The essays in this book explore the different ways the body has been experienced and interpreted in history, from the medieval to the modern period. Challenging the negative perceptions that the term {u2019}disability{u2019} suggests, the essays together present a mosaic of literary representations of bodies and accounts of real lives lived in their particularity and peculiarity. The book does not attempt to be exhaustive, but rather it celebrates the fact that it is not. By presenting a group of individual (...) cases from different periods in history, the collection demonstrates that any overarching way of describing bodies, or unifying description of the experience of the myriad ways of being in a body, is reductive and unhelpful. The variability of each body in its context is our subject. (shrink)

New materialism challenges conventional theories of understanding human being and subjectivity, which it regards as shaped by mechanistic models characteristic of early modern philosophy that regarded matter as largely passive. Instead it gives weight to topics often overlooked in such accounts: the body, the role of affect and the emotions, gender, temporality, agency and vitalism. This collection, which includes an international roster of contributors from philosophy, history, literature and science, is the first to ask what is (...) 'new' about the new materialism and place it in interdisciplinary perspective. Against current theories of new materialism it argues for a deeper engagement with materialism's history; questions whether matter can be 'lively'; and asks whether new materialism's wish to revitalize of politics and the political lives up to its promise. (shrink)

In cultural history the human body has been the object of a great variety of opposing valuations, ranging from "imago dei" to "the devil's tool". At present, the body is commonly regarded as a mere means to fulfill the wishes of its "owner". According to these wishes it can be technically improved in an unlimited way. Against this view the text argues for a conception of the human body as a valuable "common heritage". The "normal" (...) human body as the result of natural and cultural history is an essential condition of the modern social and legal order. The consequences of its technical alteration should be the subject of public debates and common decisions. (shrink)

Explores how the fragments of Heraclitus might yield an implicit understanding of the human body in distinction to the soul. In the history of scholarship on Heraclitus, soul is a much better understood concept, whereas it is normally assumed that Heraclitus, along with other figures of early Greek thought, shows only the most limited comprehension of the human being in terms of bodily form or substance. In this work I sketch some different ways in which Heraclitus’ accounts (...) of nature and human life can be said to exhibit a rudimentary picture of body. I suggest that Heraclitus depicts the human body as a special form of soul’s self-differentiation and logos. I attempt to consider how Heraclitus may represent an historical moment in understanding the human in terms of its physical makeup. (shrink)

The aim of this book is to understand what Deleuze and Guattari mean by "art." Stephen Zepke argues that art, in their account, is an ontological term and an ontological practice that results in a new understanding of aesthetics. For Deleuze and Guattari understanding what art "is" means understanding how it works, what it does, how it "becomes," and finally, how it lives. This book illuminates these philosophers' discussion of ontology from the viewpoint of art-and vice versa-in a thorough questioning (...) of aesthetic criteria as they are normally understood. (shrink)

This paper considers what Fichte's conception of the human body as an instrument of perception entails for his radical principle of the primacy of practice. According to Fichte, perception is a function of what he calls the "articulation" of the human body, as opposed to its "organization." I first provide an interpretation of his theory of the human-bodily articulation by arguing that he construes it as a product of culture as well as nature. On this (...) basis, I go on to consider the theory's implications for perception: first, since our articulated body is the sphere of our free activity, it follows from its function as the instrument of perception that we always exercise some measure of control over what we perceive; second, because our articulated body is a product of culture, the way in which we perceive is conditioned by practical rules, precepts and laws that regulate our reciprocal interaction with nature and society. (shrink)

The work of Bruno Latour has animated debates in sociology, anthropology and philosophy over several decades, while attracting criticisms of the ontological, epistemological and political implications of his focus on networks. This article takes a particular depth example – the case of the genetic condition of sickle cell – and, drawing upon anthropological, archaeological and sociological evidence of the sickle cell body in history, appraises early, and later, Latourian ideas. The article concludes that while methodologically useful in drawing (...) attention to the complicated links of humans, animals and things, concerns remain about Latourian ontological claims. Limitations include an empiricist failure to account for absence; an insufficiently robust conception of emergence; an unwarranted curtailment of counterfactual human knowledge; a lack of concern for serial ‘undeserving losers’; a tendency to accord excessive freedoms to human actors; and a lack of a conception of how things may be considered as agents rather than actants. (shrink)

