There is a need for inner recollection opposed to our everyday distraction. Our distraction is partly based on anthropological features and partly on social and cultural features. As well as feelings of distraction, we know experiences of being focussed from everyday life. As feelings in which distraction is absent, and as feelings in which we are partly and temporarily released from our own egocentric perspective, they remind us that a different kind of relation to ourselves and the (...) world is possible. Therefore, they can motivate a process of self-transformation aiming at a mystical state of mind, which is of a more profound and enduring kind than ordinary experiences of being focussed. The mystical state of mind is a state in which we transcend ourselves in the face of the universe and thereby relativize our own affective involvement. It is a feeling of an all-encompassing unity which ultimately concerns us; and it is a feeling of love, joy, and peace of mind. Mystical feelings thus shape and restrict spaces of possibilities, and they comprise an altered sense of what it means to be real. Therefore, they can be classified as existential feelings. Still, the mystical state of mind differs from prototypical existential feelings because it is a positive feeling, necessarily comprises active as well as passive moments, and presupposes an explicit way of attending to the world as world. (shrink)

In a letter written in 1927, the French writer Romain Rolland asked Sigmund Freud to analyse the “oceanic feeling,” a religious feeling of oneness with the entire universe. I will argue that Rolland’s intentions in introducing the oceanic feeling to Freud were much more complex, multifaceted, and critical than most scholars have acknowledged. To this end, I will examine Rolland’s views on mysticism and psychoanalysis in his book-length biographies of the Indian saints Sri Ramakrishna and Swami Vivekananda, which he wrote (...) just after he mentioned the oceanic feeling to Freud in 1927. I will argue that Rolland’s primary intentions in appealing to the oceanic feeling in his 1927 letter to Freud—intentions less evident in his letters to Freud than in his biographies of Sri Ramakrishna and Vivekananda—were to challenge the fundamental assumptions of psychoanalysis from a mystical perspective and to confront Freud with a mystical “science of the mind” that he felt was more rigorous and comprehensive than Freud’s psychoanalytic science. (shrink)

For centuries, mystically inclined practitioners from various religious traditions have articulated anomalous and mystical experiences. One common aspect of these experiences is the feeling of the loss of the sense of self, referred to as “self-loss.” The occurrence of “self-loss” can be understood as the feeling of losing the subject/object distinction in one's phenomenal experience. In this article, the author attempts to incorporate these anomalous experiences into modern understandings of the mind and “self” from philosophy and psychology. Accounts of (...) self-loss from religious literature along with similar accounts from recent nonreligious writers, suggest that self-loss accounts are potentially legitimate descriptions and not simply the result of religious apologetics. Specifically, I examine self-loss through the lens of philosopher Daniel Dennett's theory of “self as the center of narrative gravity.” I argue that Dennett's understanding of the self, if correct, allows for the relegitimation of self-loss experiences rooted in current views from the psychological literature, rather than rooted in metaphysical religious claims. (shrink)

This volume examines mystical experiences as portrayed in various ways by "authors" such as philosophers, mystics, psychoanalysts, writers, and peasant women. These "mystical authors" have, throughout the ages, attempted to convey the unsayable through writings, paintings, or oral stories. The immediate experience of God is the primary source and ultimate goal of these mystical expressions. This experience is essentially ineffable, yet all mystical authors, either consciously or unconsciously, feel an urge to convey what they have undergone (...) in the moments of rapture. At the same time they are in the role of intermediaries: the goal of their self-expression - either written, painted or oral - is to make others somehow understand or feel what they have experienced, and to lead others toward the spiritual goal of human life. This volume studies the mystical experiences and the way they have been described or portrayed in West-European culture, from Antiquity to the present, from an interdisciplinary perspective, and approaches the concept of "immediate experience" in various ways. (shrink)

The Southeast Asia dance rhythm to be slow, expresses feelings, exquisitely, the gentle rhythm, grows perceptibly free and easy beautifully. It has congeals builds up, the summary, the embodiment to contain, romantically and so on artistic characteristics. Must appreciate Southeast Asia to dance, should better have such elementary knowledge: Should understand the Indian two big epic poems: “Romania and Morocco spread out that”, “Morocco to scold husband's mother Luo to be many”, with Buddhism, Hinduism's elementary knowledge. Because this area (...) is the religious country, believes Buddhism most, believes in Islamism individually. This area's traditional dance’s story content has a lot to do with the Indian epic poem, and the Buddhism story concerns. If has mastered the above knowledge, as soon as in these dance's character enters the stage, so long as pays attention listens to music, to look carefully the mask and comes up the distinguish from clothing's color, apparent role status. (shrink)

The oceanic feeling -- The psyche's unitive trends -- Otto Rank's will therapy -- Erich Fromm's humanistic psychoanalysis -- The mystical in art and culture : Milner, Winnicott, and Ehrenzweig -- D.W. Winnicott's analysis of the self -- The cosmic narcissism of Heinz Kohut -- Hans W. Loewald and psychic integration -- Wilfred R. Bion's transformations of O -- James Grotstein and the transcendent position -- The personal monism of Neville Symington -- The ecstasies of Michael Eigen.

In the Bible, the human God-relationship is typically established through and by the phenomenon of “calling”. However, for much subsequent theology, this has been displaced by “vision”, “taste” or “feeling”. Referring to the notion of an inner word, the paper follows Kierkegaard's treatment of silence as, alternatively, a mode of inattention and attention to such an inner word. With Heidegger, the paper turns to the notion of vocation, both as in the discussion of the call of conscience in Being and (...) Time and the poetic vocation exemplified in the figure and poetry of Hölderlin. Finally, it considers the possible difference between such a poetic vocation and a divine calling. (shrink)

Either beauty is the beholding of a fixed and final aesthetic essence discontinuous with the rest of nature, or it is an intuitive grasp and encompassing feel of a consummated movement of natural energies and elements through their inner relations into a single, qualitative unity, whose pervasive tonality is a situational emergent from the biologically active, temporally continuous, and reciprocally constituting-constituted transactional dialectic between a human creature and the world. If aesthetic-mystical experience is indeed something “eternalized” out of all (...) connection with ordinary experience and the flood of moving fact, then what is immediately entailed is a phenomenological profile conceived as.. (shrink)

Within each of the great religions there is a well established doxastic practice (DP) of taking experiential inputs consisting of apparent direct perceptions of God (M experiences) as giving prima facie justification, subject to defeat by overriders supplied by that religion, for belief outputs that God exists and is as he presents himself. (This DP is abbreviated as "MP.") William Alston's primary aim in his excellent book, Perceiving God, is to establish that we have epistemic justification for believing that MPs (...) are reliable in that for the most part their belief outputs are true and moreover true of an objective or experience independent reality, unlike the belief outputs of the DPs based on sensations and feelings, along with the introspective DP whose intentional accusatives, although existing independently of being introspected, fail to be objective because they are themselves conscious states. (shrink)

This chapter explores what might seem to be a problem between depth psychological and mystical theological perspectives. A common psychological complaint is that one feels to be without value, that life is meaningless and empty, that the self is inadequate and without hope, in short, that one suffers a sense of nothingness. Yet a great many of the world’s mystical theologies hold out for a spiritual goal of becoming precisely nothing. Mystical spirituality in such religious traditions is (...) spoken of in rhetoric that suggests that a seeker should not aspire to achieve a self-sense, selfhood or identity, but that one precisely ought to lose these in favor of a sense of no-self. Are the psychological and the mystical “nothingnesses” different? Is this a semantic accident, a slippage of language where one word signifies different states? Or are there really different “nothings”? It will be the argument in this chapter that the nothingness of psychology and mysticism in fact is indicating the same “no-self.”. (shrink)

William James’s reputation in the field of emotion research is based on his early psychological writings where he defines emotions as ‘feelings of bodily changes’. In his later work, particularly in his study of mystic emotion, James comes up with what looks like a completely different approach. Here his focus is on positive feelings of inspiration and joy, but also on downbeat moods like melancholy and depression. He examines how these feeling states give meaning to an individual’s life. (...) Theorists often speculate about a gap between James’s early writings and his later work, and assume that the later James turned from an evolutionary-minded natural scientist into a metaphysical philosopher. In my paper, I follow Ratcliffe in his view that a sharply drawn line between the early and the late work is implausible and that James’s later study of mysticism fits nicely with his early psychology. Drawing on James, I show how in his later work, James develops a theory of embodied emotions that anticipates the role ascribed by twentieth century phenomenology to anxiety and other ‘bad moods’, as possibilities for philosophical reflection and self-understanding. (shrink)

This study examines the history of the psychoanalytic theory of mysticism, starting with the seminal correspondence between Freud and Romain Rolland concerning the concept of "oceanic feeling." Providing a corrective to current views which frame psychoanalysis as pathologizing mysticism, Parsons reveals the existence of three models entertained by Freud and Rolland: the classical reductive, ego-adaptive, and transformational (which allows for a transcendent dimension to mysticism). Then, reconstructing Rolland's personal mysticism (the "oceanic feeling") through texts and letters unavailable to Freud, Parsons (...) argues that Freud misinterpreted the oceanic feeling. In offering a fresh interpretation of Rolland's mysticism, Parsons constructs a new dialogical approach for psychoanalytic theory of mysticism which integrates culture studies, developmental perspectives, and the deep epistemological and transcendent claims of the mystics. (shrink)

