Signs of mankind's solidarity, by J. R. Nelson.--Mankind, Israel and the nations in the Hebraic heritage, by M. Greenberg.--Christian insights from biblical sources, by C. Maurer.--Muhammad and all men, by D. Rahbar.--The impact of New World discovery upon European thought of man, by E. J. Burrus.--The effects of colonialism upon the Asian understanding of man, by J. G. Arapura.--Religious pluralism and the quest for human community, by S. J. Samartha.--From Confucian gentleman to the new Chinese 'political' man, by D. A. (...) Robinson.--The scientific revolution and the unity of man, by B. Towers.--Language and communication, by E. A. Nida.--Man and the son of man, by J. Moltmann.--The potentiality of conciliarity: communion, conscience, council, by W. B. Blakemore.--Oneness must mean wholeness, by J. R. Nelson. (shrink)

… The problem of man appears, already at the epistemological-ontological level, as one of man's mode of existence and relationship to being and to the real, in general. An effective solution of this problem would be directed against both man's "alienation" from being and the alienation of being from man. The content of this alienation lies, on the one hand, in the idealist factoring-out of consciousness beyond the limits of being, of the real, the detachment of pure (...) consciousness from real man as the subject of consciousness, the de-ontologization of man, and, on the other hand, in the reduction of all the real, all being, purely to that which is tangible. (shrink)

In this book, the most thorough account of Marx's theory of alienation yet to have appeared in English, Professor Ollman reconstructs the theory from its constituent parts and offers it as a vantage point from which to view the rest of Marxism. The book further contains a detailed examination of Marx's philosophy of internal relations, the much neglected logical foudation of his method, and provides a systematic account of Marx's conception of human nature. Because of its almost unique concern (...) with helping readers understand Marx's unusual use of language, Alienation has proven very popular in university courses on Marxism on both undergraduate and graduate levels. The first edition was widely reviewed, and in this new edition Professor Ollman replies to his critics in 'More on internal relations,' published here as Appendix II. In addition to this new appendix the author now provides a more systematic discussion of Marx's theory of ideology, elements of which were formerly dispersed throughout the book. He also attempts to set the treatment of political alienation within the broader framework of Marx's theory of the state as a model of how an approach based on internal relations can be used to integrate various apparently contradictory interpretations of Marx's views. (shrink)

This latest volume in the series Cambridge Studies in the History and Theory of Politics is much more than a reassessment of humanist themes in Karl Marx. It is a rereading of the entire Marxian corpus from the viewpoint of alienation taken to be core concept of Marx's thought at every stage of its development. By underscoring the conceptual primacy of "the acting and acted-upon individual" in capitalist society throughout Marx's writings, Ollman counters Feuer, Fromm and others who defend (...) what Alasdair MacIntyre has called "the myth of the plastic figure," i.e., the image of a young Marx, Hegelian and humanist, who later abandons his concern with alienation for socio-economics. In using the Grundrisse to prove his point, Ollman joins those scholars who insist that these writings, virtually unavailable until recently, are indispensable for a balanced view of Marx's thought. But Ollman's principal contribution to current discussion lies in his locating the theory of alienation in Marx's metaphysic of internal relations. This position justifies a redescription of Marx's other theories and concepts in terms of "alienation." This approach does clarify several ambiguous terms in the Marxian vocabulary, and the novelty of the interpretation restates questions which, in the West at least, had been put aside as settled. The labor theory of value, for example, is revived and given a new meaning: "Value is the relations of alienated labor, transmitted by such labor, as they appear in the product." The basic unity of Marx's and Engels' thought is likewise defended, and the dialectic of nature is exhibited as an instance of their fundamentally relational ontology. Even if one is not moved to accept all or any of these interpretations, he should not ignore the challenge which Ollman's scholarly volume presents. It is an important contribution to the ongoing debate on the meaning of Marx.--T. R. F. (shrink)

In this paper we attempt to prove that it was Ludwig Feuerbach’s anthropology that influenced Bakunin’s philosophical path. Following his example Bakunin turned against religion which manipulates, as Hegelianism does, the only priority human being has—another human being. Although Feuerbach’s philosophy did not involve social problems present at Bakunin’s works, we would like to show that it was Feuerbach himself who laid foundation for them and that Bakunin’s criticism of the state was the natural consequence of Feuerbach’s struggle for the (...) individual. Mikhail Alexandrovich Bakunin proved that Feuerbach’s attempts to rise anthropology to the rank of theology are not sufficient to free the individual from the power of abstractions as in his opinion it is not only God that should be overthrown but also the state. (shrink)

The paper highlights the alienation and separation produced by science—technology between man and nature, and between man and man. The principal thesis in this paper is that such separative mentality is the root cause of the deterioration in ethics even in unexpected quarters. Warnings about this were foreseen by a number of Indian livers (those who live the thought) and thinkers during the early twentieth century. Their prophecies seem to be unfortunately coming true. After sharing this sample of opinions, (...) several recent cases of vicious unethicalities all over the world have been presented. This is followed by a brief survey of Western thought over the past six decades which too was mature enough to caution us about the blind onslaught of technology. The paper concludes by arguing for a complete overhaul of the vocabulary of modern discourse from the objective to the subjective. (shrink)

This paper examines Kant’s anthropological project and its relationship to his conception of ‘man’ in order to show that Kant’s answer to the question ‘what is man?’ entails a decisive re-evaluation of traditional conceptions of human nature. I argue that Kant redirects the question ‘what is man?’ away from defining man in terms of what he is, and towards defining him in terms of what he does, in particular through the distinction between three levels of what I will call ‘man’s (...) praxis’: the levels of technicality, prudence, and morality. As soon as man is understood in terms of what he makes of himself rather than in terms of what he is, two crucial issues arise: what is the purpose of his making? And how can he reach this destination? My claim is that whilst the first question is answered by ethics and a doctrine of prudence, the second question is answered by anthropology. In this sense, anthropology plays the crucial role of identifying the worldly helps and hindrances to the realisation of man’s purposes—and this is the reason why it should be understood as a ‘pragmatic’ discipline.Keywords: Immanuel; Kant; Pragmatic; Anthropology; Praxis; Aliens; Human nature. (shrink)

