What is 'rebirth' in Buddhism? The contribution of hypnotic regression.

¿Es hoy aún posible pensar la creatividad sin el método, la invención sin la regla? La historia nos enseña que el arte es siempre inevitablemente tanto fantasía como disciplina, tanto creatividad como técnica, tanto genialidad como orden, y allí donde prevalece sólo uno de los dos momentos la creación artística corre siempre el riesgo de degenerar o en un mero delirio creativo sin resultados concretos o en un exasperante formalismo sin inspiración. De las reflexiones barrocas de Baltasar Gracián y de (...) Giambattista Vico nos viene la invitación a concebir la creatividad como ingenio, por lo tanto, a entender la creatividad como la capacidad de captar relaciones inéditas entre las cosas, las ideas o las palabras, o de formular intuiciones imprevisibles e imprevistas para los esquemas de pensamiento habituales o tradicionales, aunque reelaborando y conectando originalmente materiales ya dados. Este diverso modelo de creatividad, un modelo especialmente barroco, trata así de evitar el doble peligro de la exasperación fantástica, por un lado, y de la mortificación creativa, por el otro. Descubrir y profundizar la relación entre creatividad e ingenio, así como fue elaborado por Gracián y por Vico, puede entonces contribuir a arrojar nueva luz sobre la noción misma de creatividad, enriqueciéndola siempre con nuevos y más amplios significados.Palabras clave: creatividad, ingenio, Gracián, Vico. Is it still possible to think about creativity without method, or invention without rule? We can learn from history that art is always, unavoidably, a matter of fantasy as well as of discipline, of creativity as well as of technique, of geniality as well as of order; and that wherever only one of those moments prevails, artistic creation runs the risk of degenerating into mere creative delirium, with no concrete results, or in exasperating formalism, deprived of any inspiration. Baroque reflections of Baltasar Gracian and Giambattista Vico invite us to understand creativity as inventiveness, namely the capacity to grasp unprecedented links between things, ideas or words, or to formulate intuitions that were unpredictable and unpredicted for the traditional schemes of convencional or traditional thought, even if re-elaborated, and connecting well known materials in an original way. It is the aim of this particularly baroque model of creativity to avoid the double danger of fantastic exasperation, on the one hand, and creative mortification, on the other. Discovering and considering the relationship between creativity and inventiveness, as Gracian and Vico devised them, could therefore throw some light on the very notion of creativity, enriching it with new and broader meanings.Keywords: creativity, inventiveness, Gracian, Vico. (shrink)

Contextual type theories are largely explored in their applications to programming languages, but less investigated for knowledge representation purposes. The combination of a constructive language with a modal extension of contexts appears crucial to explore the attractive idea of a type-theoretical calculus of provability from refutable assumptions for non-monotonic reasoning. This paper introduces such a language: the modal operators are meant to internalize two different modes of correctness, respectively with necessity as the standard notion of constructive verification and possibility as (...) provability up to refutation of contextual conditions. (shrink)

RESUMO Entre os vários pontos da obra de Nāgārjuna que deram origem a análises e discussões, o tema das 'duas verdades' é um dos mais controversos. Com efeito, dentro da ampla bibliografia dedicada a essa temática, são muitas, e amiúde divergentes, as tentativas de explicar o que Nāgārjuna entendesse - no verso 24.8 das suas Mūla-madhyamaka-kārikā - com as expressões 'verdade convencional' e 'verdade suprema'. Esses pontos de vista interpretativos, entretanto, frequentemente, parecem prescindir daquele que talvez seja o critério mais (...) confiável para dirimir as controvérsias relativas às MMK: i. e., a leitura dos comentários indianos às mesmas MMK. Em contraste com essa tendência, este escrito objetiva investigar as passagens do Prajñāpradīpa e das Prasannapadā onde encontramos explicações, respectivamente de Bhāviveka e de Candrakīrti, que dizem respeito às duas verdades. O resultado dessa pesquisa se apresentará como nitidamente favorável à interpretação da doutrina das duas verdades que, em outros escritos, chamei de 'pedagógica'.ABSTRACT Among the many passages of Nāgārjuna's work that have generated analysis investigation and discussion, the issue of the 'two truths' is one of the most controversial ones. In fact, within the vast bibliography dedicated to this topic, attempts to explain what Nāgārjuna meant - in verse 24.8 of his Mūla-madhyamaka-kārikā - by 'conventional' and 'supreme truth' are many and frequently divergent. However, it often seems that these interpretative views neglect what probably is the most reliable criterion for solving controversies in the MMK: i. e., the reading of Indian commentaries to the MMK. Going against this trend, this paper aims to investigate passages of Bhāviveka's Prajñāpradīpa and of Candrakīrti's Prasannapadā where we find explanations that concern the two truths. The result of this research will look quite favorably on the interpretation of the two truths doctrine that I called, in other works of mine, "pedagogical". (shrink)

Partiendo del cuestionamiento del diagnóstico de la situación italiana como "democracia bloqueada", el autor se plantea las respuestas teóricas necesarias para la superación de una "democracia sin cualidad"; cuestiones como la de cómo ha de ser una organización social en la que la obligación hacia el otro y hacia la comunidad conviva con y corrija el derecho de los individuos. ¿Está abierto aún el camino de las reformas? En la práctica ha faltado la solidaridad, entendida como posibilidad de sinergias derivadas (...) de una cooperación creativa en los diversos niveles de intervención y responsabilidad de los actores políticos y sociales, basada en normas y valores compartidos. (shrink)