Taxonomies and ontologies for the characterization of everyday sounds have been developed in several research fields, including auditory cognition, soundscape research, artificial hearing, sound design, and medicine. Here, we surveyed 36 of such knowledge organization systems, which we identified through a systematic literature search. To evaluate the semantic domains covered by these systems within a homogeneous framework, we introduced a comprehensive set of verbal sound descriptors, which we used to manually label the surveyed descriptor classes. We reveal that most taxonomies (...) and ontologies were developed to characterize higher-level semantic relations between sound sources in terms of the sound-generating objects and actions involved, or in terms of the environmental context. This indicates the current lack of a comprehensive ontology of everyday sounds that covers simultaneously all semantic aspects of the relation between sounds. Such an ontology may have a wide range of applications and purposes, ranging from extending our scientific knowledge of auditory processes in the real world, to developing artificial hearing systems. (shrink)

Giordano Bruno's philosophical feat consists in the definition of a transformational force proper to human nature, which underlines its radical integration in the infinite cosmos.

Par quelles médiations, traductions, représentations et transformations conceptuelles, est-on passé de la pensée antique des 'divines folies' chez les Grecs à celle des 'héroïques fureurs' de Giordano Bruno (1548-1600), cette expérience de la folie dans laquelle le philosophe, à la poursuite de l'objet infini, se constitue en un paradoxal 'sujet hors de soi'? Cette étude a identifié, dans les strates de la culture savante et sur le long terme, des schèmes de pensée singuliers qui ont traversé les temps anciens (...) et les disciplines en étant repris, modifiés et réinventés selon les contextes et les auteurs, jusqu'à ce que Bruno les transforme à son tour et les relie entre eux dans sa philosophie, à l'orée de la modernité"--Page 4 of cover. (shrink)

Giordano Bruno's notorious public death in 1600, at the hands of the Inquisition in Rome, marked the transition from Renaissance philosophy to the Scientific Revolution of the seventeenth century. In his philosophical works he addressed such delicate issues as the role of Christ as mediator and the distinction, in human beings, between soul and matter. This volume presents new translations of Cause, Principle and Unity, in which he challenges Aristotelian accounts of causality and spells out the implications of Copernicanism (...) for a new theory of an infinite universe, and of two essays on magic, On Magic and A General Account of Bonding, in which he interprets earlier theories about magical events in the light of the unusual powers of natural phenomena. (shrink)

This volume includes some of the papers from the second and third instalments of the series Festival Bruniano, held in Geneva in 2015 and in Tours and Wittenberg in 2018, respectively. By picking up the baton from the inaugural edition of 2014 and the two preparatory colloquia that preceded it in 2013, this volume aims to discuss Giordano Bruno's contribution to sixteenth-century ideas by focusing on some theological, moral, and legal-political aspects of his philosophy. Starting from a re-evaluation of (...) Christianity after Luther's Reformation, the four sections of this volume pay special, but not exclusive, attention to Bruno's later philosophical teaching, including his Wittenberg period and the 'Frankfurt trilogy'."--Page 4 of cover. (shrink)

The essay explores the systematic relationship in the work of Giordano Bruno (1548-1600) between his monadology, his metaphysics as presented in works such as De la causa, principio et uno, the mythopoeic cosmology of Lo spaccio de la bestia trionfante, and practical works like De vinculis in genere. Bruno subverts the conceptual regime of the Aristotelian substantial forms and its accompanying cosmology with a metaphysics of individuality that privileges individual unity (singularity) over formal unity and particulars over substantial (...) forms without sacrificing a metaphysical perspective on the cosmos. The particular is individuated as a unique site of desire, continually transforming but able to entrain itself and others through phantasmatic ‘bonding’, the new source of regularity in Bruno’s polycentric universe. Bruno thus tries to do justice to the demands of intelligibility as well as transformative eros. The essay concludes with a note on Bruno’s geometry as it relates to his general conception of form. (shrink)

La production philosophique et littéraire de Giordano Bruno (1548-1600) est traversée par un questionnement constant sur les relations réciproques entre texte et lecteur — l’un se construisant systématiquement par rapport à l’autre. Dans cet article, nous nous concentrerons en particulier sur la comédie italienne Chandelier (1582) et sur le traité mnémotechnique Cantus Circæus (1582) pour montrer comment le rapport texte/lecteur est essentiel pour saisir les implications philosophiques des deux textes. À la Renaissance, la lecture est un véritable exercice d’assimilation (...) et l’ars memoriæ se configure comme un outil pour agir sur l’âme humaine. À travers un lien très étroit avec le lecteur, les œuvre de Bruno visent ainsi à renouveler l’être humain et à conformer son intellect à l’opus magnum de l’univers. (shrink)

1. Candelaio -- 2. La cena de le Ceneri. De la causa, principio et uno. De l'infinito, universo et mondi -- 3. Spaccio de la bestia trionfante. Cabala del cavallo pegaseo -- 4. De gl'heroici furori.