Moral violation often takes the form of material harm, which might lead us to suppose that it consists essentially in the harm done. And yet we might suffer the same harm through nature or accident without feeling morally offended. If a hurricane destroys my property, I suffer harm but no offense. If another person deliberately damages my property, I am offended. But why? Wherein lies the difference? My essay employs Arthur Schopenhauer’s ethic of egoism and Paul Tillich’s theology of love (...) to explore the ontological basis of moral offense. I argue that moral offense has its roots, not in a concern for material well-being, but in a fundamental drive for Unity, unity with others and with our own ontological ground. This drive is both conditioned by, and frustrated by, our ontological separateness as individual beings. (shrink)

The Russian academic theological tradition, scarcely known to the West, was the only milieu wherein the development of philosophy of religion in the pre-revolutionary Russia was under way. Philosophical investigation of the phenomenon of religion was being elaborated in the apologetic context, i.e. in critical analysis of non-theistic conceptions of the origin and essence of religion, and the figure of Friedrich Schleiermacher, with his reduction of religion firstly to cosmic feelings and later to the feeling of the ontological dependence, (...) occupied an invariable place in this analysis. The paper deals with critical comments on Schleiermacher’s Speeches on Religion and Christian Faith made by Victor Kudryavtsev-Platonov and his followers, which are being parsed in turn, as well as with historical links of the later Schleiermacher with phenomenology of religion and typological affinities of the earlier Schleiermacher with the theology of religious pluralism. (shrink)

This study examines the history of the psychoanalytic theory of mysticism, starting with the seminal correspondence between Freud and Romain Rolland concerning the concept of "oceanic feeling." Providing a corrective to current views which frame psychoanalysis as pathologizing mysticism, Parsons reveals the existence of three models entertained by Freud and Rolland: the classical reductive, ego-adaptive, and transformational. Then, reconstructing Rolland's personal mysticism through texts and letters unavailable to Freud, Parsons argues that Freud misinterpreted the oceanic feeling. In offering a fresh (...) interpretation of Rolland's mysticism, Parsons constructs a new dialogical approach for psychoanalytic theory of mysticism which integrates culture studies, developmental perspectives, and the deep epistemological and transcendent claims of the mystics. (shrink)

Mary Wyman sets out to show the affinity between the philosophy of Whitehead and the views of a large number of poets, including certain Chinese mystics, Goethe, Emerson, Whitman, and Wordsworth. That there are such affinities is, of course, well-known and the author does succeed in elaborating them in a thorough and often interesting manner. The danger in such works is a too-systematic and superficial interpretation of one author in terms of another. It is perhaps the greatest merit of her (...) book that Miss Wyman is aware of this danger and constantly strives to avoid it. (shrink)

I am both happy and honoured to have been asked to give this lecture on mysticism in memory of Leo Robertson, of whom I have many very pleasant memories. It was a delight to be wafted off to the Saville Club after a lecture here, and to discuss mysticism and philosophy on one of its many sofas. I am very sorry that this particular pleasure will not recur. Leo Robertson belonged to an old-fashioned climate of thought in which an interest (...) in mysticism was respectable, and a long stay in the East had confirmed him in these leanings. I myself have always been constitutionally mystical, feeling that certain kinds of rapture, concerned with work, beauty, love and a few other things, are the only things absolutely worth having. I dropped my mysticism for a long period, partly on account of certain disillusioning experiences in my ’twenties, and partly out of deference to the dry methods and doctrine that prevailed in British philosophy. Latterly, however, increasing age has restored many of my illusions and made me generally more tender-minded; also, seeing the completely nugatory accomplishments of purely unmystical analysis, I have found myself reverting increasingly to my original mysticism. It was very refreshing to talk to a philosopher like Leo Robertson who took mysticism with the complete seriousness I think it deserves—as one of the truly fundamental human attitudes—but who also thought of it as supplementing and completing, rather than as undermining and nullifying, what other less rarefied thinkers do. It was also refreshing to hear all his talk about an earlier Cambridge, where he knew Wittgenstein in the full brilliance of his personal beauty as well as of his intelligence, and also knew Moore in the golden period of his dialectic, before he became so very preoccupied with the minutiae of the English language. Leo Robertson was a complete and rounded philosopher rather than a hamstrung one, and knowing him has been a factor in strengthening my resolve to be a complete and rounded thinker too. (shrink)

The aim of this paper is to propose a comparison between the mystical feeling, as it is defined by Ludwig Wittgenstein in the Tractatus logico-philosophicus, and the psycho-pathological state of melancholy, posed in relation with mourning by Sigmund Freud. The comparison will depart from the radical dissatisfaction that seems to be a distinctive characteristic of both phenomena. According to Wittgenstein in fact the drive to mystical feeling rises from the deep dissatisfaction regarding the explanations given by science, which (...) is incapable of producing any answer to the «problem of life». In a similar way, Slavoj Žižek underlines that melancholy is a form of «disappointment at all positive, observable objects, none of which can satisfy our desire». In this perspective, I will check the similarities and differences between mystical feeling and melancholy and I will put in relation the double profile of this latter with the Wittgensteinian theme of aspect seeing. (shrink)

Psychoanalytic critical theory explores the dynamics of individual identity formation within specific cultural contexts. Freud understood that psychoanalysis is a critical social theory as well as a therapeutic practice. His studies on religion illustrate the depths of society and culture within the mind. Freud was thus able to respond to Romain Rolland's experience of an “oceanic” or mystical feeling in thoroughly explanatory psychoanalytic terms that led him to speculate about pre-Oedipal memories of maternal care. Freud made an important contribution (...) to the psychoanalytic study of religion that remains relevant to contemporary academic studies of religion. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Rationality and Religious Experience: The Continuing Relevance of the World's Spiritual TraditionsRonnie LittlejohnRationality and Religious Experience: The Continuing Relevance of the World's Spiritual Traditions. By Henry Rosemont, Jr.Chicago: Open Court, 2001. Pp. vii + 106.In April 2000, Henry Rosemont delivered the first Hsuan Hua Memorial Lecture at the Pacific School of Religion, Berkeley. The following year, this lecture—originally titled "Whither the World's Religions?"—was published by Open Court in (...) this small book, Rationality and Religious Experience: The Continuing Relevance of the World's Spiritual Traditions. The volume is divided into four sections: (1) the lecture itself, which has the new title "Rationality and Religious Experience"; (2) a commentary by Huston Smith; (3) response and discussion, in which Rosemont replies to Smith and takes questions from the audience; and (4) an epilogue, in which Rosemont makes revisions and expansions on the lecture based on the comments and discussion.In section 1, Rosemont makes a bold claim: "By urging everyone to approach their own text tradition afresh, and alongside others, I am assuming what many of you might find implausible, namely, that in many basic respects all sacred texts are saying the same things, and contain the same truths we can all come to believe without in any way surrendering our rationality" (p. 11). Having said this, he nonetheless does not mean that we can accept the statements of religious texts as stating factual truths, much less that they are putting forward identical descriptions of the world.Rosemont faces the epistemological difficulties of religion directly, saying that we cannot accept the statements of religious texts as factual accounts of the world. He reminds us that it is not merely the Abrahamic traditions that pose an epistemological problem for us: "It no less flies in the face of modern science to believe that the preserver god Vishnu once incarnated himself as Krishna, not merely to give counsel to the spiritual warrior Arjuna, but also, among many other exploits, to make love to 20,000 milkmaids in a single day" (p. 5). Even so, he holds that there is much truth in the sacred texts and narratives of the world's religions (pp. 31-32). As will become apparent in my later remarks, it is not altogether clear to me what sort of truth Rosemont is talking about, but it seems to be more a matter of a certain ego-reduction and a sort of mystical feeling than anything else.Rosemont recognizes not only the epistemological objections to religion, but also the moral ones. He understands the violence and suffering that has been directly and indirectly associated with religion in human history. Yet, in this connection, he says:[E]fforts to exorcise religion from the human realm because of the mischief that has been committed in its name is to throw out the baby with the bath water, and equally to suggest a third response, that there is no hope for the cross-cultural dialogues necessary for [End Page 404] the creation and maintenance of a more peaceful and just twenty-first century until and unless everyone can come to understand how an intelligent and thoroughly decent human being might come to be, or remain, a subscriber to one or another of the world's faiths.(p. 10)It is the phenomenon of spiritual experience and not the doctrine or ontology of any tradition that Rosemont finds of philosophical interest. He thinks that instead of focusing on some purported factual knowledge about the world that we are to believe directly, we should instead concentrate on the instructions that the traditions offer about how to live purposively in the world and derive nonmaterial nurturance from it. "The basis of such nurturance is religious experience" (p. 17).Rosemont begins his remarks on religious experience with a critique of Kierkegaard the purpose of which is to show that lived experience is of one piece. Rosemont attributes to Kierkegaard the position that there are distinguishable and autonomously separable spheres of existence such as the aesthetic, ethical, and spiritual. Speaking of Kierkegaard's three stages, he says that "Almost all of the world's religious traditions, especially the Asian, affirm... (shrink)