By using religion to get at the core concepts of Michel Foucault's thinking, this book offers a strong alternative to the way that the philosopher's work is read across the humanities. Foucault was famously interested in Christianity as both the rival to ancient ethics and the parent of modern discipline and was always alert to the hypocrisy and the violence in churches. Yet many readers have ignored how central religion is to his thought, particularly with regard to human bodies (...) and how they are shaped. The point is not to turn Foucault into some sort of believer or to extract from him a fixed thesis about religion as such. Rather, it is to see how Foucault engages religious _rhetoric_ page after page—even when religion is not his main topic. When readers follow his allusions, they can see why he finds in religion not only an object of critique, but a perennial provocation to think about how speech works on bodies—and how bodies resist. Arguing that Foucault conducts experiments in writing to frustrate academic expectations about history and theory, Mark Jordan gives equal weight to the performative and theatrical aspects of Foucault's writing or lecturing. How does Foucault stage possibilities of self-transformation? How are his books or lectures akin to the rituals and liturgies that he dissects in them? _Convulsing Bodies_ follows its own game of hide-and-seek with the agents of totalizing systems and gives us a Foucault who plays with his audiences as he plays for them—or teaches them. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Descartes on the Human Soul: Philosophy and the Demands of Christian DoctrineRichard A. WatsonC. F. Fowler. Descartes on the Human Soul: Philosophy and the Demands of Christian Doctrine. International Archives of the History of Ideas, 160. Dordrecht: Kluwer Academic Publishers, 1999. Pp. xiii + 438. Cloth, $168.00.As Defender of the Faith, René Descartes wrote his Meditations to fulfill the request of the Fifth Lateran (...) Council in 1513 "to support with rational demonstrations the Church's teaching on the immortality of the soul" (28). This allowed him to dedicate the Meditations to the Faculty of Theology at the Sorbonne in hopes of obtaining their approbation. The Faculty remained silent, but Descartes could interpret this as consent, although he removed from later editions the notice of approbation. What the Council asked for were demonstrations of the immortality of the soul and of the substantial union of the soul with the body.Mersenne thought the Meditiations were going to provide these demonstrations, so he included in the title of the first edition the promise to demonstrate the immortality of the soul, but in later editions Descartes changed this to a promise to demonstrate the distinction between the human soul and the body, or that the soul is an independent substance that is not destroyed by the death of the body, and so can be immortal. Independent substancehood does not prove that the soul is immortal, however, for Descartes agreed that God can destroy the soul at any time. This conclusion greatly bothered Mersenne and Arnauld. As for the absolute separation of the soul from the body, Descartes was criticized for supporting the Platonic doctrine of their absolute separation, making it impossible to demonstrate that the union between soul and body is substantial and not accidental. And "the central Christian doctrines of the Creation, Incarnation, Redemption, and Resurrection required a union of body and soul much more intimate than that of agent and instrument" (310). But all that Descartes's proof supports is the Platonic model of a sailor piloting a ship. Never mind that Descartes adamantly denies that the soul sits in the body thus—for the soul in union with the body feels the body as the sailor does not feel the ship—his friends and foes alike saw that the absolute difference of soul and body made their substantial union inexplicable. It also goes against the Aristotelian view of the Council of Vienne in 1311-1312 that "defined the rational soul as the forma corporis" (310). It is exactly this view that Descartes opposed by eliminating substantial forms from his philosophy.Arnauld warned Descartes about these problems, while Gassendi, Hobbes, and others attacked him. In response, Descartes expanded his views without altering them, and complained about being misunderstood. The Jesuit Father Bourdin's attacks hurt him most, for as he told Mersenne, this made him think that all the Jesuits (they stick together) were against him. This, Fowler argues, is why Descartes dedicated the Meditations to the Faculty of the Sorbonne, and not to the Jesuits.Fowler carefully presents the entire sweep of Descartes's ideas and arguments concerning the immortality of the soul and its union with the body. Descartes in fact did not manage to demonstrate either one. He did agree that of the three sorts of truths—those known by revelation alone, those known both by revelation and demonstration, and those known only by demonstration—these points about the soul belong in the middle category. But he never mentions immortality in the Meditations, and when Princess Elisabeth faces him with his inability to explain how the soul and body [End Page 120] can interact, he just says that we experience it. Gassendi asked him the same question, but Descartes ignored him. With other critics, he shifted the question into the first category of truths—it is a matter of revelation. This was not satisfactory either to his critics or to Descartes, for it had led Pompanazzi to materialism, and it led Descartes's first disciple Regius to say bluntly that metaphysics, and in particular Descartes's metaphysics, is irrelevant to the third category of truths, those of mechanics, physics, and medicine.Baillet calls... (shrink)

