A Crítica de Hume ao Argumento do Desígnio José Oscar de Almeida Marques Dep. de Filosofia – UNICAMP -/- RESUMO: É comum considerar que o chamado “argumento do desígnio” (o argumento a posteriori para provar a existência de Deus a partir da ordem e funcionalidade do mundo) teria sido refutado ou seriamente abalado por Hume. Mas a natureza e o alcance dessa alegada refutação são problemáticos, pois Hume muitas vezes expressou suas críticas através de seus personagens e (...) evitou assumi-las diretamente enquanto autor. Em vez de supor que Hume procedeu dessa forma apenas para disfarçar suas verdadeiras convicções e evitar um conflito com as autoridades eclesiásticas, proponho que sua posição nesse assunto não é tão categórica como às vezes se supõe, e que os famosos argumentos de Filo nos Diálogos mostram apenas que é possível que a ordem e funcionalidade do mundo tenham surgido sem a intervenção de um desígnio consciente, mas não podem por si sós dar a essa hipótese o mínimo grau de plausibilidade necessário para torná-la digna de uma séria consideração. De fato, antes da revolução explicativa operada por Darwin um século depois, ninguém estava realmente em condições de vislumbrar uma alternativa plausível à atuação de algum tipo de inteligência na geração da ordem e funcionalidade do mundo. ------------ Some Remarks on Hume’s Critique of the Argument from Design José Oscar of Almeida Marques Dep. of Philosophy - UNICAMP -/- ABSTRACT: The so-called “argument from design” (the a posteriori argument to prove the existence of God from the order and functionality of the world) is commonly considered to have been refuted or seriously impaired by Hume. But the nature and scope of this alleged refutation is problematic because Hume often expressed his critics through other characters’ mouth and avoided to assume them directly as author. Contrarily to the supposition that Hume proceeded in this way only to disguise his true convictions and to avoid a confrontation with the ecclesiastical authorities, I propose that his stance on the matter is not, in fact, as clear-cut as it is sometimes supposed, and that Philo’s famous arguments in the Dialogues show only that it is possible for the order and functionality of the world to have arisen without the intervention of an intelligent design, but cannot by themselves lend to this hypothesis the least degree of plausibility needed to make it worthy of serious consideration. In fact, before the explanatory revolution inaugurated by Darwin a century later, nobody was in position to envisage a plausible alternative to the operation of some sort or other of intelligence in the generation of the order and functionality of the world. (shrink)

Although Joseph Priestley was notorious for rejecting much of orthodox Christianity and replacing it with a materialistic Unitarianism, in another respect he was an orthodox theist of his time in that he passionately upheld the Argument from Design. The Argument from Design was the heart of his “rational religion”. He contended that natural order, especially biological order, could only be successfully explained by intentional agency. At the time, however, the Argument was (...) coming under attack, first from David Hume, then from Matthew Turner, and lastly from Erasmus Darwin. Priestley replied to each of these critics. This article surveys his replies. The three critics of the Argument contended that intelligent agency could offer only a weak explanation of natural order or that natural order is self-explanatory or that natural mechanisms can explain biological order. Priestley in turn critiqued all three contentions, arguing that the Argument is a strong explanation; that natural order cannot be self-explanatory; and that the proposed natural explanations conflict with the empirical evidence. (shrink)

I. The argument from design or ‘teleological argument’ purports to be an inductive proof for the existence of God, proceeding from the evidence of the order exhibited by natural phenomena to the probable conclusion of a rational agent responsible for producing that order. The argument was severely criticized by David Hume in his Dialogues Concerning Natural Religion , and it was widely conceded that Hume's objections had cast serious doubt (...) on the adequacy of the teleological argument, if not destroyed its credibility entirely. However, there has been a recent reappraisal of this claim by R. G. Swinburne, who maintains that none of Hume's criticisms have any validity against a ‘carefully articulated version of the argument’. Using an analogical argument based on temporal regularities rather than on spatial regularities , Swinburne claims to have shown that the teleological argument is a legitimate inference to the best explanation whose force depends only on the strength of the analogy and on the degree to which the resulting theory makes explanation of empirical matters simpler and more coherent. Moreover, he claims to have shown that the argument provides support for the Christian monotheistic hypothesis and not merely for the weak claim that the universe was designed . This is an important claim since it has long been thought that Hume's most devastating blow was dealt when he showed that the teleological argument provides just as much support for the negation of certain propositions considered essential to Christian monotheism as it does for their affirmation. (shrink)

Long before the current dispute in the USA about the teaching of evolution, Hume's dialogues presented and critically analyzed the idea of intelligent design. What should we teach our children about the creation of the world? What should we teach them about religion? The characters Demea, Cleanthes, and Philo passionately present and defend different answers to that question. Demea opens the dialogue with a position derived from René Descartes and Father Malebranche — God's nature is a (...) mystery, but God's existence can be proved logically. Cleanthes attacks that view, both because it leads to mysticsm and because it attempts the impossible task of trying to establish existence on the basis of pure reason, without appeal to sense experience. As an alternative, he offers a proof of both God's existence and God's nature based on the same kind of scientific reasoning established by Copernicus, Galileo, and Newton. Taking a skeptical approach, Philo presents a series of arguments that question any attempt to use reason as a basis for religious faith. He suggests that human beings might be better off without religion. The dialolgue ends without genuine agreement among the characters, justifying Hume's choice of dialogue as the form of presentation. (shrink)

Long before the current dispute in the USA about the teaching of evolution, Hume's dialogues presented and critically analyzed the idea of intelligent design. What should we teach our children about the creation of the world? What should we teach them about religion? The characters Demea, Cleanthes, and Philo passionately present and defend different answers to that question. Demea opens the dialogue with a position derived from René Descartes and Father Malebranche — God's nature is a (...) mystery, but God's existence can be proved logically. Cleanthes attacks that view, both because it leads to mysticsm and because it attempts the impossible task of trying to establish existence on the basis of pure reason, without appeal to sense experience. As an alternative, he offers a proof of both God's existence and God's nature based on the same kind of scientific reasoning established by Copernicus, Galileo, and Newton. Taking a skeptical approach, Philo presents a series of arguments that question any attempt to use reason as a basis for religious faith. He suggests that human beings might be better off without religion. The dialolgue ends without genuine agreement among the characters, justifying Hume's choice of dialogue as the form of presentation. (shrink)

The last three decades have witnessed a heated debate of the merits of intelligent design (ID) as a way to understand a number of observable natural phenomena. The present dispute has its roots in a much older discussion: that of natural theology, which has always had as its goal the discernment of design(s) attributable to God in the natural world. Despite its ongoing relevance, natural theology does not have a coherent scholarly history. Turning Points (...) in Natural Theology from Bacon to Darwin deftly fills that gap, analysing the argument of design during the period from Francis Bacon (1561-1626) to Charles Darwin (1809-82), with a specific focus on those moments at which the rhetorical terms changed significantly. (shrink)

David Hume's Dialogues Concerning Natural Religion is a philosophical and literary classic of the highest order. It is also an extremely relevant work because of its engagement with issues as alive today as in Hume's time: the design argument for a deity, the problem of evil, the dangers of superstition and fanaticism, the psychological roots and social consequences of religion. In this outstanding and unorthodox collection, an international team of scholars engage with (...) class='Hi'>Hume's classic work. The chapters include state-of-the-art contributions on the central interpretive questions posed by the Dialogues as well as major contributions relating it to contemporary issues in philosophy of religion, philosophy of science, moral psychology, and social philosophy. Additional contributions tackle the historical and philosophical background of the Dialogues, relating it to Hume's own systematic philosophy, to the work of other key seventeenth and eighteenth-century figures - Locke, Clarke, Bayle, Cudworth, Malebranche, Spinoza, Lord Bolingbroke, and Voltaire, among others - to early modern neo-Epicureanism in the life sciences, and, notably, to what Darwin missed by thinking too much like William Paley and not enough like Hume's Philo. Overall, this volume provides fresh and even groundbreaking perspectives on Hume's Dialogues Concerning Natural Religion. It is essential reading for students and scholars of Hume, the history of modern philosophy, philosophy of religion and the history and philosophy of science. (shrink)

The section on the Argument from Design in collections of readings in the philosophy of religion usually begins with an expository selection drawn from Archdeacon William Paley’s Natural Theology, and follows with a critical selection drawn from David Hume’s Dialogues Concerning Natural Religion. Only from the footnotes does the student learn that Hume’s Dialogues was published over twenty years before Paley’s Natural Theology. Probably the student will feel (...) that Hume’s devastating critique of the Argument must strike every reasonable person with equal force, and so he will conclude that Paley must have been an archetypal intellectual conservative—a man whose ideas were dead and fossilized long before he put pen to paper. In fact, historically, the very opposite was the case. Although few could deny Hume’s towering intellect—“God’s greatest gift to the infidel” one fellow Scot grudgingly called him—Hume failed entirely to break the hold that the Argument from Design had on people’s imaginations. As many of us feel about Descartes’s arguments from illusion, people “knew” that somehow there must be a flaw in Hume’s argumentation, for, in the words of the anatomist Richard Owen, organic characters like the hand, the foot, and the eye, bear “irrefragable evidence of creative foresight.” Far from being outdated before it appeared, Paley’s book, in which he drew lucidly upon the most recent findings in natural science, rapidly became the standard work on the Argument from Design. It was, for instance, considered essential reading in any young man’s university education. (shrink)

