Bron Taylor defines dark green religion as follows: '… a deep sense of belonging to and connectedness in nature, while perceiving the earth and its living systems to be sacred and interconnected'. Can Psalm 104, with its conspicuous focus on nature, also be described as an expression of dark green religion? Utilising especially the dark green values of belonging, interconnectedness and sacredness, it was found that the psalm aptly confirms Earth as home, illustrates a deep-seated kinship with other living creatures (...) and acknowledges nature as intrinsically worthy or sacred through its close association with God. Of the four kinds of dark green religion, Gaian Naturalism and Naturalistic Animism, Gaian Spirituality and Spiritual Animism, the psalm belongs to the last-mentioned, acknowledging Yahweh as upholding and 'permeating' the harmonious whole of creation. The poet is, however, also well informed of 'natural' knowledge of his environment. The psalm's joy, awe, astonishment, humility and fear, being almost overwhelmed by awesome nature, are emotions that can also be shared by adherers to the naturalist view, those who doubt if there is some spiritual world running parallel to the natural world. The religious-like experience of naturalists provides common ground with the religious and enhances a much-needed change of view of respect towards nature. (shrink)

An ethological appreciation of the donkey has confirmed that it is a special and unique animal. The donkey is a well-adapted, sensitive, sociable, intelligent and notably loyal animal. Their so-called ‘stubbornness’ (dumbness) points rather to a species-specific intelligence to survive. Because of their domestication, they have been incorporated into the human world, mostly as pack, draught and riding animals. In the Ancient Near East (ANE) they sometimes also acted as ‘divine agents’, for example, in Balaam’s fable (Numbers 22). An ecological (...) hermeneutic focus on this fable has evoked sympathy for the donkey. Even if there is over-ascription because of the ANE mytho-poetical worldview, an authentic donkey can still be discovered behind this ‘speaking’ animal. Perhaps we need far more animal-centric fables instead of anthropocentric fables nowadays to appreciate the donkey as a remarkable animal. (shrink)