CHAPTER 1 Ichikawa' s View of the Body INTRODUCTION In 1975, Ichikawa Hiroshi published a remarkable book on the concept of the body entitled, ...

Of the nature and origin of the mind, by B. de Spinoza.--Spinoza and the theory of organism, by H. Jonas.--Man a machine, and The natural history of the soul, by J. O. de la Mettrie.--On the first ground of the distinction of regions in space, and What is orientation in thinking? by I. Kant.--Soul and body, by J. Dewey.--The philosophical concept of a human body, by D. C. Long.--Are persons bodies? By B. A. O. Williams.--Lived body, (...) environment, and ego, by M. Scheler.--Metaphysical journal, and A metaphysical diary, by G. Marcel.--The body, by J.-P. Sartre.--The spatiality of the lived body and motility, by M. Merleau-Ponty.--Anthropodology: man a-foot, by R. M. Griffith.--Man and his body, by H. Plügge.--The nobility of sight: a study in the phenomenology of the senses, by H. Jonas.--Born to see, bound to behold: reflections on the function of upright posture in the esthetic attitude, by E. W. Straus.--Selected reading (p. [363]-367). (shrink)

Bodies of Information initiates the Routledge Advances in the History of Bioethics series by encompassing interdisciplinary Bioethical discussions on a wide range of descriptions of bodies in relation to their contexts from varying perspectives: including literary analysis, sociology, criminology, anthropology, osteology and cultural studies, to read a variety of types of artefacts, from the Romano-British period to Hip Hop. Van Renslaer Potter coined the phrase Global Bioethics to define human relationships with their contexts. This and subsequent volumes return to (...) Potter's founding vision from historical perspectives, and asks, how did we get here from then? (shrink)

Chakravarthi Ram-Prasad offers illuminating new perspectives on contemporary phenomenological theories of body and subjectivity, based on studies of diverse classical Indian texts. He argues for a 'phenomenological ecology' of bodily subjectivity in health, gender, contemplation, and lovemaking.

From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society.

ABSTRACTThis paper studies Antoine Le Grand's account of organic identity over time in human bodies. In response to Aristotelian critics who argued that the Cartesian rejection of the Aristotelian ontology of matter and form had put in jeopardy the diachronic identity of material substances in general and of living bodies in particular, Le Grand argued that the identity over time of the human body could be accounted for without the traditional notions of matter and form. The paper (...) shows how he drew on both the Cartesian metaphysics of mind and body and contemporary views on human anatomy and organic generation to develop a unique account of bodily identity over time in human animals. (shrink)

Since the very dawn of its history, modern philosophical anthropology has been addressing the issue of the human body. As a result of those efforts, Descartes, de Biran, Husserl, Sartre, Marcel, Merleau-Ponty and others have brought forward a variety of conceptions concerning various aspects of human corporeality. Anthropological explorations concerning the question of the human body, appear in a particularly interesting way, when they are considered in the context of those points of view which, in (...) an essential way, refer to the subjective character of the human being. It is a matter of reconstructing and analyzing how the subject's corporeality is given to the subject, originarily, according to the phenomenological rule zu den Sachen selbst. The aim of this paper is thus to put into some order the concerns of a variety of anthropologists with regard to the question of the human body, as it is given to, or experienced by, the subject. A metatheoretical analysis of this field proves it is possible to do so with the use of a tool, which is called here, a dimension of corporeality. (shrink)