In this article, I examine one of the most famous and controversial illustrative analogies in all philosophical literature—the Articulate Voice speaking from the clouds—which is presented by Cleanthes in Part 3 of David Hume’s Dialogues Concerning Natural Religion. Cleanthes holds that this illustration will unprejudice Philo’s mind to the point where the latter will accept the analogical Argument from Design, which Cleanthes presents in Part 2 of the Dialogues. Since Philo offers no direct (...) reply to this illustrative analogy in Part 3, I attempt to locate where, in the Dialogues, he assesses the Articulate Voice illustration. My critical assessment reveals that it is Hume’s/Philo’s considered position in Part 12 that the Articulate Voice fails to strengthen Cleanthes’ position regarding the analogical Design Argument. In Part 3, Cleanthes also makes reference to a natural or irregular argument for inferring an intelligent cause for the Voice heard from the clouds, and for the design of the world. I argue that in Part 12, Philo accepts the natural or irregular argument for the inference to an intelligent cause for the design of the world, but rejects this type of argument in the case of the Articulate Voice heard from the clouds. (shrink)

In this article, I examine one of the most famous and controversial illustrative analogies in all philosophical literature—the Articulate Voice speaking from the clouds—which is presented by Cleanthes in Part 3 of David Hume’s Dialogues Concerning Natural Religion. Cleanthes holds that this illustration will unprejudice Philo’s mind to the point where the latter will accept the analogical Argument from Design, which Cleanthes presents in Part 2 of the Dialogues. Since Philo offers no direct (...) reply to this illustrative analogy in Part 3, I attempt to locate where, in the Dialogues, he assesses the Articulate Voice illustration. My critical assessment reveals that it is Hume’s/Philo’s considered position in Part 12 that the Articulate Voice fails to strengthen Cleanthes’ position regarding the analogical Design Argument. In Part 3, Cleanthes also makes reference to a natural or irregular argument for inferring an intelligent cause for the Voice heard from the clouds, and for the design of the world. I argue that in Part 12, Philo accepts the natural or irregular argument for the inference to an intelligent cause for the design of the world, but rejects this type of argument in the case of the Articulate Voice heard from the clouds. (shrink)

In this article, after reviewing traditional arguments from design, I consider some more recent versions: the so-called ‘new design arguments’ for the existence of God. These arguments enjoy an apparent advantage over the traditional arguments from design by avoiding some of Hume’s famous criticisms. However, in seeking to render religion and science compatible, it seems that they require a modification not only of our scientific understanding but also of the traditional conception of God. (...) Moreover, there is a key problem with arguments from design that Mill raised to which the new arguments seem no less vulnerable than the older versions. The view that science and religion are complementary has at least one significant advantage over other positions, such as the view that they are in an antagonistic relationship or the view that they are so incommensurable that they are neither complementary nor antagonistic. The advantage is that it aspires to provide a unified worldview that is sensitive to the claims of both science and religion. And surely, such a worldview, if available, would seem to be superior to one in which, say, scientific and religious claims were held despite their obvious contradictions. Given this, it should come as no surprise that many religious thinkers have been attracted to the view that science and religion are complementary. Here, I wish to consider a cluster of arguments exemplifying this position: namely, ‘new design arguments’ for the existence of God. These arguments rely directly on developments in late twentieth-century natural science in attempting to establish their conclusions. One question that will need to be addressed is: To what extent are they susceptible to the criticism that they only succeed by distorting the religious beliefs they claim to champion? But before we examine new design arguments, it would be wise to consider first of 1 all the traditional arguments from design, and note some of the problems they have faced.. (shrink)

Contributors: -/- John Beatty (British Columbia); Kelly James Clark (Ibn Haldun, Istanbul); Angela Coventry (Portland State); Thomas Holden (UC Santa Barbara); Willem Lemmens (Antwerp); Robin Le Poidevin (Leeds); Jennifer Marusic (Edinburgh); Kevin Meeker (South Alabama); Amyas Merivale (Oxford); Peter Millican (Oxford); Dan O’Brien (Oxford Brookes); Graham Oppy (Monash); Paul Russell (Lund); Andre C. Willis (Brown).

According to recent commentators like Paul Guyer, Kant agrees with Hume's Dialogues Concerning Natural Religion that physico-theology can never provide knowledge of God and that the concept of God, nevertheless, provides a useful heuristic principle for scientific enquiry. This paper argues that Kant, far from agreeing with Hume, criticizes Hume's Dialogues for failing to prove that physico-theology can never yield knowledge of God and that Kant correctly views Hume's Dialogues as a threat to, (...) rather than an anticipation of, his own view that the concept of God provides a useful heuristic principle for science. The paper concludes that Kant's critique of physico-theology reflects Kant's deep dissatisfaction with Hume's manner of argumentation and suggests that Kant's attempt to provide a more successful critique of physico-theology merits continued philosophical attention. (shrink)

Hume'sDialogues Concerning Natural Religion are still much with us. What appears to be the definitive edition was published by Professor Norman Kemp Smith in 1935 with a learned introduction which, among other things, assembled a mass of evidence pointing to the conclusion that Philo is to be identified with Hume himself, and that Hume in the Dialogues is deliberately trying to undermine the religious hypothesis. Though these conclusions have been widely accepted, Dr. B. M. Laing, (...) in the April issue of Philosophy, strenuously attacked them in an ingenious argument based in part on his already published thesis that Hume's fundamental philosophy is not really the scepticism so long assigned him. Dr. Laing takes the opportunity in passing to indicate his sympathy with the recent position of a distinguished British poet that Voltaire, also, has been traditionally abused in the assumption that on the question of religion he wrote with his tongue in his cheek. The present examination is not designed to inquire into this new mode of making the wicked pious; nor to push the question back from the Dialogues to Hume's basic philosophy; nor to press the writer's conviction [“The Enigma of Hume,” Mind, XLV pp. 334–349] that not only is Philo to be identified as Hume, but in addition, Cleanthes as Joseph Butler, and Demea as Samuel Clarke. The present purpose is solely to indicate certain unhistorical bases of Dr. Laing's attack on the more traditional view so ably championed by Professor Norman Kemp Smith. (shrink)

ABSTRACT Hume’s Dialogues concerning Natural Religion (1779) describes a philosophical discussion on the validity of the argument from design. What Hume investigates, however, is not the rational grounds of religion, but human nature and its attraction to the idea of design. I argue that the key to understanding Hume’s Dialogues is his conception of the imagination as described in the Treatise. Hume characterizes the human imagination or mind as self-indulgent, (...) with a strong drive to unite perceptions in relations of resemblance, contiguity or causality, often adding fictional constructions to create an easy transition between ideas. Natural religion is a prime example, as the whole universe is united in orderly means-to-ends relations and provided with a familiar cause: something resembling the human mind. This reading of the Dialogues, however, does not warrant the conclusion that Hume provides a reductionist natural explanation of natural religion. Knowing human nature helps to understand religion’s attraction and the attraction of religion helps to understand humans, because it is paradigmatic of who we are. To connect perceptions, construct wholes and create meaning out of chaos is an essential feature of human nature, and a source of great pleasure. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume 28, Number 1, April 2002, pp. 113-130 Bayesianism, Analogy, and Hume's Dialogues concerning Natural Religion SALLY FERGUSON Introduction Analyses of the argument from design in Hume's Dialogues concerning Natural Religion have generally treated that argument as an example of reasoning by analogy.1 In this paper I examine whether it is in accord with Hume's (...) thinking about the argument to subsume the version of it given in the Dialogues under the model of probabilistic reasoning offered by Bayes's theorem. Wesley Salmon attempted this project in 1978.2 In related projects, David Owen3 as well as Philip Dawid and Donald Gillies4 have more recently attempted to construct Bayesian analyses of Hume's argument concerning testimony in "Of Miracles." I want to be careful at this stage to note exactly what I will claim. It is not that Bayesian reasoning sheds no light on the argument from design, or on arguments concerning testimony. All of the analyses mentioned above are beneficial in that they have been able to expose subtleties in these arguments that had previously gone unnoticed. Salmon's paper, in particular, contributes nicely to an understanding of just how the design argument may function in relation to contemporary scientific reasoning. In this paper I argue that, nonetheless, the attempt to apply Bayesian reasoning to the argument as presented in the Dialogues is not well supported as a reconstruction of Hume's own approach to the argument from design. Sally Ferguson is Assistant Professor of Philosophy, University of West Florida, UOOO University Parkway, Pensacola, FL 32514, USA. e-mail: [email protected] 114 Sally Ferguson There are two stages to my treatment of the issue. I begin by considering how much Hume knew of Bayes's theorem, and what consequence that knowledge might have had on his treatment of the argument in the Dialogues. This discussion includes a consideration of exactly what has been claimed by other authors on this subject, including what some have argued concerning Hume's reasonings in "Of Miracles," section 10 of An Enquiry concerning Human Understanding. I conclude that, based on the historical data, there is little reason to think of Hume's approach to the argument from design as anything more than proto-Bayesian at best. I then argue further, through a close textual analysis of the Dialogues, that there are good reasons for not treating Hume's reasoning there as even proto-Bayesian. In the end, the benefits that have been claimed for that approach, in terms of exposing both the subtleties of the argument and of Hume's reasoning about it, can equally well be derived from a careful analysis of the argument under a model of analogical reasoning, without need of Bayes's theorem. Section One Perhaps one might think that there is not much use for a consideration of the question whether Hume himself conceived of any of his arguments along specifically Bayesian lines. As Gower argues,5 Hume's knowledge of mathematics in general was fairly limited, and Bayes's theorem was not well known even up until Hume's death. It is important, therefore, for me to establish that there have not only been those who thought that Bayesian reasoning illuminates the arguments Hume gave, but also his own thinking about those arguments. It is also important for me to establish that it is not obvious that knowledge of Bayes's theorem did not affect Hume's reasonings. Each of these points will be addressed in the following. As to the first point, the claims of some authors on the subject are ambiguous. Dawid and Gillie, for example, make no statement to the effect that the probabilities involved in Bayes's theorem were in fact examined in "Of Miracles," nor do they attempt to produce any passages from Hume in support of that view. Thus it would be assumed that they see their attempt not as an attempt to provide an analysis that represents Hume's own approach to the argument, but rather simply as one that provides an illuminating method of analysis and support for an argument that Hume happened to give. Indeed, their conclusion, to the effect that a... (shrink)