Giordano Bruno was a philosopher in his own right. However, he was famous through the centuries due to his execution as a heretic. His pronouncements against teachings of the Catholic Church, his defence of the cosmology of Nicholas Copernicus, and his provocative personality, all this made him a paradigmatic figure of modernity. Bruno’s way of philosophizing is not looking for outright solutions but rather for the depth of the problems; he knows his predecessors and their strategies as well as (...) their weaknesses, which he exposes satirically. This introduction helps to identify the original thought of Bruno who proudly said about himself: “Philosophy is my profession!” His major achievements concern the creativity of the human mind studied through the theory of memory, the infinity of the world, and the discovery of atomism for modernity. He never held a permanent office within or without the academic world. Therefore, the way of thinking of this “Knight Errant of Philosophy” will be presented along the stations of his journey through Western Europe. (shrink)

This vibrant bilingual edition, annotated by celebrated Bruno scholar Ingrid D. Rowland, features the text in its original Italian alongside an elegant, accurate English translation.

Il triplice minimo e la misura.--La monade, il numero e la figura.--L'immenso e gli innumerevoli.

Giordano Bruno Giordano Bruno was an Italian philosopher of the later Renaissance whose writings encompassed the ongoing traditions, intentions, and achievements of his times and transmitted them into early modernity. Taking up the medieval practice of the art of memory and of formal logic, he focused on the creativity of the human mind. Bruno … Continue reading Giordano Bruno →.

Giordano Bruno was burnt at the stake in Rome in 1600, accused of heresy by the Inquisition. His life took him from Italy to Northern Europe and England, and finally to Venice, where he was arrested. His six dialogues in Italian, today considered a turning point towards the philosophy and science of the modern world, were written during his visit to Elizabethan London. He died refusing to recant views which he defined as philosophical rather than theological, and for which (...) he claimed liberty of expression. The papers in this volume derive from a conference commemorating the 400th anniversary of Bruno's death. Some focus on his experience in England, others on the Italian context of his thought and his impact upon others. Together they constitute a major new survey of the range of Bruno's philosophical activity, as well as evaluating his use of earlier cultural traditions and his influence on both contemporary and more modern themes and trends. (shrink)

Diese Schrift ist das letzte Werk Brunos, der 1600 nach einem aufsehenerregenden Prozeß als Ketzer verbrannt wurde. Hier entwickelt der Renaissancephilosoph sein philosophisches Credo und beeinflußte damit die Philosophie bis in die Zeit des deutschen Idealismus, insbesondere Schelling. Brunos anthropologischer Ansatz ist ein Meilenstein auf dem Weg der philosophischen Selbstreflexion vom Mittelalter in die Moderne.

In seiner bekanntesten und wirkungsgeschichtlich bedeutendsten Schrift überwindet Bruno 1584 den mittelalterlichen Dualismus von Gott und Welt. Seine satirisch-polemische Auseinandersetzung mit Aristoteles, der Scholastik und dem Neuplatonismus mündet in einen Pantheismus, der schon teilweise auf die Lehren von Spinoza und Leibniz vorausweist.

In this highly original study, Nuccio Ordine uses the figure of the ass as a lens through which to focus on the thought and writings of the great Renaissance humanist philosopher Giordano Bruno.

Renaissance magic was an attempt to supply Platonism with a philosophy of nature that could compete with Aristotelian physics. It was expected to heal the increasing breach between science and faith. However, the basic presupposition of every magic worldview, the notion of a living universe, favors immanentism and arguably hastened the rise of secularism. Secularism, it should be noted, was not an identifiable set of theories but a process towards modernity with its correspondent philosophical theology. Three different stages in (...) that development can be shown in the philosophical systems of three famous Renaissance magicians: Henry Cornelius Agrippa, Giordano Bruno, and Tommaso Campanella. (shrink)

Methods facilitating noetic ascent -- Contraction as an ontological concept -- Contraction and noesis -- Contraction and memory -- Physiologically induced contraction -- The scholastic tradition of contraction -- Cusanus and the scholastic tradition of contraction.

