A large network of alchemical agents spread from the tiny, land-locked duchy of Saxe- Gotha-Altenburg outward across Europe. At its centre, Duke Friedrich I meticulously documented his interactions with many alchemical personalities during the 1670s and 1680s. The story of one such personality illustrates the changing meanings of distant alchemical knowledge both to the inner circle of courtly alchemists and to a larger alchemical republic. Born near Gotha, Johann Otto von Hellwig built his pan-European career on a youthful stay (...) on Java. To some, this indicated his access to exotic naturalia which might be imported to a centre of collection, such as Gotha. For others, Hellwig could access a wisdom hidden abroad since ancient Egypt, which should be disseminated among widely dispersed adepts. These viewpoints indicate different functions for distant knowledge, as well as differing desired trajectories for this knowledge. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus by Steven D. SmithFabio TutroneSteven D. Smith. Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus. Greek Culture in the Roman World. Cambridge: Cambridge University Press, 2014. 308pp. $99.When Otto Keller published his meticulous work Die Antike Tierwelt (1909–13), classical scholars still conceived of ancient zoological knowledge as an astonishingly labyrinthine (...) corpus of tales. One felt the need to separate objective truths and fabulous accounts on the basis of a modern-oriented comparatist approach which was especially suspicious of Aelian’s De Natura Animalium and the so-called paradoxographic tradition. At that time, classicists were also keen to [End Page 532] see Severan literature as a scarcely original (and relatively uninteresting) digest of earlier writings—a faithful mirror of the beginning of the end.Steven Smith’s book on Aelian’s “literary imagination” and its culturally embedded use of animal figures is paradigmatic of the notable progress of scholarship in both such fields of research—the role of animals as revealing symbolic constructs and the intellectual life of Severan Rome. Throughout his well-structured survey, Smith offers new insights into Aelian’s worldview as a profoundly Hellenized Roman writer creatively combining biological notions and literary mirabilia, socio-political patterns, and sophistic aesthetics. On the one hand, the book clearly situates itself in the flourishing area of cultural and animal studies, making the most of both well-known and newly emerging theoretical frameworks (from Michel Foucault to Donna Haraway, from Derrida and Deleuze to Giorgio Agamben). Of course, the purpose of Smith as well as of other contemporary scholars interested in the ancient representation of animals is no longer to identify reliable “scientific” data as distinct from ancient folklore. Rather, it is the intersection of rhetorical, historical, and anthropological factors which seems to characterize most properly the Graeco-Roman discourse on animal life. On the other hand, however, Smith engages in an ambitious reconfiguration of Aelian’s (admittedly enigmatic) profile as an exponent of the Second Sophistic, at the same time indebted and alien to the milieu of the third century c.e. The multifaceted textual construction of Aelian’s animal narratives is shown to entail a critical (and at times ambiguous) reflection on such different issues as gender, religion, ethnicity, natural philosophy, and kingship.The book is composed of ten chapters, each one investigating a specific aspect of Aelian’s Weltanschauung on the basis of thematically connected passages. While the main focus is on De Natura Animalium (and thus on animal-related topics), two chapters (2 and 10, respectively) extend the scope of the inquiry to Aelian’s Rustic Letters and Varia Historia (VH). The monograph as a whole is framed by an introductory overview (starting with a fictional first-person speech by Aelian) and a conclusive note which sums up Smith’s most relevant theses. In addition, a more “philological” appendix discusses seventeen short fragments possibly pertaining to Aelian’s lost Katēgoria tou gunnidos (“The Indictment of the Little Woman”), a bitter invective against Elagabalus prudently written after the emperor’s death (cf. Philostr. Vit. Soph. 625).The question of Aelian’s elusive literary persona figures prominently in the general introduction and is the core subject of chapter 1. By qualifying the author of the De Natura Animalium (NA) as “independent” and “countercultural,” Smith does not mean to remove him from his social and political context. On the contrary, the evidence drawn from the NA itself (especially from the impressionistic self-portrait of the preface and the epilogue), together with the biographical sketches in Philostratus’ Lives of the Sophists and in the Byzantine Souda lexicon, is used to demonstrate that, though “inextricably bound up with and perhaps even unwittingly celebratory of urban Roman culture of the early third century c.e., Aelian nevertheless also fashions a literary persona that is critical of that same [End Page 533] cultural milieu” (16). In Smith’s view, such a fascinatingly ambivalent effect is made possible by the overwhelming stylistic variety (poikilia) of the NA, which appears as an “open” work (in Umberto Eco’s terms) intentionally lacking any large-scale... (shrink)

