While different groups of viewers may have sought different values in Cézanne's art, the artist's manner of painting and personality both contributed to the ambiguity of his work. Until the last decade of his life he seldom exhibited, and even then his paintings seemed unfinished. He was generally regarded as an "incomplete" artist and often as a "primitive," one whose art was in some way simple or rudimentary, devoid of the refinements and complexities of his materialistic, industrialized society.1 He was (...) seen as an isolated man who lived apart from other painters and found human relationship and communication difficult. Yet for some symbolists it was this alienation and mystery which made Cézanne's art so attractive. As early as 1891, Fénéon found it appropriate to refer to "the Cézanne tradition," a designation which indicates the influence of the legendary account of the artist promulgated by Gauguin and his associates.2 Gauguin had painted landscapes with the reclusive artist during the summer of 1881, was impressed by his odd style, both personal and pictorial, and in a letter to Emile Schuffenecker of 14 January 1885 described Cézanne as embodying the mysticism of the Orient.3 Such a characterization held special meaning for those like Gauguin who had come more and more to search for an ultimate truth in the experience of the mystical, the transcendental, the intensely real. For the symbolist painter or writer, primitives lived in harmony with the real world; they had an intuitive, mythic understanding of their environment. Most modern Europeans, in contrast, viewed the world through false and short-sighted analytic reason and thus saw only immediate causes and effects, not eternal universal principles. They were Christians who could not see the truth of Buddhism; they were socially indoctrinated Parisians who could not see the purer structure of human society in provincial Brittany; they were refined painters of nature who could not see the expressive power of a flat area of color surrounded by a broad outline. For Gauguin and the symbolists, Cézanne, living in isolation in his seemingly unsophisticated native Provence, qualified as an enlightened contemporary, an inspiring force, a primitive artist. · 1. For Cézanne as "incomplete," see, e.g. Thadée Natanson, "Paul Cézanne." Revue blanche 9 , p. 496; and Gustave Geoffrey, "Paul Cézanne" , in La Vie artistique , p. 218. For Cézanne as "primitive," see, e.g., Georges Lecomte, L'Arte impressionniste , pp. 30-31; and Maurice Denis, "Cézanne" , in Théories, 1890-1910: Du symbolisme et de Gauguin vers un nouvel ordre classique, 2d ed. , p. 246. The late nineteenth-century notion of the "primitive" artist was very broad. Included in the category of primitives were artists of the ancient Orient, artists of the earlier stages of development of various Western styles , provincial or uneducated European artists, and those of contemporary non-European societies. With regard to the negative evaluation of modern Western European society, see, e.g., Victor de Laprade, Le Sentiment de la nature chez les modernes, 2d ed. , pp. 483-88; and Albert Aurier, "Essai sur une nouvelle méthode de critique" , "Le Symbolisme en peinture: Paul Gauguin" , and "Les Isolés: Vincent van Gogh" , in Oeuvres posthumes , pp. 202, 216, 262-63.· 2. Félix Fénéon, "Paul Gauguin" , in Oeuvres plus que complètes, ed. Joan Halperin, 2 vols. , 1:192.· 3. Lettres de Gauguin à sa femme et à ses amis, ed. Maurice Malingue , p. 45. Félix Fénéon, André Mellerio, and Emile Bernard also associated Cézanne's style with mysticism. Richard Shiff is an associate professor of art at the University of North Carolina at Chapel Hill. He has written a related article, "The End of Impressionism: A Study of Theories of Artistic Expression". His contributions to Critical Inquiry are "Art and Life: A Metaphoric Relationship" and, with Carl Pletsch, "History and Innovation". (shrink)

Maurice Merleau-Ponty is one of the few major phenomenologists to engage extensively with empirical research in the sciences, and the only one to examine child psychology with rigor and in such depth.

Mandelbaum believes that views regarding history and man and reason pose problems for philosophy, and he offers critical discussions of some of those problems at the conclusions of parts 2, 3, and 4.

Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.