Pt. I. The road to mechanism : ancient Greece to the scientific revolution. Body and soul at war : Plato -- Body and nature : Aristotle and the Stoics -- The resurrection of the body : Christianity -- From astrology to the cult of dissection : the Renaissance -- The body-machine : Descartes -- The road not followed : Spinoza -- pt. II. The limits of mechanism : contemporary problems and solutions. The legacy of mechanism : (...) the fragmenting and disappearing body -- Recovering the body : yoga -- Recovering the body : alternative medicine. (shrink)

Medicine, as Byron Good argues, reconstitutes thehuman body of our daily experience as a medical body,unfamiliar outside medicine. This reconstitution can be seen intwo ways: as a salutary reminder of the extent to which thereality even of the human body is constructed; and as anarena for what Stephen Toulmin distinguishes as theintersection of natural science and history, in which many ofphilosophy''s traditional questionsare given concrete and urgent form.This paper begins by examining a number of dualities between (...) themedical body and the body familiar in daily experience. Toulmin''s epistemological analysis of clinical medicine ascombining both universal and existential knowledge is thenconsidered. Their expression, in terms of attention,respectively, to natural science and to personal history, isexplored through the epistemological contrasts between themedical body and the familiar body, noting the traditionalphilosophical questions which they in turn illustrate. (shrink)

What is the body? How was it culturally constructed, conceived, and cultivated before and after the advent of rationalism and modern science? This interdisciplinary study elaborates a cultural genealogy of the body and its legacies to modernity by tracing its crucial redefinition from a live anatomical entity to disembodied, mechanical and virtual analogs. The study ranges from Baroque, pre-Cartesian interpretations of body and embodiment, to the Cartesian elaboration of ontological difference and mind-body dualism, and it concludes (...) with the parodic and violent aftermath of this legacy to the French Enlightenment. It engages work by philosophical authors such as Montaigne, Descartes and La Mettrie, as well as literary works by d'Urfé, Corneille and the Marquis de Sade. The examination of sexuality and the emergence of sexual difference as a dominant mode of embodiment are central to the book's overall design. The work is informed by philosophical accounts of the body (Nietzsche, Foucault, Merleau-Ponty), by feminist theory (Butler, Irigaray, Bordo), as well as by literary and cultural historians (Scarry, Stewart, Bynum, etc.) and historians of science (Canguilhem, Pagel, and Temkin), among others. It will appeal to scholars of literature, philosophy, French studies, critical theory, feminist theory, cultural historians and historians of science and technology. Dalia Judovitz is Professor of French, Emory University. She is also author of Unpacking Duchamp: Art in Transit and Subjectivity and Representation in Decartes: The Origins of Modernity. (shrink)

A philosophical inquiry into politics, embodiment and religion takes us straight to some of contemporary culture's most notorious issues: suicide bombing, the veiled and the exposed body, and present-day biopolitics. Interpretations of the body have always been contested, both in the history of philosophy and in the history of religions. On the one hand, the body has been perceived as a prison, binding the soul to transience, darkness, and confusion. Yet on the other hand, it has (...) itself been controlled and disciplined by reason and will, law and culture. The ten contributors to The Body Unbound suggest that inquiries into the nature of human embodiment must take into account both context and history in order to scrutinize them and to uncover resources for unbinding a body which has been doubly bound. (shrink)

This fine book tells an important story of how long-standing notions about the body as dominated by spirit-like humors were transformed into scientific descriptions of its solid tissues. Vesalius, Harvey, Descartes, Willis, and Locke all played roles in this transformation, as the cerebral hemispheres and cranial nerves began to take precedence over the role of spirit, passion, and the heart in human thought and behavior. Non of this occurred in a social vacuum, and the book describes the historical (...) context clearly. It also shows how debates over investigative methods and models of body order that first raged over 300 years ago continue to influence biomedicine and the broader culture today. No other book on western mind-body relationships has attempted this. (shrink)

