Drawing from field theory, Gestalt therapy conceives psychological suffering and psychotherapy as two intentional field phenomena, where unprocessed and chaotic experiences seek the opportunity to emerge and be assimilated through the contact between the patient and the therapist (i.e., the intentionality of contacting). This therapeutic approach is based on the therapist’s aesthetic experience of his/her embodied presence in the flow of the healing process because (1) the perception of beauty can provide the therapist with feedback on the assimilation of unprocessed (...) experiences; (2) the therapist’s attentional focus on intrinsic aesthetic diagnostic criteria can facilitate the modification of rigid psychopathological fields by supporting the openness to novel experiences. The aim of the present manuscript is to review recent evidence from psychophysiology, neuroaesthetic research, and neurocomputational models of cognition, such as the free energy principle (FEP), which support the notion of the therapeutic potential of aesthetic sensibility in Gestalt psychotherapy. Drawing from neuroimaging data, psychophysiology and recent neurocognitive accounts of aesthetic perception, we propose a novel interpretation of the sense of beauty as a self-generated reward motivating us to assimilate an ever-greater spectrum of sensory and affective states in our predictive representation of ourselves and the world and supporting the intentionality of contact. Expecting beauty, in the psychotherapeutic encounter, can help therapists tolerate uncertainty avoiding impulsive behaviours and to stay tuned to the process of change. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.2 (2002) 405-414 [Access article in PDF] Nihilism in Seamus Heaney Irene Gilsenan Nordin I WISH TO BEGIN WITH THE WORDS of Nietzsche's madman as he makes his famous appearance, running into the crowded marketplace in the bright morning with his lit lantern in his hand, crying out his proclamation of the death of God: "'Where has God gone?' he [cries]. 'I shall tell you. (...) We have killed him—you and I. We are all his murderers.'" He calls out in despair to the bemused and indifferent crowd his rhetorical questions: How were we able to drink up the sea? Who gave us the sponge to wipe away the entire horizon? What were we doing when we unchained the earth from its sun? Whither is it moving now? Away from all suns? Are we not plunging continually? Backward, sideward, forward, in all directions? Is there still any up or down? Are we not straying as through an infinite nothing? 1These words of the madman express the abyss of despair experienced on the realization that God is dead, the state of desolation which articulates what Nietzsche himself understood to be the consequences of the triumph of the Enlightenment. But these words of despair sum up more than that; they sum up the underlying problems of Nietzsche's age, and indeed our age: the basic mistrust of all previously held systems of value; the collapse of all ordering principle; and the erosion of the authority of tradition. In other words, reason has revealed the inadequacy of tradition, and has itself lost the ability to provide us with [End Page 405] any reliable means of evaluation—since any such evaluation must be based on the very principles which are themselves under attack.This stark realization of the absence of all sense of meaning in values previously held to be true leads to the condition that Nietzsche calls "nihilism," (Latin nihil, "nothing"), the condition that he considered to be the central problem of Modernity. This condition, Nietzsche believed, is brought about by the realization of three factors: first, the loss of faith in what he calls a "'meaning' in all events," a loss which contributes to an experience of aimlessness; second, the realization that there is no inherent pattern to the world or to history that can lend universal coherence; and third, the loss of faith in the existence of a stable world of being which can be evaluated according to steadfast, enduring principles. The rejection of these three categories, which Nietzsche terms "aim," "unity," and "being," leads to an experience of a world that appears "valueless," in other words, the experience of nihilism. 2Nietzsche, whose thought was considered by Heidegger to be the "final thought of Western metaphysics," 3 is seen as a heralding voice of postmodernism. 4 In this respect, Nietzsche's "death of God" can be seen to be about the death of modernist philosophical presuppositions, the death of the logocentric metaphysics of presence. But, parallel with the notion of crisis that Nietzsche's announcement of the death of God expresses and the ensuing critique of "metanarratives" which his thought has helped to give rise to, 5 Nietzsche's declaration of crisis can also be seen as a statement of faith. His interpretation of the problems of our age, while on the one hand "negatively" proclaiming the death of God and denying the possibility of shared meaning—or in Lyotard's terms "the consensus of a taste which would make it possible to share collectively the nostalgia for the unattainable" (p. 81), can, on the other hand, be viewed in a more "positive" light. The term "nihilism" itself, as Nietzsche has shown us, is ambiguous, comprising both the concepts of what he termed "active nihilism" and "passive nihilism," which involves a complex interplay between the dual forces of affirmation and negation (WP, p. 22).As the Italian philosopher, Gianni Vattimo, points out, the most general distinction between these forces can be seen in terms of "strength of spirit," where nihilism is considered as both "a sign (Zeichen) of the strengthened power... (shrink)

