Historians of religion and adherents of new religious movements in the twentieth century have frequently had intersecting agendas. This article discusses the interactions between scholarship on Germanic myth and culture and the protagonists and belief systems of Germanic neo-Pagan movements. It covers the era from the inception of Germanic neo-Paganism in the nationalist, anti-Semitic völkisch movement in Germany in the early 20th century until today. The article traces the appeal of reconstructionist approaches within the study of Germanic myth and culture, (...) and the desire to access a primordial pre-Christian culture back to European National Romanticism. It uncovers the latent anti-Jewish sentiments that often pervade parts of both Germanic neo-Paganism and Germanic and Indo-European studies. At the same time, it accounts for the significant changes in these ideologically tainted patterns of thought within the last two decades, highlighting Germanic neo-Paganism’s development toward respectability and mainstream thought with the help of references to recent scholarship. (shrink)

The so called ‘Prose Edda’ or ‘Snorra Edda’, usually dated to the third decade of the 13th century, contains after a short prologue two substantial sections dealing mainly with mythography and poetics and a long concluding skaldic poem. In the extant medieval manuscripts from around 1300 and the beginning of the 14th century, additional material like genealogies, grammatical treatises, etc. is included. The present paper focuses on one of the earliest of these manuscripts, codex DG 11 4to, University Library Uppsala, (...) and analyses some central features of the specific way in which it presents different narrative layers. For the first time, this analysis combines a study of textual and visual aspects of the manuscript, and special attention is given to two of the many illustrations in this codex. Together with later scribal notes, the drawings contribute heavily to the process of framing, which is one of the main features of the ‘Prose Edda’. This process of creating potentially endless narrative and visual frames is part of the text‘s ambition to establish a distance to the traditional pagan myths and to facilitate new fictional possibilities. (shrink)

This paper presents a initial historiography of Brazilian studies on the topic of Old Norse and Christian religion during the Middle Ages, covering the prospects of myth, ritual and magic. The period of research involves the years 1959 to 2015 and refers to books, articles, reviews, interviews, events and posgraduate researchs developed by Brazilian authors. The objective of the research is to demonstrate the state of the area for future generations, as well as to provide to advanced researchers with (...) some parameters of insertion of investigations on this subject in the Brazilian academy. The methodology we adopted is basead on the framework of Cultural History of Religions and existing critical debates among experts, in particular, Jens Peter Schjødt, Anders Andrén, Kristina Jennbert and Catharina Raudvere. Our main conclusion shows that in a short amount of time, about twenty years, these studies have reached a relative espace in Brazil and some international repercussion. (shrink)

Close examination of the significant theme of other-worldly encounters in Norse myth and legend, including giantesses, monsters and the dead"--Provided by publisher.

A formal and functional study of the three meters of Old Norse eddic poetry, fornyroislag, malahattr, and ljooahattr, this book provides their systematic account (synchronic, diachronic, and from a comparative Germanic perspective). With thorough data presentation, detailed philological analysis, and sophisticated linguistic explanation, it will be of interest to Germanic philologists/linguists, medievalists, and metrists of all persuasions.".

The first edition of this standard work was published in 1927 and has been reprinted several times. This second edition has been revised and reset and the saga Hrafnkels saga freysgooa is now included in its entirety. The work is now available for the first time in paperback.

Theory of mind, the theory that humans attribute mental states to others, has become increasingly influential in the Cognitive Science of Religion in recent years, due to several papers which posit that supernatural agents, like gods, demons, and the dead, are accredited greater than normal knowledge and awareness. Using Old Norse mythology and literary accounts of Old Norse religion, supported by archaeological evidence, I examine the extent to which this modern perspective on religious theory of mind is reflected (...) in religious traditions from the Viking Age. I focus especially on the extent to which superperception and superknowledge were attributed to Old Norse supernatural agents and the impact of this on expressions of religion; how the attribution of theory of mind varied with circumstances and the agents to which it was being attributed; and the extent to which features of religious theory of mind common in other societies were present in the historical North. On this basis, I also evaluate the usefulness of Old Norse historiography to Cognitive Science of Religion and vice versa. (shrink)

