In this article, I argue that there are moral reasons to embrace the construction of self-designing and sex/gender-neutral cyborg athletes. In fact, with the prospect of advanced genetic and cyborg technology, we may face a future where sport (as we know it) occurs in its purest form; that is, where athletes get evaluated by athletic performance only and not by their gender, and where it becomes impossible to discriminate athletes based on their body constitution and gender identity. The gender constructions (...) within sports and sports culture are solid, however. Here, I argue that the rough distinctions we use to define people in terms of sex/gender tend to create and recreate old-fashioned and discriminatory sex/gender-boundaries. A morally reasonable way of meeting this issue, is to say that the problem is not the individuals who (for one reason or another) transcend certain gender categories, but the categories in themselves. (shrink)

Two years before the opening of the Paralympic Games in London in 2012, the British TV network Channel 4 launched a campaign called Freaks of Nature. As part of the campaign they produced the short film Meet the Superhumans by director Tom Tagholm. The film became an immediate success, but was also criticised for portraying the Paralympians as ‘freaks’ and for reducing the Paralympics to a ‘freak show’. But was it wrong to describe the Paralympics as a ‘freak show’? Is (...) there even a point of using the term ‘freak show’ in relation to sports? There might be, and that is what I am discussing in this paper. To be more specific, I am proposing that the term ‘freak show’ can challenge and destabilise common aesthetic views in sport, simply by the adding of abject dimensions to the athletic performances. From this one can claim that the Paralympics reconnects to the freak show-tradition of the past. And that, in itself, can have a moral and political impact. (shrink)