Bezeichnet man im deutschsprachigen Raum eine kulturelle Veranstaltung als 'Spektakel', geht damit oft eine negative Wertung einher. Im Gegensatz dazu zeigt der Band die vielfältigen Begriffsdimensionen, medialen Charakteristika und Funktionen dieser zentralen ästhetischen Kategorie in künstlerischen, epistemischen und politischen Kontexten auf. Beiträge aus Kunstgeschichte, Philosophie, Film-, Literatur-, Medien-, Tanz- und Theaterwissenschaft setzen sich mit ästhetischen Theorien und Praktiken des Spektakels von der Antike bis zur Gegenwart auseinander. Die behandelten Beispiele reichen von der christlichen Liturgie bis zur Barockoper, von Paulinus von (...) Nola bis Christoph Schlingensief, vom populären Wissenschaftstheater des 19. Jahrhunderts bis zu politischen Funktionen des Spektakulären im südkoreanischen Kino oder dem italienischen Roman, in Alltag und Kunst des Sozialismus sowie der globalen Medienkultur. Mit Beiträgen von: Micha Braun, Simon Frisch, Elisabeth Fritz, Antje Géra, Nicola Gess, Martin Hähnel, Sarah Hegenbart, Teresa Hiergeist, Carsten Juwig, Katherina Keller-Grein, Kirsten Maar, Astrid Matron, Kassandra Nakas, Ulf Otto, Rita Rieger, Ivo Ritzer, Tanja Schwan und Christiane Voss"--Back cover. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Klaudios Ptolemaios: Handbuch der Geographie, Griechisch-DeutschAlexander JonesAlfred Stückelberger and Gerd Grasshoff, eds. Klaudios Ptolemaios: Handbuch der Geographie, Griechisch-Deutsch. Vol. 1: Einleitung und Buch 1-4. Vol. 2. Buch 5-8 und Indices. With contributions from Florian Mittenhuber, Renate Burri, Klaus Geus, Gerhard Winkler, Susanne Ziegler, Judith Hindermann, Lutz Koch, and Kurt Keller. Basel: Schwabe Verlag, 2006. 1018 pp. 24 color and black-and-white ills. 29 maps. 1 CD-RO M. Cloth, (...) €170.Ptolemy's Geography is at the same time the only survivor of the ancient Greek literature devoted to the topic of drawing maps of the world and is the most extensive ancient list that we possess of names and locations of communities and physical features in the known parts of Europe, Africa, and Asia. It may seem astonishing that a document of exceptional importance for ancient history, geography, and the history of science should have had to wait until now for a complete critical edition. In fact the last complete edition, by C. F. A. Nobbe (1843–45), presents an indiscriminate text with no apparatus beyond a skimpy eighteen-page "Index Criticus" at the end. Two other editions, by F. W. Wilberg and C. H. F. Grashof (1838–45) and by C. Müller and C. T. Fischer (1883–1901), though furnished with apparatus, were vitiated by defective knowledge of the main lines of the textual tradition and besides were never completed. The twentieth century saw major progress in the sorting out of the Geography's manuscripts, with important contributions by (among others) Joseph Fischer, Otto Cuntz, Aubrey Diller, and above all by Paul Schnabel, whose monograph on the subject was meant as a mere harbinger of an edition that he did not live to produce. Meanwhile, scholars in need of a reliable text have had to make do with a patchwork of intentionally partial editions limited to sections of Ptolemy's geographical catalogue covering specific regions.The biggest obstacle in the way of restoring the Geography arises from one of Ptolemy's profoundest insights, that a graphical object such as a world map can be reproduced more accurately if its contents are translated into a collection of numerical coordinates representing each significant point of the drawing, in effect, a digitization. About two thirds of the Geography is thus dedicated to a list of some eight-thousand place names with the longitudes and latitudes of the corresponding localities expressed in degrees and fractions of a degree, ordered [End Page 128] so that one can reconstruct the map by plotting from point to point on a suitable grid of parallels and meridians. Ptolemy thus got rid of the analogue distortions inherent in the process of copying a picture, but he proposed no measures to protect the copying of the text and numerals of his list from errors giving rise to "noise" progressively obscuring the picture. Unfortunately, Greek alphabetic numerals, notations for common fractions, and exotic place names—many of them attested in no other document—were all liable to frequent misreading in ancient and medieval manuscripts. In such material, copying errors are difficult to detect and generally impossible to undo. The modern scholar, working with an abundance of manuscript copies (none older than the late thirteenth century), is incessantly confronted by variant readings of which at least one must be wrong but for which no rational basis for discriminating exists. To complicate matters further, many of the manuscripts contain maps, and the origin of these maps and their relation to the textual history are controversial questions for which the usual resources of textual criticism are inadequate. It is not surprising if editors' appetites have been sated with modest helpings of the Geography.Now at last we have a complete and reliable critical edition of Ptolemy's book, an accomplishment made possible in the first instance by a division of labor among a competent and well-organized team, and secondly by judicious choices about what the edition should and should not attempt to do. The team, the "Ptolemaios-Forschungsstelle," affiliated with the Institute for Classical Philology of the University of Berne, comprises more than a dozen scholars led by a philologist, Alfred... (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

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Cultural accounts of scientific ideas and practices have increasingly come to be welcomed as a corrective to previous—and still widely held—theories of scientific knowledge and practices as universal. The editors caution, however, against the temptation to overgeneralize the work of culture, and to lapse into a kind of essentialism that flattens the range and variety of scientific work. The book refers to this tendency as culturalism. The contributors to the volume model a new path where historicized and cultural accounts of (...) scientific practice retain their specificity and complexity without falling into the traps of culturalism. They examine, among other issues, the potential of using notions of culture to study behavior in financial markets; the ideology, organization, and practice of earthquake monitoring and prediction during China's Cultural Revolution; the history of quadratic equations in China; and how studying the "glass ceiling" and employment discrimination became accepted in the social sciences. Demonstrating the need to understand the work of culture as a fluid and dynamic process that directly both shapes and is shaped by scientific practice, Cultures without Culturalism makes an important intervention in science studies. Contributors. Bruno Belhoste, Karine Chemla, Caroline Ehrhardt, Fa-ti Fan,Kenji Ito, Evelyn Fox Keller, Guillaume Lachenal, Donald MacKenzie, Mary S. Morgan, Nancy J. Nersessian, David Rabouin, Hans-Jörg Rheinberger, Claude Rosental, Koen Vermeir. (shrink)

Keine ausführliche Beschreibung für "Zur Analysis der Wirklichkeit" verfügbar.