This is a review of Survey of the State of the Art in Human Language Technology, [editorial board: Ronald Cole (editor-in-chief), Joseph Mariani, Hans Uszkoreit, Annie Zaenen, Victor Zue], Cambridge University Press (Studies in Natural Language Processing) and Giardini Editori e Stampatori in Pisa (Linguistica Computazionale, volumes XII-XII1), managing editors: Giovanni Battista Varile and Antonio Zampolli, Cambridge University Press, 1997.

Nasr (Islamic studies, George Washington U.), in a series of ten lectures, argues that, unlike in the West, where scientific thought has been secularized, in the East, knowledge and religious experience have remained unified. Drawing from Buddhist, Hindu, Judaic, Christian, and Islamic traditions, he finds in each the idea of perennial wisdom as a philosophical basis for such unity. Paperback edition ($10.95) not seen. A reprint of the 1987 original with a new (short) preface. The paper edition (06459-4) is available (...) for $13.50. Annotation copyrighted by Book News, Inc., Portland, OR. (shrink)

Production of Presence is a comprehensive version of the thinking of Hans Ulrich Gumbrecht, one of the most consistently original literary scholars writing today. It offers a personalized account of some of the central theoretical movements in literary studies and in the humanities over the past thirty years, together with an equally personal view of a possible future. Based on this assessment of the past and the future of literary studies and the humanities, the book develops the provocative thesis (...) that, through their exclusive dedication to interpretation, i.e. to the reconstruction and attribution of meaning, the humanities have become incapable of addressing a dimension in all cultural phenomena that is as important as the dimension of meaning. Interpretation alone cannot do justice to the dimension of "presence," a dimension in which cultural phenomena and cultural events become tangible and have an impact on our senses and our bodies. Production of Presence is a passionate plea for a rethinking and a reshaping of the intellectual practice within the humanities. (shrink)

Felix Kaufmanns Wissenschaftstheorie Hans-Georg Zilian. X KAUFMANN, DIE ÖKONOMEN UND DAS A PRIORI Bei den österreichischen Grenznutzentheoretikern, mit deren Arbeiten sich Kaufmann vor allem auseinandersetzte, ist von ...

Wittgenstein has often been ascribed a ‘use-theory of meaning’. However, he explicitly renounced theory construction. Furthermore, his slogan ‘Don’t ask for the meaning, ask for the use!’ invites circumventing the question ‘What is meaning?’ altogether. This chapter argues that, Wittgenstein’s ambivalence notwithstanding, there is no merit in avoiding the title question (‘What is meaning?’). Moreover, it is argued that, while Wittgenstein’s reflections are incompatible with a formal theory of meaning, they do lay the foundations of a viable account of the (...) concept of linguistic meaning, namely by elucidating its connections with other concepts like those of rule, explanation, and understanding. The chapter makes a case for a use-theory thus understood. (shrink)

Although Bohr's reply to the EPR argument is supposed to be a watershed moment in the development of his philosophy of quantum theory, it is difficult to find a clear statement of the reply's philosophical point. Moreover, some have claimed that the point is simply that Bohr is a radical positivist. In this paper, we show that such claims are unfounded. In particular, we give a mathematically rigorous reconstruction of Bohr's reply to the _original_ EPR argument that clarifies its logical (...) structure, and which shows that it does not rest on questionable philosophical assumptions. Rather, Bohr's reply is dictated by his commitment to provide "classical" and "objective" descriptions of experimental phenomena. (shrink)

Social theory is the theoretical core of the social sciences, clearly distinguishable from political theory and cultural analysis. This book offers a unique overview of the development of social theory from the end of the Second World War in 1945 to the present day. Spanning the literature in English, French and German, it provides an excellent background to the most important social theorists and theories in contemporary sociological thought, with crisp summaries of the main books, arguments and controversies. It also (...) deals with newly emerging schools from rational choice to symbolic interactionism, with new ambitious approaches, structuralism and antistructuralism, critical revisions of modernization theory, feminism and neopragmatism. Written by two of the world's leading sociologists and based on their extensive academic teaching, this unrivalled work is ideal both for students in the social sciences and humanities and for anyone interested in contemporary theoretical debates. (shrink)

Profielen van 59 denkers die filosofie en wetenschap van de twintigste eeuw beslissend beïnvloed hebben.

Het is bijna niet voor te stellen hoeveel Foucaults studie Surveiller et punir in het verleden betekend heeft voor mij en een belangrijk deel van mijn generatie. Vanwege mijn Franse achtergrond – ik promoveerde in Straatsburg op een proefschrift over Albert Camus – kende ik Foucault en zijn werk al goed. Je kon met name in de zomer van 1967 gewoon niet om hem heen. In alle parken en cafés rond de universiteit zaten toen in Straatsburg studenten zijn dikke boek (...) Les mots et les choses ostentatief te etaleren. Ze hadden het met de titelpagina naar boven naast of voor zich liggen, of hielden hun kostbare schat, met weer de titel goed zichtbaar in de hand. Het kwam zelden voor dat ze erin lazen. Als buitenlander begreep ik er niets van. Mijn Franse vrienden legden het mij uit. (shrink)

In this article, the author argues against a universal restriction on our pursuit of acceleration. Instead, he presents arguments for a selective slowdown in different areas of our life.

This is a book about infinity, specifically the infinity of numbers and sequences. Amazing properties arise, for instance, some kinds of infinity are argued to be greater than others. Along the way the author will demonstrate how infinity can be made to create beautiful 'art', guided by the development of underlying mathematics. This book will provide a fascinating read for anyone interested in number theory, infinity, math art, and/or generative art, and could be used a valuable supplement to any course (...) on these topics. (shrink)

Bei der Rezeption von Kunst treten vier Faktoren ins Spiel: Als Bedingungen der Wahrnehmung fungieren Wissensbestände, entsprechende Präsentationsbedingungen sowie - nicht zuletzt - das Medium des Geldes. Sie bilden ein Rahmensystem, durch das ein Werk erst in Erscheinung zu treten vermag. Einschliesslich des rezipierten Gegenstandes, der den vierten Faktor in diesem Geschehen abgibt, stehen alle Faktoren in stetiger Wechselwirkung.

When it comes to understanding the ontology of individual existence-that is the everyday behaviors that we all perform and hardly ever think about-the voice has a particularly complicated status. Together with writing, voice is the medium expressing ideas that, broadly speaking, we have previously formed in our minds. At the same time, voices trigger vague images and associations that do not have determinate forms. They remain in our memory, and we may even "hear" them as if immediately present, but we (...) are unable to detach the propositional contents they articulate from the centrifugal effects that they have on our lives. Writing in both a personal and philosophical register, Hans Ulrich Gumbrecht explores the complexity of the voice as an understudied philosophical, social, and existential phenomenon. He starts out with a focus on its core intellectual problem as "the knot of the voice" - referring to the inseparable proximity between meanings, images, and the physical perceptions on which they depend. In conversation with Nietzsche, Husserl, Heidegger, Derrida, Lyotard, Luhmann, and above all Roland Bartes, Gumbrecht addresses topics that range from the social functions of the voice to its status in different historical contexts, and to the ways in which the perception of voices animates imagination. Throughout, incisive analyses of moments such as Julius Caesar's purportedly high-pitched voice, the surprisingly fragile authority of God's voice in the Torah and in the Gospel, and Gumbrecht's own personal attachment to the voices of popular singers such as Edith Piaf, Elvis Presley, and Adele, create a portrait of the voice that is both philosophically challenging and entertaining to read. (shrink)