Slovenian philosopher Miran Bozovic's An Utterly Dark Spot examines the elusive status of the body in early modern European philosophy by examining its various encounters with the gaze. Its range is impressive, moving from the Greek philosophers and theorists of the body (Aristotle, Plato, Hippocratic medical writers) to early modern thinkers (Spinoza, Leibniz, Malebranche, Descartes, Bentham) to modern figures including Jon Elster, Lacan, Althusser, Alfred Hitchcock, Stephen J. Gould, and others. Bozovic provides startling glimpses into various foreign (...) mentalities haunted by problems of divinity, immortality, creation, nature, and desire, provoking insights that invert familiar assumptions about the relationship between mind and body. The perspective is Lacanian, but Bozovic explores the idiosyncrasies of his material (e.g., the bodies of the Scythians, the transvestites transformed and disguised for the gaze of God; or Adam's body, which remained unseen as long as it was the only one in existence) with an attention to detail that is exceptional among Lacanian theorists. The approach makes for engaging reading, as Bozovic stages imagined encounters between leading thinkers, allowing them to converse about subjects that each explored, but in a different time and place. While its focus is on a particular problem in the history of philosophy, An Utterly Dark Spot will appeal to those interested in cultural studies, semiotics, theology, the history of religion, and political philosophy as well. Miran Bozovic is Associate Professor of Philosophy at the University of Ljubljana, Slovenia. He is the author of Der grosse Andere: Gotteskonzepte in der Philosophie der Neuzeit (Vienna: Verlag Turia & Kant, 1993) and editor of The Panopticon Writings by Jeremy Bentham (London: Verso, 1995). (shrink)

Cet ouvrage se propose de confronter les problématiques relatives à la falsafa et à la religion islamique dans leur approche du corps. Le corps a toujours été marginalisé au profit de la notion de l'âme. Pendant que les penseurs ont été intéressés par l'étude de l'âme, le corps a toujours été leur point de départ. Son statut éthique et ontologique doit être réexaminé en refusant de se limiter aux dualismes classiques corps/âme ou matérialisme/spiritualisme qui masquent par leur dimension formelle ou (...) réductrice l'enjeu politique et existentiel de la question ainsi que ses implications théoriques et pratiques. Deux grandes perspectives apparaissent dans le développement de la falsafa lorsqu'elle problématise la question du corps. La première porte sur le fondement psychologique du lien existant entre l'âme et le corps et ses conséquences quant à la détermination de leur valeur réciproque. La deuxième est métaphysique et s'inscrit dans une visée eschatologique impliquant une conception de l'au-delà et du jugement dernier. Comment penser le corps d'un point de vue philosophique pour qu'il ne soit pas incompatible avec l'islam? Pour répondre à cette question, nous étudions les textes fondateurs de la falsafa spécialement ceux de Al-F r b, Ibn S n, Al-Ghaz l et Mull Sadr tout en les comparant aux textes coraniques. Georgio Rahal enseigne l'islamologie, l'histoire médiévale de l'islam, l'arabe littéraire et la philosophie arabe à l'Institut Catholique de Toulouse. (shrink)

Nicht erst die moderne Philosophie hat die fundamentale Doppelnatur des Körperlichen erkannt, das einerseits diejenigen Gegenstände auszeichnet, die wir mit größtmöglicher Distanz und Objektivität wissenschaftlich untersuchen, das sich uns andererseits und zuallererst aber auch in der Form des jeweils eigenen, in seiner Integrität stets bedrohten und letztlich dem Zerfall ausgelieferten Körpers aufdrängt als Bedingung, an der unsere eigene Existenz durch und durch hängt. Schon die Denker der Antike arbeiten sich an dieser Problematik ab; und es gilt, die gedanklichen Ressourcen nutzbar (...) zu machen, die sie für uns bereithalten. Die in diesem Band versammelten Beiträge spiegeln die antike Auseinandersetzung um den Körper und das Körperliche in all ihren Dimensionen und Schattierungen wieder. Gleichzeitig machen sie deutlich, dass diese Auseinandersetzungen nur geführt werden konnten vor dem Hintergrund einer althergebrachten und für lange Zeit sehr wirkmächtigen Tendenz, Organismen wie die Menschen als paradigmatische körperliche Wesen aufzufassen und dieses Paradigma zum Ausgangspunkt für Reflexionen über das Körperliche als solches zu nehmen. Im ersten Teil des Bandes geht es um das antike Nachdenken über den lebendigen, insbesondere menschlichen Körper. Im Mittelpunkt steht weniger die wissenschaftliche Beschäftigung mit diesem Körper als vielmehr die existenzielle Situation, in der sich der Mensch als ein körperliches Wesen befindet. Der zweite und dritte Teil behandeln die Frage nach den Möglichkeiten, Bedingungen und Grenzen der wissenschaftlichen Beschreibung von Körpern und ihrem Verhalten bei Platon und in der platonischen Tradition sowie bei Aristoteles und in der aristotelischen Tradition. (shrink)

