Das Buch stellt eine Alternative zur gängigen Sicht der Entstehungsgeschichte des Deutschen Idealismus vor, indem eine spezielle Rezeption des Platonismus, wie sie in Tübingen am Ende des 18. Jahrhunderts möglich war, als Ausgangspunkt der prinzipiellen Überlegungen der Tübinger Freunde nachgewiesen wird. Im Gegensatz zu den bewußtseins- und wissenschaftstheoretischen Rekonstruktionen der System-Sukzessionen (von Kant über Reinhold und Fichte zu Schelling und Hegel) wird hier der philosophische Ansatz der drei Tübinger aus dem Versuch erklärt, die platonische Prinzipienlehre (in ihrer neuplatonisch überarbeiteten Form) (...) unter den Bedingungen der transzendentalen Wende Kants zu reformulieren. (shrink)

The Politics of the Soul: Eric Voegelin on Religious Experience includes eight essays examining one of the most profound studies of religious experience to appear in the last century: that of the political philosopher Eric Voegelin. Voegelin is increasingly recognized as a political theorist of exceptional scope and erudition and the most important philosopher of his time since Toynbee, and his treatment of religious experience is a crucial part of his overall analysis of existence and history. This collection of essays (...) by prominenet Voegelin scholars is the first book to explore the relevance of that analysis to the contemporary understanding of political theory, theology, history, and philosophy of consciousness, and as such it constitutes a significant contribution not only to Voegelin scholarship but to the current quest for theoretical foundations. (shrink)

Der Autor legt hier die erste Gesamtdarstellung der antiken Ansätze zu einer vergleichenden Zeichentheorie der Künste (Poesie, Plastik, Malerei, Musik, aber auch darstellendes Verhalten in der Lebenspraxis) vor, die für die Herausbildung und Entwicklung der griechischen Ästhetik, Literatur- und Kunsttheorie konstitutiv waren. Von Simonides über Empedokles, Gorgias, Platon und Aristoteles bis zur Stoa (von Chrysipp bis Poseidonios) und zu den Epikureern (von Epikur bis zu Philodem) werden alle wichtigen Positionen und Debattenlinien zwischen Spätarchaik und Späthellenismus behandelt, eingebettet in eine breit (...) angelegte Analyse des semiotischen Feldes (Zeichen in Medizin, Rhetorik, Geschichtsschreibung, Logik, Epistemologie, Physik und anderen Wissenschaften). Die poetologisch, kunsttheoretisch und musikologisch relevanten Probleme einer vergleichenden Zeichentheorie werden in konkreten Literatur- und Kunstanalysen am Material entwickelt (Euripides, hellenistische Plastik, Philodems Epigramme, Lukrez' De Rerum Natura). (shrink)

_Order and History,_ Eric Voegelin's five-volume study of how human and divine order are intertwined and manifested in history, has been widely acclaimed as one of the great intellectual achievements of our age. In the fourth volume, _The Ecumenic Age,_ Voegelin breaks with the course he originally charted for the series, in which human existence in society and the corresponding symbolism of order were to be presented in historical succession. The analyses in the three previous volumes remain valid as far (...) as they go, Voegelin explains, but the original conception proved "untenable because it had not taken proper account of the important lines of meaning in history that did not run along lines of time." _The Ecumenic Age_ treats history not as a stream of human beings and their actions in time, but as the process of man's participation in a flux of divine presence that has eschatological direction. "The process of history, and such order as can be discerned in it," Voegelin writes, "is not a story to be told from the beginning to its happy, or unhappy, end; it is a mystery in process of revelation." In the present volume, Voegelin applies his revised conception of historical analysis to the "Ecumenic Age," a pivotal period that extends roughly from the rise of the Persian Empire to the fall of the Roman. The age is marked by the advent of a new type of political unit—the ecumenic empire—achieved at the cost of unprecedented destruction. Yet the pragmatic destructiveness of the age is paralleled by equally unprecedented spiritual creativity, born from the need to make sense of existence in the wake of imperial conquest. These spiritual outbursts gave rise to the great ecumenic religions and raised fundamental questions for human self- understanding that extend into our historical present. (shrink)