The document presented below stems from the Jean Hering Nachlass in the Médiathèque protestante of Strasbourg and was originally preserved in the Archive of the Collegium Wilhelmitanum Argentinense of the same city. It concerns a typescript of 7 folios, which was unknown up until now, dealing with the idealism-realism controversy and presenting original views on the consequences of this controversy regarding the issue of metaphysics.

Este artículo fue publicado originalmente como Jean Héring. De Max Scheler à Hans Reiner. Remarques sur la théorie des valeurs morales dans le mouvement phénoménologique. Revue d'histoire et de philosophie religieuses, 40, 152-164. Agradecemos a Matthieu Arnold, directeur Revue d'histoire et de philosophie religieuses, por la autorización para la publicación de esta traducción. La presente traducción toma como fuente original francesa citada en el párrafo anterior. Las notas del traductor se introducen con un *. Las notas del autor — (...) class='Hi'>Jean Héring— siguen el orden de numeración del texto original en numeración arábica. Un agradecimiento especial a Paloma Vicente por las correcciones y sugerencias de traducción. (shrink)

We consider a Bertrand duopoly with homogeneous goods and we allow for asymmetric marginal costs. We derive the Myopic Stable Set in pure strategies as introduced by Demuynck et al.. In contrast to the set of Nash equilibria, the unique Myopic Stable Set can be easily characterized in closed form and it provides an intuitive set-valued prediction.

We generalize the concept of a cooperative non-transferable utility game by introducing a socially structured game. In a socially structured game every coalition of players can organize themselves according to one or more internal organizations to generate payoffs. Each admissible internal organization on a coalition yields a set of payoffs attainable by the members of this coalition. The strengths of the players within an internal organization depend on the structure of the internal organization and are represented by an exogenously given (...) power vector. More powerful players have the power to take away payoffs of the less powerful players as long as those latter players are not able to guarantee their payoffs by forming a different internal organization within some coalition in which they have more power.We introduce the socially stable core as a solution concept that contains those payoffs that are both stable in an economic sense, i.e., belong to the core of the underlying cooperative game, and stable in a social sense, i.e., payoffs are sustained by a collection of internal organizations of coalitions for which power is distributed over all players in a balanced way. The socially stable core is a subset and therefore a refinement of the core. We show by means of examples that in many cases the socially stable core is a very small subset of the core.We will state conditions for which the socially stable core is non-empty. In order to derive this result, we formulate a new intersection theorem that generalizes the KKMS intersection theorem. We also discuss the relationship between social stability and the wellknown concept of balancedness for NTU-games, a sufficient condition for non-emptiness of the core. In particular we give an example of a socially structured game that satisfies social stability and therefore has a non-empty core, but whose induced NTU-game does not satisfy balancedness in the general sense of Billera. (shrink)

Jean Starobinski, one of Europe's foremost literary critics, examines the life that led Rousseau, who so passionately sought open, transparent communication with others, to accept and even foster obstacles that permitted him to withdraw into himself. First published in France in 1958, Jean-Jacques Rousseau remains Starobinski's most important achievement and, arguably, the most comprehensive book ever written on Rousseau. The text has been extensively revised for this edition and is published here along with seven essays on Rousseau that (...) appeared between 1962 and 1970. (shrink)

The contributions of Alsatian philosopher and theologian Jean Héring to the early reception of Husserl’s phenomenology in France have been recognized by Spiegelberg, Monseu, and others. This essay probes and elucidates certain historical details to a greater degree than previous studies and also calls attention to the philosophical influences that Héring transmitted to his contemporaries, focusing in particular on his encounters with Emmanuel Levinas and Lev Shestov. It argues that while Héring’s role in facilitating the introduction of Levinas and (...) others to Husserl was important, his more significant contributions consisted in analysing and correcting Levinas’s and Shestov’s appraisals of Husserl’s teachings. (shrink)