The belief of Gallie, Danto, and others that history is constructing narratives is too simplistic and neglects the role of inquiry and discovery. Teleology in history - only events relevant to a known outcome find a place in a work -while similar to that in narratives is not decisive, since in any explanation the explicandum controls the explicans to some extent. History is not recounting a linear sequence of intelligible human actions but is an analysis of a complex pattern of (...) change into factors that served to make it what it was. Social backgrounds and conditions that are influences but not actually parts of the story of actions are crucial; the fundamental relationship is part to whole, not antecedent to consequent. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:242 HISTORY OF PHILOSOPHY Thus Locke's mistake is not the simplistic one of bringing in a new type of perception --perception of the agreement of an idea with something which is not an idea. He attributes the certainty which is appropriate for a general verbal truth concerning archetypal ideas to a real truth concerning ectypal ideas. There is an additional difficulty in Locke's use of the distinction between adequate (...) and inadequate ectypal ideas when he uses them in his theory of self knowledge. How can we be sure that these simple ectypal ideas are adequate? We have certainty concerning the adequacy of our archetypal ideas because we have a complete knowledge of the archetype which is itself an idea. However, we are not given a complete knowledge of the archetype of simple ectypal ideas. We are assured of the adequacy of simple ectypal ideas only by assuming the truth of the causal principle. This leads to a circular argument. We can be assured of the adequacy of the causal relation considered as a product of our own construction. If the idea of the causal relation is archetypal, then the idea of this relation is adequate. However, when the causal relation is used to assure us of the adequacy of our simple ectypal ideas, the causal relation is no longer restricted to the level of archetypal ideas. In order to insure the adequacy of our simple ideas, the causal relation must be a relation between our ectypal ideas and something which is not an idea, viz., the power which causes the sensation. Archetypal ideas of relations are adequate, but this is not an archetypal idea of a relation, and thus we have no way of judging its adequacy. The only way to determine the adequacy of the causal connection is to show the adequacy of our simple ectypal ideas, but the adequacy of these simple ectypal ideas is itself predicated on the adequacy of the idea of the causal relation. Thus, the whole argument for the adequacy of simple ectypal ideas is circular. Either the real and nominal essences of simple ideas are identical as claimed in Book Three, or the real and nominal essences of simple ideas are not identical, as claimed in Book Two. If the real and nominal essences of simple ideas are identical, then these simple ideas are archetypal and adequate but they afford us no knowledge about any extra-mental thing. If the real and nominal essences of simple ideas are not identical then simple ideas are ectypal, but we cannot be assured of their adequacy because their adequacy is dependent on the causal relation whose adequacy is not assured. Thus, Locke's epistemology does not support his claim for intuitive knowledge of his own existence, but the mistakes he does make are not nearly as simplistic as they are often claimed to be. DONALD W. GOTTERBARN University of Southern California THE DISTINGUISHABLE AND THE SEPARABLE; A NOTE ON HUME AND CAUSATION In this note, I shall be concemed with only one part of Hume's doctrine of causation, and my criticism of this feature of his position will leave much of the remainder untouched. This is not to say that my point is unimportant, for I shall challenge Hume's fight to claim that there cannot in any case be a direct impression of connection, force, or power. He attempted to establish this claim by argument, and I wish to show that there is a fatal flaw in that argument. NOTES AND DISCUSSIONS 243 In order that what follows shall not be misunderstood, two points must be noted. First, I would not claim that we have an impression of connection, force, or power in all cases in which we hold that events are related as cause and effect. There are many instances in which this is not true, and the number and even the varieties of these cases could be greatly expanded beyond the illustrations which Hume gave in the Treatise and the Enquiry Concerning the Human Understanding. I shall only argue that he did not offer adequate reasons for holding that there are no eases in which we can possibly have such... (shrink)

We briefly describe in this paper the passage from Mendeleev’s chemistry (1869) to atomic physics (in the 1900’s), nuclear physics (in 1932) and particle physics (from 1953 to 2006). We show how the consideration of symmetries, largely used in physics since the end of the 1920’s, gave rise to a new format of the periodic table in the 1970’s. More specifically, this paper is concerned with the application of the group SO(4,2)⊗SU(2) to the periodic table of chemical elements. It is (...) shown how the Madelung rule of the atomic shell model can be used to set up a periodic table that can be further rationalized via the group SO(4,2)⊗SU(2) and some of its sub-groups. Qualitative results are obtained from this nonstandard table. (shrink)

This paper presents a reconceptualization of autonomy as the iterative realization of one’s capacity for “effective self-definition,” that is, possessing a sense of clarity and coherence in “who I am,” and exercising the decisional and volitional ownership over my life that this engenders. This process is “Relational,” wherein people’s interpersonal interactions have a deep and pervasive influence on their ability to recognize and exercise their autonomous capacities. This Relational understanding of autonomy is contextualized within the field of addiction rehabilitative practice. (...) Addiction is a pathology that progressively and insidiously undermines autonomy – producing a number of negative consequences that present themselves along a “continuum of pervasiveness.” In order to most fully foster rehabilitation, therapeutic alliances should to be attentive to facilitating autonomy’s dialogical antecedents. Here, interpersonal recognition can help clients to more fully recognize their own autonomous resources – enabling them to embark on their rehabilitative journey and achieve broader autonomous living. This paper concludes by proposing ways that practitioners can manifest their recognition of their clients’ autonomy within the therapeutic encounter. (shrink)

Mill's essay on utilitarianism is reinterpreted in the light of his psychological theories. his early anonymous essay on bentham helps to define the form of psychological hedonism to which he subscribed, and this in turn explains his views on the relations of virtue and utility.

Histories of philosophy represent a relatively new form of historical study» and some observations are made concerning the changes in style that they have tinder gone. A crucial question for the historian of philosophy is "Who is to count as a philosopher?” An answer to this question is suggested. The question of the extent to which historians falsify the doctrines of individual philosophers by viewing them in terms of their predecessors and successors is then raised. In the second section of (...) the paper» monistic views of social and cultural life are re» jected, and a pluralistic approach is developed. This approach» it is contended, allows for emphasis on both originality and continuity in philosophic thought, and shows how philosophy is related to its social and cultural milieu without losing its identity. (shrink)

Within his metahistorical thesis, White makes three assumptions about the nature of historical writing. First, he argues that "histories proper" and "philosophies of history" differ in emphasis and not in content because both share a common narrative strategy. However, White fails to acknowledge the vast differences in scope, principles of interpretation, and meaning between the two disciplines. Second, White assumes that the activity of ordering the historical text is a poetic act. This approach ignores the fact that events and the (...) relationships of those events exist prior to and independent of the historical account. Moreover, his tropological structures are too inflexible to provide a useful understanding of historical discourse. Finally, he never questions the validity of viewing an historical work as a purely linguistic structure. In fact, whereas "histories proper" seem to have much in common to compare and to evaluate, "philosophies of history" almost never agree. (shrink)