The most important term in Wang Yang-ming’s 王陽明 (1472-1528) philosophy, “liang-zhi 良知,” has been interpreted in various different ways. However, these different interpretations have failed to provide a satisfactory understanding of Wang Yang-ming’s philosophy. To give a reasonable interpretation of Wang Yang-ming’s idea of liang-zhi that coheres with his philosophy, we have to move beyond the approach of mentalism, no matter whether it be of a transcendental or nontranscendental type. In this paper, I elaborate the deep structure of liang-zhi and (...) demonstrate that liang-zhi cannot simply be described as non-empirical, more importantly, I show that it cannot be identified as any kind of knowledge or knowing capacity, enlightenment or enlightening capacity, intellectual intuition or mystical feeling. Liang-zhi is not an epistemic concept in any sense. To treat liangzhi as some kind of knowing faculty or mental capacity is to stray from Wang Yangming’s main philosophical train of thought. -/- The major purpose of this paper is to give a new and coherent interpretation of liang-zhi which is consistent with the doctrines of “xing-ji-qi 性即氣,” “xin-wai-wuwu/ shi 心外無物／事” (no things/events outside the mind), “xin-wai-wu-li 心外無理” (no orders/principles outside the mind) and “zhi-xing-he-yi 知行合一”1 (the unity of enlightenment and action/act). In this paper, I use the concepts of “realization” and “supervenience” to explain the relationship between xing and qi, on the one hand, and the relationship between zhi and xing, on the other. Based on this preliminary study, I conclude that Wang Yang-ming viewed all the things/events in the organic universe as being endowed with a (emergent) power or (functional) property of cosmic vitality or universal spirituality, i.e., the (functional) property of sheng-sheng 生生 (the cycling order of natural production). This universal power or property by itself is invisible, without trace, and does not have an independent ontological status. However, the actual function of the power or property can be found in phenomena because certain responsive mental events made by human beings can be recognized as the realization of this power or property. In turn, certain related physical events initiated by human beings can be understood as the bases on which the mental events are supervenient. Based on these two distinct relationships: realization and supervenience, we can elaborate a framework of three layers consisting of the layer of cosmic spirituality, the layer of the mental, and the layer of the physical. This framework of three layers is moreover situated in two domains: the internal domain of the human body and the external domain of human action. Based on this framework of three layers and two domains, I elaborate a theory concerning “heaven’s production” (tian-cheng 天成), or “accomplishment and assistance in the universal process of production and reproduction,” concluding that it can be understood as an important component of Wang Yang-ming’s philosophy. (shrink)

Astavakragita (The Song of the Self Supreme) contains the Sanskrit text of Astavakragita (both in Nagari and Roman script), its English translation, Exegesis and Glossarial Index. It presents in twenty chapters the substance of Astavakra`s teaching in respect of the Cosmic Self in the form of his dialogue with Janaka, the seer-king of Videha. The teaching is based on the Upanisadic creed of Absolute monism (Advaitavada) that identifies the Self with the non-dual Ultimate Reality. But the contribution of Astavakra is (...) also immense, for he has introduced the element of emotional experience or the mystical feeling as the means for realizing the non-dual nature of the Self. Written in a lucid style and dealing systematically with the subject matter, the book will hold a unique position among the contemplative classics of the world. (shrink)

Learn mystical methods for clearing and uplifting the energy in your home! Space clearing is the art of cleansing and harmonizing the energy within an environment. This ancient practice has the power to not only make your home feel good but also help those within to feel more positive and energetic, to bring balance to relationships, and to remove blocks for increased abundance, creativity, and well-being. In this comprehensive guide to space clearing, internationally best-selling author Denise Linn distills more (...) than 50 years of experience as a leading authority in energy healing to guide you through sacred ceremonies and modern techniques for regaining control of the energy in any environment, including your home and your body. You'll learn how to transform any space using feng shui, clutter clearing, prayer, crystals, essential oils, mystic mudras, holy water, pendulums, and more! (shrink)

If panpsychism is true, it suggests that consciousness pervades not only our brains and bodies but also the entire universe, prompting a reevaluation of our existential attitudes. Hence, panpsychism potentially fulfills psychological needs typically addressed by religious beliefs, such as a sense of belonging and purpose but also transcendence. The discussion is organized into two main areas: the implications of panpsychism for basic human existential needs, such as feelings of kinship, ommunication, and loneliness; and for greater existential questions relating (...) to mystical experiences including transcendent unity and alleviation of the fear of death. In conclusion panpsychism may provide a deeper meaning in life for some people but its broader impact depends on individual dispositions and the cultural context in which it is embedded. (shrink)

Nurettin Topçu (1909-1975) built religious philosophy on the philosophy of willpower and motion. For him, willpower is the existence of a conscious balance between driving and braking forces that are innate and flowing from the inside out of us. Willpower is constantly rising towards God and infinity with a historical motion. The aim of willpower is to help human reach eternity. This historical motion occurs in accordance with certain steps. Willpower is affected not only by individual habits and passions but (...) also by the social structure. The function of willpower for humans, who are longing for eternity, is to make them recognize the consciousness and anguish of God. With this awareness, the human moves on to the motion. The willpower, which realizes the direction and aim of the motion, emerges in social structures such as State and nation, and takes up the role of establishing and sustaining these structures. Willpower lastly shows itself in art. The artist, who longs for eternity and can’t find a way to reach it, feels the lack in his willpower, acts to complete the lack and gets engaged in an existence or a thing. This engagement is a savior illusion and love that means sheltering someone other than himself with his total willpower is born. Upon the completion of this lacking, faith (love) emerges. The spirit falls in love with motion. Faith has two dimensions. When the artist turns to ‘the only” and “the internal”, this is called religious faith. If he leans to/relies on/believes in plurality and the external, this is called aesthetical faith. When, in time, the body that leans to the external and the spirit that turns to the internal surrenders to the eternity, the transcendent, God as a whole, mystic faith occurs. ‘Truth’ rises from this mystic union and surrender to love and thereby renaissance initiates. Because the driving power that starts renaissance is art. The understanding of religious experience of Topçu is nested with art. As art generates religious experience, renaissance emerges as a result of religious experience and the human reaches salvation in every sense. (shrink)

Religious experiences in folk culture are generally handled outside the rational field. Individual qualities are emphasized, and emotion-oriented aspects are highlighted. Therefore, religious experiences can display very different features. Experiencing religion at a cultural level leads to the mystification of religious experiences. Even if there are many studies on tomb visits in the fields of folk literature, history of religions etc., tomb visits, which can be included in mystical experiences, have not been handled as a matter of religious philosophy (...) according to the possibility of providing people with “evidence of the existence of God”. In this report, it will be tried to reveal how the tomb visits in Baskil affected people's belief in Allah, how they feel and turn towards God. For this purpose, the effect of visiting the tombs on individuals was determined through interviews with people who visited or had visited the tombs in Baskil, and the issue of being an evidence for the existence of God was explained. With the questions asked to twenty-four people living in Baskil, the importance of the tomb visits was revealed in terms of religious experience. And the effects of visits on individuals have been determined. There are those who say that these effects are sometimes of a religious nature and cause the visit to feel God, and sometimes there are those who say they visited the tomb for completely different purposes. People who think of the tomb visit as a "place of prayer and help" with a mystical experience instead of thinking of the existence of God as evidence; He is visiting the tomb for healing from illnesses, finding jobs, getting rid of family incompatibilities, being successful in exams, seeking fortune, raining, healing of animal diseases, etc.. Very few people visit the tomb to search for 'evidence of God's existence' and think it as a religious experience. (shrink)

This paper investigates how global coherence is represented in consciousness. It summarizes various lines of research that I have developed over the last twenty years, employing a method that intersects phenomenological with bio-functional analysis. The phenomenological analysis derives from William James's treatment of the fringe, especially a component feeling he called 'right direction'and I call 'rightness'. My bio-functional analysis centres on the limitations of consciousness, and the design strategies that have evolved to finesse these limitations. I argue that fringe phenomenology, (...) in general, has been shaped by its cognitive functions. The function of rightness, in particular, is to represent degrees of fit between a conscious content and the vast body of relevant non-conscious context information. Rightness, then, signals degrees of global positive evaluation. Phenomenologically, rightness is the common element in our feeling that something is a coherent whole: that it is meaningful, correct, fits together, makes sense. It is at the heart of the Aha! experience and, when intense, aesthetic and mystical experience. This analysis also provides a new argument for the efficacy of conscious volition, and a general view of consciousness as a biological information bearing medium. (shrink)

Perennialists regarding the phenomenology of mysticism, like Walter Stace, feel that all Christian mystical experiences are fundamentally similar to each other and to experiences described by mystics across religious traditions, cultures and ages. In his seminal work, Mystic Union: An Essay in the Phenomenology of Mysticism, Nelson Pike convincingly argues that this extreme position is inadequate for capturing the breadth of experiences described by the canonical Medieval Christian mystics. However, Pike may have leaned too far away from perennialism in (...) claiming that all the experiences of (Christian) mystic union are essentially theistic. Here, I argue that Pike did not successfully establish this point and that union without distinction, often described as the pinnacle of union by Christian mystics, remains a viable candidate for an instance of a trans-traditionally type-identical mystical experience. (shrink)

The question of the relationship of the making of value judgments in a typically ethical sense to the methods and procedures of science has been discussed in the literature at least to that point which e. e. cummings somewhere refers to as “The Mystical Moment of Dullness.” Nevertheless, albeit with some trepidation, I feel that something more may fruitfully be said on the subject.

