LEIBNIZ’S CONCEPT OF OPTIMISM IN THE INTERPRETATION OF JOSE ORTEGA Y GASSET The article aims to analyze the problem of Leibniz’s optimism in the interpretation of José Ortega y Gasset. His reflections on the philosophy of Leibniz are certainly characterized by originality and innovation. Ortega is trying to set Leibniz in modern times and show the influence of his intellectual ideas on the twentieth-century philosophy. For this purpose, the Spanish thinker evokes the most popular (...) of Leibniz’s doctrines—the doctrine of optimism. Keywords: LEIBNIZ, JOSE ORTEGA Y GASSET, THE DOCTRINE OF OPTIMISM Discipline: PHILOSOPHY. (shrink)

This concise, elegant essay on the roots and historical justification of philosophy marks a decisive step in posing the problem of what philosophy is. With consummate clarity and the charisma that distinguished him as a lecturer, José Ortega y Gasset re-creates "that moment when Parmenides began talking about something exceptionally strange, which he called 'being.'" How and why, he asks, did such a surprising adventure come about? Considering the human qualities that prompt a curiosity about existence and eternity, (...) class='Hi'>Ortega examines philosophy's etymology, its connection to poetry, and its differentiation from religion and other modes of thought. He lucidly delineates radical differences of doctrine and style among early Greek thinkers, especially the "madman of reason" Parmenides and the "absolute individual" Heraclitus. He also considers philosophy's fundamental task of revealing the latent world poised behind the manifest world and discovering the relations between them. "Unable to find lodging among the philosophies of the past," Ortega observes, "we have no choice but to attempt to construct one of our own." The Origin of Philosophy argues for the vital importance of philosophy as a human endeavor, even while noting that each generation of thought reveals the past as "a defunct world of errors". (shrink)

"The Spanish original, 'La rebelión de las masas,' was published by 1930; this translation, authorized by Sr. Ortega y Gasset, remains anonymous at the translator's request." Contents: 1. The Coming of the Masses 2. The Rise of the Historical Level 3. The Height of the Times 4. The Increase of Life 5. A Statistical Fact 6. The Dissection of the Mass-Man Begins 7. Noble Life and Common Life, or Effort and Inertia 8. Why the Masses Intervene in Everything, and (...) Why Their Intervention is Solely by Violence 9. The Primitive and the Technical 10. Primitivism and History 11. The Self-Satisfied Age 12. The Barbarism of “Specialisation” 13. The Greatest Danger, the State 14. Who Rules the World 15. We Arrive at the Real Question. (shrink)

The first edition was published in 1948 under the title "The Dehumanization of Art, and Notes on the Novel", translated by Helene Weyl from the Spanish original, "La Deshumanizacion del arte e Ideas sobre la novela," published by Revista de Occidente, 1925. In addition to the two title essays, "The Dehumanization of Art" and "Notes on the Novel," this second expanded edition contains three other essays: "In Search of Goethe from Within" (Goethe desde dentro, 1932); "On Point of View in (...) the Arts" (Sobre el punto de vista en las artes, 1924); and "The Self and the Other" (Ensimismamiento y alteración, 1945). (shrink)

Original: José Ortega y Gasset, „No ser hombre de partido”, w: idem, Obras completas, t. IV, 306–313. The consent for the translation and its publication was expressed by the heirs of Ortega, represented by Andreas Ortega Klein The essay „No ser hombre de partido” by José Ortega y Gasset was published for the first time in the Argentinian magazine La Nación. It has been divided into two parts. The first was published on May 15, 1930. The (...) second was June 3, 1930. The subject of reflection is the problem of “partisanism,” which is considered from two perspectives — metaphysical and social. The first one makes “partisanism” a manifestation of compensation, falsification of one’s being and lack of acceptance for one’s own vocation. The second one indicates that “partisanism” is a historical phenomenon, the beginning of which is the nineteenth century. Then, for the first time, society is understood as a permanent and eternal struggle. This requires as a consequence the constitution of fighting groups, called parties. Ortega, on the other hand, wants to overcome both versions of “partisanism.” Therefore, it is on the side of the authenticity of our individual life and independent of the party, ideas, feelings and values. (shrink)

Contents: The Modern Theme – Supplemental: The Sunset of Revolution – Epilogue on the Mental Attitude of Disillusion – The Historical Significance of the Theory of Einstein. Translation of El tema de nuestro tiempo. El ocaso de las revoluciones. El sentido histórico de la teoría de Einstein (1923).

