This paper is not an article in a regular sense. It is a dialogue between François-David Sebbah, one of the two editors of this topical collection, and Jean-Luc Nancy, one of the most eminent representatives of the contemporary French Thought. This dialogue took place in the first half of 2022 in a written form, because of the sanitary restrictions related to the COVID-19 pandemic and because Nancy was heavily sick. Sebbah sent to Nancy a text, corresponding to Section 2.1, (...) and Nancy responded to it with another text, corresponding to Section 2.2. Unfortunately, Nancy died on August 23, 2022, and could not revise his own text nor pursue the dialogue, as it was originally planned. For this reason, an introductory clarification by Sebbah, corresponding to Section 1, has been added. The purpose of such clarification is to introduce the reader to Nancy’s philosophy of technology—although technology never had a central role in Nancy’s reflections. In Section 2.1, Sebbah proposes a distinction between “French Theory,” “French Thought,” and “French Philosophy.” He also proposes a list of twelve possible intersections between the French Thought and the philosophy of technology. In Section 2.2, Nancy criticizes the use of expressions such as “French Thought.” He also insists, in a Heideggerian vein, on the fact that Technology (with a capital “T”) does not depend on human ends but has its own ends. (shrink)

This collection of writings by Jean-Luc Nancy, the renowned French critic and poet, delves into the history of philosophy to locate a fundamentally poetic modus operandi there. The book represents a daring mixture of Nancy’s philosophical essays, writings about artworks, and artwork of his own. With theoretical rigor, Nancy elaborates on the intrinsic multiplicity of art as a concept of “making,” and outlines the tensions inherent in the faire, the “making” that characterizes the very process of production and thereby (...) the structure of poetry in all its forms. Nancy shows that this multiplication that belongs to the notion of art makes every single work communicate with every other, all material in the artwork appeal to some other material, and art the singular plural of a praxis of the finite imparting of an infinity which is actually there in every utterance. In the collection, Nancy engages with the work of, among others, François Martin, Maurice Blanchot, and On Kawara. (shrink)

The last and most poignant of these essays is The Intruder, Nancys philosophical meditation on his heart transplant.

The possible and revelation -- The saturated phenomenon -- Metaphysics and phenomenology: a relief for theology -- "Christian philosophy": hermeneutic or heuristic? -- Sketch of a phenomenological concept of the gift -- What cannot be said: Apophasis and the discourse of love -- The banality of saturation -- Faith and reason.

Jean-Luc Marion advances a controversial argument for a God free of all categories of Being. Taking a characteristically postmodern stance, Marion challenges a fundamental premise of both metaphysics and neo-Thomist theology: that God, before all else, must be. Rather, he locates a "God without Being" in the realm of agape, of Christian charity or love. This volume, the first translation into English of the work of this leading Catholic philosopher, offers a contemporary perspective on the nature of God. "An (...) immensely thoughtful book. . . . It promises a rich harvest. Marion's highly original treatment of the idol and the icon, the Eucharist, boredom and vanity, conversion and prayer takes theological and philosophical discussions to a new level."--Norman Wirzba, Christian Century. (shrink)

In this book, the philosopher Jean-Luc Nancy examines the nature of catastrophes in the era of globalization and technology. Can a catastrophe be an isolated occurrence? Is there such a thing as a “natural” catastrophe when all of our technologies—nuclear energy, power supply, water supply—are necessarily implicated, drawing together the biological, social, economic, and political? Nancy examines these questions and more. Exclusive to this English edition are two interviews with Nancy conducted by Danielle Cohen-Levinas and Yuji Nishiyama and Yotetsu (...) Tonaki. (shrink)

Around people who were close to him, Philippe Lacoue-Labarthe would sometimes cry out with anger: “Death is a scandal! It is intolerable!” When he died almost fourteen years ago, prematurely and af...

This collection, by one of the most challenging of contemporary thinkers, asks the question: why are there several arts and not just one? This question focuses on the point of maximal tension between the philosophical tradition and contemporary thinking about the arts: the relation between the plurality of the human senses and sense or meaning in general. Throughout the five essays, Nancy's argument hinges on the culminating formulation of this relation in Hegel's Aesthetics and The Phenomenology of Spirit - art (...) as the sensible presentation of the Idea. He considers the emergence of art as presentation rather than representation and looks at the contemporary situation of art, and the question of whether art today is still art. Other essays provide intricate and compelling readings of Caravaggio's Death of the Virgin and an analysis of a traced hand in the grotto of Lascaux as the essential mimetic gesture. (shrink)

Jean-Luc Nancy provides an analysis of the anti-Semitic aspects of Heidegger's recently published Black Notebooks. Nancy refers to a philosophical or "historial" anti-Semitism marked, nonetheless, by the "banality" of ordinary anti-Semitism pervading Europe. Heidegger's thought is placed in the broader context of the European (especially Christian) impulse toward new beginnings.