What altered states of consciousness—the dissolution of feelings of time and self—can tell us about the mystery of consciousness. During extraordinary moments of consciousness—shock, meditative states and sudden mystical revelations, out-of-body experiences, or drug intoxication—our senses of time and self are altered; we may even feel time and self dissolving. These experiences have long been ignored by mainstream science, or considered crazy fantasies. Recent research, however, has located the neural underpinnings of these altered states of mind. In this (...) book, neuropsychologist Marc Wittmann shows how experiences that disturb or widen our everyday understanding of the self can help solve the mystery of consciousness. Wittmann explains that the relationship between consciousness of time and consciousness of self is close; in extreme circumstances, the experiences of space and self intensify and weaken together. He considers the emergence of the self in waking life and dreams; how our sense of time is distorted by extreme situations ranging from terror to mystical enlightenment; the experience of the moment; and the loss of time and self in such disorders as depression, schizophrenia, and epilepsy. Dostoyevsky reported godly bliss during epileptic seizures; neurologists are now investigating the phenomenon of the epileptic aura. Wittmann describes new studies of psychedelics that show how the brain builds consciousness of self and time, and discusses pilot programs that use hallucinogens to treat severe depression, anxiety, and addiction. If we want to understand our consciousness, our subjectivity, Wittmann argues, we must not be afraid to break new ground. Studying altered states of consciousness leads us directly to the heart of the matter: time and self, the foundations of consciousness. (shrink)

Peirce’s philosophy can be interpreted as an integration of mysticism and science. In Peirce’s philosophy mind is feeling on the inside and on the outside, spontaneity, chance and chaos with a tendency to take habits. Peirce’s philosophy has an emptiness beyond the three worlds of reality , which is the source from where the categories spring. He emphasizes that God cannot be conscious in the way humans are, because there is no content in his “mind.” Since there is a transcendental (...) 3 nothingness behind and before the categories, it seems that Peirce had a mystical view on reality with a transcendental Godhead. Thus Peirce seems to be a panentheist. 4 It seems fair to characterize him as a mystic whose path to enlightenment is science as a social activity. (shrink)

Sheikh Halid Sufi, as a Sufi poet, addresses human being as the main subject of his sufist dicourse. He is an important figure of our recent history as he primarily adopted the goal of human perfection and revealed a doctrine of humanity in the school of knowledge. In advance of our current century, when human is seen just in physical respect, he lived as a man of heart who handled human being with an integrated approach within the aspects of matter (...) and spirituality, the world and the hereafter, individual and community, body and soul. In this communiqué, I will discuss Sheikh Halid Effendi’s ontology and his point of view on the place of human being in the realm of existence. He seeks human perfection and wishes people to free themselves of shabby desires and regain their disposition. He recommends people to achieve purity in order to reach the rank of being a mirror to God’s reflections. As a Sufi poet, he attaches importance to carrying out the education of divine journey, wrapping up in mystical ethics, having the identity of wisdom and gaining the aesthetics of love so as to reach the perfection. SUMMARY Sheikh Mehmed Halid was born in 1273/1856 in Sivas. He graduated from Ottoman Junior High School. He attended the 1893 War. In 1880, he started his professional career at a state office. Until 1899, he served in several positions, as assistant judge in Erbaa Lower Court, as Prosecuting Deputy Attorney in Sivas, as Prosecuting Judge assistant in Lower Court and head clerk in Darende, as head clerk in Lower Court in Tonus/Altınyayla, and as prosecuting judge in Kuruçay. He died in 1931 and was buried in Sivas Yukarı Tekke Graveyard. Sufism (tasawwuf) is an education for integrity towards maturity, in a way to prufiy the self from evils of nafs (self) and to reach the love of Allah. This spiritual educational journey is called ‘Seyr-u Suluk’. Sheikh Mehmed Halid completed his Seyr u Suluk as a dervish (student) of murshid (mentor) Kastamonulu Ganizade Mehmed Sadık Baba. Sheikh Mehmed Halid wrote three books called Hilafetnāme, Mektubāt, and Divan. He deals with issues of Sufism (mysticism) in these works. Primarily, his works dwells into the matters of morals, worship, good manners (adab), customary practices, ingenuity, existence, and love. Sheikh Mehmed Halid’s sole attempt is to explain the relationship among Allah, man and universe in an understandable way. According to Sheikh Mehmed Halid’s conception of Sufism, existence is unique and that existence is only Allah. The existence of Allah is absolute while the existence of assets is relative. Things do not exist on their own. Universe is like a mirror. What is reflected in the mirror of universe are the shadows of Allah the Omnipotent. The graces of The Divine are reflected in this mirror. All the things that exist in the universe proves the Self of Allah and his properties. Each of the things in the universe are the words of Allah. The existence of the universe is a result of Allah’s mercy. Man is the fruit of the tree of the Universe.Man is both the embodiment and the reflection of Allah. We want to discuss the position of man in between Allah and the universe with Sheikh Halid’s verses. Perceiving plurality in unity and unity in plurality, Sheikh Mehmed Halid attributes the variety of things and existence in the universe to the Divine beauties of Allah. For those who can comprehend, the plurality/ abundance in existing objects in the universe indicates singularity and uniqueness of Allah. According to Sheikh Halid, Allah is independent from and beyond all the entities that exist in the universe. However, Allah, manifests Himself in the things that he creates and the actions he takes through His divine names and properties. According to Sheikh Halid, each object is a reflection of Allah’s divine properties. Every entity in the universe glorifies Allah with all their existence. For Sheikh Halid, Seyr u Suluk is the journey from weakness to perfection, from substance to meaning, and from things to reality. Considering Seyr u Suluk education as distancing one’s self from other beings, reaching purity of heart, disposing of all signs explains these concepts with pilgrimage metaphor. As a response to those who asks him what he meant by seyr u suluk, he says seyr u suluk is servitude and submission to Allah. In order for Seyr u Suluk to be meaningful, a person should enter the way of a murshid-i kāmil (perfect religious mentor), and should have sincerity, purity (being deprived of all sins) and dhikr. According to Sheikh Halid, someone who is not in trouble is not given a remedy. So as to bother is necessary for remedy to be arisen. Nuisances of the universe are also ephemeral as the universe itself. Therefore, it is unnecessary to bother things that are ephemeral. Because remedy is not available without being mature. According to Sheikh Halid, the procedure of gaining advantage from being mature; getting rid of the ego, feeling the love, being pioneer of the mission, being modest, to attain soul pleasure, escaping from fame, leaving the claim, the glory of salvation, proceeding dhikr, reaching the conquests and escaping from friendship of worldly things. According to Sheikh Halid, being mature is not setting about affiliation ceremony. Asceticism cannot be a show and claim authority. Sincerity is needed on the basis of seyr u suluk education. Asceticism which is an effort of making the religion a specific of Allah is to make intimacy with Allah. Sheikh Halid wants his murids who take part in ṭarīqa (sufī path) to decide on the sincerity. Sincerity is said to be the unique factor that makes sense the membership. Seyr u suluk which begins with being membership of mature murshid, which makes sense with proceeding worship and respecting the sincerity arises by teaching manners to soul. Seyr u suluk is trying to reform the soul. Teaching manners to soul is a challenging and significant task. The most important factor that ensure teaching manners to the soul to be achieved is dhikr. Dhikr practice which makes successful the teaching manner to the soul of seyr u suluk training increases the prudence and foresight of dervish. The unique task that murshid expects from his murid during the membership process is to adjust his soul and parlance to the dhikr of Allah. Dhikr of Allah is a product of fondness. According to Sheikh Halid, one who wants to be remembered in heaven should himself learn to remember Allah. Sheikh Halid gives too much importance to disciplining the tariqa where sufi training takes place. A murid should qualify his murshid whom he intimated to. Followers should gain sufficient advantage from the spiritual atmosphere in the dergāh of their murshid. The murid must be at the service of the murshid who trains him and should obey tariqa manners. Salik who achieves seyr u suluk, who maturates the sufi ethics and who gains sincerity through dihkr of Allah tries to achieve the Gnosis. The intent of being a human is to know Allah. The biggest disaster for human is to come upon unawareness. Sheikh Halid who assumes the the Arifs as sultans of walayah makes a comparison between the Arifs and the Zahids and prefers the Arifs. He thinks that the Zahids pay attention to the appearance, cannot reach the basis and cannot go beyond Allahliness show. Sheikh Halid, who encourages the Zahids to avoid comparing themselves with the Arifs, warns the ones who combat with the Arifs and reminds that Allah proclaims warfare to those who has hostility towards those surrendering themselves to Allah. Sheikh Halid lines up the ways of being mature and having wisdom as godly grace, asceticism, love, the mind of leaving, battle with the self, humility, dikhr and being woeful. Salvation process which Marifetullah will guide is to achieve the love of Allah. Love is the way of achieving the reunion. The reality can just be gained through love. However, gaining the divine love requires to be loved. Because, the way of gaining the divine love is to remove everything except Allah from one’s heart. (shrink)