Originariamente letto a una conferenza nel marzo 1907, questo breve saggio non e ne una biografia di Giordano Bruno ne un'esposizione del suo pensiero, ma un'analisi del ruolo da lui ricoperto nella cultura del tempo e delle ragioni del suo scontro con le autorita ecclesiastiche. Rifiutando le semplificazioni di un Giordano Bruno ateo o anticlericale, Giovanni Gentile espone una sua personale interpretazione della vita del pensatore nolano, considerandolo non gia un "martire del libero pensiero," quanto piuttosto, al pari (...) di Socrate, un "martire della filosofia." Ne scaturisce il ritratto di un Bruno avverso non alla religione in se ma alla superstizione, e fautore, in anticipo sui tempi, della separazione tra fede e scienza.". (shrink)

Nel volume si pubblicano le traduzioni di alcuni testi dedicati a Giordano Bruno composti da Hegel e da Dilthey. Pur tenendo conto della diversa incidenza storico-filosofica dell’interpretazione proposta, con tali contributi entrambi i filosofi tedeschi si affermano quali decisivi interpreti ottocenteschi del pensiero di Bruno. Nel volume si pubblicano le versioni disponibili del capitolo riservato al Nolano all’interno delle "Vorlesungen über die Geschichte der Philosophie" di Hegel e i due articoli dedicati a Bruno da Dilthey, ristampati poi in modo (...) unitario nella raccolta "Weltanschauung und Analyse des Menschen seit Renaissance und Reformation". A più di sessant’anni di distanza l’uno dall’altro, Hegel e Dilthey individuano nel pensiero del Rinascimento, la cui esuberante e contraddittoria ricchezza secondo loro si trova emblematicamente rappresentata nella filosofia di Bruno, una sorta di anello di congiunzione tra antico e moderno: «come in un crepuscolo mattutino, nel quale le ombre notturne si insinuano ancora nella luce del sole che sorge». (shrink)

Cimatti and Salzani have put together a rich collection of essays on animal studies that provides an exhaustive overview of how Italian contemporary philosophers are engaging with animal ethics, antispeciesism, posthumanism, ecofeminism, and biopolitics. This edited volume represents an important development in the “animal turn” in the humanities, particularly because it is published in English, allowing for a more efficient dialogue between “Italian theory” and philosophers around the world. This is, in fact, the first collection that will give an international (...) audience access to the rich and varied contribution of Italian contemporary philosophy in the burgeoning field of animal studies. It is also important to point out that all the authors—who are either well-established erudite thinkers or bright and innovative new voices in the panorama of Italian philosophy—effectively engage with recent and prominent scholarship in the fields of animal studies, posthumanism, and biopolitics, such as the work of Zizek, Esposito, Hardt, Calarco, Braidotti, and Wolfe.The volume is clearly intended for an academic audience: professors, scholars, and graduate students studying not only philosophy, Italian studies, environmental humanities, and animal ethics, but also political science, ethology, comparative literature, art history, and religious studies. In addition, the book could also find an audience in animal rights and environmental activists who are interested in the philosophical aspects and ethical and political implications of their actions.The division of the book into three sections (“Animality in the Italian Tradition,” “Animality in Perspective,” and “Fragments of a Contemporary Debate”) provides the reader a clear trajectory from the Italian philosophical tradition to the current debate on “animality.” In the first section, in fact, the authors engage with the rich and complex tradition of both Italian animal philosophy and advocacy. In the three essays that make up this section, the authors provide a compelling historical perspective of the anti-Cartesian and antidualistic aspects of Italian thought, tracing its pre-Cartesian origin and post-Cartesian developments through the work of Francis of Assisi, Dante Alighieri, Giordano Bruno, Giambattista Vico, and Giacomo Leopardi, among others. This section also includes essays outlining the development of animal bioethics in Italy, which emerged from the work of animal advocacy pioneer Aldo Capitini and continued to have an important impact on Italian culture thanks to the antispeciesist movement and debate, of which the third essay of this section provides an exhaustive intellectual history.The second section of the volume, comprised of six essays, provides an overall view of the ongoing philosophical debate on animality that traverses Italian posthumanism, feminism, theology, biopolitics, environmental ethics, and Marxist thought. Here the authors engage with some of the prominent voices in the contemporary Italian philosophical landscape, such as Giorgio Agamben, Roberto Esposito, Roberto Marchesini, Antonio Negri, Maria Turchetto, Adriana Caravero, Luisa Muraro, and Paolo De Benedetti. As pointed out by the editors in their introduction, this section does not intend to offer a complete account of the extensive and heterogenous exchanges occurring inside the Italian biological turn, but instead aims at investigating its most compelling approaches and effectively links them to the ongoing transnational debate.The rich historiography and analysis of the first two sections is complemented, in the third section of the volume, by the speculative approach that strongly characterizes all five final essays. Here we can find some of the most exciting and original developments in Italian scholarship on animal philosophy. This section is, therefore, the most effective in presenting the distinctive approach of contemporary Italian philosophers in rethinking animality and the human-animal interplay, in particular inside the historical and epistemological frame of the Anthropocene. For instance, Massimo Filippi explores how slaughterhouses have become exemplary spaces to investigate the calculation that adds, subtracts, multiplies, and divides humans and animals, which removes animality and excises the other, which forcefully bans any imagining of the monstrously other, of the other-than-human, and that produces, among others and besides It-Self, the Woman, the Homosexual, the Abnormal, the Migrant, the Criminal, and the Animal. (p. 225)Structuring his argument on the real and metaphorical “mathematics of sacrifice” at work in the slaughterhouse (p. 226), Filippi engages with the processes that enable human ontological privilege, with intraspecific and interspecific mechanisms of discrimination, and with philosophical, political, and ethical implications of meat production.For a second and final example, ethologist Roberto Marchesini—one of the most original and prominent voices in animal studies—focuses on redefining the paradigm of “animality.” In his essay, Marchesini questions behaviorism and the automatism of learning, key aspects that have been prominent in defining animality in many fields, from biology to philosophy. Building from his groundbreaking and extensive work in ethology and zooanthropology, he argues for an “elaborative model” of animality (animal as subject) against the fallacy of the “automatism-based model” (animal as mechanism): Subjectivity is the implicit condition of the animal being, an expressive dimension that may also be unconscious but that precedes from (i) a constructivist conception of behavior, which we could explain by considering it a work in progress, always open and never predetermined, but equally never imposed and nonetheless always co-factorial to external contributions, and (ii) a propositional view of the individual, or rather from being supported by verbal structures such as to delight, to fear, to want, which join themselves to modal predicates declined according to context, but which likewise render the individual the protagonist. (p. 247)Animal studies has established itself as one of the most exciting areas of research inside the biological turn of the humanities worldwide and, by collecting such a large number of compelling and provocative theories from Italian contemporary philosophy, the impact of Cimatti and Salzani's volume will be twofold: It will enrich and expand a developing discussion in the environmental humanities and in animal studies while establishing the centrality of Italian thought in such an important and, in the Anthropocene era, necessary debate. (shrink)