As the title indicates, Faith and Knowledge deals with the relation between religious faith and cognitive beliefs, between the truth of religion and the truths of philosophy and science. Hegel is guided by his understanding of the historical situation: the individual alienated from God, nature, and community; and he is influenced by the new philosophy of Schelling, the Spinozistic Philosophy of Identity with its superb vision of the inner unity of God, nature, and rational man. Through a brilliant discussion of (...) the philosophies of Kant, Fichte, and other luminaries of the period, Hegel shows that the time has finally come to give philosophy the authentic shape it has always been trying to reach, a shape in which philosophy’s old conflicts with religion on the one hand and with the sciences on the other are suspended once for all. This is the first English translation of this important essay. Professor H. S. Harris offers a historical and analytic commentary to the text and Professor Cerf offers an introduction to the general reader which focuses on the concept of intellectual intuition and on the difference between authentic and inauthentic philosophy. (shrink)

The present study is an attempt to revisit how Feuerbach discusses the concept of alienation from religious point of view. According to Feuerbach, Religion and God do not exist beyond the human reach; rather they are the creation of human being. True religion is the relation of man with himself or with his own true nature. God according to Feuerbach is the manifested inward nature of man. But when man cannot understand that the religion and God are nothing but (...) the creation of human being, he becomes alienated from his actual nature. Worshiping external God is nothing but expression of human emotion. If God is regarded as something different from man, man becomes separated from his own true nature and ultimately he becomes alienated. In other words, if human essence is considered as truly belongs to God who exists beyond human reach, man becomes alienated from himself. Later on Marx regards this religious alienation as means of capitalists’ process of exploitation. In other words, with the help of religious alienation capitalists’ perpetuate their class exploitation. Thus, the present work will mainly focus on Feuerbach’s concept of religious alienation and how subsequently Marx has adopted and critically analyzed this concept of religious alienation in his philosophy. (shrink)

Man's thought is greatly affected by his experiences in life. A person is a subject who lives alongside different objects and he grows and develops as he interacts with these objects that are around him. Man's fulfillment is something which requires an active interaction with the world because it is through his interaction with the world that he is called upon to perform specific actions which inevitably form him as a person.

This engaging little book strays far from the mainstream of recent philosophy of religion—but for good reason and to good effect. Burke repudiates the parochialism implicit in the recent preoccupation with linguistic meaning, arguments for God’s existence, and problems of immortality. Most recent texts in the field display a "relentlessly Western, even Anglo-Saxon tunnel vision", viewing only a limited form of human religiosity in terms of some narrowing perspective. Hoping to break new ground, Burke treats religion as a universal human (...) phenomenon and tries to illumine its various central "functions" or purposes without casting them in an alien light. His method is expository, descriptive, "analytic," in an unusual sense, and non-argumentative. He attempts to display religious structures in such a perspicuous way that philosophical insight or "recognition" may occur. The result is, as the author notes, "one man’s perspective", yet it is a perspective informed by a great variety of thinkers from various reaches of sociology, theology and philosophy. (shrink)

These readings in the philosophy of education are designed to allow issues to emerge and to allow students to see how they arise, how they can be dealt with, and how a philosophy of education might be built. Of course no gathering of disparate works can deliver on that kind of editorial promise. However, this company of contributors is distinguished, and most of their entries provocative and interesting. The first section is designed to show what is special about our age (...) and what must be taken into account in order to think critically about modern issues in education. In this section Talcott Parsons, Cassirer, Melvin Seeman, Wm. H. Whyte, Marcuse, Jung, Sartre, and D. Bell talk about specialization, alienation, organization man, one-dimensional man, anxiety about values, and the knowledge explosion. This is the most "with-it" section and paints a fair portrait of our times. The last three sections are more conventional and more philosophical. There is a section on methodology which finds D. J. O'Conner, Dewey, and Whitehead discussing the nature of philosophy and which closes with Buber's opening pages from I and Thou. The last two sections have contributions by Plato, St. Augustine, Locke, Kant, Hegel, Dewey, Polanyi, and Maritain among others. These sections deal with questions of learning and with some "isms". All the sections have critical bibliographies which are enlightened, useful, and up-to-date. There is a glossary of technical terms. On the whole this is a strong anthology. Each of the four sections is sufficiently unified to provide a helpful context for the readings within it.--S. O. H. (shrink)