Can we really trust the things our bodies tell us about the world? This book reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet, and Philippe de Loutherbourg, it argues that Romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate (...) how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of Romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy, and other popular sciences. This volume reorients conventional accounts of Romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them. (shrink)

What is, what was the human? This book argues that the making of the human as it is now understood implies a renogotiation of the relationship between the self and the world. The development of Renaissance technologies of difference such as mapping, colonialism and anatomy paradoxically also illuminated the similarities between human and non-human. This collection considers the borders between humans and their imagined others: animals, women, native subjects, machines. It examines border creatures (hermaphrodites, wildmen, and (...) cyborgs) and border practices (science, surveying, and pornography). (shrink)

Has not such a promiscuous, ill-defined concept come to obscure and confuse rather than clarify a genuine understanding of our experience?Harvie Ferguson ...

What precisely resides in â oesexualityâ which warrants the popular discourse on sexuality as â oepart of our world freedom, â or something as an inspiring source for â oeour own creationâ of â oenew forms of relationshipsâ or â oenew forms of loveâ never before possible in human history? This popular treatment of sexual freedom has become so politically correct, in this day and age of ours, that it fast degenerates into a seductive ideology which has impoverished our (...) understanding of sexuality by blinding us from its dark sides. Contrary to this intoxicating conventional wisdom, the dark sides of this seductive ideology have yet to be systematically understood and that its very creative freedom is neither possible nor desirable to the extent that its advocates would like us to believe. Of course, this is not to suggest that sexuality should not be about freedom nor creativity, or that the literature in sexual studies (and other related fields like gender studies, queer studies, and cultural studies, for example) should be ignored because of their scholarly nonsense. Needless to say, neither of these two extreme views is reasonable either. Instead, the purpose of this book is to provide an alternative (better) way to understand the nature of sexuality, in special relation to the sexual body and spirit, in conjunction with the mindâ "while learning from different approaches in the literature but without favoring any one of them (nor integrating them, since they are not necessarily compatible with each other). This seminal project, if successful, will fundamentally change the way that we think about the nature of sexuality, from the combined perspectives of the mind, nature, society, and culture, with enormous implications for the human future and what I originally called its â oepost-humanâ fate. (shrink)

An argument against treating our bodies as commodities No one wants to be treated like an object, regarded as an item of property, or put up for sale. Yet many people frame personal autonomy in terms of self-ownership, representing themselves as property owners with the right to do as they wish with their bodies. Others do not use the language of property, but are similarly insistent on the rights of free individuals to decide for themselves whether to engage in commercial (...) transactions for sex, reproduction, or organ sales. Drawing on analyses of rape, surrogacy, and markets in human organs, Our Bodies, Whose Property? challenges notions of freedom based on ownership of our bodies and argues against the normalization of markets in bodily services and parts. Anne Phillips explores the risks associated with metaphors of property and the reasons why the commodification of the body remains problematic. What, she asks, is wrong with thinking of oneself as the owner of one's body? What is wrong with making our bodies available for rent or sale? What, if anything, is the difference between markets in sex, reproduction, or human body parts, and the other markets we commonly applaud? Phillips contends that body markets occupy the outer edges of a continuum that is, in some way, a feature of all labor markets. But she also emphasizes that we all have bodies, and considers the implications of this otherwise banal fact for equality. Bodies remind us of shared vulnerability, alerting us to the common experience of living as embodied beings in the same world. Examining the complex issue of body exceptionalism, Our Bodies, Whose Property? demonstrates that treating the body as property makes human equality harder to comprehend. (shrink)

The irreducibility of language : the history of rhetoric in the age of typewriters -- The failures of empiricism : language, science, and the philosophical tradition -- What is a trope? : the discourse of metaphor and the language of the body -- The nervous systems of modern consciousness : metaphor, physiology, and mind -- Interpretation and life : outlines of an anthropology of knowledge.