The argument from design stands as one of the most intuitively compelling arguments for the existence of a divine Creator. Yet, for many scientists and philosophers, Hume's critique and Darwin's theory of natural selection have definitely undermined the idea that we can draw any analogy from design in artifacts to design in nature. Here, we examine empirical studies from developmental and experimental psychology to investigate the cognitive basis of the (...) class='Hi'>design argument. From this it becomes clear that humans spontaneously discern purpose in nature. When constructed theologically and philosophically correctly, the design argument is not presented as conclusive evidence for God's existence but rather as an abductive, probabilistic argument. We examine the cognitive basis of probabilistic judgments in relationship to natural theology. Placing emphasis on how people assess improbable events, we clarify the intuitive appeal of Paley's watch analogy. We conclude that the reason why some scientists find the design argument compelling and others do not lies not in any intrinsic differences in assessing design in nature but rather in the prior probability they place on complexity being produced by chance events or by a Creator. This difference provides atheists and theists with a rational basis for disagreement. (shrink)

Many interpretations of Hume's Dialogues Concerning Natural Religion have labored under the assumption that one of the characters represents Hume's view on the Design Argument, and Philo is often selected for this role. I reject this opinion by showing that Philo is inconsistent. He offers a decisive refutation of the Design Argument, yet later endorses this very argument. I then dismiss two prominent ways of handling Philo's reversal: first, I show that (...) Philo is not ironic either in his skepticism or in his theistic reversal. Second, I reject the suggestion that the Design Argument is a natural belief, since it differs significantly from causal and external world beliefs. Finally, I argue that the control the Design Argument exerts is the product of a youthful indoctrination that prevents Philo from consistently maintaining his skeptical position. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:347 THE ROLE OF PART XII IN HUME'S DIALOGUES CONCERNING NATURAL RELIGION Anyone appreciative of Hume's greatness as a philosopher will want to suppose that the Dialogues both form a coherent whole and express Hume's own views on natural religion or religion based on reason (as opposed to religion based on revelation). In the last connection, given what we know (...) of Hume's epistemology, life, and correspondence, one would be inclined to suppose that he would reject out of hand the claims of revealed religion and contend that if there existed an acceptable religion it would have to be some form of natural religion. But insofar as natural religion claimed to establish scientifically the existence and nature of God one would envisage Hume dissenting. Now as long as we restrict our gaze to Parts I-XI of the Dialogues we seem to be able, easily enough, to satisfy all these suppositions. In Part IV, under the name of 'mysticism, ' revealed religion is summarily and facetiously dismissed as 2 indistinguishable from atheism. Demea's apparently permanent departure from the discussion at the conclusion of Part XI as much as says, symbolically, that revealed religion is not a serious contender for one's belief. Its a priori arguments -- the argument from sufficient reason and the ontological argument -- are almost as shortly attacked and dismissed (D 188-192). Also quite in keeping with Hume's philosophical view on knowledge of matters of fact is, on the other hand, the lengthy and detailed examination he bestows on the empiricist argument from design. That Philo, ostensibly his spokesman, is however able to uncover all kinds of logical short-comings in its claims to scientifically 348 establish the existence and nature of God does not surprise us; it coheres perfectly with our preconceived picture of Hume the skeptic, and his system as restricting science to numbers and quantities or, in the term's looser sense, to human nature and its more immediate surroundings. In short, Parts I-XI seem to be all of one Humean whole. But at first and even second glance Part XII notoriously seems to tear our hopes to find coherence and a plausible representation of Hume to tatters. There are, for one thing, those mocking sentences that seem to paint Hume in the colors of a devout, believing Christian, 'avid' for revelation. Thus, at the end of Part XII, apparently expressing Hume's deepest convictions, Philo says that "a person, seasoned with a just sense of the imperfections of natural reason, will fly to revealed truth with the greatest avidity" and immediately afterwards, "To be a philosophical sceptic is, in a man of letters, the first and most essential step towards being a sound, believing Christian" (D 227, 228). For another thing, in Part XII Hume seems to be completely reversing his refutations in Parts I-XI of the argument from design's claims to establish the existence and nature of God. Thus, where in Part II he had Philo reject the use of causal reasoning in the establishment of a Mind as the first cause of the universe on the relevantly Humean grounds that, to do so, "it were requisite, that we had experience of the origin of worlds" (D 150), in Part XII he has Philo, apparently speaking for himself (Hume), argue that "as there are also considerable differences, we have reason to suppose a proportional difference in the causes; and in particular ought to attribute a much higher degree of power and energy to the supreme cause than any we have ever observed in mankind. 349 Here then the existence of a DEITY is plainly ascertained by reason" (D 217). Indeed, all forms of the argument of design, purely analogical as well as causal, seem resurrected in Part XII, although they were one and all hanged and buried in Parts I-XI. Moreover, it seems that in Part XII Hume via Philo is saying that science itself leads us "to acknowledge a first intelligent Author" (D 214-215). Before proceeding to deal with certain other incoherencies with which Part XII seems to confront us let us address ourselves to the two that I have so far... (shrink)

In the the passage just quoted from theDialogues concerning Natural Religion, David Hume developed a thought-experiment that contravened his better-known views about chance expressed in hisTreatise and firstEnquiry.For among other consequences of the eternal-recurrence hypothesis Philo proposes in this passage, it may turn out that what the vulgar call cause is nothing but a secret and concealed chance.

I analyze different accounts of laws of nature: the Hume-Lewis regularity account, the Armstrong-Tooley relations between universals account, and my preferred account in terms of the powers and liabilities of individual substances. On any account it is most unlikely a priori that a universe would be governed by simple laws of nature. But if there is a God, it is quite probable that he will choose to create free agents of limited power, and to put them in a universe (...) governed by simple laws of nature, in order that their purposes may have their intended effects. Hence, the operation of simple laws of nature confirms the existence of God. (shrink)

There is reason for genuine puzzlement about Hume's aim in ‘The Natural History of Religion’. Some commentators take the work to be merely a causal investigation into the psychological processes and environmental conditions that are likely to give rise to the first religions, an investigation that has no significant or straightforward implications for the rationality or justification of religious belief. Others take the work to constitute an attack on the rationality and justification of religious belief in general. (...) In contrast to these views, I argue that Hume aims to establish two important claims in ‘The Natural History of Religion’. First, almost all popular religions, including popular monotheism, are deeply superstitious. Second, superstitious monotheism is incompatible with the variety of theism supported by the argument from design. This incompatibility puts significant pressure on the rational acceptability of popular religions. (shrink)