The current issue looks into the concept of Man and in particular at the anthropological domain that this notion has represented at different times in the history of modern and contemporary western thought. It does this, however, by focusing on its cut-off points, where questions have revealed a fundamental instability at the root of the very concept of “human’’, thus attempting to show that every “theory of human nature’’ must by its very nature look beyond human nature as it identifies (...) and ‘brings out’ to the point of alienation the inner grammar and constitutive logic of that combination of forces commonly known as ‘Man’. In mapping out a sketch of the elements that make up the setting for this problem, we have set out to give this collection the structure of a round trip. As our starting point for this selection we have taken the mechanistic and naturalistic revolution in the theory of human nature which, starting from Descartes in the heyday of the modern era, for the first time assigns to physiological investigation autonomous prerogatives in defining the human, bringing in a wide range of anthropological paradoxes concerning the dividing lines between Man, machine and animal. These paradoxes were to push philosophical reflection itself, with Kant, towards the new shores of a moral and pragmatic theory of human nature which was to be characteristic of the whole second part of the modern era and which is richly dealt with in this volume. The same paradoxes had to be faced again with the arrival of Darwinian evolutionary theory, when they had to be integrated with the problems that had arisen in the moral and idealistic thinking of the early 19th century. So by closing with the concept of the “post-human’’, the return of this selection to its starting point perhaps brings us to the point of connection between the two poles around which philosophical reflection on human nature has revolved – nature and spirit – and the culmination of a duality that seems to us to identify and delineate the domain of the human that western thought has been mapping out from the early 17th century until today. Hoping you enjoy the read, we invite you to look forward to the next issue of Azimuth, due in October 2013, dealing with Aesthetics and Politics. -/- . (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Iconicity, Romance and History in the Crónica SarracinaMarina S. Brownlee (bio)Though seemingly alien discourses, romance and historiography are perennially linked. Far from offering an atemporal imaginary universe that bears no resemblance to historical specificity, romance is constructed as a response to it. Rather than simply projecting for the reader the naïve appeal of a prelapsarian escapism from the harsh realities of history, romance involves a continuous and sophisticated reinvention (...) of itself as a response to an ever-changing historico-political configuration. It is, in fact, a reciprocal relationship. We frequently see history appropriating romance paradigms explicitly, as, for example, when Bernal Díaz chooses to present Spain’s New World conquest and colonization as a continuation of the exploits of Amadís [see Gilman].Whatever form it takes, romance is committed to the celebration of a coherent system of socio-political values. This extra-textual frame of reference can take a variety of forms—from political propaganda that offers a self-aggrandizing depiction of the nobility or patron for whom the text is produced, to escapist fantasy—futuristic or archaizing. It is nostalgia for the lost world of chivalric romance which Cervantes embodies in the figure of Don Quijote, a foolish old man driven mad by his obsession with this perennial literary form. Cervantes is rightly credited with a brilliant and programmatic use of romance constructs to communicate the ongoing historical crisis of the Spanish empire. A byproduct of this romance scrutiny of history was his invention of the modern novel.Testimony to the long-standing interaction between romance and history in Spain, as elsewhere in Europe, is evident in the fact that its first romances were based on history, the so-called “romances of antiquity.” In those texts historical figures and events are evoked for the purpose of legitimating the present, vernacular poets as they celebrate the empowering myths projected by their society, as well as their own literary endeavors by invoking venerable Latin models. The well known translatio studii et imperii topos offers such allegory of empire.At the same time, the confrontation of romance and historical representation can also have a destabilizing effect, and this is programmatically explored in Pedro del Corral’s Crónica sarracina (c. 1430). His text ponders the possibilities of romance and historiography in an obsessive manner and he accomplishes his task by examining representation of the most iconic figures associated with the fall of Spain in 711, namely, La Cava and her father, Count Julián, King Rodrigo, and Pelayo, the messianic hope of the Reconquest effort which would last nearly 800 years.Of related and perhaps even broader importance, Corral’s text merits careful reading because its exploration of iconicity related to Spain’s fall offers meditations on the workings of ideology, which inevitably proposes “imaginary or formal solutions to unresolvable contradictions” [Jameson 79]. Ideology—its unmasking—is intriguingly posited by Corral in powerful ways.If we turn to Corral’s text, we find a work offering an extraordinary consideration of history and romance—their profound interaction—whose full title reads, La crónica [End Page 119] del rey don Rodrigo con la destrucción de España (The Chronicle of King Rodrigo with the Destruction of Spain). My interest in the Crónica here is primarily to consider the mechanisms by which it gestures boldly toward what Žižek has described as the project of the postmodern critique of ideology—though it is clearly a recurring cultural constant—namely to “designate the elements which point towards the system’s antagonistic character, and thus ‘estrange’ us to the self-evidence of its established identity” [Žižek 7]. A reading of the Crónica provides an extended paradigm of such estrangement.Iberia is the area of the Mediterranean which underwent the most protracted encounter between Christianity and Islam, and the events of the Moorish invasion of 711 constitute Spain’s unique foundational subject-matter—on a par with the Troy legend and with King Arthur [see Deyermond 355]. Like them, the retelling of 711 is all about forging mythic connections in order to legitimize empire in a temporally remote time-frame. What interests me in this essay is... (shrink)

This paper deals with the concept of alienation which is present in Kafka’s writings. “The Hunger Artist” is one of the best known and most discussed stories written by Kafka which displays the theme of alienation. The paper argues that alienation is a concept which originated in the philosophical discussions proposed by Hegel and which went through changes and started to be contextualised from a sociological perspective by Marx. The paper suggests that the short story entitled “The (...) Hunger Artist” displays the artist’s alienation which can be compared with the conceptualisations made by Marx. In order to examine this relation firstly, Kafka as an artist with the striking themes and style of his writings is covered deeply. Then, the concept of alienation as discussed by Marx is examined. The final section is spared for establishing a bridge between Marxist theory of alienation and Kafka as can be observed in “The Hunger Artist.”“For who would bear the whips and scorns of time,Th’ oppressor’s wrong, the proud man’s contumelyThe pangs of despised love, the law’s delay,The insolence of office, and the spurnsThat patient merit of th’ unworthy takes,When he himself might his quietus makeWith a bare bodkin?”. (shrink)

Tha aim of the paper is to point out some of the characteristics of Merleau-Ponty's phenomenology as embodied in his vision of man and world and developed in his Phenomenology of Perception. The author focuses especially on Merleau-Ponty's criticism of several essential theses of J.-P. Sartre's Being and Nothingness. Merleau-Ponty tries to revitalize the bonds between those spheres of being, which in Sartre's vision are antithetical, and thus fully alienated. It should be remembered, however, that the essential problems of Phenomenology (...) of Perception have their origins in his previous work, namely in The Structure of Behaviour , in which they have been formulated independently of Sartre's vision. (shrink)