Although Balthasar strongly opposes the content of many modern theologies, his very method of theologizing moves within the orbit of a typically modern systematization. The methodological reductionism he blamed Karl Barth for in matters of Christology, makes its reappearance in his own treatment of the trinitarian kenosis. This is especially true to the extent that he makes himself dependent on the mystical visions of Adrienne von Speyr which all focus on the Son’s godforsakenness in the act of redemption. In (...) his Theodramatics Balthasar scrutinizes the conditions of possibility for the sin of the world to be taken away. The answer lies in a concatenation of divine acts of selfemptying or selfsacrificing, starting with the intradivine begetting of the Son, and procession of the Spirit – continuing with the calling forth of a creation , up to the point of the Son’s godforsakenness undergone and carried out on the level of his divine relationship with the Father. Redemption can never be cheap. It has to take place in the way of a humanly unimaginable ‘separation from God’ experienced from the side of the Son's ineradicable, grateful union with the source deity. Only this way, by anchoring godforsakenness in the heart of the trinitarian relations, can God be justified – justify himself – having ventured to create finite liberties that have become prone to evil. The article highlights Balthasar’s theological transposition of modern Theodicy topics, such as logic of perfection, condition of possibility, and a theory of compensation . In this logic no room is left for a human cooperation in matters of salvation. The sole response from us, humans, can only consist in relentless thanksgiving mixed with feelings of awe. We are, in the first instance, spectators and not actors in the trinitarian drama. (shrink)

The correct understanding of the concept of heart in Rahner consists in a recognition that the highest performance of a finite spirit comprises affective, cognitive, and volitional consciousness in a functional union that could be called the heart-mind. Rather than privilege cognition and volition and then consider feelings and moods as separate and purely subjective phenomena, we must recognize the intentionality of certain higher affective responses, i.e., those that have become integrated into the highest operational synthesis of a person (...) who is developing as an adult in matters ethical and mystical. The highest actions of such a person are intersubjective faith, love, and hope. (shrink)

The doctrine of Democracy, like any other of the living faiths of men, is so essentially mystical that it continually demands new formulation. In a 1914 report to the General Federation of Women’s Clubs, Jane Addams remembered how Chicago’s clubs came together two decades earlier around social issues that had been in the air for some time but which took on sudden immediacy amidst the women’s new collective “feeling and thought” and, with that key happening, called the groups to (...) deliberate action. “The newly moralized issue, almost as if by accident,” as Addams described the phenomenon, “suddenly takes fire and sets whole communities in a blaze, lighting up human relationships and public duty with new .. (shrink)

Aleksei Fedorovich Losev did not share the hereditary Russian prejudice that science and philosophy exclude religion . Although he did not leave any specialized works in theology, the history of religion, or the foundations of the Christian worldview, many of his books, lines from letters, and fragments of conversations and, most importantly, his whole way of life and life journey show that all his life he reflected continuously and intensely on themes of the Christian faith and, primarily, of the Orthodox (...) faith that he confessed. Not only did he reflect on them, he lived by them. For Aleksei Fedorovich Christianity was never just an object of knowledge, a preoccupation of the reflective mind, but rather the profound foundation of his relationship with the world and with people. It constituted not only his thought and its foundation, but his very life. Religion, as Aleksei Fedorovich understood it, is first of all a certain kind of life, not just a personal worldview, however religious and mystical it might be. It was not a personal morality, however lofty or religious it might be, nor personal feeling or esthetics, however ardent the feeling might be or however perfectly mystical the esthetics. Religion, in his mind, is the realization of a worldview, the material substance of morality, the real affirmation of feeling; it is the life of the person directed to the persons substantial self-affirmation, to self-affirmation in eternity . In recounting the facts of Aleksei Fedorovichs spiritual biography I shall not follow their chronological order. The basic facts can be found in the works of A.A. Takho-Godi, D. Dzhokhadze, M. Gogotishvili, and others. (shrink)

Ṣūfī poetry or dīvān poetry, both of our poems have a universal appeal and a classical value just as the poetry of many nations’. Poets of both groups enhanced the consciousness level of every people one by one and created a virtuous society by taking power from the potential that existed in Turkish society already. If it is needed to mention a difference between those two poetries, it could be that dīvān poetry is a static one and sūfī poetry is (...) more dynamic than the dīvān poetry. While dīvān poetry has a unique World of poetry, sūfī poetry has a feeling of universe shaped by different meanings and concepts. Although dīvān poetry is based on intelligence and pleasure, there is intuitive inspiration and wāridāt in ṣūfī poetry. These become poetic sometimes thanks to similes (tashbīḥ), metaphors (majāz) and allusions (talmīḥ), become verse and gradually turns into a poetic theme (mażmūn). Until today, since the first that comes to mind, when it is said poetic themes (mażmūn), is dīvān poetry, poetic themes of ṣūfī poetry were overshadowed. However, ṣūfī poetry is quite interesting and rich in terms of its poetic themes. Although they are called as just terms, each of the terms of ṣūfī literature is a mystical state (ḥāl), mystical station (maqām) or experience. For this reason, many concepts of ṣūfī poetry, which we call term, could be a poetic theme by taking part in a reference (talmīḥ), simile (tashbīḥ) and metaphor (majāz). The aim of this article, which we can sample under three titles and with the couplets of our three ṣūfī poets, is to draw attention to the existence of a rich mażmūn staff independent of the dīvān poetry of Turkish ṣūfī poetry. The subject of mażmūns belonging to Turkish ṣūfī poetry should be considered important since it has not been mentioned much until today. Summary: The poet designs and presents it to his readers on behalf of his readers that he cannot even express what he has imagined but sometimes cannot imagine. Each poem has a specific interlocutor and addresses the emotions of its interlocutor. Each poem is adorned with thought and imagination; yet poems can be understood by annotation accompanied by rhetoric. Ṣūfī poetry and dīvān poetry, both poems have universal appeal and classical value like many poems of many nations. Ṣūfī poet and dīvān poet are the architects of an indestructible art existence that ruled for centuries and their works are masterpieces of their own fields. Both types of poetry, along with literary heritage, are a guide ship that leads the whole cultural heritage to the next generations, leading art branches. Both poets of both groups have strengthened from the potential that existed in Turkish society and raised the level of consciousness of each individual separately and created a virtuous society.Dīvān poetry is as beautiful as the aesthetics of genius; ṣūfī poetry is so beautiful with the sincere sincerity of heathat born to the heart. Without making use of the rich mażmūn staff of the lodge poetry, it would be an exclusivism and a status quo to make the mażmūn exclusive only to dīvān poetry or to search for the mażmūns of dīvān poetry in the lodge poetry and to interpret these mażmūns with the interpretation habits of dīvān poetry.The most obvious difference between ṣūfī poetry and dīvān poetry corresponds to the fact that the terms of Sufism are composed of similes (tashbīḥ), metaphors (majāz); sūfī poetry is a composition of poet’s personally experienced feelings or situations such as waḥdat, ḥalvet, manifest and observant concepts. While the depictions of the dīvān poet, spring and winter depictions, arouse enthusiasm for the reader for a while, the indifference of the ṣūfī poet to this world, the constant heartbeat of Jamāl and the heart beating with the excitement of vuslat (meeting) infiltrates the reader to the eternal world.If there is a difference between the two poems, it is that the poetry of the dīvān is static and the ṣūfī poetry is more dynamic than the poetry of the dīvān. As well as dīvān poetry has a unique world of poetry; ṣūfī poetry has a universe of emotions shaped by different meanings and notions. Even if the beauty they depict is materially and morally different, the poet of both groups wishes to go beyond the beauty that they mean and find themselves there. They do this sometimes with similes (tashbīḥ) and metaphors (majāz) and istiʿāre, succeed with various kinds of poetic themes. In dīvān poetry, there is pleasure and imagination based on intelligence, and inspiration and success based on intuition in ṣūfī poetry. These become poetic sometimes thanks to similes (tashbīḥ), metaphors (majāz) and allusions (talmīḥ), become verse and gradually turns into a poetic theme. Dīvān poetry is an endless effort of abstract imagination, while ṣūfī poetry is an inexhaustible enthusiasm for concrete ecstasy. Although both have found what they are looking for outside of daily life, dīvān poet finds pleasure, yet sūfī poet finds inspire.When it comes to mażmūn, the first thing that comes to mind is Divan literature and it’s figure of beautiful woman’s length (cypress), hair (zulf), eye (daffodil), eyebrow (bow), eyelash (arrow) and skin (silver) and these mażmūns are stereotyped and widespread though each of them is known only to artisans. On the other hand, ṣūfī poetry has many other poetic themes such as Jamāl (grace), Jalāl (distress), ār and nāmūs (mālāmat), gūy (rıza), chevgān (ḳażā) and istignā (reluctant).To date, the first thing that comes to mind when it is said to be mażmūn is dīvān poetry, it has left behind the maẓmūns specific to ṣūfī poetry. However, ṣūfī poetry is also quite rich in terms of its mażmūns. Although they are called as just terms, each of the terms of ṣūfī literature is a mystical state (ḥāl), mystical station (maqām) or experience. For this reason, many concepts of ṣūfī poetry, which we call term, could be a poetic theme by taking part in a reference (talmīḥ), simile (tashbīḥ) and metaphor (majāz).The fact that the dīvān poets used the mażmūn as a word and the use of the term started with the Tanzimat made it inevitable that different definitions of the mażmūn emerged in time. For this reason, many researchers now understand and define the term of mażmūn differently. However, all the academics who researched or wrote about the mażmūn brought to mind only the poem of the dīvān poem, and they selected the examples of the mażmūn from the couplets of the poem of the dīvān poem. In our opinion, the missing part of the subject of mażmūn is here. Nevertheless, our main aim in this article is not to discuss what is or is not a mażmūn, but to try to express that the ṣūfī poem is as rich as the dīvān poem. Whereas the mażmūn has no single generally accepted definition; if so, we can say that ṣūfī poetry may have its own unique mażmūn, we can exemplify it with couplets of ṣūfī poetry. (shrink)

