A questão dos intelectuais do Estado Novo tem sido um dos temas ultimamente tratados pelo autor deste artigo. Todavia, no caso de Idalino da Costa Brochado, depois de ter analisado a sua personalidade, a sua acção e a sua obra publicada, entendeu que não se poderia propriamente considerá-lo um "intelectual orgânico" do Estado Novo. Jornalista, historiógrafo e político sa­lazarista ligado à União Nacional, desempenhou nestes aspectos um papel significativo ao serviço do regime que defendia. A categoria de "político funcional" pareceu (...) ao autor ser, pois, a designação mais adequada. (shrink)

Tendo em atenção o carácter específico do Estado Novo e a sua tentativa de afastamento teórico e ideológico dos Estados totalitários, nomeadamente do nazismo, poder-se-ia pensar que durante a vigência do sistema de Hitler (1933-1945) não seria importante a presença da cultura alemã, de tipo nazi ou próxima dele, em Portugal. Todavia, a pouco e pouco, à medida que vão sendo feitos estudos em várias áreas, vai-se verificando essa presença. Este é mais um estudo dessa “ligação perigosa”, no domínio da (...) literatura e da cultura em geral. (shrink)

Several countries maintain universal health coverage, which implies responsibility to organize delivery formats of healthcare services and products for citizens. In Brazil, the health system has a principle of universal access for more than 30 years, but many deficiencies remain and the country observes a day practice for those seeking judicial decisions to determine provision of healthcare.

Uma boa entrevista precisa de uma entrada? Necessitamos aqui, realmente de uma apresentação de nosso entrevistado? Se sim, seremos sintéticos, porque estamos convencidos de que importa a fala de Renato Noguera. Deixaremos que a entrevista diga “algo” sobre ele que não possa ser pinçado rapidamente de seu currículo lattes, produção bibliográfica, palestras e bancas de trabalhos acadêmicos, não sem dizer, contudo, que Noguera é daqueles pensadores que aproximam o conhecimento das pessoas. Não escreve e nem fala como se estivesse em (...) uma Catedral, engomado e asséptico. Noguera é pop: dá entrevistas em programas de televisão com a mesma competência com a qual orienta seus estudantes, desenvolve pesquisas e escreve livros. Já há algum tempo, Renato Noguera é sinônimo de produção inovadora que contraria o epistemicídio negro e rasura as lacunas da filosofia. Nosso entrevistado engrossa as reflexões presentes nesta edição da revista Odeere/UESB, cujo tema central é “Afrofilosofias e saberes diaspóricos: Filosofias pretas nas palmas das mãos”, questionando silêncios de uma ciência branca-cis-euro-hetero-usa-normativa, pouco comprometida com a luta antirracista e a equanimidade. A ele agradecemos por nos conceder um pouco de seu tempo, tendo a internet nos servido de elo. A você dedicamos este trabalho, convidando-a a trilhar um percurso de leitura, o qual, se estivermos de acordo, apresentará: i) reflexão e avanço de conhecimento sobre uma filosofia negra; ii) outros caminhos para a filosofia, mais ao “sul”; iii) reinvenções de percurso de pesquisa, pois, ora, o entrevistado tem se voltado à filosofia para a infância. E por quê? Porque Erês, Ibejis, Exu Mirim, o menino Kiriku dão o que filosofar, tanto quanto Pinóquio, Mickey Mouse, Riquinho Rico ou o Pateta, não é mesmo? Esta entrevista não serve apenas aos estudiosos de filosofia, aos pesquisadores de categorias como raça, etnicidade e justiça cognitiva. Serve aquelxs interessadxs em ensinar e aprender filosofias negras, com vistas a denegrir a Vida numa articulação proativa e biocêntrica em favor da Comunidade. Em uma palavra: Ubuntu! Palavras chave: Filosofia; Afrocentricidade; África. (shrink)