The second of Lorca's great trilogy of rural dramas, "Yerma" is a concentrated blend of contrasting moods through which Lorca charts the increasingly destructive obsession of a childless young country wife, and probes the darker zones of human fears and desires. The play's rich mode of expression--a powerful combination of verbal, visual and auditory images and rhythms--is also geared to celebrating sexual attraction and fertility, creation and procreation.

To read, to read a book, is, like all the other really human occupations, a Utopian task. I call “utopian” every action whose initial intention cannot be fulfilled in the development of its activity and which has to be satisfied with approximations essentially contradictory to the purpose which had started it. Thus “to read” begins by signifying the project of understanding a text fully. Now this is impossible. It is only possible with a great effort to extract a more or (...) less important portion of what the text has tried to say, communicate, make known; but there will always remain an “illegible” residue. It is, on the other hand, probable that, while we are making this effort, we may read, at the same time, into the text; that is, we may understand things which the author has not “meant” to say, and, nevertheless, he has “said” them; he has presented them to us involuntarily—even more, against his professed purpose. This twofold condition of speech, so strange and antithetical, appears in two principles of my “Axioms for a New Philology,” which are as follows:1.Every utterance is deficient—it says less than it wishes to say.2.Every utterance is exuberant—it conveys more than it plans. (shrink)

The dehumanization of art.--Notes on the novel.--On point of view in the arts.--In search of Goethe from within.--The self and the other.

This book, an exploration of the work of Leibnitz, is Ortega’s most systematic contribution to philosophy. Ortega begins with a detailed definition of a principle and with an examination of the specific principles formulated by Leibnitz. He goes on to examine Leibnitz. He goes on to examine Leibnitz’s complex and mercurial attitudes towards principles and discusses the effects of these attitudes on his philosophy and on contributions to mathematics and logic.

Translation of "Unas lecciones de metafísica," based on a course given at the University of Madrid in 1932-1933, and published by Revista de Occidente in 1966.

Contents: Translator's foreword – Author's foreword – The Sportive Origin of the State (El origen deportivo del Estado, 1924) – Unity and Disunity of Europe (Prólogo para franceses, 1937) – Man the Technician (Meditación de la técnica, 1939) – History as a System (Historia como sistema, 1935) – The Argentine State and the Argentinean (El hombre a la defensiva, 1929).

There are surely some dozens of young Spaniards who, submerged in the obscure depths of provincial existence, live in a perpetual and tacit irritation with the atmosphere around them. I can almost see them, in the corner of some social hall, silent, with embittered gaze and hostile mien, withdrawn into themselves like little tigers awaiting the moment for their vengeful, predatory leap. That corner and that frayed plush divan are like the solitary crag where the shipwrecked of monotony, of utter (...) banality, of the abjection and emptiness of Spanish life, hope for better times. Not far away, playing their card games, making their petty politics, plotting their minimal business ventures, are the "life forces" of the community, these men who contrive this ominous moment in our national life. (shrink)

Excerpt from Meditaciones del Quijote: Meditación Preliminar, Meditación Primera Nada que de éste provenga puede ser nos simpático. El rencor es una emana ción de la conciencia de inferioridad. Es la supresión imaginaria de quien no pode mos con nuestras propias fuerzas real mente suprimir. Lleva en nuestra fantasía aquel por quien sentimos rencor, el aspec to lívido de un cadáver; lo hemos matado, aniquilado con la intención. Y luego al ha llarlo en la realidad firme y tranquilo, nos parece (...) un muerto indócil, más fuerte que nuestros poderes, cuya existencia signi fica la burla personificada, el desdén vi viente hacia nuestra débil condición. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

Translation of: La deshumanización del arte (1924).

Philosophical interpretation of the dilemma of modern man within the context of history.

Autobiography and phenomenology: Preface for Germans (1934).--Phenomenology and theory of knowledge: Sensation, construction, and intuition (1913). On the concept of sensation (1913). Consciousness, the object, and its three distances (1916).--Phenomenology and esthetics: An essay in esthetics by way of a preface (1914). Esthetics on the streetcar (1916).--An esthetics of historical reason: The idea of theater: an abbreviated view (1946). Reviving the paintings (Velázquez, chapter I) (1946).

