Content analysis of 291 cop action films reveals the gendering of heroism by Hollywood filmmakers. Employing Griswold's “cultural diamond” framework, this study frames the genre as product of a Hollywood labor market dominated by men but increasingly integrated. Women among its heroes continue disproportionately to be rookies and to work a narrow range of cases involving undercover operations and the detection of serial killers. Women in cop action films are also more likely than men to begin heterosexual affairs and to (...) arrest or kill their lovers. However, they engage in less combat and do not confront or engage in police corruption. The most aggressive uses of and contest over state power thus turn out to be men's work in these films. The genre implies a collective common sense among industry professionals about the limits of men's professional ethics and women's professional achievements. (shrink)

This article analyzes data available in published studies of rapists’ self-reports and argues that according to their own accounts, many men developed inaccurate impressions of women’s desires through a confident form of role-taking. While rapists’ inaccuracies have been previously described as instances of “miscommunication”or lapsed role-taking, they do not always indicate lack of emotional or intellectual depth to role-taking. The article adds to the profeminist, symbolic interactionist literature on role-taking by arguingthat relations of disavowedmale-male desire andthe exchange of women make (...) the possibility of men’s sensitive knowledge of women’s sexual desires problematic. Some of these forms of knowledge are outlined, and an approach to rape prevention is briefly suggested. (shrink)