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  1. (1 other version)Contextual implication.Isabel C. Hungerland - 1960 - Inquiry: An Interdisciplinary Journal of Philosophy 3 (1-4):211 – 258.
    In this essay, I have rejected the inductive interpretation of the paradigm of contextual implication (to say “p”; is to imply that one believes that ) and proposed in its stead an explicatory model according to which a speaker in making a statement contextually implies whatever one is entitled to infer on the basis of the presumption that his act of stating is normal. In developing this model, I show how contextual implication depends on three distinct matters: a stating context, (...)
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  2. The concept of intention in art criticism.Isabel C. Hungerland - 1955 - Journal of Philosophy 52 (24):733-742.
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  3.  80
    Hobbes's theory of signification.Isabel Payson Creed Hungerland & George R. Vick - 1973 - Journal of the History of Philosophy 11 (4):459-482.
    In part through correcting mistranslations of key passages in the "de logica" part of his "de corpore," hobbes is shown to have held a theory in which the intention to communicate enters into the definition of signification; and in which speech requires, In addition, (1) socially agreed-Upon correlations between kinds of utterances and kinds of things, And (2) an interrelationship of such utterances (or 'words') in what hobbes calls 'contexture'. It is shown that hobbes did not hold that for a (...)
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  4.  46
    The Logic of Aesthetic Concepts.Isabel C. Hungerland - 1962 - Proceedings and Addresses of the American Philosophical Association 36:43 - 66.
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  5. The interpretation of poetry.Isabel C. Hungerland - 1954 - Journal of Aesthetics and Art Criticism 13 (3):351-359.
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  6.  12
    Meaning and Truth in the Arts.Isabel C. Hungerland - 1948 - Journal of Aesthetics and Art Criticism 6 (4):352-355.
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  7.  21
    Hobbes's Theory of Signification.Isabel C. Hungerland - 1973 - Journal of the History of Philosophy 11 (4):459.
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  8.  41
    Once again, aesthetic and non-aesthetic.Isabel Creed Hungerland - 1968 - Journal of Aesthetics and Art Criticism 26 (3):285-295.
  9.  21
    (1 other version)The Logic of Moral Discourse.Isabel C. Hungerland - 1955 - Journal of Aesthetics and Art Criticism 18 (1):130-132.
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  10. De Corpore, Part I: Computatio Sive Logica.T. Hobbes, I. C. Hungerland, G. R. Vick & A. Martinich - 1983 - British Journal for the Philosophy of Science 34 (1):72-77.
  11.  16
    Critiques and Essays in CriticismTheory of LiteratureT. S. Eliot: The Design of His Poetry.Isabel Creed Hungerland, Robert Wooster Stallman, Rene Wellek, Austin Warren & Elizabeth Drew - 1950 - Journal of Aesthetics and Art Criticism 8 (3):196.
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  12.  29
    Poetic discourse.Isabel Payson Creed Hungerland - 1958 - Berkeley,: University of California Press.
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  13.  19
    The Emotions. Outline of a TheoryThe Psychology of Imagination.Isabel Creed Hungerland & Jean-Paul Sartre - 1950 - Journal of Aesthetics and Art Criticism 8 (4):276.
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  14.  41
    The Updating of the Leviathan.Isabel C. Hungerland - 1995 - Hobbes Studies 8 (1):37-45.
  15.  31
    The World as Spectacle.Isabel Creed Hungerland & Gustav E. Mueller - 1946 - Journal of Aesthetics and Art Criticism 4 (4):251.
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  16.  35
    War on Critics.Isabel C. Hungerland & Theodore L. Shaw - 1953 - Philosophical Review 62 (4):615.
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  17.  13
    De ludo globi =.Thomas Hobbes, Isabel C. Hungerland & Georges R. Vick - 1986 - New York: Abaris Books. Edited by Pauline Moffitt Watts.