Buridan was a brilliant logician in an age of brilliant logicians, sensitive to formal and philosophical considerations. There is a need for critical editions and accurate translations of his works, for his philosophical voice speaks directly across the ages to problems of concern to analytic philosophers today. But his idiom is unfamiliar, so editions and trans lations alone will not bridge the gap of centuries. I have tried to make Buridan accessible to philosophers and logicians today by the introduc tory (...) essay, in which I survey Buridan's philosophy of logic. Several problems which Buridan touches on only marginally in the works trans lated herein are developed and discussed, citing other works of Buridan; some topics which he treats at length in the translated works, such as the semantic theory of oblique terms, I have touched on lightly or not at all. Such distortions are inevitable, and I hope that the idiosyncracies of my choice of philosophically relevant topics will not blind the reader to other topics of value Buridan considers. My goal in translating has been to produce an accurate renaering of the Latin. Often Buridan will couch a logical rule in terms of the grammatical form of a sentence, and I have endeavored to keep the translation consistent. Some strained phrases result, such as "A man I know" having a different logic from "I know a man. " This awkwardness cannot always be avoided, and I beg the reader's indulgence. All of the translations here are my own. (shrink)

The writings published here are not so much an epitome as episodes. But most do not digress. They mark the turns and turning points of a human style, the tropes of an expressive life embodying the changing tempos of an age. Until we fall silent, all of us are trying to say. These fragmentary efforts to speak to, rejoin, and help create a new community of liberated human beings constitute the epigraphs of Sartre's historical inscription.

The Transcendence of the Ego may be regarded as a turning-point in the philosophical development of Jean-Paul Sartre. Prior to the writing of this essay, published in France in 1937, Sartre had been intimately acquainted with the phenomenological movement which originated in Germany with Edmund Husserl. It is a fundamental tenet of Husserl, the notion of a transcendent ego, which is here attacked by Sartre. This disagreement with Husserl has great importance for Sartre and facilitated the transition from phenomenology (...) to the doctrine of Being and Nothingness. (shrink)

Here Jean-Pierre Changeux elucidates our current knowledge of the human brain, taking an interdisciplinary approach and explaining in layman's terms the complex theories and scientific breakthroughs that have significantly improved our ...

First published in France in 1936 as a journal article, The Transcendence of the Ego was one of Jean-Paul Sartre's earliest philosophical publications. When it appeared, Sartre was still largely unknown, working as a school teacher in provincial France and struggling to find a publisher for his most famous fictional work, Nausea . The Transcendence of the Ego is the outcome of Sartre's intense engagement with the philosophy of Edmund Husserl, the founder of phenomenology. Here, as in many subsequent (...) writings, Sartre embraces Husserl's vision of phenomenology as the proper method for philosophy. But he argues that Husserl's conception of the self as an inner entity, 'behind' conscious experience is mistaken and phenomenologically unfounded. The Transcendence of the Ego offers a brilliant diagnosis of where Husserl went wrong, and a radical alternative account of the self as a product of consciousness, situated in the world. This essay introduces many of the themes central to Sartre's major work, Being and Nothingness : the nature of consciousness, the problem of self-knowledge, other minds, anguish. It demonstrates their presence and importance in Sartre's thinking from the very outset of his career. This fresh translation makes this classic work available again to students of Sartre, phenomenology, existentialism, and twentieth century philosophy. It includes a thorough and illuminating introduction by Sarah Richmond, placing Sartre's essay in its philosophical and historical context. (shrink)

The political writings of Jean-Francois Lyotard, the prophet of the postmodern, are presented here as both the missing dimension of his work and the key to understanding his position within contemporary debate.