En este texto Jean-Luc Marion ofrece una lectura crítica de la interpretación derridiana de Dionisio, aclarando su propia posición respecto de la teología mística. A partir de un análisis de cada una de las cuatro objeciones presentadas por Derrida, Marion presenta la tercera vía, la vía de la de-nominación; analiza el estatus de la alabanza y de la plegaria; distingue la mística de la metafísica de la presencia y de la ontoteología; y delinea los rasgos del fenómeno de la (...) revelación. (shrink)

Marked sharply by its time and place (Paris in the 1970s), this early theological text by Jean-Luc Marion nevertheless maintains a strikingly deep resonance with his most recent, groundbreaking, and ever more widely discussed phenomenology. And while Marion will want to insist on a clear distinction between the theological and phenomenological projects, to read each in light of the other can prove illuminating for both the theological and the philosophical reader - and perhaps above all for the reader who (...) wants to read in both directions at once, the reader concerned with those points of interplay and undecidability where theology and philosophy inform, provoke, and challenge one another in endlessly complex ways." "In both his theological and his phenomenological projects Marion's central effort to free the absolute or unconditional (be it theology's God or phenomenology's phenomenon) from the various limits and preconditions of human thought and language will imply a thoroughgoing critique of all metaphysics, and above all of the modern metaphysics centered on the active, spontaneous subject who occupies modern philosophy from Descartes through Hegel and Nietzsche. (shrink)

This book is a rich collection of philosophical essays radically interrogating key notions and preoccupations of the phenomenological tradition. While using Heidegger’s Being and Time as its permanent point of reference and dispute, this collection also confronts other important philosophers, such as Kant, Nietzsche, and Derrida. The projects of these pivotal thinkers of finitude are relentlessly pushed to their extreme, with respect both to their unexpected horizons and to their as yet unexplored analytical potential. A Finite Thinking shows that, paradoxically, (...) where the thought of finitude comes into its own it frees itself, not only to reaffirm a certain transformed and transformative presence, but also for a non-religious reconsideration and reaffirmation of certain theologemes, as well as of the body, heart, and love. This book shows the literary dimension of philosophical discourse, providing important enabling ideas for scholars of literature, cultural theory, and philosophy. (shrink)

This is the most systematic, the most radical, and the most lucid treatise on freedom that has been written in contemporary Continental philosophy. Finding its guiding motives in Kant's second Critique and working its way up to and beyond Heidegger and Adorno, this book marks the most advanced position in the thinking of freedom that has been proposed after Sartre and Levinas. If we do not think being itself as a freedom, we are condemned to think of freedom as a (...) pure 'idea' or 'right', and being-in-the-world, in turn, as a blind and obtuse necessity. Since Kant, philosophy and our world have relentlessly confronted this schism. To combat this renunciation of freedom, one must think the experience of freedom in thought itself: what it is that, simply in order for there to be thinking, must partake of freedom. (shrink)

An essential exploration of sense and meaning. -/- Is there a “world” anymore, let alone any “sense” to it? Acknowledging the lack of meaning in our time, and the lack of a world at the center of meanings we try to impose, Jean-Luc Nancy presents a rigorous critique of the many discourses-from philosophy and political science to psychoanalysis and art history-that talk and write their way around these gaping absences in our lives. -/- In an original style befitting his (...) search for a new mode of thought, Nancy offers fragmentary readings of writers such as Nietzsche, Hegel, Marx, Lévinas, Lacan, Derrida, and Deleuze insofar as their work reflects his concern with sense and the world. Rather than celebrate or bemoan the loss of meaning or attempt to install a new one, his book seeks to reposition both sense and the world between the presence and absence of meaning, between objectivity and subjectivity. Nancy’s project entails a reconception of the field of philosophy itself, a rearticulation of philosophical practice. Neither recondite nor abstract, it is concerned with the existence and experience of freedom-the actuality of existence as experienced by contemporary communities of citizens, readers, and writers. -/- Combining aesthetic, political, and philosophical considerations to convey a sense of the world between meaning and reality, ideal content and material form, this book offers a new way of understanding-and responding to-“the end of the world.”. (shrink)