Newton and his contemporaries reinterpreted the traditional "design" argument for God's existence to argue from a universe, conceived along mechanistic lines, to the "Supreme Geometrician" who planned the design, started the machine, and continually compensates for its mechanical inadequacies. This position, Hurlbutt contends, was Hume's primary target in his Dialogues Concerning Natural Religion, a target which Hume effectively demolished. Hurlbutt attempts to amplify the significance of this thesis by summarizing various classical and (...) medieval arguments for God's existence. Hume, he feels, effectively refuted all of them by undercutting the rational arguments and showing that the mystical arguments rested on subjective needs and cultural conditioning. The present result of Hume's labors is that: "No modern theology is pursuing the path of natural theology or its prized argument—the design argument," a conclusion that Hurlbutt reaches by ignoring those theologians, e.g., many Thomists, who are pursuing the path of natural theology as well as the arguments that they actually employ.—E. M. M. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Huributt, Hume, Newton and the Design Argument Stanley Tweyman Abookfamiliartomanyofus,Hume,NewtonandtheDesignArgument, originally published in 1965, was recentlyreissued.1 The original work traces natural theology and the design argument from antiquity to the present. It analyses Hume's critique in the Dialogues Concerning Natural Religion, and shows one of his main targets to be the Newtonian formulation ofthe design argument (...) andits effort to exploit science for religious purposes. In the reissued edition, a supplementary essay is added, " The Dialogues as a Work of Art." In this essay, Hurlbuttargues that Hume used the dialogue form because he believed it to be an effective way to explore and expressively reveal the dialectical structure of certain kinds of philosophical and religious belief. In my own work on Hume's Dialogues Concerning Natural Religion,2 I acknowledge the importance of the dramatic components present in this work: that Pamphilus is a student of Cleanthes; that the initial assessment ofthe three speakers is provided by Hermippus (ofwhom we know nothing); that Pamphilus tells us that Philo was "a little embarrassed and confounded" after hearing Cleanthes' illustrative analogies in part 3; that Philo distances himselfat the end of part 8 from the sceptic's attack on all religious systems, and, in particular, from the attack in parts 2-8 in regard to Cleanthes' Argument from Design; that Demea's a priori argument in part 9 is criticized largely by Cleanthes rather than, as we mighthave expected, by Philo; that Demea takes leave of the discussion at the end of part 11; that Philo speaks of his "unfeigned sentiments" on the subject of natural religion in part 12; that the final pronouncement on the whole ofnatural theology (spoken by Philo) is regarded as the position which "some people seem to maintain"; that it is Pamphilus who, at the end ofthe Dialogues, assesses the 'principles' ofthe three main speakers; and that Hume speaks in his own person only once in this work, and then only in a footnote—these matters and several others were viewed as relevant to understanding the work as a whole and, therefore, were dealt with at great length. In his essay, Hurlbutt treats a familiar theme in a novel way. He supports the view, popularized largely by Norman Kemp Smith, that the literature on the Dialogues does not ordinarily take seriously the Volume XIX Number 1 167 STANLEY TWEYMAN fact that Hume chose to produce the Dialogues as a work of art. Hurlbutt therefore insists that he will not analyse the Dialogues as an argumentative essay "that is in an external fashion rhetorically embellished, and thus made more 'artful', in order to manipulate the reader and to hide or distance the author from the opinions therein" (p. 213). Such views, he urges, impoverish both Hume and the Dialogueshyimplying that he is deceitful, and by severely limiting the rich character ofthe Dialogues: T assume that Hume's decision to set the religious and theological arguments out in dialogue form was a rational act in a deeper sense, a sense tied to the things a successful work of art can do; things that a scientific essay, or even an 'artful essay", cannot do, or do so well" (ibid.). The main theme of Hurlbutt's essay—also its most original feature—is that by focusing on the Dialogues as a work of art, we will come to see that "a set ofexplicit arguments and beliefs are set out, in a series oflinked episodes, by a group ofexplicit speakers. By processes ofabstraction we can discover an implicit argument that is not wholly identical with any explicit ones, and an implicit speaker not identical with any one of the explicit speakers" (p. 215). Hurlbutt concludes by asserting that he "hopes to identify both the implicit argument and the implicit speaker with David Hume" (ibid.). Accordingly, Hurlbutt urges that Hume's thoughts and attitudes toward theology and religion cannot be identified with those ofany one ofthe explicit speakers, such as Philo or Cleanthes: "Rather, they must be identified with those of an implicit speaker, and the concept ofan implicit speaker is afunction of suggested or implicit meaning. And this last, ofcourse, is a concept ofart and aesthetics" (p. 216). Hurlbutt... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:390 HUME'S DIALOGUES AND THE COMEDY OF RELIGION Laughter is the key to Hume's Dialogues Concerning Natural Religion. Indeed, I would suggest that if the Dialogues have not made one laugh, and if one has not experienced the sheer delight of Hume's rhetorical excesses and gaiety, then one hasn't really understood this work at all. From this perspective, the usual questions are (...) irrelevant — Is Hume Cleanthes or Philo? Is Philo a mitigated sceptic or a Pyrrhonian? Such debates are sterile and miss the point, for however consistent or inconsistent the characters may be, the actual drama of the text has an intention and a direction all of its own, destroying the religious hypothesis not so much by 'serious' calculated argument as by ridicule and excess. Hume's Dialogues Concerning Natural Religion are the expression of a healthy and cheerful malice which strives at every turn to intensify the sense of the absurdity of religion. Hence their flavour is primarily rhetorical, and it would be a mistake to consider them as merely a collection of paraphraseable proofs directed against the possibility of rational theology. This is not to say, however, that Hume did not take religion seriously; on the contrary, he uses all of the devices of comedy in order to overwhelm it — rather as Nietzsche was to argue: "Not by wrath does one kill but by laughter. ml In this paper, I will consider the rhetorical aspect of Hume's Dialogues to show how the literary mode — the elaboration and contrast of characters, the use of parody and sudden turns in the plot, etc. — enables Hume to make a far more compelling assault on the religious hypothesis than the plain recital of 391 'reasonable' objections would ever achieve. I will focus my discussion on three central themes: First, the professed acceptance of God by all of the participants, and the consequent need for an oblique attack upon religion; second, Hume's comic perspectives on the argument from Design; and third, Hume's development of an 'antinomies of religion,' whereby the various religious arguments are used to undermine each other. 1. The Belief in God No man; no man, at least of common sense, I am persuaded, ever entertained a serious doubt with regard to a truth so certain and self-evident. The question is not concerning the being but the nature of God. Ostensibly, the one thing that is never questioned in the Dialogues, the one thing that all the participants remain agreed upon, is that God exists. Indeed, it seems that however limited the scope of natural theology may turn out to be, the actual being of God can never be in dispute, for in the Dialogues, belief in God is often presented as if it were an unchallengeable 'given' of human experience. Cleanthes, for example, apparently follows Locke in arguing for the reasonableness of theism; and yet, when he is pressed he defends the Design hypothesis in terms of its psychological irresistibility, appealing to a natural sentiment of belief rather than the claim of any argument: Consider, anatomize the eye: Survey its structure and contrivance; and tell me, from your own feeling, if the idea of a contriver does not immediately flow in upon you with a force like that of sensation.... it requires time, reflection and study, to summon up those frivolous, though 392 abstruse, objections, which can support infidelity (D 154). According to Cleanthes, the Design hypothesis is so self-evident that it really does not need any philosophical justification at all. It is simply the articulation of what we all already knew to be true: The comparison of the universe to a machine of human contrivance is so obvious and natural, and is justified by so many instances of order and design in nature, that it must immediately strike all unprejudiced apprehensions, and procure universal approbation (D 216). Demea also denies that religion is based upon argument. He claims that each man is brought to feel the truth of religion within himself through the consciousness of his own complete ignorance and misery. And in this respect, 'reason' can only hamper religious belief. Finally, at the end of the Dialogues, even Philo... (shrink)

Michael Ruse's Darwin and Design: Science, Philosophy, Religion explains the history and philosophical arguments of the design metaphor of evolution. It recounts the historical uses of the metaphor from Plato to twentieth‐century American science. Ruse explores the criticisms of the design metaphor and ultimately concludes that it is a beneficial term. The chief contribution of Darwin and Design is that it offers a clear understanding and comparison of the argument from (...) design and the argument to design. (shrink)

This chapter contains sections titled: Intelligent Design Darwin's Scientific Revolution Natural Selection Chance and Necessity: Mutation and Natural Selection “Only a Theory” Evolution Is a Fact Irreducibly Complex? The Disguised Friend References and Recommended Readings.

In lieu of an abstract, here is a brief excerpt of the content:Hume Studies Volume XXII, Number 1, April 1996, pp. 193-202 Why Hume Wasn't an Atheist: A Reply to Andre BERYL LOGAN In a recent issue of Hume Studies,1 Shane Andre argues that, as Hume's position on theism can be read primarily from Philo's position in the Dialogues Concerning Natural Religion, and since Philo's position in the Dialogues is one of "limited theism," (...) Hume was also a "limited theist" and therefore not an atheist. According to Andre, a "limited theist" is one like Epicurus, "who denied, not that the Gods exist, but that they intervene in human affairs" and, he continues, "...at least in philosophical circles, the term 'atheist' is generally restricted to people who disbelieve any form of theism, and this is the sense in which I propose to enquire whether Hume was an atheist" (142). Andre's claim then is that Hume is not an atheist in this latter sense, but is a limited theist in the former sense. This is shown in "three major objections to standard theism" in the Dialogues: those addressing the Argument from Design and the problem of evil, as well as the lack of debate on whether or not God exists. Philo's criticisms of the Argument from Design amount to the claim that, "not that there is no God, but that, if there is a God," empirical evidence cannot show that God has any of the traditional characteristics of wisdom, power or goodness. The "proper conclusion" of Philo's argument from evil does not concern God's existence, but establishes that God is "limited in some important respect." Philo's "limited theism" is expressed in his ambivalent attitude toward Cleanthes' Argument from Design in Part 12 ("that the cause or causes of order in the universe probably bear some remote analogy to human Beryl Logan is at the Department of Philosophy, Scarborough College, University of Toronto, 1265 Military Trail, Scarborough, Ontario MlC 1A4, Canada, email: logan@lake.'scar.utoronto.ca 194 Beryl Logan intelligence"). In sum, Philo and Cleanthes never debate God's existence, and they accept a limited Deity, therefore they hold positions of limited theism, therefore Philo is not an atheist. While I agree with Andre's conclusion that Hume is not an atheist, I will show in this paper first, that the interpretation which provides his means for arriving at this conclusion is not consistent with the text and faces a number of difficulties, and second, that the sense in which Hume is a limited theist has to do with the limitations of human reason and experience, and not with God's limited nature. My criticisms of Andre's position will be directed at three points in his argument: (1) his claim for Philo's theism based on Philo's lack of scepticism about God's existence; (2) what he regards to be the "proper conclusion" (153) to the problem of evil, as this directly influences his view of Philo's scepticism and the nature of the Deity; and (3) his view that Philo's theism is to be found in his acceptance of the Argument from Design (Philo's limited theism). My arguments will centre upon the "suspense of judgement," and where and how this.mental stance is used by Hume in the arguments of the Dialogues.2 Scepticism about God's Existence Andre claims that the arguments in the Dialogues are directed only to God's nature and do not address God's existence in spite of the fact that Cleanthes concludes his Argument from Design by claiming that the data in the world provide conclusive analogical support for the existence and (human-like) intelligence of the (traditional) Deity.3 Cleanthes' anthropomorphic Argument from Design purports to "prove" that the world has an intelligent divine designer just like machines have intelligent human designers and the only difference between the causes based on the effects is one of degree and not one of kind: the designer of the world is far grander than the designer of a computer because the world is more complex than a computer. I would urge, though, that Philo's scepticism is directed at both aspects of the Argument... (shrink)