Excerpt from Personas, Obras, Cosas Un cenobita con sayal del color de la tierra abre un portón; entramos. Dos hileras de cipre ses ensimismados con su follaje recio, de un verde casi negro, conducen a la íglesuca y al apo sento del capellán. En la sacristía se ven dos cua dros que figuran una antítesis dolorosa: es uno la imagen horrenda de una pobre ánima del purga torió ardiendo en llamas de ocre; en un rincón del lienzo está escrito: Alma (...) en pena. En el otro cuadro se lee: Alma en gracia; representa una mujer tan bella, con unos ojos tan azules, unos cabellos tan augustos y dorados y unos labios tan deleitosos, que a no hallamos tamaña altura so bre el nivel del mar y de los instintos, alguna in quietud nos sobrecogería. Luego conviene dejarse ir, lasa la voluntad, por el campo austero que se abre en derredor. Las ermitas están desparramadas en la cima, ocul tas en la espesura. Cada una tiene su huerto, largo de algunos pasos, ceñido por blanca tapia que se recala entre las chaparras y las higueras. Cada una tiene un ciprés y una espadaña. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

A work powerful and pervading in its implications not only for metaphysics but also for art, political science, and the philosophy of history.

Includes "The Sportive Origin of the State" (El origen deportivo del Estado, 1924); "Unity and Disunity of Europe" (Prólogo para franceses, 1937); "Man the Technician" (Meditación de la técnica, 1939); and "History as a System" (Historia como sistema, 1935).

To read, to read a book, is, like all the other really human occupations, a Utopian task. I call “utopian” every action whose initial intention cannot be fulfilled in the development of its activity and which has to be satisfied with approximations essentially contradictory to the purpose which had started it. Thus “to read” begins by signifying the project of understanding a text fully. Now this is impossible. It is only possible with a great effort to extract a more or (...) less important portion of what the text has tried to say, communicate, make known; but there will always remain an “illegible” residue. It is, on the other hand, probable that, while we are making this effort, we may read, at the same time, into the text; that is, we may understand things which the author has not “meant” to say, and, nevertheless, he has “said” them; he has presented them to us involuntarily—even more, against his professed purpose. This twofold condition of speech, so strange and antithetical, appears in two principles of my “Axioms for a New Philology,” which are as follows:1.Every utterance is deficient—it says less than it wishes to say.2.Every utterance is exuberant—it conveys more than it plans. (shrink)

The article focuses on the ideas of psychiatrist Sigmund Freud and his theories and ideas on human thought and desire. It is suggested that even though some consider Freud as a genius regarding ideas of the unconscious mind, others believe that it was just propaganda. Included in the article are opinions on many of Freud's ideas on dreams, personality, conflict, repressions and the unconscious. The author questions whether or not Freud's ideas will continue to be used in science in the (...) future in an attempt to understand the human psyche. (shrink)

Contents: Translator's preface – Concord and Liberty (Del imperio romano) – Notes on Thinking: Its Creation of the World and its Creation of God (Apuntes sobre el pensamiento, su teurgía y su demurgía) – Prologue to a History of Philosophy (Prólogo a una filosofía) – A Chapter from the History of Ideas: Wilhelm Dilthey and the Idea of Life (Guillermo Dilthey y la idea de la vida).

Extract in lieu of Abstract: The purpose of this paper is to propose a hypothesis to illuminate Ortega's critical response to Heidegger's question of being (Seinsfrage). While Ortega integrated the classical requirements for the idea of Being into his idea of human life as radical reality, Heidegger's delineation of human life (Dasein) was only preliminary to the final philosophical task of understanding the question of Being itself (Sein) as the transcendent horizon for human life. For Ortega human (...) life is not merely a preliminary ontology that points to another transcendent reality, but final reality itself. I shall argue here that: (1) Ortega saw Heidegger's Seinsfrage as both empty and dead-ended as a philosophical enterprise; (2) by Heidegger's refusal to understand human life and its circumstances as the final goal of philosophy, he failed to account for the reality of human life in its circumstantial, historical, and methodological dimensions; and (3) Heidegger's philosophical project results in a frozen and metaphysical concept of human nature that transcends the historicality of humanity's actual existence and artificially bifurcates history into opposed metaphysical and empirical dimensions that only Ortega's doctrine of historical reason can synthesize. (shrink)

Originally published 1961. Translation of "Meditaciones del Quijote :Meditacion preliminar. Meditacion primera." (1914). Contents: Reader...; Preliminary Meditation; First Meditation (Brief Treatise on the Novel).