In lieu of an abstract, here is a brief excerpt of the content:Jean Wyatt THE CELEBRATION OF EROS: GREEK CONCEPTS OF LOVE AND BEAUTY IN TO THE LIGHTHOUSE A voracious reader all her life, Virginia Woolf stored up patterns and images which she naturally wove into the fabric of her novels.1 Integrating literature of the past into her own works was also an affirmation of her belief that "everything comes over again a little differently," as Eleanor says in The (...) Years. Acutely aware of the prevailing fluidity of human life, Virginia Woolf sought a counterbalance in the principle of eternal recurrence. The whole chain of human history forms a "gigantic pattern, momentarily perceptible." It becomes perceptible when elemental forces in human life coincide with the forms of individuals, "making them symbolical, making them representative."3 In Mrs. Ramsay, Virginia Woolf combines a personal portrait of her mother with an evocation of eternal life forces in the "symbolical outline" (p. Ill) of Aphrodite, goddess of love, beauty and marriage, that Mrs. Ramsay irradiates. Events, too, can be "symbolical, and therefore perhaps permanent," in the words of Bernard in The Waves, when they reflect the continuity of human experience. The dinner party in To the Lighthouse contains ritual elements, reminders that it is one in a series of communal feasts. The search for truth in the midst of human pleasures, by means of human love, recalls one such banquet in particular, the Symposium.'' The central concerns of the Symposium are those of To the Lighthouse: striving for knowledge through love; the desire to create that beauty arouses; the paradox of the eternal in the midst of the transitory. The figures and patterns of Greek literature were part of Virginia Woolf's mental formation. She began learning Greek at King's College in 1897, at the age of fifteen.6 For the next few years, Greek was her chief refuge from a stifling Victorian society. From 10:00 a.m. to 1:00 p.m. every day she read Greek: Homer, Aeschylus, Euripides, all of Sophocles, Plato. Twice a week she met for Greek lessons, first 160 Jean WyATT161 with Clara Pater, then with Janet Case. Her letters speak of Greek as "the greatest of comforts to me" (April, 1900), "my daily bread, and a keen delight to me" (June, 1900); it "has so much attraction for me... that I don't want to do anything else" (February, 1905).8 A diary entry from 1924 shows how Greek "worked its way" into her life. Upon meeting a herd of cattle, "I waved my stick and stood at bay; and thought of Homer.... some mimic battle. Grizzle grew more and more insolent and excited and skirmished about yapping. Ajax? That Greek, for all my ignorance, has worked its way into me." Seeing Grizzle as Ajax is not different in kind from transforming Mrs. Ramsay into Aphrodite, Mr. Carmichael into Poseidon. Greek was in the forefront of Virginia Woolf's mind in 1924 because she had been reading Greek steadily since 1922 in preparation for the article "On Not Knowing Greek." "The amount of reading... that went into the production of that essay... was remarkable," comments Quentin Bell. She published the essay in 1925, the year she began To the Lighthouse. "On Not Knowing Greek" shows that Virginia Woolf knew the Symposium well: she discusses it for four pages, not with the analytical lens of a literary critic, but with loving familiarity. She first read the Symposium when she was about sixteen, but her intimacy with it suggests that she must have read it more than once. At the center of the Symposium is Diotima's doctrine: man has to work through a series of human loves to arrive at the eternal. Lily pursues a similar quest for knowledge through love. She loves Mrs. Ramsay, but, unable to satisfy her love on a personal level, casts about for a way of reaching "the spirit in her, the essential thing" (p. 76). She finally finds a way of loving that takes her to the essence of things when, ten years after Mrs. Ramsay's death, she sees and loves a Mrs. Ramsay who transcends the individual to become the form of love and beauty. To understand the... (shrink)

First published in France in 1936 as a journal article, The Transcendence of the Egowas one of Jean-Paul Sartre's earliest philosophical publications. When it appeared, Sartre was still largely unknown, working as a school teacher in provincial France and struggling to find a publisher for his most famous fictional work, Nausea. The Transcendence of the Egois the outcome of Sartre's intense engagement with the philosophy of Edmund Husserl, the founder of phenomenology. Here, as in many subsequent writings, Sartre embraces (...) Husserl's vision of phenomenology as the proper method for philosophy. But he argues that Husserl's conception of the self as an inner entity, 'behind' conscious experience is mistaken and phenomenologically unfounded. The Transcendence of the Egooffers a brilliant diagnosis of where Husserl went wrong, and a radical alternative account of the self as a product of consciousness, situated in the world. This essay introduces many of the themes central to Sartre's major work, Being and Nothingness: the nature of consciousness, the problem of self-knowledge, other minds, anguish. It demonstrates their presence and importance in Sartre's thinking from the very outset of his career. This fresh translation makes this classic work available again to students of Sartre, phenomenology, existentialism, and twentieth century philosophy. It includes a thorough and illuminating introduction by Sarah Richmond, placing Sartre's essay in its philosophical and historical context.t of consciousness, situated in the world. This essay introduces many of the themes central to Sartre's major work, Being and Nothingness: the nature of consciousness, the problem of self-knowledge, other minds, anguish. It demonstrates their presence and importance in Sartre's thinking from the very outset of his career. This fresh translation makes this classic work available again to students of Sartre, phenomenology, existentialism, and twentieth century philosophy. It includes a thorough and illuminating introduction by Sarah Richmond, placing Sartre's essay in its philosophical and historical context. (shrink)