How is it possible that in Three Essays on Religion Stuart MillStuart Mill, John gives more credit to the design argument than to the Darwinian explanation of biological adaptationsAdaptation? Three main types of reasons are presented. The first derives from the theory of knowledge contained in A system of logic and Mill’s understanding of both DarwinDarwin, Charles and Design: making use of the method of agreementAgreement (method of), the design argument is an instance (...) of genuine inductive reasoning, which for Mill is basically sound, while DarwinDarwin, Charles follows the “hypothetical methodHypothetical (method)” that Mill disvalues. Moreover, the whole Darwinian strategy, inherited from Whewell’sWhewell, William view of consilience, is foreign to Mill’s view of science. The second type of reasons derives from Mill’s metaphysics: within his phenomenalist framework, Mill is not committed to a naturalistic ontology, and he has no reason to favor the elimination of the supernatural. Finally, fruitfulness is not a key epistemic value for him, and Mill’s reservations on DarwinDarwin, Charles mirror the limitations of his own epistemic norms. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:305 HUME, HENRY MORE AND THE DESIGN ARGUMENT This paper is a contribution to research on the sources of Hume's statement of the design argument, whose analysis is the great subject of Dialogues Concerning Natural Religion. My surmise is that Hume's statement is probably his own. It is not a direct quotation from any source, but more 2 likely (...) a fabrication drawn from several sources which presents the strongest statement Hume could devise. My aim here is to demonstrate that one of Hume's sources is the works of Henry More (16141687 ). By a comparison of their language I mean to show the extent to which Hume drew on More for his formulation of the design argument. One of More's works, Divine Dialogues (1688), could have been Hume's modern example for treating the design 4 argument in a dialogue. It could have given Hume pointers for the organization, tone and characters of his own Dialogues. On a large view, the whole of Pialogues Concerning Natural Religion, with their artful match of position and counter-position, can be seen as a statement of the design argument. But on a close view, we can distinguish specific elements in Hume's statement; and for three of these elements we can show a close parallelism between Hume and More. The elements in Hume's statement to be considered here are.· (1)Cleanthes' introduction of the design argument in Part II, paragraph 5; (P 143) (2)"instances of design" offered by Cleanthes; (D 154, 185) and 306 (3) completing Hume's exposition of the design argument, Parts X and XI of the Dialogues, with their questions about the implications of human misery and the ill-workings of the world for the wisdom and benevolence of the universe maker (D 193-213). In addition to parallelisms between Hume and More at these points, there are a few straws in the wind that are worthy of mention. To pave the way for these comparisons, let me set out More's statements of the design argument. There are three of them. (1) More's first statement of the design argument occurs in An Antidote against Athéisme, (1652). The second of this work's three books is devoted to the design argument. Here is one of the earliest statements of the design argument in English; and it may be its first statement in an English work that is philosophical, rather than devotional or theological, and intended to convince solely on the basis of reasonable arguments. More sets out of the argument in three parts. First, there is the introductory remark: "...I would have my atheist walk with me awhile in the wide theater of this outward world, and diligently to attend to those many and most manifest marks and signs that I shall point to in this outward frame of things, that naturally signify unto us that there is a God" (AA 37-38). The 'walk' covers the next sixty pages, wherein More lists feature after feature of the world that he finds to instance divine design. At the end of this extensive catalogue, More then draws his conclusion: Wherefore the whole creation in general and every part thereof being so ordered as if the most exquisite reason and knowledge had contrived 307 them, it is natural to conclude that all this is the work of a wise God, as at first sight to acknowledge that those inscribed urns and coins digged out of the earth were not the products of unknowing nature, but the artifice of man (AA 97). (2)More's second statement of the design 7 argument is in The Immortality of the Soul (1659). More establishes to his satisfaction that matter is in motion, because "...when God created it, he D superadded an impress of Motion upon it...." That conclusion paves the way for the following paragraph: We have discovered out of the simple phenomenon of motion, the necessity of the existence of some incorporeal essence distinct from matter: but there is a further assurance of this truth, from the consideration of the order and admirable effect of this motion in the world. Suppose matter could move itself, would mere... (shrink)

This article offers a brief overview of the argument for God's existence grounded in the evidence of design. It gives particular attention to the way the argument has evolved over time and in relation to changing scientific perspectives. The argument from de‐sign has in fact been formulated and reformulated in response to the discoveries and challenges it has encountered from the field of science. The conclusion of the article explores the theological importance of this (...) argument—its extent and its limits. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.1 (2003) 128-129 [Access article in PDF] Robert Crocker, editor. Religion, Reason and Nature in Early Modern Europe. Dordrecht: Kluwer, 2001. Pp. xix + 228. Cloth, $77.00. By describing the early modern period as such, we thereby avow a continuity with it that ill squares with the following, insufficiently appreciated fact. The early modern counterparts of the largely atheistic American Philosophical Association, (...) let's say, were to an even greater degree theistic, and, moreover, theism affected their description and explanation of the world in a profound way—certainly more so than it does their few theistic descendents. This is true even of authors, like Hobbes and Spinoza, who might be read as leading to later atheism. The fact of early modern theism and its centrality in early modern philosophy and science are amply demonstrated in one after another of the eleven essays of this book.An emblematic figure is Robert Boyle, who figures as a main player in three of the essays, and is at least mentioned in five of the others. Lotte Mulligan, for example, investigates the role of "right reason" in Boyle's argument that religion is illuminated and made [End Page 128] plausible by metaphorically expressed analogies with natural philosophy, and conversely. The upshot is that only the "Christian Virtuoso," endowed with right reason whereby he is inspired to notice and express these analogies, was in a position to interpret the codes expressed both in the book of revelation and in the book of nature, one being incomplete without the other.Luisa Simonutti treats Boyle's engagement with the theological and scientific work of Spinoza through Spinoza's correspondence with Oldenburg. And G. A. J. Rogers deploys the work of Boyle, as well as of Locke, Newton, and the Cambridge Platonists, against the once-standard view (vide Butterfield) that "a major feature of the seventeenth-century was a secularization of knowledge." (Given just the other papers in this volume, this may seem like shooting fish in a barrel. Even so, perhaps one or two of the shots appear to miss. Newton seems proleptically to answer Hume's skepticism about induction by invoking, not divine simplicity, but an argument to the best explanation.)These papers overlap with two others, forming the core of the book. Sarah Hutton and Robert Crocker take on Cambridge Platonism. The former deals with Ralph Cudworth's rejection of Cartesian voluntarism in favor of an intellectualism of goodness and wisdom that grounds both the providential governance of the world and its intelligibility to human inquiry. The latter deals with Henry More's doctrine of the soul's pre-existence, a prima facie unlikely doctrine, but one that is less problematic, according to More, than the orthodox alternatives (creationism and traducianism).Three other papers fall outside this core, but their topics are no less relevant. Perhaps the most undeniable connection between the natural and the supernatural is to be found in Grotius, here studied by Jacqueline Lagree. Likely the most unexpected player will be the eccentric esprit fort, Cyrano de Bergerac. His work of nearly pure fantasy, in the Rabelaisian tradition, might well have made later, more serious heterodoxies possible. James E. Force provides a nice case study in Newton's reliance on what he took to be providentially guided comets as sources for the replenishment of otherwise declining celestial motion and matter (a line which, ironically, was picked up by Hume as a premise of an argument designed to undo the argument from design). Richard H. Popkin outlines three views of Judaism in the period. There is little connection with nature, but an important one with reason via a problem that exercised Cudworth and Newton: most peoples are polytheistic despite the clear monotheism of revelation. One theory had it that Judaism was the original, pure religion, which degenerated into various forms of paganism. But this degeneracy was soon read by the English deists such that originally there was a natural religion, of which Judaism and all others were a degeneration. Transmitted to the Enlightenment by Spinoza... (shrink)

This introduction provides a brief overview of the issues and arguments that arise in Hume's _Dialogues concerning Natural Religion_ (1779). It also provides a few brief comments relating to the historical context in which this text should be interpreted , as well as an account of the place of the _Dialogues_ in relation to Hume's other philosophical works.