This paper is about the modern-day problem of human alienation and fulfillment in work from the perspective of the Catholic social thought. It analyses the symptoms and causes of work alienation, the meaning of work and its significance in the individual’s quest for fulfillment, and how the Catholic social teachings can shed light on the problems involved in transforming the world of work. Alienation in work affects one’s subjective and psychological fulfillment, but it is not ultimately dependent (...) on material culture or economic models. The problem of alienation in work cannot be dealt with by simply modifying the production process or the wage system, although these are factors that alienate people even more. Social problems cannot be solved without light of faith and the recognition of the moral order that is rooted in God. In the final analysis, alienation is not simply the loss of meaning in human activities. It is the loss of life’s meaning and man’s estrangement from his own authentic nature, including his reason for being and final end, that results from the rejection of God and His teachings. What Catholicism provides is a combination of economic, psychological, moral, social, and spiritual motives for work that will make it personally fulfilling. (shrink)

The author engages the enigmatic Green Man, a mythical figure of uncertain and even independent global arisings, to connect postindustrial people with their evolutionary origin and their kinship with all life. He traces the stream of ecologically oriented cultural critiques from Lynn White, Thomas Berry, Paul Shepard, and on through the school of Deep Ecologists, as they explore how modern humanity has alienated itself from the Earth. Green Man's spiritual path of sensory integration with our earthly habitat can help disenfranchised (...) earthlings return to their planetary home, relate to their biodiverse kin, and discover their own true nature. (shrink)

The problem of alienation has come to the focus of philosophical discourse in terms of cogito’s loss of immediacy with the body and intimacy with the world, ever since Descartes—the founding father of modern thought—had his famous meditations. Putting the problem of alienation at the focus of philosophy, how should this human situation be reflected upon and the problem be addressed or dissolved at the least? One thing is clear that the method of enquiry cannot be purely intellectual (...) wherein the subject–object dichotomy has to be rigorously maintained. Rather, it has to turn intuitive at some stage, so that human subjective consciousness could be given its due place in the enquiry and the interplay of it with and the embeddedness of it in the material reality be revealed and accounted for as well. Only such an approach would address the problem at hand. But one cannot remain very optimistic about Western philosophy in this endeavor, due to the reasons to be elaborated in present paper. It is in this context that an enquiry into other philosophical systems becomes relevant. In the Eastern philosophical traditions, the issue at hand is addressed more creatively. Particularly in the Advaita Vedanta school of Indian Philosophy, the problem of alienation is tackled in an original way by elevating altogether the ‘being of man’ to a different level by way of an existential blending of his intellectual and intuitive capacities. Precisely in the Taittiriya Upanishad, man’s true nature is formulated in tune with nature, giving it a unique existential thrust. This conception once elaborated seems to be capable of productively addressing the issue at hand. An attempt will be made in the paper, at elucidating this view. (shrink)

First published in 1970, original blurb: 'Alienation' is the catchword of our time. It has been applied to everything from the new politics to the anti-heroes of today's films. But what does it meanto say that someone is alienated? Is alienation a state of mind, or a relationship? If modern man is indeed alienated, is it from his work, his government, his society, or himself - or from all of these? Richard Schacht, in this intelligent analysis, gets to (...) the root of these questions. Examining the concept of alienation in the works of Hegel and Marx, he gives a clear account of the origins of the modern usage of the term. Among the many insights to be gained from this analysis is a clear understanding of Hegel's influence on Marx in this most crucial area. Mr Schacht goes on to discuss the concept of alienation in recent philosophical and sociological literature, particularly in the writings of Erich Fromm. Here he finds a great deal of confusion, which has resulted in a series of almost universally unquestioned misconceptions. This, then, is a book for all of us who use - and mis-use - the term 'alienation', and who are interested in the concepts it brings to mind. The arguments of Professor Walter Kaufmann's introductory essay provide a useful background for Mr Schacht's analysis. In this essay, Professor Kaufmann states that 'henceforth nobody should write about alienation without first reading Schacht's book.'. (shrink)

Self-realizationist theories are among the classical attempts to develop a comprehensive normative ethical theory. Plato and Aristotle, in giving classical statements of such theories, argue that a man's distinctive happiness, a man's distinctive flourishing, will only be realized when he realizes himself, i.e. when he achieves to the fullest possible degree his distinctive function. And to achieve one's function is to develop to the full those capacities which are distinctive of the human animal. In doing this we are being most (...) truly ourselves and in doing this we are doing what it is our own nature to do. Men who cultivate to the fullest that which men and only men have will be the happiest men and in so acting they will realize themselves most fully; they will achieve their maximum potential or their fullest distinctively human growth. To so realize oneself is the final end of all moral activity. It defines what is to constitute ‘the good life’ and what is to count as ‘a good man’. (shrink)

Un régime civilisationnel et culturel se juge au sort qu’il réserve aux personnes et non aux monuments qu’il laisse à la postérité, souvent construits au détriment des personnes. Celui qui cherche à s’imposer au monde entier et dont la forme la plus radicale inspire principalement la construction européenne, à savoir le libéro-capitalisme, implique l’aliénation de l’homme, au sens où, comme l’a écrit Marx, « l’homme est rendu étranger à l’homme », où la personne n’est plus qu’une chose à ses propres (...) yeux comme à ceux d’autrui, dans le même temps qu’on lui fait croire qu’elle ne s’autorise que d’elle-même, à l’image du Dieu souverain. Une telle notion de la personne se comprend bien si on la confronte avec celles qu’impliquent les deux régimes culturels encore en vigueur en France et dont elle est l’inversion, sinon la perversion, le régime de christianité et le républicanisme laïc. (shrink)