O problema do bem agir e a reflexão sobre a virtude (areté) e o vício (kakía) são presenças marcantes na filosofia de Platão. No Timeu e nas Leis as questões do mal e da ação má recebem uma atenção especial, seja em meio àquela narrativa cosmológica, seja no debate sobre a injustiça, os crimes e as melhores leis para uma cidade. Propomos apresentar a nossa leitura do tema nesses Diálogos, bem como a nossa hipótese sobre a origem do mal em (...) Platão, ambas decorrentes de nossas pesquisas sobre o texto platônico e sua literatura. Platão situa no interior do próprio homem a fonte potencial do mal moral, resultante de má educação e má disposição da alma, no Timeu. Nas Leis, detalha o modo pelo qual uma ação injusta e má é gestada: a formação de um mau caráter (tirania de elementos internos à alma, pela má educação) e de modos de agir mal (consentidos, deliberados). Defendemos que, em Leis IX, Platão realiza uma reformulação do paradigma socrático do mal inconsentido, admitindo que o homem que age de um modo consentido e mal possui tanto o caráter como o modo de agir injusto e mau (861e-862c4). Palavras-chave: Mal; Injustiça; Ética platônica. Plato and the problem of evil, from the Timaeus to the refutation of the Socratic paradigm of not consented-evil in the Laws: there are ways of consentingly acting unfair and evils. Abstract: The problem of doing the right thing and reflecting on virtue (areté) and vice (kakía) are striking presences in Plato's philosophy. In the Timaeus and Laws, the issues of evil and evil action receive special attention, whether in the midst of that cosmological narrative or the debate about injustice, crimes, and the best laws for a city. We propose to present our reading of the theme in these Dialogues and our hypothesis about the genesis of evil in Plato, both arising from our research on the Platonic text and its literature. Plato locates within man himself the potential source of moral evil, resulting from lousy education and nasty disposition of the soul, in the Timaeus. In the Laws, he details how an unjust and bad action is fathered: the formation of an evil character (tyranny of elements internal to the soul, by bad education) and ways of misbehaving (consented, deliberate). We argue that, in Laws IX, Plato performs a reformulation of the Socratic paradigm of not consented evil, admitting that the man who acts in a consenting and evil way possesses both the character and the way of acting unjust and evil (861e-862c4). Key-words: Evil; Injustice; Platonic ethics. Platon et le problème du mal, du Timée à la réfutation du paradigme socratique du mal pas consenti dans les Lois : il y a des manières d'agir, avec consentement, injustes et mauvaises. Résumé : Le problème du bien agir et la réflexion sur la vertu (areté) et le vice (kakía) sont des présences fortes dans la philosophie de Platon. Dans le Timée et dans les Lois, les problèmes du mal et de la mauvaise action reçoivent une attention particulière, soit dans le récit cosmologique, soit dans le débat sur l'injustice, les crimes et les meilleures lois pour une ville. On propose de présenter notre lecture du thème dans ces Dialogues, ainsi que notre hypothèse sur l'origine du mal chez Platon, les deux venues de nos recherches sur le texte platonicien et sa littérature. Dans le Timée, Platon situe la source potentielle du mal moral, résultant d'une mauvaise éducation et d'une mauvaise disposition de l'âme, dans l'homme lui-même. Dans les Lois, il détaille comment une action injuste ou mauvaise est effectuée : la formation d'un mauvais caractère (tyrannie d'éléments internes à l'âme, due à une mauvaise éducation) et de mauvaises manières d'agir (consenties, délibérées). On soutient que, dans les Lois IX, Platon reformule le paradigme socratique du mal pas consenti, en admettant que l'homme qui agit d’une manière consentie et mauvaise a non seulement le caractère, mais aussi la manière d'agir injuste et mauvaise (861e-862c4). Mots clés : Mal ; Injustice ; Éthique platonicienne. Data de registro: 02/08/2023 Data de aceite: 12/06/2024. (shrink)

El concepto de dispositivo en el pensamiento de Michel Foucault, Gilles Deleuze y Giorgio Agamben.

Resumo Este artigo estuda o projecto pessoano acerca da confederação ibérica. A Ibéria imperial é concebida como um imperialismo cosmopolita por – e para – poetas. O símbolo e a analogia conduzem a um drama. Pensa-se em um drama que avança através do “pensar trágico” e do “sentir poético” que desemboca no onírico. Um sonho em que se associa três dos famosos heterónimos pessoanos, Alberto Caeiro, Ricardo Reis e Álvaro de Campos, e as três nações ibéricas irmãs: Portugal, Espanha (...) e Catalunha. Palavras-chave : cosmopolitanismo, cultura, Ibéria, imperialismo, PessoaThis paper studies Pessoa’s project about the Iberian Confederation. Imperial Iberia is considered a cosmopolitan empire from – and for – poets. Symbol and Analogy lead to Drama. It is thought a Drama that begins with “tragic thinking” and “poetic feeling”; ending in an oniric sense. A dream that associates the three famous pessoa’s heteronims, Alberto Caeiro, Ricardo Reis and Álvaro de Campos, and the three Iberian nations: Portugal, Spain and Catalonia. Keywords : cosmopolitanism, culture, Iberia, imperialism, Pessoa. (shrink)

Language is the main resource for meaningful action, including the very formation of selves and psychosocial identities, shaped by practical norms, beliefs, and values. Thus, language education constitutes one of the most powerful means for both social reproduction and social production and ideological maintenance and utopian innovation. In this paper, we attempt to emphasise the invaluable psychosocial, political, economic, and cultural function of language education in order to propose a critical view of the current transition from the monolingual to a (...) multilingual paradigm. We maintain that multilingual approaches tend to serve the neoliberal framework and reproduce its systemic inequalities. Therefore, we argue in favour of emancipatory multilingual practices that could embody a translingual pedagogy capable of promoting the development of capabilities, the recognition of otherness, and the cultivation of diversity. Rooted in critical theory, namely in Foucault’s notion of subjectification and Freire’s view of conscientisation, an emancipatory translingual pedagogy would enable and empower every learner to synthesise a contextually creative field of new semantic and pragmatic relationships. Critical language education would enhance the ethos of biophilia that fosters what we term the poetics of communality and selfhood, that is to say, the proactive commitment to expanding symbolic and existential novelty. (shrink)