In lieu of an abstract, here is a brief excerpt of the content:154. 1 HUME AND THE GOD-HYPOTHESIS Interpretation of Hume's Dialogues Concerning Natural Religion has always been contentious. While some think it obvious that Philo is Hume's spokesman, others think it is Cleanthes. Whether or not Philo is Hume's spokesman, he certainly produces the better argument. Nonetheless, that argument is flawed by an assumption which I doubt Hume ever questioned. I (...) want to consider that assumption, but want to make it clear that it is not my intention to defend Cleanthes' position. The second thing I want to do in this paper, which I have not seen done elsewhere, is to connect Hume's arguments in the Dialogues with his anthropological account of religiosity. Perhaps the least contentious thing about the Dialogues is that Demea's a priori position is not taken too seriously, nor is much time spent on the first cause argument, so important from Aristotle to Leibniz. What is given serious attention is what might be described as the 'God-hypothesis', which is more or less the Argument from Design. Philo rejects the argument for reasons we shall review below, but makes a concession. The concession is basically that it is intelligible to contend that the cause or causes of order in the world bear some resemblance to human intelligence. The catch, which is the point driven home against Cleanthes, is that, while intelligible, the idea is utterly pointless. Philo says: If the whole of Natural Theology... resolves itself into one simple...proposition, That_ the cause or causes of order in the universe probably bear some remote analogy to human intelligence : If this proposition be not capable of extension...If it affords no inference that affects human life... if the analogy... can be carried no farther... (203) then it is without point. Hume is willing to let the theist have his vague analogy, for it serves no point. In fact, the theist cannot 155. win, for to the extent that the God-hypothesis might have explanatory power, it approaches the status of an empirical hypothesis, and as such loses theological import. The Dialogues should be devastating, yet seem to miss the mark. Suppose we look a bit more closely at what is going on. The position Cleanthes elaborates is an hypothesis to the effect that the world exhibits order and that that order is best explained by the postulation of an orderer. Cleanthes' moves are a bit more complicated, as we shall see in a moment, but this is the essential point. The hypothesis is conceived by Hume as either competing with or completing science. In the Enquiry we read that The religious hypothesis...must be considered only as a particular method of accounting for the visible phenomena of the universe : but no.just reasoner will ever presume to infer from it any single fact, and alter or add to the phenomena, in any single particular. (237) The passage is virtually a summary of Philo's thesis. There can be no move from an inferred cause to anything further in terms of either facts or properties. Cleanthes may be grudgingly granted his causal supposition, but he is not allowed to use it. Again: And what can you say more, allowing all your suppositions and reasonings?... (0)ur conduct and deportment in life is still the same... You persist in imagining, that, if we grant that divine existence,...you may safely infer consequences from it... You seem not to remember, that all your reasonings... can only be drawn from effects to causes... (238) The crucial failure is that All the philosophy...and all the religion... will never be able to carry us beyond the usual cause of experience, or give us measures of conduct and behaviour different from those which are furnished by reflections on common life. (244) God, as putative cause simply makes no difference, so long as we conform to the standards of rational thought. 156. It is important to be clear that what is being rejected is God as "a fruitful rival to scientific explanatory notions, such as gravity". The rejection of God as explanatory principle turns on the illegitimacy of Cleanthes' moves. As Peter Jones puts it, Cleanthes makes two inferences... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:74 HUME'S DIALOGUES ON EVIL Only two sections of Hume's Dialogues Concerning Natural Religion are concerned with the topic of the benevolence of the designer of the world (Parts X and XI), and the conclusion reached is stated by Philo in an unambiguous manner: The true conclusion is, that the original source of all things is entirely indifferent to all these principles, and has no (...) more regard to good above ill than to heat above cold, or to drought above moisture, or to light above heavy. (D 212) In light of the fact that much of the Dialogues is concerned with setting out sceptical or Pyrrhonian objections to positions in natural theology which reveal our ignorance in this area, it is important for an understanding of Parts X and XI to ask whether we are meant to take Philo's conclusion seriously; that is, does Hume intend Philo's conclusion in Part XI to be a truth in natural theology? Nelson Pike answers this negatively: Philo claims that there is an 'original Source of all things' and that this source is indifferent with respect to matters of good and evil. He pretends to be inferring this conclusion from observed data. This represents a departure from Philo's much professed skepticism in the Dialogues.... I think the center of Philo's remarks in this passage must be located in their skeptical rather than their metaphysical import. Philo has proposed a hypothesis which is counter to the one offered by Cleanthes. And he claims that this hypothesis is the 'true conclusion' to be drawn from the observed data. But the point is not, I think, that Philo's new hypothesis is true, or even probable. The conclusion is, rather, that the hypothesis advanced by Cleanthes is false, or very 75 improbable. when claiming that evil in the world supports a hypothesis which is counter to the one offered by Cleanthes, I think Philo simply means to be calling attention to the fact that evil in the world provides evidence against cleanthes' theological position. It is true that at certain points in the Dialogues Philo does profess to be a sceptic (Pyrrhonian), and he often attempts to show Cleanthes that his hypothesis is false by generating an hypothesis from the available data which is as plausible as Cleanthes' hypothesis (e.g., Part IV, where they debate Cleanthes' view that God is external to the world which He has designed), or which has greater plausibility than Cleanthes' hypothesis (e.g., Parts VI and VII where Philo argues against Cleanthes' claim that the available data support the hypothesis of an intelligent designer for the world). However, whenever Philo proceeds in this manner, he makes it clear that he has no hypothesis on the matter under discussion (e.g., D 164) which he is willing to defend, and that he has proceeded in this manner, not to argue for a position — he maintains that the available data are not adequate to do so — but to argue against the position Cleanthes is defending (see, for example, D 177). In fact, at one stage in the discussion, Philo urges against embracing any religious system, because of the victory which awaits the sceptic: All religious systems, it is confessed, are subject to great and insuperable difficulties. Each disputant triumphs in his turn; while he carries on an offensive war, and exposes the absurdities, barbarities, and pernicious tenets of his antagonist. But all of them, on the whole, prepare a complete triumph for the sceptic; who tells them, that no system ought ever to be embraced with 76 regard to such subjects: For this plain reason, that no absurdity ought ever to be assented to with regard to any subject. A total suspense of judgment is here our only reasonable resource. (D 186-187) This passage, which appears toward the end of Part VIII, is reminiscent of the point Philo made in Part I, when he warned of arguments which "run wide of common life." In the case of such arguments, "the most refined scepticism comes to be upon a footing with them, and is able to oppose and counterbalance them. The one has no more weight than... (shrink)

This is a Portuguese translation of Jeffrey J. Jordan (ed.), Philosophy of Religion: The Key Thinkers. London and New York: Continuum. pp. 159-86 (2011). -/- Abstract -/- 1.1 The Concept of Evil The problem of evil, in the sense relevant here, concerns the question of the reasonableness of believing in the existence of a deity with certain characteristics. In most discussions, the deity is God, understood as an omnipotent, omniscient, and morally perfect person. But the problem of evil also (...) arises, as Hume saw very clearly, for deities that are less than all-powerful, less than all-knowing, and less than morally perfect. What is the relevant concept of evil, in this context? Here it is useful to distinguish between axiological concepts and deontological ones. First, there are judgments about whether certain states of affairs make the world better or worse, whether those states are good or bad, desirable or undesirable. Such normative concepts – of good and bad, or desirable and undesirable, states of affairs – are axiological concepts. Secondly, there are judgments about the rightness and wrongness of actions, about what one morally ought or ought not do, of what one’s duty is, of whether a certain action violates someone rights, and these concepts – of the rightness and wrongness of actions, of duties, of the rights of individuals, of what one should or should not do – are deontological concepts. Given this distinction, should the problem of evil be understood axiologically or deontologically? Often, and I think most commonly in this context, evils are equated with states of affairs that, all things considered, are bad or undesirable: they are states of affairs that make the world a worse place. But one can also interpret the problem of evil in a deontological fashion, equating evils with states of affairs that a person should have prevented, if he could have done so. Elsewhere (2008, 105-6), I have argued that the deontological interpretation is preferable. But for present purposes, either interpretation will be fine. -/- 1.2 Evil and the Reasonableness of Belief in the Existence of God That many things in the world – tsunamis, earthquakes, the suffering of non-human animals and innocent children, human actions such as the carrying out of the Holocaust – certainly appear to be evil is not a controversial matter. But whether such things are really evils, all things considered, is disputed. Assume, however, that the world does continue genuine evils, and not merely apparent ones. How, then does the existence of such evils bear upon the reasonableness of belief in the existence of God? First, the existence of evils can be used to show that certain arguments for the existence of God cannot establish that conclusion, or even render it probable. For some arguments, of course, one need not appeal to evil to make that point. If someone argues for the existence of a first cause, or an unmoved mover, or a necessary being having its necessity of itself, and then claims that this is what everyone understands by the term “God”, one can point out that no reason has been offered for thinking that the entity in question is even a person, let alone omnipotent, omniscient, and perfectly good. By contrast, with the type of argument that Hume was concerned with when he discussed the problem of evil – namely, arguments from the existence of order in the world to the existence of a designer, or intelligent cause of that order – one does have a type of argument that, if sound, shows that there is a person who, even if not omnipotent and omniscient, is at least extremely powerful and very knowledgeable. But such arguments do not support for conclusions about the moral character of such a person, and so it is at this point that the existence of evils becomes crucial. For in providing a reason for holding that the one is not justified in attributing even moral goodness to such a being, let alone moral perfection, it supports the conclusion that that argument in question cannot be a successful argument for the existence of God. The existence of evils, then, can serve to block arguments for the existence of God. But a second, and very familiar possibility, is that the existence of evils can also provide the basis of arguments against the existence of God. A very important distinction here is between deductive, or logical incompatibility, versions of the argument from evil, and inductive, or evidential, or probabilistic versions of the argument. According to the former, there are facts about the existence of evils in the world that are logically incompatible with the existence of God. Thus, some have held that the mere existence of any evil whatsoever is incompatible with the existence of God; others, that that certain types of evil – such as natural evils – are incompatible with the existence of God; and others, that it is the amount of evil in the world, or the fact that some people suffer horrendous evils, that logically precludes the existence of God. Inductive (or evidential, or probabilistic) versions of the argument from evil, by contrast, do not claim that there are facts about the evils in the world that are logically incompatible with the existence of God. The claim is rather that there are facts about the evils found in the world that render the existence of God at the very least unlikely, and perhaps extremely so. -/- 1.3 Hume’s Use of the Existence of Evils The preceding discussion suggests two very different ways in which Hume might be employing the existence of evils. First, he might be appealing to the existence of evils simply to undercut certain arguments for the existence of God. In particular, he might be appealing to evils to show that, whatever the merits of the argument from order to design may be, it can nether establish, nor render probable, the existence of a morally good deity. Secondly, Hume might be advancing a version of the argument from evil, and that in turn could take the form either of an argument that claims that facts about evil are logically incompatible with the existence of God, or of an argument that claims, more modestly, that the apparent evils found in the world render the existence of God unlikely. (shrink)

This chapter contains sections titled: Traditional Analogical Arguments Arguments to the Best Explanation Arguments from the Sciences Probability and World Hypotheses Is the Designer God? Works cited.