In Mexico the skeleton of the danse macabre, the skeleton of the “triumph of death,” has become a sugar candy. It has become a plaything, a caricature.Why this caricature? The reasons for the contemporary Mexican's feeling about death must not be sought in some psychological defense mechanism consisting of macabre humor in face of an unhappy fate. One must not invoke the consequences of a pseudo-catholicism more or less colored by mystical masochism. Nor must one reduce it to the (...) simple pagan heritage of a poorly defined indigenous past. One must go much further, because, after all, what is dying? (shrink)

continent. 2.1 (2012): 2–5 To begin with, as we understand from a remote place like Seoul, there have been two different conceptions of materiality in the Western experimental ?lm history: materiality of cinema and of ?lm. The former has been represented by the practitioners of the so-called the “Expanded Cinema” and the latter by the tradition of the “Hand-made” ?lm. Whereas for the Expanded Cinema, the materiality or the “medium-speci?city” includes not only the ?lm material but also the entire condition (...) and environment in which the cinematic experience is situated (i.e.: screen, projector, audience and theatre); for the Hand-made ?lm, it is the whole ?lmic process prior to the screening in front of the audience (i.e.: hand-processing and optical-printing). The two practices share in the materialist turn that opens up the radical possibilities of aesthetic (and even political) interventions into a process previously considered seamless and transparent. What can be called to attention through the materialist turn includes the aesthetic-institutional process in the projection-spectator relation and the (non-) representational process in ?lm-making. Moreover, these interventions bring their own temporalities back to those processes, and this returning emancipates the temporalities from their subordination to the cinema-as-commodity. Hangjun Lee is a ?lm-based artist whose practice is concerned with Hand-made Film and Experimental Cinema. Given these interests, Lee questions the linkage between materiality and temporality. This was his preoccupation around 2006, the time at which he started to collaborate with Chulki Hong, the noise improviser. The improvisational nature of their audio-visual performances opened means of detouring from the conventional editing techniques. Their collaboration also afforded critical investigations into the performativity of the practices in both the darkroom and the screening room, as well as in the private recording/practicing studio, and public performance spaces for the improvising musician. In fact, it was a kind of common interest shared by both us from the outset. In our collaboration, we avoid sacri?cing/concealing/minimizing one form of performativity (the performative nature and temporality of compositional process) for the sake of the other (i.e. those in improvisational and executional process). In the ?eld of experimental music and sound, this kind of approach has been comprehensively called “cracking” or “hacking”. The concepts are ?nely formulated in the coinage of “Cracked Everyday Electronics” (by Voice Crack) or more generally “Handmade Electronic Music” (by Nicolas Collins). 1 And this was a pure but perhaps necessary coincidence. the original title of the work of our collaboration and, retrospectively, of the set of our working principles at the same time, “The Cracked Share” was named by Lee after Georges Bataille’s masterwork, The Accursed Share , with the substitution of the adjective with “Cracked” as a synonym for ‘reticulated’ in the photographic image. We think the ascetic and subtractive aesthetic turn of the contemporary non-idiomatic improvised (and even somewhat non-improvised) music 2 pushed us further towards more radical dissociation with the empty temporality of commodi?ed audio-visual experience. It can be called the aesthetics of “without,” and exemplars include Yoshihide Otomo’s Turntable Without Records , Sachiko M’s Sampler without Samples . There are also other radical experiments even with the (non-)improvised music without noise and sounds that neatly meet the rules and idioms of the existing/established experimental music. For us, this thread among the experimental music currents weighs in its emphasis on subtractive and dissociational power unique to improvisational action. Surely, the tradition of the Cracked and Handmade improvised music teaches us the crucial lesson that “[m]edia and mediation are never transparent” and that “[m]ediation actively transforms data from one form to another and is never passive.” 3 We couldn’t agree to this statement more. However, without the removal and withdrawal power of improvisation that poses and keeps both subjects (performer and audience) and objects (projector and instrument) in “inferiority,” 4 generalized cracking and hacking practices—or simply “glitch”—in music and visuals would be either sublimated into the mystical and ritualistic forms of “Film Alchemy” and “Noise Music” (to which both of us still strongly feel a belonging but also, more or less, ambivalent sentiments), or else assimilated into the logic of the commodi?ed audio-visual communication. Today in music, this principle of improvisational performativity should be formulated as the dis-organization of sound against the associational de?nition of (electronic) music and it needs to be translated into audio-visual experiences. In other words, cracking practices of free improvisation need not be limited in artistic creativity, in a darkroom, in a studio, or on the stage; the principle of the dis-organization of sound should be the principle of dis-organization (or cracked organization) of audio-visual performance space itself. NOTES 1) Norbert Möslang, “How Does a Bicycle Light Sound?: Cracked Everyday Electronics,” Leonardo Music Journal 14 (2004): 83; Nicolas Collins, Handmade Electronic Music: The Art of Hardware Hacking (New York: Rutledge, 2006). 2) We refer this not to the historical style or genre but rather the idea and practice that ?free improvisation? stands for. On the distinction between idiomatic and non-idiomatic improvisation, see Derek Bailey, Improvisation: Its Nature and Practice in Music (Cambridge, MA: Da Capo, 1993). On radically politico-histrorical interpretations of free improvisation and noise music from various present viewpoints, see Noise and Capitalism , (eds.) Mattin & Anthony Iles (Arteleku Audiolab, 2009). 3) Caleb Kelly, Cracked Media: The Sound of Malfunction (Cambridge: MIT Press, 2009), p. 29. 4) I borrow the term from my long-time collaborator, Choi Joonyong. See Ryu Hankil, Hong Chulki & Choi Joonyong, Inferior Sounds (Balloon and Needle, CD, 2011). (shrink)

The correct understanding of the concept of heart in Rahner consists in a recognition that the highest performance of a finite spirit comprises affective, cognitive, and volitional consciousness in a functional union that could be called the heart-mind. Rather than privilege cognition and volition and then consider feelings and moods as separate and purely subjective phenomena, we must recognize the intentionality of certain higher affective responses, i.e., those that have become integrated into the highest operational synthesis of a person (...) who is developing as an adult in matters ethical and mystical. The highest actions of such a person are intersubjective faith, love, and hope. (shrink)