Arguing for a cognition theory that radically rejects the passivity Aristotle attributes to the soul with regard to material things, Olivi has to assume that the soul is always on the alert, that is, that its attention to the body never disappears, even in deep sleep. This is for him the only way to explain why an intense sensation wakes us up without acting on the soul. He thus exposes himself to possible criticism from Aristotelians: his hypothesis is counter-intuitive and (...) seems to be contradicted by our experiencing eclipses of our awareness. I propose a defense of Olivi based on a ‘retort’, showing that Aristotelians must themselves postulate either, like Albert the Great, that the agent intellect is constantly in act, or, like Thomas Aquinas, that it exercises a continual surveillance of phantasms, even when we are not conscious of it. So they cannot deny Olivi the right to hypothesize a permanent attention of the soul. (shrink)

Givenness and Revelation represents both the unity and the deep continuity of Jean-Luc Marions thinking over many decades. This investigation into the origins and evolution of the concept of revelation arises from an initial reappraisal of the tension between natural theology and the revealed knowledge of God or sacra doctrina. Marion draws on the re-definition of the notions of possibility and impossibility, the critique of the reification of the subject, and the unpredictability of the event in its relationship to (...) the gift in order to assess the respective capacities of dogmatic theology, modern metaphysics, contemporary phenomenology, and the biblical texts, especially the New Testament, to conceive the paradoxical phenomenality of a revelation. This work thus brings us to the very heart and soul of Marions theology, concluding with a phenomenological approach to the Trinity that uncovers the logic of gift performed in the scriptural manifestation of Jesus Christ as Son of the Father. Givenness and Revelation enhances not only our understanding of religious experience, but enlarges the horizon of possibility of phenomenology itself. With a Foreword by Ramona Fotiade, Senior Lecturer in French, and David Jasper, Professor of Literature and Theology, both at the University of Glasgow. (shrink)

Jean-Luc Marion: The Essential Writings is the first anthology of this major contemporary philosopher's writings. It spans his entire career as a historian of philosophy, as a theologian, and as a theoretician of "saturated phenomena." The editor's long general Introduction situates Marion in the history of modern philosophy, especially phenomenology, and shorter introductions preface each section of the anthology. The entire volume will enable professors to teach Marion by assigning a single book, and the editor's introductions will make it (...) possible for students to learn enough about phenomenology to read Marion without having to take preliminary courses in Husserl and Heidegger. (shrink)

Historien de la philosophie, Jean-Luc Marion est l'un des philosophes français contemporains les plus discutés, les plus commentés et les plus traduits aujourd'hui. La rigueur d'une oeuvre aussi riche que dense rend ainsi très précieuse cette conversation. Le philosophe y revient sur quelques grandes figures qui ont marqué sa vie (Ferdinand Alquié, Louis Bouyer, Emmanuel Levinas qu'il a remplacé à la Sorbonne, Jean-Marie Lustiger dont il a pris la place à l'Académie française...). Il évoque également les grandes étapes (...) de son travail, et rend compte de la dynamique d'une quête philosophique jamais éteinte. Philosophe-phare du catholicisme français, il offre enfin un éclairage neuf et très original sur l'état de l'Eglise et le dialogue judéo-chrétien. (shrink)

One of the strongest strands in Nancy's philosophy is an attempt to rethink community and the very idea of the social in a way that does not ground these ideas in some individual subject or subjectivity. The fundamental argument of this book is that being is always 'being with', that 'I' is not prior to 'we', that existence is essentially co-existence. He thinks this being together, not as a comfortable enclosure in a pre-existing group, but as a mutual abandonment and (...) exposure to each other, one that would preserve the 'I' and its freedom in a mode of imagining community as neither a 'society of spectacle' nor via some form of 'authenticity'. (shrink)

In the aftermath of the Second World War, Maurice Merleau-Ponty undertook to interrogate Marxism, both in its rhetoric and in its practice. Our project, which is essentially didactic in nature and, for all intents and purposes, free of any secondary literature, consists in following his intellectual development in this respect, from his first political writings in 1945 until 1960 - only a few months before his sudden death, which occurred a hundred days before the erection of the Berliner Mauer. But (...) why is it relevant today to revisit contributions that approach, reach, or even exceed three quarters of a century? It is because the author, and this is certainly not insignificant from the point of view of the history of ideas, saw clearly before almost anyone else. In such a way that he succeeded, by deconstructing the intellectual framework of the System, in identifying, inscribed from the beginning in its own « software », the inevitable asphyxiation of the Soviet regime. This in turn requires us to take note - which Marx himself would not have disavowed, as a contrario - that one cannot unquestionably gag, rooted in the fabric of man, the Will-to-Freedom of these families born of History and Geography, which are the peoples and nations. (shrink)