The method chosen here draws on concepts borrowed from sociology and anthropology. This double conceptual approach is necessary for a society divided between values inherited from medieval Christianity and precapitalist practices. Seventeenth-century France did not think of itself as a class society but as a society of orders. Since sociology is a system of knowledge whose concepts are taken from an imaginary construct, it is thus more suited to analyzing bourgeois society than societies in transition.6 In trying to measure the (...) past with the aid of tools forged in and for contemporary societies, the sociologist runs the risk of only measuring an artifact, produced by his theories in the field of history. Hence the need for the anthropological concepts, including the notion of exchange, among others, whether material , symbolic , or sexual .This approach will bring to light the contradictions underlying the society of the ancient régime. Whereas an ordinary sociohistorical approach views the reign of Louis XIV as unified under a dogmatic classicism, the socioanthropological approach stresses the tensions and oppositions running through this society. Classicism appears then as a façade covering up the change that it cannot imagine. This “spectacle”7 makes it possible to unite contradictory social practices, both those produced by consumption and which originate in the medieval economy and those belonging to the early accumulation of capital which sketch future bourgeois economic practices. 6. See Cornelius Catoriadis, The Imaginary Institution of Society, trans. Kathleen Blamey .7. See Guy Debord, Society of the Spectacle, rev. English ed. . Jean-Marie Apostolidès is professor of French literature at Stanford University. His publications include Le roi-machine, Les metamorphoses de Tintin, and Le prince sacrifié. Alice Musick McLean, a Ph.D. student at the University of Chicago, is specializing in medieval narrative and the literature of the fantastic. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XXI, Number 1, April 1995, pp. 57-74 Does Hume Have an Instrumental Conception of Practical Reason? JEAN HAMPTON Many philosophers and social scientists regard the instrumental theory of practical reason as highly plausible, and standardly credit David Hume as the first philosopher to formulate this conception of reason clearly. Yet I will argue in this paper that Hume does not advocate the instrumental conception of (...) practical reason as that conception is normally understood by contemporary theorists who endorse it. Although it is often thought that Hume's position on reason is the "common-sense" one, I will argue that in a very fundamental way, his view of reason defies common-sense. The Instrumental Conception of Reason Consider the following definition of an instrumental theory of reason, understood normatively: 1) An action is rational to the extent that an agent believes (reasonably)1 that it furthers the attainment of an end; and 2) Human reasoning involves the determination of means to achieve ends, in a way described by the theory (I will say, henceforth, that using reason to determine the extent to which an action is a means to an end is an instrumental use of reason); and 3) These ends are in no way fixed by reason operating non-instrumentally; i.e., what makes them our ends is something other than reason. Jean Hampton is at the Department of Philosophy, University of Arizona, Tuscon, AZ 85721 USA. 58 Jean Hampton In this article I will consider as instrumental all and only theories that accept these three theses.2 Thesis 3 is normally understood as the hallmark of the instrumental theory. Hume's famous remark "Reason is...the slave of the passions" (T 415) is a clear endorsement of this thesis. In contrast, theories of reason that do not count as instrumental maintain that reason not only pursues means to ends, but also defines ends of action, thereby denying thesis 3. On this sort of view, it is reason that is, at least sometimes, the master. For example, Kant portrays reason as concerned both with the efficiency and the morality of an action, and as that faculty which determines whether any proposed course of action is acceptable. So for Kant, reason "constructs" the ends of action insofar as it picks out from among the goals proposed by our desires those which are appropriate for us to pursue: it is the final determiner of what our ends of action ought to be. Moreover, after approving these ends, Kant says that reason provides a motivation to achieve them in virtue of the fact that it has approved them, a motivation which, if it directs a moral action, is always sufficient to determine that action, if the agent chooses to let it.3 So on Kant's view, practical reason is a master that issues directives, provides the impetus for obeying them, and calculates how best to do so. There are two reasons why philosophers have been troubled by the Kantian type of view. First, it is a conception of reason that seems unacceptable from the standpoint of science. What special "sight" or access to normative reality can we realistically ascribe to human reason, such that it can tell us our ends in life? And how does a scientific world view permit us to believe that there are unmotivated ends which we are rationally compelled to pursue? Science, after all, does not recognize such objects or properties with inherent prescriptive power. J. L. Mackie calls such objects and properties "queer"—indeed, too queer, given the strictures of science, for us to believe they obtain.4 Moreover, no scientific description of human beings has identified a rational capacity within us that can determine these objects, respond to their inherent prescriptivity, and motivate action in compliance with their requirements. The other problem facing any non-instrumental account of reason concerns motivation. Most theorists believe that whereas the question "Why be moral?" is deeply troubling, the question "Why be rational?" does not seem to be. Yet if reason is developed along Kantian lines, it becomes so expansive, and its directives so wide-ranging and divergent from interests the individual is readily able to... (shrink)