The efforts to prove God's existence in the history of thought have been one of the fundamental problems of philosophy and theology, and even the most important one. The evidences put furword to prove the existence of God constitute the center of philosophy of religion’s problems not only philosophy of religion, but also the disciplines such as theology-kalam and Islamic philosophy are also seriously concerned. When we look at the history of philosophy, it is clear that almost all philosophers are (...) interested in the evidence in favour of and against the existence of God. Especially in recent times, religious experience has often been regarded as evidence of the existence of God. Studies in the field of religious and mystical experience have put forward many arguments concerning the use of religious experience as evidence. However, this study has been limited to experience of sense and pure consciousness claims rather than examining all of these arguments. In this study firstly, the analogy between experience of sense and religious experience will be deal with, and then claims that conciousness can be emptied by a number of methods which are defended by mystics. In addition, it will be tried to defend the opinion that the mystical experiences which are the common point of the two approaches are valid. The main emphasis of the article will be that these arguments can be used as evidence for the existence of God.Summary: Religious experience - which has not been considered as one of the classical evidences regarding the existence of God before being popular by recent studies – is started to be called one of the arguments. The most important reason for not arguing religious experience among the evidences of God’s existence is that it is a personal experience and therefore contains subjective perspectives. However, many researchers, who refuse to accept the criticism raised against religious experience with restricting to subjectivity, emphasized the importance of religious experience by highlighting the objective aspects of such experiences. This emphasis was not only on its significance, but also on the fact that it had a cognitive feature and thus it could provide evidence for the existence of God. The argument of religious experience is generally defined as an effort for demonstrating to existence of God with reference to several feelings such as spiritual experiences of human in face of creator and sacred Being, encounter with God, uniting, and annihilating selfness in Him. The emergence of such efforts, especially after the XVIIIth century, indicates that the history of the evidence does not go back much earlier. However, even if notas evidence, it is possible to extend the traces of religious and mystical experience to the history of religions such as Buddhism and Hinduism. Considering a great amount of the previous literature focused on religious experience in the West, It is easily seen that such research is still new. The main purpose in addressing such a controversial issue is to make the argument on the religious experience more current and to show whether the religious experience would be able to use as evidence for the existence of God.First title of this study comprises many different claims such as Walter T. Stace’s The Argument from Unanimity Richard Swinburne’s The Principle of Credulity, William P. Alston’s Perceiving God, John Hick’s Experience-as. However, instead of briefly giving out very different claims, the study chooses to focus on two arguments which are less discussed and can be given in more detail. The first is the argument based on the analogy between the religious experience and the sense experience. The fundamental point of this argument is sense experience. With reference to the similarities between the sense experience and the religious experience, it can be argued that religious experience is also cognitive and may function as an evidence for the existence of God. In other words, being perceptual and noetic, namely cognitive, of sense experience is addressed as a similar side of religious experience. Whether it is imaginary or real, eventually, it is necessary for an experience to have an object and being experience of something. Therefore, the religious experience includes the perception of a Transcendent Being that is beyond and in excess of the individual who experiences. Perception of the sense experience will definitely be different from the perception of religious experience. Researchers who think that the five sense organs do not run the perception of Sacred Beings, identified broader and various meanings for the perception. Thereby, in this approach, where the semantic field of perception is expanded, it was contended that human beings were able to perceive the transcendent, eternal, and unlimited God, and this can be explained in the epistemological sense. In order to use religious experiences as an evidence for the existence of God, it is necessary to determine whether such experiences are caused by God rather than something else. This raises the issue of the validity of religious experience. The researchers in this area have propounded various criteria to identify whether religious experience is existed or not. Experiences, which do not meet the criteria, are not considered existed even if they claim to be religious experience.The second is the argument that discusses whether it is possible to suggest an evidence for the existence of God by utilizing pure consciousness events. In general, this argument claims that the consciousness gets clear, and thus, mystic or Sufi experiences the Divine One with pure consciousness by discharging consciousness from all sensual contents and removing it from secular desire and wishes. The argument, which claims the experience of Divine One is direct, therefore uninterpretable, and experienced by pure consciousness, believes clearing the consciousness of mystics from sensual qualities such as seeing, hearing, and tasting. It is stated that it is possible for mystics to empty their sensory images and get rid of them, and thus, their desires and wishes could be lost. Especially, the thinkers who are connected with the philosophy of perennialism and defend this approach, thought that people, who have distinct religion, culture, and beliefs in different parts of the world and in various time periods, had the same experience and considered such experiences were universal by suggesting that this similarity could be called as common essence.Even though the claim which offers that the events of pure consciousness are the same everywhere have been criticized in many respects, the advocates of this approach have argued that the experience has the common essence, but the interpretation is different. This relationship, which was tried to be established between experience and commentary, caused a lot of work for both the thinkers who put forward the claims of pure consciousness and the researchers who opposed it. However, examining the relationship between experience and interpretation requires serious studies in socio-psychological, cultural and religious fields. Therefore, in order not to exceed the limits of the article, the relationship between experience and interpretation is briefly mentioned.While discussing two arguments, the main claims of the arguments were addressed, and the criticisms directed to this argument were not discussed as much as possible. However, some fundamental criticisms have been mentioned shortly for a better understanding of the discussion. Since such western-oriented claims mostly were deployed in a western context, the study excluded the comparison of the claims across different cultures. (shrink)

ABSTRACT The sacred writings of a wide variety of religious traditions and the reports of saints and mystics of those same traditions present the spiritual domain in a paradoxical and mysterious manner, often incomprehensible. Those writings contrast starkly with the philosophical and theological discourse on those matters, which sought to describe clearly and precisely what is said ambiguously, metaphorically and indirectly in them. This paper advances an argument originally put forth by William James, according to which religious beliefs are grounded (...) not on philosophical and theological theories, but on religious experiences. We argue that an epistemology of religion based on those experiences cannot merely imitate an epistemology of ordinary objects (e.g., physical objects), but has to incorporate intuitions and feelings as sources of knowledge alongside more traditional sources. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:336 BOOK REVIEWS The Nature of All Being: A Study of Wittgenstein's Modal Atomism. By RAYMOND BRADLEY. New York and Oxford: The Oxford University Press, 1992. Pp. xxi + 244. $39.95. Bradley offers as his point of departure this epigraph from Wittgenstein 's Notebooks 1914-1916, written 22 January, 1915: My whole task consists in giving the nature of the proposition. In giving the nature of all being. (And here (...) being does not stand for existence.) His aim in this contribution to the corpus of Wittgenstein scholarship is to " bring into sharp focus the crucial role which modal notions-the notions of necessity, contingency, possibility, impossibility, and so onplay in Wittgenstein's early thinking" (xiii). At this task the book is a clear success. I know of no other work on the Tractatus which is so thoroughly dedicated to the role of modal notions, nor of any which does so much to bring the early Wittgenstein into conversation with contemporary philosophers who work on modal logic and who talk about possible worlds. Bradley convincingly argues that Wittgenstein is not only the largely unrecognized Urvater of modal logic in the twentieth century, with a stature that ought to be equivalent to that of Leibniz, he also presented arguments that even now have an important role to play in contemporary debates among possible world theorists and practitioners of modal logic. Philosophers who are interested in modal logic, especially its history, or in the logical structures of the Tractatus, will find very much of interest in this book. Those who, on the other hand, are chiefly interested in Wittgenstein's views on ethics, the aesthetic, God, or the mystical, or who are interested in the relation between the Tractatus and his later work, will find little here to their taste. The book's structure perspicuously tracks Bradley's argument. Chapter One sets the reader straight on what modal atomism is, giving the history of Wittgenstein's association with Russell, and establishing that the atomism of the Tractatus is in fact modal in nature. Chapter Two argues that Wittgenstein is a possibilist, that is, that he asserts the reality of merely possible entities and that his work is consistent with the modern modal logic called SS. Chapter Three turns to the ontological side, showing how Wittgenstein's commitments to atomic objects as the " substance of the world " entails certain modal relations among objects and the complex facts which they may form. In Chapter Four logic and ontology are brought together in an account of the mirroring relation through which language depicts the world, with attention to a set of intricately argued principles that makes this relation possible. The final chapter brings Wittgenstein's thought to bear on the BOOK REVIEWS 337 whole range of contemporary problems and issues in modal logic, demonstrating by example the author's contention that the Tractatus, rightly attended to, contains important contributions, still unappre· ciated, to the field. Bradley's overall intentions could not be more clear. His strategy for each chapter is clear. Each chapter is divided into between ten and twenty short sections each of which has a specific and well-defined topic. The argumentation within each such section, with a pardonable lapse or two, is well-structured and easy to follow, even for one whose expertise in modal logic is not honed by regular practice. And yet the hook has, on reading, the feel of a very dense landscape of trees, with· out much overview of the forest. This impression is given, I believe, by the style of argumentation. While the topics are sequentially related and build to a general picture, the arguments that must be articulated and answered in each section have little relation, one to the next: a problem in this view, a contradiction or a paradox in that, a resolution, and then on to the next section, where an apparent inconsistency of some sort must be addressed, and so on. There is the feeling of dealing serially with connected topics, but not the feeling of cumulative argumentation building toward a conclusion. A conclusion, however, there is: that Wittgenstein was the modal logician par excellence of the early 20th century, who has much... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 529 any agent qualitatively identical with S would do A in a situation qualitatively identical with S's" (257). (14) The " would " in the above statement is the " would " of Molina, and the author acknowledges that his theory resembles that of Molina (262). For a reader who cannot swallow Molina's "futurihles," a good deal of Leftow's argument falls apart. In the end, then, we (...) have here a hook that verges on the monumental hut that will he diversely judged-as is normally the caseaccording to the philosophic stance of the reader. Surely it is a hook that cannot he ignored. JAMES w. FELT, S.J. Santa Clara University Santa Clara, California Wittgenstein on Ethics and Religious Belief. By CYRIL BARRETT. Oxford : Basil Blackwell, 1991. Pp. xiv + 285. $44.95 (cloth). Since his editorship in 1974 of the volume Lectures and Conversa· tions: Aesthetics, Psychology, and Religious Belief, Cyril Barrett's name has been associated with the interpretation of Wittgenstein's views on ethics and religious belief. At last we have in hook form his comprehensive exposition of this important dimension of the philosopher's thought. Barrett ranges from the Notebooks 1914-1916 all the way to remarks in On Certainty that stem from only a few days before Wittgenstein 's death. In addition to placing pertinent remarks of early and late periods in the context of the relevant major works and their chief themes, Barrett also expounds and analyses such shorter, more explicit treatments of ethics and religious belief as the " Lecture on Ethics," the "Remarks on Frazer's Golden Bough," and the remarks collected in Vermischte Bemerkungen (Remarks on Culture and Value). The hook is sympathetic in tone-perhaps too much so. The reader quite often feels-as I will make plain in what follows-that Barrett interprets Wittgenstein in a way that obscures the strangeness of his thought, tending to assimilate it too readily to the mainstream of Western theological reflection. Barrett has a three-fold program: "to show that (a) what Wittgen· stein has to say on ethics and religious belief was for him of the ut· most importance, if not sole importance; (h) his views on these subjects did not radically alter throughout his life, appearances to the contrary notwithstanding; and (c) what Wittgenstein said about ethics was intimately interwoven with what he said about religious belief " (xiv). The elements of this program call for different sorts of evalua· 530 BOOK REVIEWS tion. Clearly Wittgenstein thought ethics and religious belief were im· portant. So the question is whether Barrett's claim, that for Wittgen· stein they are the most important elements of his work or even the only important elements of his work, is an exaggeration. Barrett takes as determinative such remarks as Wittgenstein's statement to Ludwig Ficker that the point of the Tractatus is ethical, and he must explain or discount the fact that the vast hulk of his work has little obvious hearing on ethics or religion. Or if the hulk of that work is ethical and religious, then these terms come to mean, in a Wittgensteinian context, something quite different from their senses in Barrett's somewhat domesticated reading. As for the third element in the program-the interweaving of ethics and religion-this, too, is a question of degree. And the question is whether Barrett's analysis, keeping as it does to relatively standard notions of what constitutes religious belief, really does justice to Wittgenstein's insistence that religion must he a way of life rather than a body of doctrine. But it is Barrett's second thesis which is most interesting, most difficult to understand, and most promising, if it is true, for helping us to understand Wittgenstein's thought on ethics and religion. Barrett writes: " Wittgenstein did not abandon his earlier views on ethics and religious belief with their attendant notions of the mystical, transcendental, inexpressible, viewing sub specie aetemitate.... (T) here is no compelling reason to assume such a radical change of view and... all the features of the earlier views can he fitted into the new conceptions of language-games and forms of life" (xiii). Can it he that what Wittgenstein has to... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Language, Limits, and Beyond: Early Wittgenstein and Rabindranath Tagore by Priyambada SarkarNirmalangshu Mukherji (bio)Language, Limits, and Beyond: Early Wittgenstein and Rabindranath Tagore. By Priyambada Sarkar. New Delhi: Oxford University Press, 2021. Pp. xxiii + 182. Hardcover $68.45, ISBN 978-0-19-012397-0.This intriguing and original work may be viewed as something like a conjoined study of certain obscure issues in Wittgenstein’s Tractatus Logico-Philosophicus and some ideas and images in Rabindranath Tagore’s (...) literary pieces, especially his mystical poems and plays. As the title suggests, the work is pretty much restricted to just one lingering theme from Wittgenstein’s Tractatus and the possibility of grasping this obscure theme in poetic terms of Tagore, rather than in terms of the standard discourse of analytic philosophy. The author deserves a round of applause for conceiving this work.The author embarks on the project by setting aside the so-called “resolute” reading of the Tractatus proposed by Cora Diamond and James Conant in the Realistic Spirit (MIT, 1991). According to Diamond and Conant, the enigmatic propositions of the Tractatus are to be viewed as a “therapy” against the human urge to philosophize. Without getting into the intricate, and often obscure, discussion that followed Diamond and Conant’s work, Sarkar simply adopts a non-resolute reading of the Tractatus under which the propositions of the Tractatus are metaphysically significant. Sarkar’s main evidence in favour of the non-resolute reading consists of a flurry of remarks from Wittgenstein himself on what he considered to be the significant aspect of the book (pp. 3-6). One is thus motivated to directly engage with the purported metaphysical significance of perhaps the most enigmatic theme in the Tractatus.The theme under study is Wittgenstein’s puzzling remark, “What we cannot talk about, we must pass over in silence.” Adopting a non-resolute understanding of the remark, the author suggests that Wittgenstein advocates a limit to what can be expressed in language. However, following the non-resolute reading, Wittgenstein cannot be viewed as advocating that whatever is thus passed over in silence lacks significance. In fact, citing Wittgenstein (pp. 6-7), Sarkar contends that drawing the limits of what can be expressed cannot indicate boundaries of thought because that will mean thinking the unthinkable. Once a limit is drawn, what falls on the unexpressed side of thought—the silent thought—necessarily becomes ineffable in the context of the language in use. One may then undertake an inquiry into the significance of the ineffable. [End Page 1]The work roughly divides into three parts. The first two chapters are devoted to Wittgenstein’s sketch of a factual language and its limits and how one may be led from the notion of limits to some notion of ineffability. As we will see, a non-resolute reading of the limits of factual language leads to two notions of language: language of facts and language of feelings. Chapters 3 and 4 illustrate different aspects of the language of feeling with individual studies of the domains of ethics, aesthetics and religion from the writings of Tagore and Wittgenstein. The concluding Chapter 5 may be viewed as a test case of how the scheme of explanation developed so far may be used to explain Wittgenstein’s abiding interest in Tagore’s mystical play The King of the Dark Chamber.To show the limits of a language, Wittgenstein develops a fragment of the familiar Principia-type logistic language to illustrate what may be said in a language. In this language, call it the “factual language” (FL), atomic propositions of FL state what is the case. A rigorous enumeration of all the propositions of FL thus constitutes what may be said in FL in terms of the truth conditions so obtained; for example, a proposition of the form not-p, where p is atomic, says what is not the case.However, there are two exceptions: propositions of the form p & not-p, a contradiction, and p v not-p, a tautology. Since tautologies are true of all facts and contradictions are true of none, the very form of these propositions suggest that they do not really amount to factual... (shrink)