Este libro recoge los fundamentos de la Filosofía para la Paz en la que se viene investigando desde hace más de quince años en la Universitat Jaume I de Castellón. La Filosofía para la Paz pretende dar un sentido más aplicado a la reflexión filosófica que ayude al análisis de desafíos actuales como son la interculturalidad, el género, los conflictos, el compromiso de las empresas y la sensibilización de los medios de comunicación. Para conseguir este objetivo la Filosofía para la (...) Paz parte del principio de la interdisciplinariedad y por este motivo entra en diálogo con las diferentes áreas de estudio con las que nutrir su reflexión. El libro no se muestra sólo como una herramienta útil para las personas que quieren acercarse a los estudios para la paz desde la filosofía, sino también para quienes sienten una inquietud y un compromiso con la transformación pacífica del sufrimiento humano y de la naturaleza. Irene Comins Mingol es profesora contratada doctora del Departamento de Filosofía y Sociología de la Universitat Jaume I de Castellón y codirectora del Máster Universitario y Doctorado Internacional en Estudios de Paz, Conflictos y Desarrollo. Algunas de sus publicaciones son La ética del cuidado y la construcción de la paz y Filosofía del cuidar. Sonia París Albert es doctora por la Universitat Jaume I y profesora contratada doctora del Departamento de Filosofía y Sociología de la Universitat Jaume I. Actualmente, es vicedirectora de la Cátedra UNESCO de Filosofía para la Paz y Coordinadora de Investigación del Máster Universitario Internacional en Estudios de Paz, Conflictos y Desarrollo de la UJI. Su último libro se titula Filosofía de los Conflictos. (shrink)

The case of Baby G raises some of the most difficult decisions confronting parents and health-care professionals. Given the context-specific nature of most medical decisions affecting children, the principles and standards of child rights and the U.N. Convention on the Rights of the Child will not clearly articulate the best interests of the child in every situation. A child rights–based approach will, however, provide the factors that must be considered, methods for their analysis, and the procedural safeguards that must surround (...) decision-making related to complex medical situations facing children, families, and providers. This approach can facilitate both.. (shrink)

Richard Rorty, who was a member of our Academy and who passed away much too early, wrote that the “hermeneutical attitude is in the intellectual world what democracy is in the political world.”1 This statement is more and more evident, although not in its prima facie sense, which always runs the risk of becoming an ineffective truism. I want to suggest that the parallelism between hermeneutics and democracy should be taken today as the indication of a common crisis affecting them. (...) To say it rather brutally: both hermeneutics and democracy appear nowadays so obvious and harmless that they lose…. (shrink)

The conversations generated by the chapters in Music's Immanent Future grapple with some of music's paradoxes: that music of the Western art canon is viewed as timeless and universal while other kinds of music are seen as transitory and ephemeral; that in order to make sense of music we need descriptive language; that to open up the new in music we need to revisit the old; that to arrive at a figuration of music itself we need to posit its starting (...) point in noise; that in order to justify our creative compositional works as research, we need to find critical languages and theoretical frameworks with which to discuss them; or that despite being an auditory system, we are compelled to resort to the visual metaphor as a way of thinking about musical sounds. Drawn to musical sound as a powerful form of non-verbal communication, the authors include musicologists, philosophers, music theorists, ethnomusicologists and composers. The chapters in this volume investigate and ask fundamental questions about how we think, converse, write about, compose, listen to and analyse music. The work is informed by the philosophy primarily of Gilles Deleuze and Felix Guattari, and secondarily of Michel Foucault, Julia Kristeva and Jean-Luc Nancy. The chapters cover a wide range of topics focused on twentieth and twenty-first century musics, covering popular musics, art music, acousmatic music and electro-acoustic musics, and including music analysis, music's ontology, the noise/music dichotomy, intertextuality and music, listening, ethnography and the current state of music studies. The authors discuss their philosophical perspectives and methodologies of practice-led research, including their own creative work as a form of research. Music's Immanent Future brings together empirical, cultural, philosophical and creative approaches that will be of interest to musicologists, composers, music analysts and music philosophers. (shrink)