In this article I offer an account and analysis of several patterns of valuation of the cardinal directions in medieval Scandinavian texts. While my topic is not altogether novel—ideas about space, along with those of time, have been matters of widespread and perennial concern to scholars of culture and religion, and those interested in the Norse context have proven no exception—I seek to go beyond previous examinations in several ways. First, many of the scholars who have focused on directionality (...) in Old Norse sources have been concerned with catalogu-ing and elucidating terminology for the cardinal points and for movement along and between them, with a particular emphasis on assessing the “correctness” of such terms' application in respect to ultimate or relative orientation. While I draw on the insights of such studies, my interests lie less in efforts to map or to describe movement in the real world known to medieval Scandinavians than in the values that they can be shown to have attached to the cardinal directions. My focus, therefore, is on imagined or moral as opposed to physical or topographical space. Of the studies that have taken a similar interest in Norse ideas about space, most have focused mainly or exclusively on the attempt, often from a structuralist perspective, to reconstruct from available sources pagan cosmography, to discover or assemble a systematic summa of the pre-Christian Norse mythical Weltbild. While pre-Christian ideas, or their traces, are also a focus of my article, I pay more than equal attention to conceptualizations and valuations of space held by Christian northerners. “Mythical,” then, is not a label that I reserve for heathen or patently fantastic materials but one under which I also subsume data from Christian and historiographical sources. (shrink)

Name der Zeitschrift: Kierkegaard Studies Yearbook Jahrgang: 23 Heft: 1 Seiten: 223-246.

In the article three tragedies: ‘The Battle of Arminius‘ by Christian Dietrich Grabbe, ‘Nibelungs‘ by Friedrich Hebbel, ‘The Ring of the Nibelung‘ by Richard Wagner are considered. The aim of this paper is to investigate how history reception and mythological material correlates with the idea of national identity. The comparative-historical, typological and historical-genetic methods are applied in this publication. The genres of historical, philosophical and mythological tragedy became the most popular genres in the socio-political conditions in the 30s of the (...) 19th century in Germany. Grabbe underlines the idea of the presence of the ‘local‘ regional history within the framework of the ‘big‘ and significant one. Grabbe paid attention to the historical process and historical figures, not to any particular historical event. In his last work, tragedy ‘The Battle of Arminius‘, Grabbe showed his understanding of the country’s historical origins and the creation of a national myth. F. Hebbel and R. Wagner comprehend the images and motifs of Norse mythology as a universal model of human existence. While interpreting the story of Nibelungs, F. Hebbel notes not only its national roots but its universal source; he models the image of the world through the prism of the microcosm of Burgundians/Nibelungs. Wagner’s tetralogy is not so much an interpretation as a creation of the ‘new myth‘. The images of Arminius and Siegfried have the features of the archaic primal forefather, ‘cultural hero‘ of the nation, who intimately related with Nature and home ground. Myth and mythological history are not only the tools of attainment of national identity but the means of reversion the modern man to the lost harmony of the Universe, which pertains to the mythological mind. (shrink)

ABSTRACT Initiatives to cultivate character and virtue in moral education at school continue to provoke sceptical responses. Most of those echo familiar misgivings about the notions of character, virtue and education in virtue ? as unclear, redundant, old-fashioned, religious, paternalistic, anti-democratic, conservative, individualistic, relative and situation dependent. I expose those misgivings as ?myths?, while at the same time acknowledging three better-founded historical, methodological and practical concerns about the notions in question.

After defining the term ‘myth’, a model is elaborated in which a myth is tied to psychoanalytic phenomena, historical events, elite culture, popular culture and everyday life. Ideas Americans have about themselves and American culture are contrasted with ideas American have about ‘old’ countries, motherlands and fatherlands. The article ends with a discussion of genres and the myths to which they are connected.