In the article "A Few Problems Regarding the Theory of Man" , Comrade Huang Tongsen argued that Marx's theory of alienation 1) "comprehends the essence of man" from "the starting point of individual person" or "isolated, abstract individual"; 2) "turns upside down the true relationship between alienated labor and private ownership" and "sums up the problem of economic system as the alienation of man's essence"; and 3) ascribes the driving force behind alienation and sublation to "the requirement (...) of the negation of negation." Thus the theory, in a historical perspective, "is idealism in the final analysis," and has "a touch of sophism." On top of that, it "violates historical facts" and "can in no way appraise correctly the historical position of class society." Based on the above, Comrade Huang concluded in the article that we should not take Marx's theory of alienation as "an important component part of Marxism." As I see it, all such viewpoints do not hold water theoretically. (shrink)

Language and mind, by N. Chomsky.--Some reflections on the nature of consciousness, by B. A. Farrell.--The two faces of perception, by J. R. Platt.--Building better brains, by R. W. Gerard.--The nature of psychological change and its relation to cultural change, by L. S. Kubie.--Alienation and autonomy, by B. Bettelheim.--Darwin versus Copernicus, by T. Dobzhansky.--Speculations on the problem of man's coming to the ground, by S. L. Washburn.--Revolution and development, by K. E. Boulding.--The peasant revolt of our times, by W. (...) H. McNeill.--Triumph and failure in ancient Egypt, by J. A. Wilson.--The tyranny of progress, by R. Gomer.--Man and mankind in the development of culture and the humanities, by R. McKeon. (shrink)

In this paper I made an attempt to discuss how the concept of alienation has been discussed in G.W.F. Hegel’s (1770–1831) social philosophy. In Hegel’s philosophy, alienation is part of the process of self-creativity and self-discovery. According to Hegel, initially our consciousness is alienated from itself. It cannot understand its own true nature. In order to realize its own true nature consciousness’s needs to develop absolute knowledge. The development of consciousness’s absolute knowledge is possible through the overcoming of (...) self-alienation of consciousness. Here, concept of alienation plays an important role in bringing consciousness to the shape of itself called absolute knowing. According to Hegel, consciousness cannot easily know itself with certainty. Consciousness has to develop its self-understanding to fully understand itself. In his discussion of the concept of alienation Hegel compares the dialectic of self-consciousness and consciousness which is not self-realised with the famous dialectic of the lord and the bondsman. It means while discussing the relation of lord and bondsman Hegel compares lord with independent consciousness and bondsman with dependent consciousness. This dialectic of lord and bondsman is sometimes referred to as the dialectic of the master and the slave relationship. In the productive system when everybody regards themselves to be producer and as a member of productive activity, when everybody participates in the large collaborative activity, then there exists no alienation in the society. But when people forget this identity then alienation arises in the society. Hegel thinks that when our consciousness reaches at the stage of itself called Absolute knowledge then it clearly comes to know that it is a differentiated spiritual unity of subjectivity and objectivity. Then it comes to know its own true nature and it overcomes its self-alienation. In the same way in society people overcome their self-alienation when everyone can think themselves to be a part of the whole community. In the present study, I shall deal with how Hegel has applied the concept of alienation in his social philosophy and how does he try to show that through overcoming his alienation a man gets united with the other or the whole community. (shrink)

Where alienation is concerned, the older Marx has something to puzzle everyone. There are far too many uses of terminology related to the concept of alienation for those who assert the existence of a break in Marx's work to feel comfortable. Yet, the older Marx's account of alienation is much too subordinate and sporadic to constitute a really clear demonstration that there is no break. Supporters of a break have largely ignored the passages in the older Marx, (...) where the alienation vocabulary recurs. Supporters of continuity have largely used such passages to 'prove' that alienation is really at the centre of the older Marx's writings, without looking very carefully at the specific context in which the passages occur. In this article, I shall attempt to analyse these passages in context. I shall show that many of the uses of the term 'alienation' in the later Marx relate simply to 'selling'; that the concept of the fetishism of commodities does not require a philosophical notion of an alienated man; and that many of Marx's references to the 'many-sided man' can be read as emotionally charged empirical descriptions of the effects of the capitalist mode of production rather than philosophical analyses. Regressions to the concept of alienation as found in the young Marx are, in fact, relatively rare. (shrink)

Where alienation is concerned, the older Marx has something to puzzle everyone. There are far too many uses of terminology related to the concept of alienation for those who assert the existence of a break in Marx's work to feel comfortable. Yet, the older Marx's account of alienation is much too subordinate and sporadic to constitute a really clear demonstration that there is no break. Supporters of a break have largely ignored the passages in the older Marx, (...) where the alienation vocabulary recurs. Supporters of continuity have largely used such passages to 'prove' that alienation is really at the centre of the older Marx's writings, without looking very carefully at the specific context in which the passages occur. In this article, I shall attempt to analyse these passages in context. I shall show that many of the uses of the term 'alienation' in the later Marx relate simply to 'selling'; that the concept of the fetishism of commodities does not require a philosophical notion of an alienated man; and that many of Marx's references to the 'many-sided man' can be read as emotionally charged empirical descriptions of the effects of the capitalist mode of production rather than philosophical analyses. Regressions to the concept of alienation as found in the young Marx are, in fact, relatively rare. (shrink)

The conception of man as an economic animal is implied by the view that economic production is the determining “factor” or “sphere” of man or society. Against this conception can be put another, that of man as praxis. This takes account of man as a creative being, capable of realizing his freedom through his own activity. In this article the theory of the determining role of the “economic factor”, and the theory of factors in general have been examined. The economic (...) interpretation of history, a variant of the theory of factors, has been acknowledged as partly true for the self-alienated man and society, but the theory of factors in any variant has been found inadequate as a general theory of man, or society. The possibility of freedom cannot be reduced to the fact that the determining roles played by “factors”, vary, or to the hope that the economic “factor” can be subordinated to a “better” one. Man's freedom consists in his resolving the conflict of “factors”, and in realizing himself as an integral creative being, no longer split into independent and mutually opposed spheres. (shrink)

