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  1. Chronique du cinéma 2 : De son vivant – apprivoiser le mourir.Nathalie Plaat-Goasdoue & Jacques Quintin - 2023 - Canadian Journal of Bioethics / Revue canadienne de bioéthique 6 (2):140-142.
    To control and think about death through cinema is perhaps one of the possibilities offered by Emmanuelle Bercot’s feature film starring Benoît Magimel and Catherine Deneuve. De son vivant tackles head-on the question of fate, through the life-and-death story of a young man in his forties suffering from a disease whose prognosis is grim. We follow Benjamin, in the last year of his life, as he faces the inevitability of his finitude announced in this clearly stated time frame: from six (...)
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  2. Chronique du cinéma 3 : Tu te souviendras de moi – quand le récit de soi s’étiole.Nathalie Plaat-Goasdoue & Jacques Quintin - 2023 - Canadian Journal of Bioethics / Revue canadienne de bioéthique 6 (3-4):154-156.
    Édouard loses his memory. The thread of his life’s story dissolves, leaving him confused and lonely, and gradually cut off from a world in which, as we soon realize, he was accustomed to taking centre stage. An intellectual who is regularly invited to speak in the public arena, Édouard, the historian emeritus, is confronted with an illness that, ironically, affects his memory. He who, all his life, has reflected on his society by linking it to his past, gradually loses the (...)
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  3. Chronique du cinéma 1 : Tout s’est bien passé.Jacques Quintin & Nathalie Plaat-Goasdoue - 2023 - Canadian Journal of Bioethics / Revue canadienne de bioéthique 6 (1):95-96.
    Commentary on the film, Tout s’est bien passé, by François Ozon, which tells the story of a person who wants to exercise his wish to die in the context of assisted suicide/euthanasia. The action takes place in France and shows the impact on the relatives.
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