The study addresses some aspects of Suprematist theory of perception, allowing to investigate the structure of Suprematist phenomenon in the context of ontology, socio-political and religious-mystical works of K. Malevich. The aim of the paper is to present Malevich’s theory of perception in the framework of enactivism. Namely, the article focuses on the theory of social affordances, which today is widely used in design, game development and other everyday practices. The author refers to Malevich’s theoretical and sociopolitical essays, as (...) well as to the commentary literature. Although Suprematism represents a well-researched tradition in art theory, the author stress the need for a follow-up study of Malevich’s theoretical essays in the contemporary context of philosophy of consciousness. The author also emphasizes the relevance of Suprematist philosophy for today’s way of thinking. For the most authentic presentation of Malevich’s ideas I use the phenomenological and hermeneutical method on a par with elements of the ecological approach in psychology and enactivism in the philosophy of consciousness. Consequently, the theory of affordances an effective and natural unification of all the aspects discussed above. The study shows the affinity of Malevich’s ideas to this theory. The author focused on the thesis of feeling as the goal of the expressive act of art. As one could see, Kazemir Malevich always emphasized the bodily-affective dimension of art, and in this sense he participated in a global cultural-historical shift in our conception of the essence of art. Since then, art has ceased to be elitist, but has instead inherited everyday practices. Thus, Malevich speaks of a new art that suits the man of the new world, the Soviet citizen. In this context, I relate the idea of affordance, which means the creation of a feeling-opportunity for subjective action (agency), to the artistic act whose goal, according to Malevich, is the creation of an emotional body-affective feeling. I defend the theory of social affordances, explaining the mechanism of social interaction, as the most adequate model for explaining Suprematism. As a result, based on the already developed concept of bodily-affective dynamics, I show how visionary and creative Malevich was, and how his ideas contribute to the development of a theory of social, emotional affordances. (shrink)

_Vortex/t _undertakes a hermeneutical exploration of symbolic turbulence in many canonical works of literature and philosophy. Charles Minahen's approach is diachronic to the degree that manifestations of the symbol are addressed chronologically, but his aim is not to establish a historical linking of cause and effect, even if such connections do appear. Rather, a synchrony of the symbol is reconstructed that places each discrete example of it in a vibrant intertext of patent and latent meanings. Symbolic turbulence first emerges in (...) ancient "whirls" that display a spiral, spiro-helical, or vertical configuration and usually have cosmic or religious significance. The first significant textual examples of vertical symbolism occur in the Boulak Papyrus, the Bible, and _The Odyssey_, where the destructive connotations of the symbol stand out. For the philosophers and poets of the ancient classical period, including certain Pre-Socrates, Plato, Epicurus, and Lucretius, the vortex is a universal structuring principle, although the underlying causes vary. For Dante, the emphasis is no longer on the dynamic cosmogonic role of the whirl, but on the gradations inherent in the vertical structure itself. Descartes and Blake associated the symbol with the transcendence of a mystical vision, which involves, for the latter, an epiphanal breakthrough. In Poe, the maelstrom excites conflicting feelings of horror in the face of death and curiosity about the "novel" beyond. Rimbaud develops Blake's and Poe's fascination with a transcendent vision, but for Mallarme, the vortex-symbol is Poesque in the more negative way. Not only is it a threatening destructive force, it is the specter of death itself, relentlessly drawing the shipwrecked mariner to ultimate extinction and nonentity. By analyzing, comparing, and contrasting these salient examples of vertical symbolism, _Vortex/t _attempts to uncover and explore the dynamics of emerging and receding meanings that constitute the paradigm's complexity. (shrink)

This study approaches the question of absolute knowledge in its mystical and phenomenological essence. Henry’s phenomenology of life, by seeking the truth in its living donation, rejoins the source of phenomenality in an invisible way. This truth which vivifies our interiority is, in its depth, a divine revelation. When we let us receive ourselves in the invisible truth of God, we are this same truth that we feel immediately in our living flesh.