Academic integrity has become a significant point of concern in the post-secondary landscape, and many institutions are now exploring ways on how to implement academic integrity training for students. This paper delineates the development of an Academic Integrity E-Learning (AIE-L) tutorial at MacEwan University, Canada. In its first incarnation, the AIE-L tutorial was intended as an education tool for students who had been found to violate the University’s Academic Integrity Policy. However, in a discourse of the academic integrity process, the (...) University reimagined it from only emphasising the increased understanding and strengthened commitment of students found to have committed academic misconduct to a proactive focus with education for all students. The purpose of the present paper is three-fold: first, describe the development of the AIE-L tutorial as an experiential case study; second, improve the content of the AIE-L tutorial through students’ quantitative and qualitative feedback; third, calibrate the pre and post-test questions for content validity for a forthcoming large-scale measurement of the AIE-L tutorial effectiveness. (shrink)

This paper explores the unique phenomenology of habit and temporality put forth in Beauvoir’s La Vieillesse. I situate her understanding of temporality in relation to her early work Pyrrhus and Cinéas. I extract her notion of a boundary marked future that decreases anticipation for the future and thus rigidifies habits. In the final section I appropriate the notion of a boundary mark for a cultural phenomenology where we understand boundary marks as constituted by our understandings of ourselves in time and (...) not through aging alone. This cultural boundary mark can be used to understand how societal prejudice operates at the level of lived temporality. (shrink)

This introduction reflects on practices of telling stories about works by influential contemporary feminist philosophers, interrogating what is considered impactful feminist philosophy. I frame this edition through a particular kind of re-citational engagement with Heyes’s work—through her own previous writings and my first-personal experiences with the text and her role in my intellectual formation as my dissertation supervisor. I draw on Clare Hemmings’s (2011) work on the grammar of feminist intellectual storytelling, offering brush strokes through embodied and relational stories that (...) help me make sense of Anaesthetics, in order to tell alternative stories to frame the work, specifically Heyes’s methods, impacts, and the relations amongst her previous works. In reflecting on the embodied realities and feminist intellectual networks that inform our framing practices, I consider how we are relationally and affectively invested in figures and thinkers, our schools of thought, our style of philosophy, and our forms of participation in the discipline. Through these reflections, I trace Heyes’s work as grasping life examples with rich opportunities to grapple with stubborn philosophical ambivalences in conceptualizing embodied freedom and agency, while developing adaptive methods that probe their transcendental conditions. (shrink)