A definition of [George] Eliot as renunciatory culture-mother may seem an odd preface to a discussion of Silas Marner since, of all her novels, this richly constructed work is the one in which the empty pack of daughterhood appears fullest, the honey of femininity most unpunished. I want to argue, however, that this “legendary tale,” whose status as a schoolroom classic makes it almost as much a textbook as a novel, examines the relationship between woman’s fate and the structure of (...) society in order to explicate the meaning of the empty pack of daughterhood. More specifically, this story of an adoptive father, an orphan daughter, and a dead mother broods on events that are actually or symbolically situated on the margins or boundaries of society, where culture must enter into a dialectical struggle with nature, in order to show how the young female human animal is converted into the human daughter, wife, and mother. Finally, then, this fictionalized “daughteronomy” becomes a female myth of origin narrated by a severe literary mother uses the vehicle of a half-allegorical family romance to urge acquiescence in the law of the Father.If Silas Marner is not obviously a story about the empty pack of daughterhood, it is plainly, of course, a “legendary tale” about a wanderer with a heavy yet empty pack. In fact, it is through the image of the packman that the story, in Eliot’s own words, “came across my other plans by a sudden inspiration”—and, clearly, her vision of this burdened outsider is a re-vision of the Romantic wanderer who haunts the borders of society, seeking a local habitation and a name.11 I would argue further, though, that Eliot’s depiction of Silas Marner’s alienation begins to explain Ruby Redinger’s sense that the author of this “fluid and metaphoric” story “is” both Eppie, the redemptive daughter, and Silas, the redeemed father. For in examining the outcast weaver’s marginality, this novelist of the “hidden life” examines also her own female disinheritance and marginality.12 11. Eliot to Blackwood, 12 Jan. 1861, quoted in Ruby V. Redinger, George Eliot: The Emergent Self , p. 436. As Susan Garber has suggested to me, the resonant image of the “packman” may be associated with the figure of Bob Jakin in The Mill on the Floss , the itinerant pack-bearing peddler who brings Maggie Tulliver a number of books, the most crucial of which is Tomas à Kempis’ treatise on Christian renunciation .12. Rediner, George Eliot, p. 439; Eliot, “Finale,” Middlemarch, p. 896. Sandra M. Gilbert, now professor of English at the University of California, Davis, will join the Department of English at Princeton University in fall 1985. Her most recent works include a collection of poems, Emily’s Bread , and, coedited with Susan Gubar, The Norton Anthology of Literature by Women: The Tradition in English . In addition, she is at work on Mother Rites: Studies in Literature and Maternity, a project from which “Life’s Empty Pack” is drawn, and, with Susan Gubar, on No Man’s Land: The Place of the Woman Writer in the Twentieth Century, a sequel to their collaborative Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination . “Costumes of the Mind: Transvestitism as Metaphor in Modern Literature” appeared in the Winter 1980 issue of Critical Inquiry. (shrink)

This thesis is a study of alienation in Jean-Paul Sartre's Critique of Dialectical Reason. The thesis is organized around three central questions: What does Sartre conceive alienation to be? What for Sartre are the causes and/or conditions of alienation? What are the prospects for overcoming alienation? ;In the course of this inquiry I arrived at a general definition of alienation, viz., that it is the process whereby the human subject is constrained to become 'other' than (...) what he authentically is in his being. The condition of otherness is characteristic of all alienation. But I discovered two notions of alienation in Sartre, one of which is a fundamental ontological condition rooted in the structure of human existence conceived as praxis, and the other more historically specific and akin to Marxian theories of alienation. The former is an ineliminable element of the "human condition" as well as the necessary, though not sufficient condition of the latter alienation, which is historically surpassable. I argue that the key to understanding Sartre's theory of alienation is to be found in his philosophical anthropology, a theory of man as perpetually self-transcending and self-objectifying activity whose activity leads to alienation. (shrink)

Alienation prior to Rousseau -- The Rousseauian state of nature -- The path to alienation -- Man in civil society -- The paradox of alienation -- The legacy of Rousseau's innovation.

ABSTRACT We can best understand Marx’s economic thought by seeing it as implicitly relying upon and reworking a Hegelian philosophy of history, which was deeply salvific and soteriological in its basic structure. Hegel’s philosophy of history reworked the Christian narrative of man’s fall, his redemption through Christ’s atonement, and his return to a state of reconciliation with God in the life of the Christian church. Thus, the loss of the organic form of community found in the Greek polis was a (...) fall that was atoned for in the religious alienation found in both Judaism and Christianity, where man is treated as separated from a transcendent God. The reconciliation between man and God is found, finally, in the reconciliation of the modern, rational state. Early on Marx adopted Hegel’s philosophy of history, but its basic structure remains even in his mature economic work. There he envisions the loss of the organic unity of primitive communism, and the alienation of individuals from the larger social totality of feudalism and capitalism. Under communism, however, individuals are reconciled with the larger social whole through the collective mastery of the products of labor. (shrink)