A 28-year-old female-to-male transgender patient presents to the emergency room with one day of pleuritic chest pain and shortness of breath. The patient is found to have an acute pulmonary embolus and is admitted is to the academic hospitalist teaching service for further management.The transgender population is diverse in gender identity, expression, and sexual orientation. Although estimates vary, one study suggests that 0.3% of adults identify as transgender. The U.S. National Transgender Discrimination Survey revealed that 28% of transgender adults have (...) experienced harassment in medical settings, 19% reported being refused care, and 28% postponed care because of discrimination... (shrink)

The binary categories of harm and benefit have often shaped how historians frame discussions of insects. Scientists also leverage the binary framing of insects as tools and targets to carry out their work, especially in the development of biological technologies for pest control. This essay emphasizes how binaries function in scientific practice. Two case studies spanning from the twentieth century to the recent past illustrate the shift away from chemicals in pest management and, in doing so, show the instability of (...) binary categories over the longue durée. Noticing “ambivalent insects” affords a way to widen narrative options and identify new opportunities for investigating insect histories. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 22 (2002) 203-205 [Access article in PDF] The Taipai, Taiwan, Museum of World Religions Maria Reis Habito Dallas, Texas A new museum dedicated to exploring the world's great religious traditions opened in Taipei this past November. Its professed mission is rather unique: to teach about religions and religious life in the world, and to provide instructive experiences about the variety of the world's religious expressions as (...) a basis for mutual understanding, peace, and love among peoples of the world. The vision for the museum as a place that will foster religious learning, interreligious dialogue, and cooperation was developed by its founder, the Venerable Dharma Master Hsin Tao. He conceived the museum as an educational institution that will "explore the fundamental values that are at the roots of all religions." The mission of the museum—"to encourage respect, tolerance and love by fostering dialogue among people of all faiths and backgrounds as we work together to create greater understanding and peaceful interaction in the New Millennium"—has attracted widespread support among his disciples in Taiwan and overseas, whose contributions have made the museum project possible. The Content of the Museum of World Religions The goal in the content development and design of the museum has been twofold: (1) to create an institution of learning in which the visitor will find well structured information about important aspects of the world's religions and (2) to create an interactive space that, in the words of Ralph Applebaum, "immerses the visitors in an experience that enables them to view religion from many different perspectives to gain a better understanding of their own faith and the faith of others." To this, Professor Sullivan added, "[V]isitors will be invited to explore all religions as expressions of a universal search for purpose, meaning, and enlightenment. The museum will be a living monument to the human spirit and a sanctuary honoring the world's myriad faith traditions." To engage the visitor in this exploration, the visit to the museum has been designed as a journey that, even though not a ritual per se, has a structure analogous to the three-part structure of religious rituals.First, visitors experience a moment of separation from everyday life and enter into a very different quality of space and time. Second, during this kind of "time out," [End Page 203] suspended between the normal moments of everyday activity, the visitors undergo a special and intense experience, during which they receive knowledge that transforms their understanding and alters their self-perception. Such transformation occurs in the face of powerful sacred objects, symbols, or events that are displayed and experiencedin relatively dramatic presentations in the museum. They invite the visitor to participate and interact. Thirdly, steps are undertaken to reinsert the visitor back into the life of daily activity.There are fourteen steps to the museum experience, each of which lands the visitor in a different place, with its own experience of time. At each step, in each place, the religious structure of time is viewed on a different scale, seen under a different order of magnification. The museum experience is an orderly succession of times, magnified and mapped onto a series of spaces that invite the visitor's interaction. The aim is to offer the visitor an experience that, like a ritual, is satisfying and transformative and yet remains an experience proper to an institute of learning.As an example of one of the steps, imagine coming from the lobby (step 5) into the Prime Times Theater (step 6). The panel on the eastern wall of the lobby slides aside, and you enter into the darkened theater as into a cave. You are implanted there in the mysterious and primeval space to relive the experience of the seed of love and peace, planted in the fertile grounds of origins. In a fifteen-minute film you view the primordial times described in religious myths and relive the drama and emotion of how life came to be as it is. A powerful weave of narration and imagery retells the stories and poses fundamental questions... (shrink)

By considering the position of education as a pharmakon, highlighting its potential positive and negative effects on societies by its technical unfolding, the article proposes to explore the political and pedagogical role that public and collective performances can have within the public sphere as political devices for promoting and enacting radical democracy. To this end, it analyzes a contemporary collaborative artistic practice, the performance ‘Un Violador en Tu Camino’ (‘A rapist in your path’) by the feminist collective LASTESIS from Chile, (...) through two main philosophical perspectives: Bernard Stiegler (1952 – 2020), and his approach to technology, to art, and education in human societies; and Oliver Marchart, coming from his conceptualization of art and activism through the notion of conflictual aesthetics. (shrink)