Ranging chronologically from the twelfth to the fifteenth century and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, from the musicality of sodomy in twelfth-century polyphony to Chaucer's representation of pedagogical violence in the Prioress's Tale, from early Christian writings on the music of the body to the plainchant and poetry of Hildegard of Bingen, the (...) author argues that medieval music was quintessentially a practice of the flesh. The book reveals a medieval world in which erotic desire, sexual practice, torture, flagellation, and even death itself resonated with musical significance and meaning. In its insistence on music as an integral part of the material cultures of the Middle Ages, the book presents a revisionist account of an important aspect of premodern European civilization. (shrink)

New materialism challenges conventional theories of understanding human being and subjectivity, which it regards as shaped by mechanistic models characteristic of early modern philosophy that regarded matter as largely passive. Instead it gives weight to topics often overlooked in such accounts: the body, the role of affect and the emotions, gender, temporality, agency and vitalism. This collection, which includes an international roster of contributors from philosophy, history, literature and science, is the first to ask what is (...) 'new' about the new materialism and place it in interdisciplinary perspective. Against current theories of new materialism it argues for a deeper engagement with materialism's history; questions whether matter can be 'lively'; and asks whether new materialism's wish to revitalize of politics and the political lives up to its promise. (shrink)

This paper addresses the question of human and divine agency in Augustine’s later writings through the Trinitarian lens that shapes his understanding of salvation and the human person. It focuses on the way Augustine draws on Christological and pneumatological claims to structure the relation between human and divine agency within his totus christus model. Here I examine how the relation between human and divine agency can be grounded on and understood through the predestination of Christ. This (...) leads into a consideration of how we participate in Christ’s body through the power of the Spirit. In this I think we can discern a nascent eschatological social ontology: the body of Christ is not only an ecclesiological but also an anthropological metaphor signaling a new form of corporate embodiment, not complete until the resurrection, from which to understand the reforming of human agency through divine grace. (shrink)

Marx's call for a materialism capable of engaging reality as ‘sensuous human activity’ opens a question about the role of representation in relation to data. Images have increasingly been seen as significant forms of data in the history of education. Derrida's theory of the spectre—a variation on the positions established in his earlier works on the trace, the supplement and differance—offers a way of rethinking visual images, their relations with existing discourses of knowledge and with positioned subjects who makes (...) sense. Two early twentieth-century photographs are explored here in relation to ideas derived from Derrida as an exercise in the philosophy of representation. (shrink)

Clear, accessible, and meticulously annotated, Tracing the Path of Yoga offers a comprehensive survey of the history and philosophy of yoga that will be invaluable to both specialists and to nonspecialists seeking a deeper understanding of this fascinating subject. Stuart Ray Sarbacker argues that yoga can be understood first and foremost as a discipline of mind and body that is represented in its narrative and philosophical literature as resulting in both numinous and cessative accomplishments that correspond, respectively, to (...) the attainment of this-worldly power and otherworldly liberation. Sarbacker demonstrates how the yogic quest for perfection as such is situated within the concrete realities of human life, intersecting with issues of politics, economics, class, gender, and sexuality, as well as reflecting larger Indic religious and philosophical ideals. (shrink)

The paper presents the main ideas of systematic research of the phenomenon of the human body as an essential characteristic of human being and the fundamental philosophical concept. It allows one to scrutinize the concept of the human body as a necessary research tool in the humanities. The human body is analyzed in the process of its conceptualization in the history of philosophy, in relation to which its logic and main phases are (...) defined. The paradigms of the understanding of the human body are identified as resomatization strategies of contemporary thinking. It allows one to claim that evolution of philosophy is inalienable from the process of conceptualization of the phenomenon of the human body. Using an ontological grounding of the human body as a key philosophical concept ensures reconciliation of philosophical anthropology and ontology. (shrink)