The medieval notion of instrumental cause is not limited to what we call today “instruments” or “tools.” It extends way beyond the realm of technology and includes natural entities, for instance, the accidents by which a substance acts on another substance, sensible species in the air acting on a visual faculty, sacraments, bodily organs, and sometimes creatures with respect to God’s action. In all these cases, instrumental causes, like secondary causes in general, are subordinated to a principal cause and contribute (...) to its action and effects. However, the manner in which they do so makes them different from regular secondary causes, and the specifics are not easy to pinpoint. At the occasion of discussions about creation ex nihilo and sacraments, John Duns Scotus challenges Thomas Aquinas’s theory of instrumental causality. Whereas Aquinas does not strongly distinguish between artifacts and natural agents, and postulates a complex superposition of layers of causation, Scotus offers a novel view that clearly separates artificial instrumentality and natural instrumentality, and in both cases explains causation with great economy. Scotus’s in-depth discussion has far-reaching implications. It completely transforms the understanding of instrumental causality in general. (shrink)

Un entretien avec Jean-Luc Gleyze, président du Conseil départemental de la Gironde, qui porte avec une vingtaine de départements français un projet d’expérimentation d’un revenu de base d’un montant suffisant, d’au moins mille euros, automatique, inconditionnel, mais dégressif, c’est-à-dire dépendant des revenus de chacun.

Appearing in English for the first time, Jean-Luc Nancy’s 2002 book reflects on globalization and its impact on our being-in-the-world. Developing a contrast in the French language between two terms that are usually synonymous, or that are used interchangeably, namely globalisation (globalization) and mondialisation (world-forming), Nancy undertakes a rethinking of what “world-forming” might mean. At stake in this distinction is for him nothing less than two possible destinies of our humanity, and of our time. On the one hand, with (...) globalization, there is the uniformity produced by a global economical and technological logic leading to the contrary of an inhabitable world, “the un-world” (l’im-monde)—as Nancy refers to it—an un-world that entails social disintegration, misery, and injustice. And, on the other hand, there is the possibility of an authentic world-forming, that is, of a making of the world and of a making sense that Nancy calls a “creation” of the world. Nancy understands such world-forming in terms of an inexhaustible struggle for justice. This book is an important contribution by Nancy to a philosophical reflection on the phenomenon of globalization and a further development on his earlier works on our being-in-common, justice, and a-theological existence. (shrink)

This chapter explores Levinas's notion of substitution. This notion is astonishing, in fact, since it marks a redoubling of responsibility—in other words, “one degree of responsibility more, the responsibility for the responsibility of the other”—that involves me substituting myself for the other in what is most his own, his own responsibility: “the overemphasis of openness is responsibility for the other to the point of substitution.” This does not mean a simple hyperbole of responsibility, where I take upon myself, by sympathy (...) or solidarity, the charge that belongs properly to the other. It means first of all “a responsibility with regard to men we do not even know,” but also and especially “responsibility for the persecutor”. (shrink)

Désirer, qu’est-ce que c’est? Quelle différence entre désirer, vouloir ou avoir besoin? Jean-Luc Nancy, auteur fidèle de la collection, s’attache à percevoir comment le désir travaille en nous, et comment nous vivons avec cette force toujours à l’oeuvre, quels que soient nos âges et nos situations.

On the one hand, freedom is said to be the property of a subject. On the other, freedom only happens in the space of being-in-common. Freedom, then, is the place of a conflict between the “self” and the “with,” between independence or autonomy and dependence or sharing. Resolving this apparent antinomy requires showing how the with ontologically constitutes the self. This, in turn, allows for a rethinking of freedom beyond what liberal democracy and political economy have to offer, as the (...) renewed opening of existence onto nothing, or onto an “outside” that the opening itself constitutes. (shrink)

Jean-Luc Nancy discusses his life's work with Pierre-Philippe Jandin. As Nancy looks back on his philosophical texts, he thinks anew about democracy, community, jouissance, love, Christianity, and the arts.

Over thirty years after Maurice Blanchot writes The Unavowable Community--a book outlining a critical response to Jean-Luc Nancy's early proposal for thinking an "inoperative community"--The Disavowed Community offers a close reading of Blanchot's text.