When I was preparing a paper about the problem Greek studies have with globalization of culture on the threshold of the twenty-first century, I was asked who the Greek man was, considered as a separate entity, and how future decades would see him. The question had all the appearance of a trap. The very idea of ‘the Greek man’ is disturbing, even though it is so commonplace that it is hard to trace it back to its origins. Of course it (...) contains a well-established but ill-defined consensus around the Greeks as the first free, rational human beings to found a free polity, who furthermore presided over the creation of a literature without equal in Antiquity and an exceptional and innovative body of art. A more precise answer could also echo the prestigious and much discussed title of Werner Jaeger's indispensable and troubling volume: Paideia. Die Formung des griechischen Menschen (1934), and even become, rather insidiously because of its date and the last few words of the sub-title, a parasitic echo of the period when a mythical discourse evoked Aryans and non-Aryans. But we must take care not to place the thesis of Werner Jaeger, to whom I will return, in that company, since the title is less a reflection of a suspect mode of thought than a simple coincidence of choice of language. And the reason it turns up here is that Jaeger and Dodds, whom we shall meet later, are the two opposite poles of this paper, standing in Greek studies on either side of the bloodstained struggle that transformed Europe and the West's relationship with the rest of the world for ever. (shrink)

A major event in the history of twentieth-century thought, Notebooks for a Ethics is Jean-Paul Sartre's attempt to develop an ethics consistent with the profound individualism of his existential philosophy. In the famous conclusion to Being and Nothingness , Sartre announced that he would devote his next philosophical work to moral problems. Although he worked on this project in the late 1940s, Sartre never completed it to his satisfaction, and it remained unpublished until after his death in 1980. Presented (...) here for the first time in English, the Notebooks reveal Sartre at his most productive, crafting a masterpiece of philosophical reflection that can easily stand alongside his other great works. Sartre grapples anew here with such central issues as "authenticity" and the relation of alienation and freedom to moral values. Exploring fundamental modes of relating to the Other--among them violence, entreaty, demand, appeal, refusal, and revolt--he articulates the necessary transition from individualism to historical consciousness. This work thus forms an important bridge between the early existentialist Sartre and the later Marxist social thinker of the Critique of Dialectical Reason . The Notebooks themselves are complemented here by two additional essays, one on "the good and subjectivity," the other on the oppression of blacks in the United States. With publication of David Pellauer's lucid translation, English-speaking readers will be able to appreciate this important contribution to moral philosophy and the history of ethics. Jean-Paul Sartre (1906-1980) was offered, but declined, the Nobel Prize for literature in 1964. His many works of fiction, drama, and philosophy include the monumental study of Flaubert, The Family Idiot , and The Freud Scenario , both published in translation by the University of Chicago Press. (shrink)