Roger Bacon’s De signis is a major contribution to the history of semantics. However, we know from the author's summary given in the Opus tertium that it has come down to us in an incomplete form. It belongs to the third part of Bacon’s Opus maius, devoted to the “knowledge of languages”. The three sections of the summary in the Opus tertium enable us to understand its organization. The first section presents various arguments in favor of knowledge of languages. The (...) major part of the second section of the summary is related to the “power of words”, which was originally present in the section on mathematics and magic. The third section is not present is the edition of Opus maius III: it was devoted to the study of signs and signification, which corresponds to the De signis, and circulated independently, and to its application to theology, a section that has not been found. Just as the late Compendium studii theologiae, the De signis offers an original treatment of semantic and linguistic questions which are fully embedded in the sophisticated debates that took place in the faculties of arts in Paris and Oxford during the second half of the 13th century. Bacon’s linguistic analysis can be equally relevant for the study of the Bible and theology. (shrink)

Le langage, la signification, la référence ont fait l’objet d’une grande attention au Moyen Âge, de la part des spécialistes des arts du langage. Pourtant, ils n’ont quasiment pas lu Augustin. Les théologiens, par contre, ont tiré grand profit des analyses augustiniennes. Henri de Gand a lu le De dialectica, en articulant autour de ce petit traité les autres textes d’Augustin portant sur le langage et les signes, afin d’élaborer une théorie du « langage vocal », préliminaire à toute réflexion (...) sur les noms divins, l’ineffabilité, l’analogie ou la propriété des noms. Ces textes forment également le socle des analyses élaborées par les théologiens sur le « parler des anges ». Par ailleurs, les chapitres sur les signes sacramentels doivent à la pensée augustinienne une analyse du signe, tirée du De doctrina christiana. Les théologiens insistent sur le caractère doublement relationnel du signe : signe de quelque chose, signe pour quelqu’un. Le caractère intentionnel de la prononciation de la formule du baptême ou du mariage est traité à partir des opuscules consacrés au mensonge ( De mendacio, Contra mendacium ). L’analyse de la causalité sacramentelle, et particulièrement celle de la causalité conventionnelle fondée sur le pacte, se construit sur la notion augustinienne de consensus, repensée dans le cadre d’une réflexion sur les signes magiques par Guillaume d’Auvergne, mais également sur la théorie de la relation telle qu’elle est élaborée dans le De Trinitate. Roger Bacon, qui fut maître ès arts avant de devenir franciscain, saura lire ces analyses des théologiens, et, en articulant les sources augustiniennes avec les sources logico-grammaticales utilisées par les Artistae, produire une théorie générale des signes. (shrink)

What is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the (...) importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes nine musical examples. (shrink)

In this paper we analyze the relative effectiveness of the moment of contact between a brand and an individual consumer. The concept of effectiveness is made operational through the use of both attitude and awareness measures. The main research uses a 4x4 Latin square confounded within subjects factorial design with different touch points and brands. The appropriate stimuli were identified in a preliminary study. The results indicate that, overall, TV advertising and print advertisements – the traditional media channels – are (...) significantly more effective than the internet, a non-traditional media channel. (shrink)

« Hannah Arendt avait l’air enchanté, sur la piste d’un paradoxe flambant neuf. Ses yeux et son sourire avaient un éclat plus profond que celui de la tolérance, car il jaillissait d’un besoin d’aimer ce qui était étranger, et de pardonner ce qui paraissait laid, horrible, sauvage » . Le romancier précise que le..

