in the case of the Poenulus the Personae of the OCT, inconsistently, describes as puellae characters called meretrices in the Teubner and the Budé (Adelphasium and Anterastilis).Like meretrix, the role designation ancilla is relatively stable, and persons so designated in the Personae of the OCT are so called also in the Teubner and the Budé (Bromia in Amphitryo, Pardalisca in Casina, Halisca in Cistellaria, Milphidippa in Miles Gloriosus, Scapha in Mostellaria, Sophoclodisca in Persa, Crocotium and Stephanium in Stichus, and Astaphium in Truculentus, as well as one unnamed character in Menaechmi). In two cases the designation anus stands in all three of the editions under consideration (Staphyla of Aulularia and Leaena of Curculio), and this degree of consistency is observable in other relatively uncommon female roles, like lena (Cleareta in Asinaria, Melaenis and Syra in Cistellaria), fidicina (Acropolistes in Epidicus), and nutrix (Giddenis in Poenulus). Just once the OCT becomes expansive about a character designated ancilla in the Teubner and the Budé: Syra of Truculentus is here called tonstrix (ancilla Phronesii). One character called simply anus in the OCT (Syra in Mercator) is called anus ancilla in the Teubner and the Budé. In the case of Ptolemocratia of Rudens, called sacerdos in the Teubner and the Budé, it is once again the OCT, with sacerdos Veneris, which becomes expansive.By comparison with those assigned to female characters, the role designations of male characters in the Personae of standard editions of Plautus’ comedies are relatively stable. There is absolute consistency among the editions here under consideration with respect to role designations in such occasional types as parasitus, cocus, leno, and miles, and also with the even rarer designations like mercator, danista, and medicus. Some thirty characters are... (shrink)

In this article Duns Scotus 'concept of ' heceidad' is looked at, a subject open to discussion. The subject is focussed on his Lectura Oxoniensis, Ordinatio and Reportata Parisiensia.