The Augustinian text is being radically rewritten by contemporary theologians to render it compatible with various proposals for a postmodern Christianity. The proximate stimulus is Derrida's deconstruction of the argument of the Confessions. What is positive and what is wanting in his appropriation of the Augustinian dialectic is reviewed, as also what can and cannot be seen of the historical Augustine from within the purview of a postmodern theology.

Pushing past the constraints of postmodernism which cast "reason" and"religion" in opposition, God, the Gift, and Postmodernism, seizes the opportunity to question the authority of "the modern" and open the limits of possible experience, including the call to religious experience, as a new millennium approaches. Jacques Derrida, the father of deconstruction, engages with Jean-Luc Marion and other religious philosophers to entertain questions about intention, givenness, and possibility which reveal the extent to which deconstruction is structured like religion. New interpretations of (...) Kant, Heidegger, Husserl, and Derrida emerge from essays and discussions with distinguished philosophers and theologians from the United States and Europe. The result is that God, the Gift, and Postmodernism elaborates a radical phenomenology that stretches the limits of its possibility and explores areas where philosophy and religion have become increasingly and surprisingly convergent. Contributors include: John D. Caputo, John Dominic Crossan, Jacques Derrida, Robert Dodaro, Richard Kearney, Jean-Luc Marion, Frangoise Meltzer, Michael J. Scanlon, Mark C. Taylor, David Tracy, Merold Westphal and Edith Wyschogrod. (shrink)

In the past two decades scholars such as Robert Dodaro, Kathy Eden, and Michael Cameron have called attention to the influence that Augustine’s rhetorical education had on his scriptural hermeneutic. Recently, M. Cameron has argued that Augustine began to incorporate the rhetorical concept of oeconomia into his scriptural hermeneutic during his time in Milan. This article expands on Cameron’s work by establishing that Augustine had in fact incorporated rhetorical oeconomia into his scriptural hermeneutic by 387 / 8 C.E. (...) through a focused reading of two texts from De moribus ecclesiae. This reading demonstrates that the terminology and logic that Augustine employs to argue for the unity of the Christian scriptures in mor. 1.17.30 and 1.28.56 mirror the terminology and logic of the Latin rhetorical tradition, revealing that Augustine uses the phrases mirifica dispositio and admirabilis ordo to represent the same concept that Quintilian had referred to with the phrase oeconomica dispositio. (shrink)

The Influence of Augustine on Heidegger: The Emergence of an Augustinian Phenomenology, edited with an Introduction by Craig J. N. de Paulo Lewiston, NY: The Edwin Mellen Press, 2006. Details: Preface by John Macquarrie and distinguished contributors include Robert Dodaro, O.S.A., Peg Birmingham, Theodore Kisiel, Daniel Dahlstrom, George Pattison, James K. A. Smith, Wayne Hankey and Matthias Fritsch. (Advance Praise by James J. O’Donnell, Jaroslav Pelikan and Joseph Margolis and reviewed in the American Catholic Philosophy Quarterly, vol. 82, (...) Spring 2008, issue no. 2, in article form.) Bishop de Paulo is the founder of "Augustinian phenomenology," a field within phenomenology that merges the Christian existential thought of Augustine with the methodology of Martin Heidegger. (shrink)

When a new, brain-based definition of death was proposed fifty years ago, no one realized that the issue would remain unresolved for so long. Recently, six new controversies have added to the debate: whether there is a right to refuse apnea testing, which set of criteria should be chosen to measure the death of the brain, how the problem of erroneous testing should be handled, whether any of the current criteria sets accurately measures the death of the brain, whether standard (...) criteria include measurements of all brain functions, and how minorities who reject whole-brain-based definitions should be accommodated. These controversies leave little hope of consensus on how to define death for social and public policy purposes. Rather, there is persistent disagreement among proponents of three major groups of definitions of death: whole-brain, cardiocirculatory or somatic, and higher-brain. Given the persistence and reasonableness of each of these groups of definitions, public policy should permit individuals and their valid surrogates to choose among them. (shrink)

How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Cinematic Ethics: _Exploring Ethical Experience through Film_ addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional understanding and philosophical thinking. In a clear and engaging style, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy (...) using detailed case studies of cinematic ethics across different genres, styles, and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics. (shrink)

A uniquely playful and incisive illustrated collection of Zen teaching stories from one of America's best-known and most-respected Zen masters. A Modern Classic. In the tradition of the great koan collections and the extensive records of ancient masters, Robert Aitken--one of America's best-known and most-respected Zen masters--distills a lifetime of teaching down to its essence. Intriguing, playful, and deceptively easy to read, Zen Master Raven is a brilliant encapsulation of Zen in over a hundred koan-like encounters--featuring curious beginners like (...) Mallard and Mole, to teachers-in-training like Porcupine, to the profound wisdom of masters like Brown Bear, Moose Roshi, and Zen Master Raven himself. (shrink)