Kafka's novel The Trial, written from 1914 to 1915 and published in 1925, is a multi-faceted, notoriously difficult manifestation of European literary modernism, and one of the most emblematic books of the 20th Century. It tells the story of Josef K., a man accused of a crime he has no recollection of committing and whose nature is never revealed to him. The novel is often interpreted theologically as an expression of radical nihilism and a world abandoned by God. It is (...) also read as a parable of the cold, inhumane rationality of modern bureaucratization. Like many other novels of this turbulent period, it offers a tragic quest-narrative in which the hero searches for truth and clarity, only to fall into greater and greater confusion. This collection of nine new essays and an editor's introduction brings together Kafka experts, intellectual historians, literary scholars, and philosophers in order to explore the novel's philosophical and theological significance. Authors pursue the novel's central concerns of justice, law, resistance, ethics, alienation, and subjectivity. Few novels display human uncertainty and skepticism in the face of rapid modernization, or the metaphysical as it intersects with the most mundane aspects of everyday life, more insistently than The Trial. Ultimately, the essays in this collection focus on how Kafka's text is in fact philosophical in the ways in which it achieves its literary aims. Rather than considering ideas as externally related to the text, the text is considered philosophical at the very level of literary form and technique. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus by Steven D. SmithFabio TutroneSteven D. Smith. Man and Animal in Severan Rome: The Literary Imagination of Claudius Aelianus. Greek Culture in the Roman World. Cambridge: Cambridge University Press, 2014. 308pp. $99.When Otto Keller published his meticulous work Die Antike Tierwelt (1909–13), classical scholars still conceived of ancient zoological knowledge as an astonishingly labyrinthine corpus of (...) tales. One felt the need to separate objective truths and fabulous accounts on the basis of a modern-oriented comparatist approach which was especially suspicious of Aelian’s De Natura Animalium and the so-called paradoxographic tradition. At that time, classicists were also keen to [End Page 532] see Severan literature as a scarcely original (and relatively uninteresting) digest of earlier writings—a faithful mirror of the beginning of the end.Steven Smith’s book on Aelian’s “literary imagination” and its culturally embedded use of animal figures is paradigmatic of the notable progress of scholarship in both such fields of research—the role of animals as revealing symbolic constructs and the intellectual life of Severan Rome. Throughout his well-structured survey, Smith offers new insights into Aelian’s worldview as a profoundly Hellenized Roman writer creatively combining biological notions and literary mirabilia, socio-political patterns, and sophistic aesthetics. On the one hand, the book clearly situates itself in the flourishing area of cultural and animal studies, making the most of both well-known and newly emerging theoretical frameworks (from Michel Foucault to Donna Haraway, from Derrida and Deleuze to Giorgio Agamben). Of course, the purpose of Smith as well as of other contemporary scholars interested in the ancient representation of animals is no longer to identify reliable “scientific” data as distinct from ancient folklore. Rather, it is the intersection of rhetorical, historical, and anthropological factors which seems to characterize most properly the Graeco-Roman discourse on animal life. On the other hand, however, Smith engages in an ambitious reconfiguration of Aelian’s (admittedly enigmatic) profile as an exponent of the Second Sophistic, at the same time indebted and alien to the milieu of the third century c.e. The multifaceted textual construction of Aelian’s animal narratives is shown to entail a critical (and at times ambiguous) reflection on such different issues as gender, religion, ethnicity, natural philosophy, and kingship.The book is composed of ten chapters, each one investigating a specific aspect of Aelian’s Weltanschauung on the basis of thematically connected passages. While the main focus is on De Natura Animalium (and thus on animal-related topics), two chapters (2 and 10, respectively) extend the scope of the inquiry to Aelian’s Rustic Letters and Varia Historia (VH). The monograph as a whole is framed by an introductory overview (starting with a fictional first-person speech by Aelian) and a conclusive note which sums up Smith’s most relevant theses. In addition, a more “philological” appendix discusses seventeen short fragments possibly pertaining to Aelian’s lost Katēgoria tou gunnidos (“The Indictment of the Little Woman”), a bitter invective against Elagabalus prudently written after the emperor’s death (cf. Philostr. Vit. Soph. 625).The question of Aelian’s elusive literary persona figures prominently in the general introduction and is the core subject of chapter 1. By qualifying the author of the De Natura Animalium (NA) as “independent” and “countercultural,” Smith does not mean to remove him from his social and political context. On the contrary, the evidence drawn from the NA itself (especially from the impressionistic self-portrait of the preface and the epilogue), together with the biographical sketches in Philostratus’ Lives of the Sophists and in the Byzantine Souda lexicon, is used to demonstrate that, though “inextricably bound up with and perhaps even unwittingly celebratory of urban Roman culture of the early third century c.e., Aelian nevertheless also fashions a literary persona that is critical of that same [End Page 533] cultural milieu” (16). In Smith’s view, such a fascinatingly ambivalent effect is made possible by the overwhelming stylistic variety (poikilia) of the NA, which appears as an “open” work (in Umberto Eco’s terms) intentionally lacking any large-scale... (shrink)

Introduction -- Karl Marx's concept of alienation -- Objectification, alienation, and estrangement -- Other origins of alienation and objectification -- Marx's account of alienation : from early to late -- The alienated object of production : commodity fetishism -- The alienated means of production : machine fetishism -- Machines and the transformation of work -- Marx's energeticist turn -- The first law of thermodynamics -- From arbeit to arbeitskraft -- The second law of thermodynamics -- Machines (...) in the communist future -- Technology and the boundaries of nature -- Material wealth and value : the Grundrisse's fragment on machines -- The strife between technology and capital : the fall in the rate of profit -- Enjoyment not value : challenging the logic of exhaustion -- Man himself as fixed capital -- Class kinship and the redistribution of the means of production -- Machines in the capitalist reality -- Between thermodynamics and humanism : approaching capital -- Machinery as an historical category of production -- Machines, trains, and other capitalist monsters -- Rough, foul-mouthed boys : women's monstrous laboring bodies -- Wage labor and race -- Wage labor and sexuality -- Machinery and revolution -- Alienation beyond Marx -- Science and technology in Marx's excerpt notebooks -- Karl Marx and Charles Babbage -- Machines and temporality : the treadmill effect and free time -- Technophobia and technophilia -- Technophobia and twentieth-century theory. (shrink)

In Hesiod’s legendary account of how humans came to be, two extrahuman characters, Prometheus and Pandora, play decisive roles. Both figures intercede and intervene in man’s world and indeed inaugurate the series of events that culminates in the becoming human of man.1 Although neither Prometheus nor Pandora is human, they both participate actively in human life, and through their respective actions the race of men becomes not only alienated from the realm of gods and animals but also from its own (...) prior, prelapsarian existence. The irrevocable and irreducibly self- alienated and internally contradictory status of the human emerges as a direct consequence of the actions of these two “extrahuman” figures. These two .. (shrink)