This study advances the claim that Hume's Dialogues Concerning Natural Religion, which drew its inspiration and guidelines from Cicero's De Natura Deorum, fulfills four basic elements of Michel Meyer's theory of problematology. In doing so, it is argued, the Dialogues contribute importantly to our understanding of the question-answer pair, and to the notion of rhetoric as a way of knowing.

1.1 The Concept of Evil The problem of evil, in the sense relevant here, concerns the question of the reasonableness of believing in the existence of a deity with certain characteristics. In most discussions, the deity is God, understood as an omnipotent, omniscient, and morally perfect person. But the problem of evil also arises, as Hume saw very clearly, for deities that are less than all-powerful, less than all-knowing, and less than morally perfect. What is the relevant concept of (...) evil, in this context? Here it is useful to distinguish between axiological concepts and deontological ones. First, there are judgments about whether certain states of affairs make the world better or worse, whether those states are good or bad, desirable or undesirable. Such normative concepts – of good and bad, or desirable and undesirable, states of affairs – are axiological concepts. Secondly, there are judgments about the rightness and wrongness of actions, about what one morally ought or ought not do, of what one’s duty is, of whether a certain action violates someone rights, and these concepts – of the rightness and wrongness of actions, of duties, of the rights of individuals, of what one should or should not do – are deontological concepts. Given this distinction, should the problem of evil be understood axiologically or deontologically? Often, and I think most commonly in this context, evils are equated with states of affairs that, all things considered, are bad or undesirable: they are states of affairs that make the world a worse place. But one can also interpret the problem of evil in a deontological fashion, equating evils with states of affairs that a person should have prevented, if he could have done so. Elsewhere (2008, 105-6), I have argued that the deontological interpretation is preferable. But for present purposes, either interpretation will be fine. 1.2 Evil and the Reasonableness of Belief in the Existence of God That many things in the world – tsunamis, earthquakes, the suffering of non-human animals and innocent children, human actions such as the carrying out of the Holocaust – certainly appear to be evil is not a controversial matter. But whether such things are really evils, all things considered, is disputed. Assume, however, that the world does continue genuine evils, and not merely apparent ones. How, then does the existence of such evils bear upon the reasonableness of belief in the existence of God? First, the existence of evils can be used to show that certain arguments for the existence of God cannot establish that conclusion, or even render it probable. For some arguments, of course, one need not appeal to evil to make that point. If someone argues for the existence of a first cause, or an unmoved mover, or a necessary being having its necessity of itself, and then claims that this is what everyone understands by the term “God”, one can point out that no reason has been offered for thinking that the entity in question is even a person, let alone omnipotent, omniscient, and perfectly good. By contrast, with the type of argument that Hume was concerned with when he discussed the problem of evil – namely, arguments from the existence of order in the world to the existence of a designer, or intelligent cause of that order – one does have a type of argument that, if sound, shows that there is a person who, even if not omnipotent and omniscient, is at least extremely powerful and very knowledgeable. But such arguments do not support for conclusions about the moral character of such a person, and so it is at this point that the existence of evils becomes crucial. For in providing a reason for holding that the one is not justified in attributing even moral goodness to such a being, let alone moral perfection, it supports the conclusion that that argument in question cannot be a successful argument for the existence of God. The existence of evils, then, can serve to block arguments for the existence of God. But a second, and very familiar possibility, is that the existence of evils can also provide the basis of arguments against the existence of God. A very important distinction here is between deductive, or logical incompatibility, versions of the argument from evil, and inductive, or evidential, or probabilistic versions of the argument. According to the former, there are facts about the existence of evils in the world that are logically incompatible with the existence of God. Thus, some have held that the mere existence of any evil whatsoever is incompatible with the existence of God; others, that that certain types of evil – such as natural evils – are incompatible with the existence of God; and others, that it is the amount of evil in the world, or the fact that some people suffer horrendous evils, that logically precludes the existence of God. Inductive (or evidential, or probabilistic) versions of the argument from evil, by contrast, do not claim that there are facts about the evils in the world that are logically incompatible with the existence of God. The claim is rather that there are facts about the evils found in the world that render the existence of God at the very least unlikely, and perhaps extremely so. 1.3 Hume’s Use of the Existence of Evils The preceding discussion suggests two very different ways in which Hume might be employing the existence of evils. First, he might be appealing to the existence of evils simply to undercut certain arguments for the existence of God. In particular, he might be appealing to evils to show that, whatever the merits of the argument from order to design may be, it can nether establish, nor render probable, the existence of a morally good deity. Secondly, Hume might be advancing a version of the argument from evil, and that in turn could take the form either of an argument that claims that facts about evil are logically incompatible with the existence of God, or of an argument that claims, more modestly, that the apparent evils found in the world render the existence of God unlikely. (shrink)

Zygon®, Volume 57, Issue 1, Page 141-160, March 2022.

In lieu of an abstract, here is a brief excerpt of the content:32. BAYESIANISM AND ANALOGY IN HUME'S DIALOGUES Wesley Salmon has recently focussed attention on Hume's consideration of the argument from design for the existence of God in the Dialogues Concerning Natural Religion, by construing it according to a Bayesian account of inductive inferences to causal hypotheses. Salmon argues that an interpretation of the argument from design, considered by Philo (...) and Cleanthes in the Dialogues, as an appeal to analogy is not a correct interpretation of Hume's argumentation. I would like here to argue that Salmon's account is too far afield of Hume's actual pattern of arguing to be taken as an accurate account of the discussion in the Dialogues. I would also like to characterize Hume's account of causal arguments in the Dialogues more closely, and to show how it is connected with his notion of resemblance. In doing so, I shall defend the thesis that an appeal to analogy is after all the fundamental form of argument that is considered in the Dialogues. I. Salmon argues that the discussion among the characters in the Dialogues, principally between Philo and Cleanthes, centers about the various probability terms entering into Bayes' s Theorem in the form: P(C/A&B).P(B/A) P(B/ASC) = ---------------------------------, P(C/ASB) -P(B/A) + PÍC/A&B) -P(B/A) where in the context of the Dialogues, "A" stands for any event of coming-into-being, "B" stands for any event that is a product of intelligence, and "C" stands for any event that 2 exhibits order or design. The various probabilities that enter into Bayes's Theorem can, then, be characterized in the present context more thoroughly. For example, P (B/A&C) is the probability that an event of coming-into-being which displays order is the product of intelligence. This 33. probability, if high, would tend to support the argument from design, and, if low, would tend to undermine it. In order to evaluate P(B/A&C) by using Bayes' s Theorem, we need to be in a position to find the following three probabilities: P(B/A): This is the probability that any event of coming-into-being is a product of intelligence. If we know its value, it is easy to calculate P(B/A), the probability that any event of coming-into-being is not a produce of intelligence. For P(B/A) = 1 - P(B/A). Both these probabilities are called the prior probabilities of the problem. P(C/A&B): This is the probability - which Salmon typically calls one of the two likelihoods of the problem - that an event of cominginto -being which is a produce of intelligence does exhibit order or design. P(C/A&B): This is the probability - which Salmon calls the other likelihood of the problem that an event of coming-into-being which is not a produce of intelligence exhibits order or design. Now Salmon is not merely arguing - though he is also arguing - that Bayes' s Theorem, with its constituent probabilities so understood, is relevant for evaluating the argument from design. He is arguing that Bayes' s Theorem is relevant for interpreting Hume's thoughts about the argument from design. Salmon admits that "Hume must have been unaware of Bayes" s Theorem." But he claims that Bayes' s Theorem is nevertheless relevant for interpreting Hume. He suggests a number of reasons for this. First, the argument considered by Philo and Cleanthes is weakened, he says, if it is 34. 4 represented as a mere appeal to analogy. Secondly, he says that the correct strategy for analyzing any causal hypothesis is Bayesian, and undoubtedly Philo and Cleanthes are debating about causal hypotheses. Thirdly, Philo and Cleanthes show by the end of the second dialogue that they are aware the argument is more complex than a simple appeal to analogy. Fourthly, with respect to the probabilities one needs to know in order to use Bayes' s Theorem in the relevant way, Hume's characters and especially Philo "devote considerable attention to each of the three types of probabilities in their discussion." Fifthly, Hume just does in fact recognize that the argument from design is "something deeper and more subtle than a simple appeal to D analogy." We can greatly... (shrink)

TOPICS DISCUSSED INCLUDE THE ARGUMENT FROM DESIGN, THE THEOLOGICAL IMPORTANCE OF THE NEW NATURAL SCIENCES, ARGUMENTS FROM MIRACLES, THE MEANING OF STATEMENTS ABOUT GOD, THE CONNECTION BETWEEN THE IDEA OF GOD AND VARIOUS APOLOGETIC ARGUMENTS, AND ETHICAL AND META-ETHICAL THEORIES. (BP, EDITED).