Partant de la “ définition provisoire ” que N. Frye dans Le Grand Code donne du littéraire qui serait “ une structure verbale qui existe pour elle-même ”, Robert Alter pense que cette théorie, qui reste au centre de l'ouvrage, est vulnérable du point de vue de la théorie de la littérature et par rapport à la description de la nature de la Bible. Dans les deux parties de cet article, R. Alter entend montrer comment la conception imaginative de (...) Frye est fondée sur toute une série d'interprétations plus ou moins systématiquement erronées des textes bibliques. Il rappelle que malgré la présence de la métaphore dans sa poésie, la Bible laisse cette poésie dans un “ genre minoritaire ” par rapport à l'emploi de la prose, principal outil de narration typique du projet biblique.Starting with the “Provisory definition” that N.Frye, in The Great Code. The Bible and Literature, , gives to literary: "a verbal structure that exists for itself, Robert Alter thinks that this theory, which is basic to Frye's work, is vulnerable from the point of view of literary theory and in relation to the description of the nature of the Bible. In the two parts of this article, M Alter wants to show how the imaginative conception of Frye is founded on a series of interpretations of biblical texts more or less systematically wrong. He reminds us that despite the Presence of metaphor in its poetry, the Bible leaves this poetry in a "minority genre" in comparison with prose, the principal tool of narration typical of the biblical project. (shrink)

Documentary as Exorcism is an interdisciplinary study that builds upon the insights of postcolonial studies, critical race theory, theological and religious studies and media and film studies to showcase the role of documentary film as a system of signifying capable of registering complex theological ideas while pursuing the authentic aims of documentary filmmaking. Robert Beckford marries the concepts of ‘theology as visual practice' and ‘theology as political engagement' to develop a new mode of documentary filmmaking that embeds emancipation from (...) oppression in its aesthetic. In various documentaries made for Channel 4 and the BBC, Beckford narrates the complicit relationship of Christianity with European expansion, slavery, and colonialism as a historic manifestation of evil. In light of the cannibalistic practices of colonialism that devoured black life, and the church's role in the subjugation and theological legitimation of black bodies, Beckford characterises this form of historic Christian faith as ‘colonial Christianity' and its malevolent or ‘occult' practices as a form of ‘bewitchment' that must be ‘exorcised'. He identifies and exorcises the evil practices of colonialism and their present impact upon African Caribbean Christian communities in Britain in films such as Britain's Slave Trade and Empire Pays Back through a deliberate process of encoding/decoding. The emancipatory impact of this form of documentary filmmaking is demonstrated by its ability to bring issues such as reparations to the public square for debate, and its capacity to change a corporation's trade policies for the good of Africans. (shrink)

Leibniz’s religious cosmopolitanism is one of the main ways in which his thought foreshadows the Enlightenment. Of the controversial issues of his time, it is the one on which he was boldest. His commitment to it is discussed here in relation to both the Chinese Rites Controversy and the reunion of Christendom, and the main features of his conception of religion are discussed. (1) It is a religious and normative conception. (2) Its main principle is “the love of God above (...) all things.” (3) It involves a principled pragmatism on many, perhaps most, religious issues. The implications of this pragmatism are traced for (4) Leibniz’s ecclesiology and (5) his strategies for interpreting religious concepts. (6) The relatively abstract and ahistorical character of religious essentials on Leibniz’s view is acknowledged. (shrink)

When Nishida Kitarô wrote Studies of the Good, he was a high school teacher in Kanazawa far from Tokyo, the center of Japanese scholarship. While he was praised for his intellectual effort, there was no substantive agreement about the content of his ideas. Critics disagreed with the way he conceived of reality and of truth as contained in reality. Taken together, I believe that the responses to Nishida's early work give us a window on the state of Japanese philosophy in (...) the early twentieth century. In what follows, I give evidence for the existence of such a debate about the nature of truth and reality. After a sketch of Nishida's position, I outline the positions of two other contemporary thinkers: Katô Hiroyuki and Takahashi Satomi. With respect to Nishida, they offer markedly different takes on the question of universal truth: Katô favors an antireligious, scientific positivism while Takahashi accepts an existentialist notion of radical human finitude, in which human access to any certainty is denied. I conclude that one is confronted with a lively debate by Japanese philosophers inside Japan about the definition of truth and consequently about the nature of reality. (shrink)

The book takes well-established, scientific evidence on consciousness to interrogate, and re envisions questions of personal reincarnation and thus of the mind/body problem. Methodologically, the basis of the book is rooted in the careful argumentation and logical appraisal of classical materialism and the history of the mind-body problem.

Explores a crisis of modern America: the dissolution of place that leads to a dangerous rupture of community.

Religious disagreement is pervasive in contemporary life, both internationally and inside pluralistic societies. Understanding it requires understanding both what constitutes a religion and what constitutes genuine disagreement. To resolve religious disagreements, we need principles for rationally approaching them and standards for law-making that are fair to all citizens. This paper considers what sorts of evidences parties to a religious disagreement should present if they hope for resolution or at least mutual tolerance. The paper suggests some common ground as a basis (...) for communication and partial agreement on issues likely to divide the religious. It concludes with some ethical principles intended to help those who seek peaceful resolution of religious disagreements in the framework of pluralistic democracy. (shrink)