Publication date: 15 October 2018 Source: Author: Mohsen Hanif, Hamed Badri Theodor Dreiser's Sister Carrie dramatizes the unbridled greed for wealth and craze for status in an extremely commercialized world. It exemplifies the servitude of a society beholden to a consumerist market, where the affluent prey on the weaknesses and vulnerabilities of the poor. The novel captures human relations in their seismic change, where family bonds are breaking down and the family is losing its role as a basic social unit. (...) This article will argue that human desire lies at the heart of family breakdowns in Sister Carrie. In doing so, it will provide an insight into the workings of the capitalist system, including its inroads into the shores of human desire – explaining how it robs individuals of their true essence and dehumanizes them. Finally, the article will call for checks and balances vis-à-vis our uncontrollable desires and recommend collective efforts in order to protect the institution of family and bring back commercialized societies from the brink. (shrink)

Society Must Be Defended is a collection of Michel Foucault’s courses at the College de France in 1976. In this volume, Foucault discusses the emergence of a new technology of domination called biopower. It is a power that is not “individualizing”, but “massifying”, that is directed at man as a member of a “species”. Biopolitics exerts control over relations between the human races. Yet, some critics claim that Foucault’s biopower does not address colonial societies and problems. This paper argues that (...) Foucault’s theory of biopower could be applied to the postcolonial discourse, too. To trace Foucauldian biopower in postcolonial literature, the authors of this article have focused on E. M. Forster’s A Passage to India. In this paper, the plot and the dialogue of Forster’s novel is studied based on Foucault’s theory of biopower as discussed in his Society Must Be Defended. It is concluded that in Forster’s novel, it can be noticed that the English power, which dominated early twentieth century Indian society, employs biopower to subjugate the Indian population. The English officials control India not merely by means of disciplinary institutions, but by manufacturing norms for an entire race which are explainable in terms of Foucault’s theory of biopower. (shrink)

Source: Author: Shima Peimanfard, Mohsen Hanif This essay sets out to study the function of hybridity and mimicry in Jean Rhy’s acclaimed novel Wide Sargasso Sea drawing on Homi K. Bhabha’s theoretical framework in this regard. In this novel, Antoinette emerges as the “Other” who aims to prove herself to the “Centre”. Undergoing extreme sufferings, the heroine wistfully ponders mimicry as an impulse to break out of her mare’s nest and to establish herself within one culture. Indeed, unlike what Bhabha (...) believes mimicry cannot upset the total authority of the “Centre”. Meanwhile, Antoinette used it as a result of her longings for the position of the “Centre” which she is unable to attain because of her hybrid existence. Countering Homi K. Bhabha’s central argument, this essay contends that Antoinette’s mimicry of Englishness fails to fend off the norms of the superior power, but partakes in celebrating the very ideals that Bhabah’s theory is trying to keep at bay. ]]>. (shrink)

Publication date: 30 March 2017 Source: Author: Tahereh Rezaei, Mohsen Hanif Art in general and fiction in particular have had close affinities with politics throughout history. When there is a close tie between a narrative fiction and political issues then critics may deem it as “committed fiction”. Political fiction is at the crossroads of political science and the art of fiction. And more often than not, novelists are involved with politics but not all of them are dubbed as or even (...) consider themselves to be political novelists. In this article I attempt to investigate political fiction as a distinct genre produced consciously by a range of novelists and critics. The authors discussed in this paper demonstrate dissimilar perspectives on freedom and democracy. Also, regarding political fiction and the responsibility of author, we will see how divergent is the attitudes of critics such as George Orwell, Allen Robbe-Grillet, Juan Goytisolo, Mario Vargas Llosa and Isabel Allende. (shrink)