In a late manuscript, Husserl explicitly addresses the problem of depersonalization. Depersonalization is described as a rupture in a certain layer of experience, which, however, does not touch the fundamental unity of the underlying genesis. After a brief recapitulation of historical approaches to depersonalization, I’ll come to comment on this passage. To assess Husserl’s contribution to the clinical understanding, and more specifically to the phenomenology of depersonalization, it is essential to understand his concept of personhood. In Husserl’s account of personhood, (...) we can identify a tension between the unity and continuity of the transcendental genesis of the personal ego and the self-alienation and de-presentation at play in this genesis. Drawing on the French reception of Husserl’s phenomenology and Eugen Fink’s notion of de-presentation, I suggest that transcendental temporalization not only cannot function as a fail-safe in the case of depersonalization but may even be at the core of the loss of the sense of personhood. To account for the fact of personalization, one must re-evaluate the notion of empathy in the relation of the self to itself. (shrink)

This paper revisits Fanon’s relationship with psychoanalysis, specifically Lacanian psychoanalysis, via a close reading of his rhetorics of childhood – primarily as mobilized by the ‘Look, a Negro!’ scenario from Black Skin, White Masks, the traumatogenic scene which installs the black man’s sense of alienation from his own body and his inferiority. While this scene has been much discussed, the role accorded the child in this has attracted little attention. This paper focuses on the role and positioning of the (...) child to reconsider Fanon’s ideas, in relation to his contribution to the social constitution of subjectivity, arguing that reading Fanon alongside both his citations of Lacan and some aspects of Lacanian theory opens up further interpretive possibilities in teasing out tensions in Fanon’s writing around models of subjectivity. Finally, it is argued that it is where Fanon retains an indeterminacy surrounding the child that he is most politically fruitful. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Last Man by Mary ShelleyJennifer A. Wagner-LawlorMary Shelley. The Last Man. 1826. Edited by Chris Washington. Norton Critical Editions. New York: W. W. Norton, 2023. xxiv + 571 pp. Paperback, ISBN 9780393887822.New critical editions of well-known literary works serve several important functions, and those designed specifically for students serve two of the most important: to introduce readers to texts that were overlooked during and since the author’s (...) time, but that might find greater favor today; and to re-introduce to a new generation of students classic texts that have lost critical favor or been neglected. Mary Shelley’s The Last Man (1826) is a novel long overshadowed by brilliance and resilient legacy of her first novel, Frankenstein (1818), written at a mere eighteen years of age. As so often happened to nineteenth-century women who published under their own names, both Frankenstein and The Last Man were hammered critically by male reviewers (and often by the few female ones) unable to believe any woman, and certainly no “good” woman, could compose these stories. And by 1826, Mary Shelley had already gained notoriety thanks to her association with the radical politics and “free-loving” Shelley-Byron circle). No wonder then that contemporaneous reviewers—even as they brought themselves to compliment the narratological and formal accomplishment the novel represents—could not countenance either its content or its author, as the novel “violated” certain forms of literary and gender propriety: indeed, the novel was deemed the product of a “diseased imagination” (The Monthly Review).Modern assessments of the novel are far more admiring of Shelley’s sophisticated examination of national and cultural mythic structuralizations, and receptive to the boldness of Shelley’s profoundly ironical assessments of them. In this new Norton Critical Edition of The Last Man, Chris Washington comes to the text with a refreshingly undeferential approach to Shelley’s Romantic forebears and immediate companions. Not because they [End Page 582] deserve being knocked off their pedestals, but because—granting all that—Shelley’s text has a lot more to give to us. This is the first time the Norton Critical Edition series has produced an annotated critical edition of The Last Man (Broadview’s appeared in 1996), and it is therefore both welcome and well overdue. For this reader, The Last Man is in some ways arguably superior to Frankenstein, certainly better written and developed. Frankenstein packs the greater punch, but The Last Man picks up and reweaves, on a much larger loom, the same thematic threads: justice and judgment; hospitality and generosity; family love and ethical obligation to community and nation; “civilized” and “wild” spaces. These themes are figured not only in terms of landscape but also in terms of geopolitical organization (i.e., the West vs. “the East,” presumed source of the virus); the bounded- vs. unbound-ness of the creative imagination (also tied to cultural notions of civilization and wilderness); solitude and loneliness; alienness and otherness; alienation and self-alienation and/as dehumanization; the human and the posthuman. While part of Frankenstein’s greatness is its narrative concision and stylistic spareness, the greatness of The Last Man, written by the more mature writer, intellectually and technically (and without the interference of Percy Shelley), is how fully Shelley “fleshes out” those entanglements in this later novel.Setting aside therefore the inclusion of “the usual suspects” (xx) of earlier editions, Washington gives space to critical approaches that are not focused so intensely on the influences of Shelley’s biography. In an excellent introduction Washington emphasizes the various ways in which this novel opens up to (still) intractable political and human rights issues: slavery, imperialism, nonheteronormative genders and sexualities, and precarious lives.Washington addresses particularly what Shelley’s text has to offer—and does offer—to today’s students. He shares his own experience of teaching this novel during COVID times, finding the students, used to speed of communication and multimedia delivery, resistant initially to the narrative’s pacing, and reintroducing them to the pleasures of the slow build-up of plot and setting, as well as the excruciating tension of watching a slow-burn approach to seemingly unavoidable catastrophe. But Washington rejects... (shrink)

While Feminism and Marxism each promote revolution in the name of equality, Feminist struggle is dismissed by Marxism. As workers, women face the capitalist narrative, but women’s alienation is deeper than mere Marxist alienation. Women face the additional narrative of the patriarchy. This paper seeks to show that true Marxist revolution is impossible unless it is preceded by a Feminist revolution that breaks gender and sexual stigmas.