While humanists have pondered the subject of love to the point of obsessiveness, philosophers have steadfastly ignored it. One might wonder whether the discipline of philosophy even recognizes love. The word philosophy means “love of wisdom,” but the absence of love from philosophical discourse is curiously glaring. So where did the love go? In The Erotic Phenomenon, Jean-Luc Marion asks this fundamental question of philosophy, while reviving inquiry into the concept of love itself. Marion begins his profound and personal (...) book with a critique of Descartes’ equation of the ego’s ability to doubt with the certainty that one exists—“I think, therefore I am”—arguing that this is worse than vain. We encounter being, he says, when we first experience love: I am loved, therefore I am; and this love is the reason I care whether I exist or not. This philosophical base allows Marion to probe several manifestations of love and its variations, including carnal excitement, self-hate, lying and perversion, fidelity, the generation of children, and the love of God. Throughout, Marion stresses that all erotic phenomena, including sentimentality, pornography, and even boasts about one’s sexual conquests, stem not from the ego as popularly understood but instead from love. A thoroughly enlightening and captivating philosophical investigation of a strangely neglected subject, The Erotic Phenomenon is certain to initiate feverish new dialogue about the philosophical meanings of that most desirable and mysterious of all concepts—love. (shrink)

En octobre 1995 prenait place au Musée d’Art Contemporain de Bordeaux le grand colloque « Actualité cognitive de la Phénoménologie : Les défis de la naturalisation ». La phénoménologie de tradition husserlienne y rencontrait les toutes jeunes sciences de la cognition en une confrontation exemplaire, où se croisaient les lignes directrices de ce qui allait constituer un nouveau domaine de recherche, à l’interface entre phénoménologie et sciences de la nature, un domaine dont l’émergence devait...

En este ensayo, traducido por primera vez al español, Jean-Luc Marion, sin duda el filósofo más importante de la última generación de pensadores franceses, desarrolla una interpretación no ontológica de la demostración de la existencia de Dios de san Anselmo. Con ello, Marion no sólo busca poner en tela de juicio el tratamiento que, desde Kant, se le ha dado a la demostración; antes bien, busca establecer las claves hacia un pensamiento fenomenológico —al margen de la tradición que Heidegger (...) llamó onto-teología—, que anticipan su controversial fenomenología de la “donación”. (shrink)

The phenomenological origins of the concept of givenness -- Remarks on the origins of Gegebenheit in Heidegger's thought -- Substitution and solicitude: how Levinas re-reads Heidegger -- Sketch of a phenomenological concept of sacrifice.

The problem of the limitations of or conditions for God's power was one of the most fruitful topics in medieval discussions. While debating it, medieval thinkers came to redefine the concept of the "possible." William of Auxerre's disputed questions offer an example of critical reexamination of Aristotle's conception of possibility. Parallel to the account of William's views on the topic, the article provides (from a formal point of view, so to speak) an analysis of the sequence and formulation of the (...) questions he raises, in an attempt to propose a method for reading these frequently disconcerting texts. (shrink)

Along with Husserl's Ideas and Heidegger's Being and Time, Being Given is one of the classic works of phenomenology in the twentieth century. Through readings of Kant, Husserl, Heidegger, Derrida, and twentieth-century French phenomenology (e.g., Merleau-Ponty, Levinas, and Henry), it ventures a bold and decisive reappraisal of phenomenology and its possibilities. Its author's most original work to date, the book pushes phenomenology to its limits in an attempt to redefine and recover the phenomenological ideal, which the author argues has never (...) been realized in any of the historical phenomenologies. Against Husserl's reduction to consciousness and Heidegger's reduction to Dasein, the author proposes a third reduction to givenness, wherein phenomena appear unconditionally and show themselves from themselves at their own initiative. Being Given is the clearest, most systematic response to questions that have occupied its author for the better part of two decades. The book articulates a powerful set of concepts that should provoke new research in philosophy, religion, and art, as well as at the intersection of these disciplines. Some of the significant issues it treats include the phenomenological definition of the phenomenon, the redefinition of the gift in terms not of economy but of givenness, the nature of saturated phenomena, and the question “Who comes after the subject?” Throughout his consideration of these issues, the author carefully notes their significance for the increasingly popular fields of religious studies and philosophy of religion. Being Given is therefore indispensable reading for anyone interested in the question of the relation between the phenomenological and the theological in Marion and emergent French phenomenology. (shrink)

Un essai qui prend l'époque à revers pour répondre à la question de la faillite de la communauté.