Este estudio examina las relaciones entre política, poder, comunicación y cultura y el impacto de las nuevas tecnologías en esas relaciones. En él se destaca la función de la universidad en la producción de conocimiento útil al ciudadano en sus prácticas político-sociales, en la interpretación del m..

The political discourse of Rafael Caldera and Carlos Andrés Pérez is here analyzed. Thess leaders share features in exercising power as presidents of Venezuela, and in their being members of the traditional political parties that ruled the country in the second half of the XXth century. A crit..

En esta entrevista el conocido sociólogo venezolano Rigoberto Lanz, nos presenta su interpretación, desde una postura postmoderna-crítica, de la realidad social y el desarrollo político de la democracia en la América Latina, en un contexto histórico donde la globalización y el pensamiento únic..

V. 1 is a detailed analysis of a previously unknown proof copy of the first edition of Galileo's Sidereus nuncius, in which watercolor drawings appear in place of the etchings of the published edition, consigned in 2005 to the antiquarian bookselling firm of Martayan Lan. V. 2 is an account of the composition and production of the edition, based on analysis of extant copies as well as the New York proof copy. V. 3 was written in response to the discovery, (...) soon after the publication of v. 2, that the proof copy was in fact an elaborate forgery produced between 2003 and 2005 under the direction of Marino Massimo de Caro, as first reported in the article "A very rare book," by Nicholas Schmidle, in The New Yorker issue of 16 December 2013. V. 4, in German, is a heavily revised edition of Horst Bredekamp's Galilei der Künstler, which had included a chapter on the then unrecognized forgery. (shrink)

This book reassesses the role and impact of skepticism in early modern philosophy, revisiting and reinterpreting the positions of some of the main early modern philosophers in relation to this tradition and showing its relevance to others who have not previously been connected to skepticism.

La méthode adoptée dans le Vocabulaire européen des philosophies peut-elle être taxée de « relativiste » comme l’écrit Carlo Ginzburg, et plus précisément de mener au « relativisme sceptique »? L’on vise ici à répondre par la négative en montrant les proximités entre la démarche du VEP et certains travaux de l’auteur lui-même. Si le VEP n’est pas un dictionnaire d’« ethnophilologie », et se centre sur les traductions du vocabulaire philosophique, les enjeux politiques sont essentiels. Il s’agit, en prenant (...) de la distance par rapport à sa propre langue, de construire des comparables, en étant aussi bien contre l’universalisme abstrait que contre le culturalisme relativiste qui conduit à l’incommensurabilité. (shrink)

Como consecuencia de la crisis económica, inmobiliaria y financiera experimentada en España en los últimos años, muchos deudores hipotecarios no pueden hacer frente a sus cuotas y corren el riesgo de perder sus viviendas, en ocasiones conservando una deuda imposible de afrontar. El sobrendeudamiento y la morosidad hipotecaria abocan así a ciertas economías domésticas a situaciones insostenibles que pueden llevar a una reordenación de los gastos y necesidades, entre los que las cuotas hipotecarias dejan de tener prioridad. La legitimación de (...) la condición de moroso que puede observarse en esos casos es un fenómeno con importantes implicaciones antropológicas, en la medida en que constituye un cuestionamiento de la obligación de devolver el préstamo. Desde el punto de vista de los deudores y de quienes les brindan apoyo, caer en el impago, lejos de constituir una transgresión moralmente reprobable, puede entenderse como un acto de responsabilidad que tiende al sostenimiento de la vida. (shrink)

Although many important dieciochistas have devoted their attention to utopian texts written in Spain in the long eighteenth century, Form and Reform in Eighteenth-Century Spain: Utopian Narratives and Socio-Political Debate is the first book-length study of its kind. It is a book whose potential readership goes beyond the field of Spanish eighteenth-century specialists. It will interest global scholars in utopian studies and also Latin Americanists, especially those in the field of Colonial studies. The close reading of five utopian works...