These essays examine the contribution of Ortega y Gasset, reflecting his own diversity of interests with topics on philosophy, history, literature, esthetics, language and art. The collection draws together scholars from a variety of disciplines in an effort to deepen appreciation for one of the leading writers of modern Spain. Originally delivered at Espectador Universal to mark the 100th anniversay of Ortega y Gasset's birth, these essays are sure to open new perspectives on the thought and work of (...) one who has long been regarded as the prototytpe to the twentieth century humanist. (shrink)

This paper is a comparative study of Alfred Schutz and Jose Ortega y Gasset, with special attention to their respective characterization of social reality. For this purpose, the author draws on the explicit references Schutz and Ortega directed towards one another and develops a critical comparison of their theoretical systems. In addition to the reciprocal references which appear in their published works, valuable documentary evidence is provided by Schutz's letters and, first and foremost, by his marginal notes (...) preserved in his own copy of Ortega y Gasset's Man and People. As far as the critical comparison of Schutz's and Ortega's theories is concerned, the weight of the discussion falls on Ortega's Man and People. A careful reading of this essay allows us to successively invoke the key components of Schutz's phenomenological characterization of the structures of the life-world. According to this strategy, and after some preliminary sections devoted to contextual, biographical, and sociocultural matters, the following topics are comparatively discussed: (1) the philosophical foundations of sociology, with particular attention to Ortega's doctrine of the Other as potential danger; (2) the taken-for-granted dimensions of the social world; (3) the multiple spheres of reality, and their structuration around the fundamental core of the radical reality of the I (for Ortega) or the paramount reality of everyday life, as the intersubjective world of culture (for Schutz); (4) the influence of pragmatism on their theoretical systems; (5) their strikingly similar characterization of the perspectivist stratification of the social world; (6) the inexhaustible complexity of the problem of intersubjectivity. Obviously, the common influence of Husserl, Weber, Scheler, and Bergson casts light upon the comparative consideration of any of these issues. (shrink)

Resumen: Las siguientes páginas versan sobre la contribución del filósofo español José Ortega y Gasset al campo de la epistemología antropológica. Ortega conocía los avances que se estaban produciendo en el campo de la antropología desde los inicios de esta disciplina en el siglo XIX, que vio la disputa que entonces se producía entre las ciencias sociales y las ciencias naturales. Frente a la razón moderna naturalista y físico/matemática y el método intelectual o el pensamiento claro, lógico o (...) racional, que prevalecía en sus escritos de mocedad, en un segundo momento, Ortega, corrigiendo su punto de vista inicial, se decanta por un tipo de razón histórico-narrativa que convierte en razón antropológica que rescata la idea del “sentido histórico” a partir del cual aborda la pluralidad cultural y el método visionario, místico o fantastical propio de otros grupos humanos, frente al método intelectual por el que se ha decantado el llamado “hombre civilizado” y característico de la cultura occidental. Ortega acabará relativizando la importancia del método lógico y racional que somete al método propio de nuestra ciencia histórica. Según Ortega, progresa ésta en la medida en que sepamos negar metódicamente, ficticiamente, el exclusivismo de nuestra cultura.: The following pages deal with the contribution of the Spanish philosopher José Ortega y Gasset to the field of anthropological epistemology. Ortega was aware of the advances that were taking place in the field of anthropology since the beginning of this discipline in the nineteenth century, which saw the dispute that then took place between the social sciences and the natural sciences. Faced with the modern naturalistic and physical / mathematical reason and the intellectual method or clear, logical or rational thought, which prevailed in his early writings, in a second moment, Ortega, correcting his initial point of view, opts for a type of historical-narrative reason that turns into anthropological reason that rescues the idea of the "historical sense" from which it addresses cultural plurality and the visionary, mystical or fantasy method typical of some human groups, as opposed to the intellectual method by which it is has chosen the so-called "civilized man" characteristic of Western culture. Ortega will end up relativizing the importance of the logical and rational method that he submits to the method of our historical science. According to Ortega, it progresses to the extent that we know how to deny methodically, fictitiously, the exclusivism of our culture. (shrink)

Considers whether psychology can be established as a scientific discipline, briefly looks at the history of psychology, and attempts to clarify the nature of truth.

José Ortega y Gasset not only expressed his views on subjects such as art or mass culture but he was also one of the promoters and founders of a United Europe which he considered a cultural unity. However, his view on the proper functioning of multicultural societies was as skeptical as his attitude towards the possibility of constructing an unified world that could be based on cultural coexistence of the Western World societies.