Many think that the aim of Hume’s Dialogues is simply to discredit the design argument for the existence of an intelligent designer. We think instead that the Dialogues provides a model of true religion. We argue that, for Hume, the truly religious person: believes that an intelligent designer created and imposed order on the universe; grounds this belief in an irregular argument rooted in a certain kind of experience, for example, in the experience of (...) anatomizing complex natural systems such as the eye; and retains this belief, on the basis of these reasons, even after careful scrutiny. We argue that two of the Dialogues’s characters, Philo and Cleanthes, exhibit true religion. A third character, Demea, exhibits false religion and a persistent impiety. Taken as a whole, we see the Dialogues as an educational performance for the benefit of Pamphilus, Cleanthes’s ward, as well as for the benefit of readers of the Dialogues. Specifically, we think, given that its lessons concern theology and the principles of religion, the dynamics of the Dialogues’s discussion and the interplay between its characters can be seen as a demonstration of a method for becoming truly religious. (shrink)

Krabbe (2003, in F.H. van Eemeren, J.A. Blair, C.A. Willard and A.F. Snoeck Henkemans (eds.), Proceedings of the Fifth Conference of the International Society for the Study of Argumentation, Sic Sat, Amsterdam, pp. 641–644) defined a metadialogue as a dialogue about one or more dialogues, and a ground-level dialogue as a dialogue that is not a metadialogue. Similarly, I define a meta-argument as an argument about one or more arguments, and a ground-level argument as one which is (...) not a meta-argument. Krabbe (1995, in F.H van Eemeren, R. Grootendorst, J.A. Blair, C.A. Willard and A.F. Snoeck Henkemans (eds.), Proceedings of the Third ISSA Conference on Argumentation, Sic Sat, Amsterdam, pp. 333–344) showed that formal-fallacy criticism (and more generally, fallacy criticism) consists of metadialogues, and that such metadialogues can be profiled in ways that lead to their proper termination or resolution. I reconstruct Krabbe’s metadialogical account into monolectical, meta-argumentative terminology by describing three-types of meta-arguments corresponding to the three ways of proving formal invalidity he studied: the trivial logic-indifferent method; the method of counterexample situation; and the method of formal paraphrase. A fourth type of meta-argument corresponds to what Oliver (1967, Mind 76, 463–478), Govier (1985, Informal Logic 7, 27–33), and Copi (1986) call refutation by logical analogy. A fifth type of meta-argument represents my reconstruction of arguments by parity of reasoning studied by Woods and Hudak (1989, Informal Logic 11, 125–139). Other particular meta-arguments deserving future study are Hume’s critique of the argument from design in the Dialogues Concerning Natural Religion, and Mill’s initial argument in The Subjection of Women about the importance of established custom and general feeling vis-à-vis argumentation. (shrink)

This chapter contains sections titled: * Intelligent Design * Darwin’s Scientific Revolution * Natural Selection * Chance and Necessity: Mutation and Natural Selection * “Only a Theory” * Evolution Is a Fact * Irreducibly Complex? * The Disguised Friend * References and Recommended Readings.

The design argument was rebutted by David Hume. He argued that the world and its contents (such as organisms) were not analogous to human artifacts. Hume further suggested that there were equally plausible alternatives to design to explain the organized complexity of the cosmos, such as random processes in multiple universes, or that matter could have inherent properties to self-organize, absent any external crafting. William Paley, writing after Hume, argued that the functional complexity of (...) living beings, however, defied naturalistic explanations. In effect he dared anyone to come up with an alternative to his inference to design, and hence a designer, outside of nature. Charles Darwin explained the apparent design of functional complexity by his theory of natural selection. Asa Gray, however, in essays as well as in correspondence with Darwin argued that natural selection allowed for a type of ' evolutionary teleology' in which design at most could be considered the result of universal principles. F. E. Hicks updated Hume by specifically objecting to the use of design arguments by Paley. Hicks argued that the apparent design seen in nature reflected order at a deep level in nature. The design argument was briefly revived by Lawrence Henderson early in the twentieth century but he ultimately concluded that design and teleology were not necessarily mutually entailing and he retracted his design argument in favor of one that he termed ' natural teleology'. The current claims of ' intelligent design' have the same logical problems that have beset previous design arguments. If design is divorced from teleology and its discontents put behind us, then there is a possibility that the latter can have a place in the development of theories to explain the phenomena of emergent complexity. (shrink)

Einstein argued in his latter years that the intelligibility of the world was in the nature of a miracle, and that in no way could one have expected a priori such a high degree of order; this is why he rejected the atheist, positivist standpoint, and believed in a Spinozist God. Einstein's argument, however, is essentially a form of the ?argument from design? for a personal God based on the existence of beautiful, mathematically simple laws of (...) nature; that physical order is a unique, improbable alternative compared to the infinite number of chaotic universes that might have existed. Einstein, in his early manhood, was a Humean, but in later years, as he moved toward Spinoza, from phenomenalism to noumenalism, he clearly rejected Hume's restriction of probable inferences to observed sequences. Darwin's arguments against biological design did not apply to Einstein's argument, because the laws of physics are not the outcome of any cumulative struggle for existence and natural selection. Perhaps the beautiful simplicity of basic physical laws helps account for the fact that relatively more physicists than biologists or psychologists hold to a theistic standpoint. Einstein's finite universe would have seriously weakened the argument that life, though infinitely improbable, would have been realized in an infinite world. But in any case, Einstein would have regarded ?emergence? theories of life as irrational. In accordance with the principle of identity of Emile Meyerson, the epistemologist whom he most respected, it would have followed that the occurrence of consciousness and intelligence was grounded in a God with those attributes, and that theism was consequently the basis for scientific knowledge. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Dialogic Interpretation of Hume's Dialogues William Lad Sessions For all ofits prominence in contemporary Anglo-American philosophy of religion, Hume's Dialogues Concerning Natural Religion continues to provoke divergent readings, especially as regards its author's intentions and beliefs. Most writers today, following Norman Kemp Smith's masterful analysis, accept some version ofwhat I will call "the standard interpretation": Hume aimed to discredit religion—natural (...) and revealed religion alike, but especially the "experimental theism" represented by Cleanthes' so-called "design argument." Hence, the sceptic "Philo represents Hume's views onreligiousbelief,"even though Cleanthes (occasionally) and Demea(rarely) also speakfor Hume.1 But a significant minority have given divergentinterpretations: some have held that Pamphilus, the narrator of the Dialogues, is Hume;2 some have given credence to Hume's remark in a letter that "I make Cleanthes the Hero of the Dialogue";3 others think that none of the characters represent Hume, at least not consistently, either because the characters represent types, not individuals,4 or because none are "wholly consistent, completely clear-headed, and unmuddled throughout,"5 or because "it is the whole of the dialogue which represents Hume."6 One interpreter has even gone so far as to declare that "I shall take it that Hume in the Dialogues is any speaker who appears tobe makingagood philosophical point,"7 whichis tantamount to identifying Hume with any self-assured philosophical reader of the Dialogues] My chief purpose in this essay is not to take issue with these interpretations, nor to propose a novel interpretation of the text—though I will do both—but rather to promote a different kind of interpretation altogether: what I will call a "dialogic" interpretation, since it views the literary form as contributory and indeed essential to the philosophical message.8 Still, the particular dialogic interpretation I propose may be of interest. On it, the Dialogues are not chiefly a diatribe against theism, much less a polemic against all (theistic or Christian) religion. Rather, the book at its most searching level is a careful rational examination of"true" vs. "false" religion, with the virtues ofthe former commended even as the vices ofthe latter are condemned. In short, Hume gives us an eighteenth century discussion ofreligiousfaith in relation to human Volume XVII Number 1 15 WILLIAM LAD SESSIONS reason, a discussion wherein reason is not automatically the enemy of faith (in all its guises). More specifically, Philo's and Cleanthes' apparent disagreements on the results and utility ofnatural theology mask a more fundamental and considerably more important harmony in their views concerning "the proper office ofreligion."9 Contrary to the standardinterpretation, they fundamentally agree on the nature and value of natural piety, which is the other component of natural religion besides natural theology.10 In the end, then, Pamphilus is not wrong to judge that Cleanthes' principles "approach still nearer to the truth" than Philo's, and not merely for reasons of filial piety (he is, after all, Cleanthes' house-guest, his loyal student, and his "adopted son"). No doubt Philo does tend to "win" his skirmishes in natural theology with Cleanthes (not to mention those with Demea!), but though Philo triumphs tactically, Cleanthes is the victor in the wider war for Pamphilus' heart and mind: critical scepticism may be a useful safeguard for careful thinkers against the "superstition" endemic to "false" and harmful piety, butitsutilityislimited; Philo's prophylaxisis muchless effective than Cleanthes' empirical theism at the vitally important task of inculcating and nurturing "true" natural piety in a young person such as Pamphilus. However, before supporting this controversial view of the Dialogues, I need to make clearer the nature, limits and value of a dialogic interpretation, by way of contrast with the more common approaches. I. Standard Hermenéutica Most philosophical interpretations of the Dialogues share several assumptions—or perhaps one should say "presumptions." First, they all focus on the propositions, beliefs, and arguments expressed by characters in the Dialogues—their claims, assertions, speculations, suggestions, rejections, replies, reasons, rebuttals, and the like—and they seek to extract from the discussion those expressed or implied beliefs and arguments which current interpreters believe most worthy of continuing philosophical adherence, development, demolition, or at least discussion. Literary... (shrink)