Argues that human thought follows preconceived patterns based on the thought processes of ancient Greek philosophers and that a new model of human reasoning must be developed.

In this paper, relying mainly on his "Preface for Germans" I describe Ortega's complaints about Husserl's transcendental reduction, his own "anti-idealistic" approach to phenomenology, and his alternative version of the reduction, a reduction to life. Similarities with the work of Michel Henry are noted, but not explored in detail. Mention is made of Graham Harmon's interpretation of Ortega in "Guerrilla Metaphysics," but only to set up my interpretation of Ortega.

0. Premessa: superare razionalismo e relativismo secondo J. Ortega y Gasset. José Ortega y Gasset nel capitolo finale della sua opera El tema de nuestro tiempo (1923), intitolato La dottrina del punto di vista, produce una stimolante osservazione sulla storica antinomia filosofica circa l’obiettività della percezione. In sostanza, il filosofo spagnolo sostiene che la storia della filosofia ha sempre presentato due letture del mondo, a suo avviso gnoseologicamente inconciliabili. Da una parte...

José Ortega y Gasset (1883-1955) was a Spanish philosopher and essayist best known outside his home country for The Revolt of the Masses, first translated into English in 1932. In this book, Ortega critiques a populist deformation of democracy by the rise of a "mass mentality" characterized by selfishness, a lack of curiosity, and a general indifference to the opinions and attitudes of others. However, as Brendon Westler makes clear, we need to look beyond Ortega's arguments about (...) populism and democracy in his most famous work to recover the philosopher's expansive political outlook and to identify his valuable contributions to the history and advancement of liberalism. Westler's book reconstructs Ortega's political theory, underscoring its distinctive historical origins as well as the ways in which it might be instructive to us today. Through an exploration of works less familiar to an English-speaking audience, such as Concord and Liberty, "Vieja y nueva poli̹tica," "De Europa meditatio Quaedam," and "Democracia morbosa," combined with a sensitivity to larger social and political ideas circulating within Spain, The Revolting Masses traces the contours of Ortega's approach to politics. Westler argues that reading texts written over the course of the philosopher's entire career, in combination with The Revolt of the Masses, offers a more complete picture of Ortega's political thought-one that advocates for a liberal ethos as an answer to populism and promotes both individual freedom and the preservation of community bonds. As The Revolting Masses shows, Ortega was, above all, a philosopher who reflected on what it would take for people of differing beliefs to live together. His unique conception of liberalism, grounded in the Spanish tradition, not only emphasizes pluralism and diversity of thought and institutions but also serves as a potential antidote to the populism of our present moment. (shrink)

From a biographical description made by the German thinker Martin Heidegger of the Spanish thinker José Ortega y Gasset, this article sets out to explore how Heideggerian philosophy requires a tragic condition for its development and promotion. The first part of the article attempts to justify why Heidegger’s thinking would fit harmoniously within Ortega’s description of Spanish culture and his vision of death. The notion of death is approached as a cultural and philosophical problem of great relevance in (...) order to understand the being-in-the-world of a specific society or nation. In our case, we try to show that Ortega’s description of Spain as a philosophical and cultural problem at least coincides with the phenomenological-existential description that Heidegger develops in Being and Time. In its second part, through Heidegger’s dialogue with Hölderlin, an attempt is made to show how this tragic need for philosophising continues in Heidegger’s work. Finally, it concludes by leaving the reader with a question: was Heidegger a Southern-Spanish thinker? (shrink)

La insistencia de Ortega y Gasset en la dimensión lúdica de la vida, tan opuesta a la trágica de Unamuno, ha sido analizada desde diferentes puntos de vista. Sin embargo, apenas se ha tenido en consideración la influencia que pudo tener la reflexión filosófica de Friedrich Schiller, quien hizo del juego la clave de la educación ilustrada del hombre y del logro de una vida plena. Con este presupuesto, se someten a examen dos textos fundamentales de Ortega, El (...) tema de nuestro tiempo y Qué es filosofía, poniendo énfasis en las semejanzas de planeamiento con respecto a las tesis del famoso dramaturgo alemán. (shrink)

Traditionally, Ortega y Gasset has fallen between the cracks of philosophical categorization. He is not an existentialist; neither is he a phenomenologist nor a pragmatist. Yet his major claim, "I am I and my circum-stance" both bridges and transcends these categories. It is the intent of Rodríguez Huéscar's book to show that this particular claim, and the metaphysical system Ortega developed from it, is Ortega's chief innovation in addressing what was once perceived as the central crisis of (...) modern philosophy: the need to overcome idealism. Rodríguez Huéscar, moving effortlessly through Ortega y Gasset's corpus, shows that Ortega's critique is not merely of the idealism per se which has dominated modern philosophy since Descartes but also of realism itself inasmuch as realism is viewed as a mutually exclusive antithesis of idealism. From Rodríguez Huéscar's perspective, Ortega is attempting to establish a new way of thinking that goes beyond the traditional dichotomies of abstract philosophy. Ortega's project is an attempt to create a metaphysics based on a radical, unmediated, lived reality. Such a reality is something presented or given to us, and it is also something upon which we must act. This is the sum of human existence, and for this reason one is in toto simply one's self and one's circumstance. For Ortega, this totality of human existence is, for any particular human, his or her life--an absolute living product of reason and history. In his Metaphysical Innovation, Rodríguez Huéscar takes two approaches to elucidating Ortega's system of living, radical, historical metaphysics. The first approach is devoted to a three-part exposition of Ortega's critique of idealism, including a critique of phenomenological philosophy as representative of the most recent instantiation of idealism. The remainder of the book is an outline of Ortega's project in view of his attempt to overcome idealism. As such, Rodríguez Huéscar presents and explains the most salient features of Ortega's metaphysics such as "absolute event," the act of becoming present, circum-stance, and vocation in a clear and concise manner. This portion of the book could stand alone as an excellent introduction to Ortega's project to those who are only moderately familiar with his work. It is also at this juncture that the excellence of the translation becomes apparent. García-Gómez's subtle use of editing make this translation not only a pleasure to read but of great help to the newcomer in need of placing Ortega y Gasset in his historical and philosophical context.--Stacey Ake, University Park, Pennsylvania. (shrink)

En el presente artículo se presenta, desde la filosofía, primeramente la tesis de L. Zea, según el cual la universidad del hombre americano, se halla en la aceptación de la diversidad concreta de las pluriformes maneras de ser de los americanos. Europa recién ahora se pone filosóficamente el problema de la pluralidad cultural. Se analiza luego la forma de considerar el gobierno y las leyes tanto de los americanos sajones como de los americanos latinos, cuando construyen sus propias formas de (...) ser. Se considera el intento y el fracaso al querer éstos imitar a aquéllos. Trata, además, la hipótesis de L. Zea según el cual la identidad de los pueblos latinoamericanos está en no tener ninguna que lo marque como pueblo y hombre común a toda América Latina, salvo ciertos rasgos de conducta común, derivados del talante conquistador español. Ortega y Gasset prolonga este análisis y lo centra en las influencias de la inmigración en Argentina, de lo que -entre otras causas- surge una explicación para ciertas conductas que dan forma a la identidad de los argentinos. Algo no ha cambiado en el modo de ser argentino: éste no se dedica primeramente a vivir la vida, sino a hacer fortuna y defenderse. Se identifica por lo que posee o desea poseer.This article presents, from a philosophical stand, firstly Leopoldo Zea's thesis according to which the American man's universality resides in his acceptance of the concrete diversity of the various ways of being American. Only now Europe is starting to consider philosophically the problem of cultural pluralism. Secondly, we analyze the way the Saxon Americans and the Latin Americans consider government and laws during their respective processes of becoming their own selves. We examine the intent and subsequent failure of the latter at trying to imitate the former; also, Zea's thesis according to which the identity of Latin American peoples lies precisely in not having a unique identity that define them as a man and people common to all Latin America, except for some behavioral traits deriving from the Spanish conqueror temper. Ortega y Gasset extends this analysis focusing on Argentina's immigration and concluding that this partially accounts for the Argentinean behavior and identity, their priority being to make a fortune and to defend themselves. Their identity rises from what they have or what they want to have. (shrink)

After having presented briefly the life and work of José Ortega y Gasset, it is shown that it is human life as ultimate reality and meaning that predominates in his thought, and the various treatment that Ortega y Gasset makes of this notion is explained. Résumé: Après avoir présenté rapidement la vie et l'oeuvre de José Ortega y Gasset, l'A. montre que c'est la vie humaine qui prédomine dans sa pensée comme réalité et signification ultimes, et explique (...) le traitement varié que fait Ortega y Gasset de cette notion. (shrink)