L’articolo si propone di chiarire uno dei punti oscuri della biografia di Giordano Bruno. Nel 1571 il Capitolo generale dei Domenicani di Roma lo assegnò come studente formale allo Studio di Andria. Secondo i suoi più importanti biografi, il Nolano non ci sarebbe mai andato. Attraverso l’accurata analisi dei documenti relativi al corso di studi, e il riscontro delle citazioni contenute in alcune opere, l’ipotesi che Bruno abbia soggiornato ad Andria per circa un anno appare, invece, estremamente probabile. The (...) article tries to clarify one of the obscure points of Giordano Bruno’s biography. In 1571 the General Chapter of the Dominicans in Rome assigned him, as a formal student, to the Study of Andria. According to his most important biographers, the Nolan never went there. However, through the careful analysis of the documents relating to his course of studies, and the comparison of the quotations contained in some of his works, the hypothesis that Bruno stayed in Andria for about a year appears extremely probable. (shrink)

Quando la biblioteca diventa un confessionale. Nel 1585, Giordano Bruno ritorna a Parigi dopo il soggiorno londinese, e comincia a frequentare l’abbazia di Saint Victor, famosa per la sua ” libraria “, immortalata da Rabelais. Il bibliotecario, Guillaume Cotin, trasforma lo “scriptorium” in un confessionale, dove il filosofo dà libero sfogo ai suoi ricordi e al suo impetuoso carattere. -/- When the library becomes a confessional. In 1585, Giordano Bruno, returns to Paris after his stay in London, and (...) begins to attend the abbey of Saint Victor, famous for his library, immortalized by Rabelais. The librarian, Guillaume Cotin, transforms the scriptorium into a confessional, where the philosopher gives free rein to his memories and his impetuous character. (shrink)

Plusieurs textes de Giordano Bruno définissent le statut des mathématiques en reprenant la classification aristotélicienne des sciences théorétiques. Toutefois cette classification change radicalement de sens à la lumière du monisme brunien. Les mathématiques restent certes une science abstraite, mais, pour le métaphysicien, elles deviennent l’instrument qui permet de penser le rapport de la substance aux modes, le déploiement dans l’unité de la substance de la pluralité infinie des formes; en d’autres termes, elles deviennent une véritable logique de l’être.

Giordano Bruno's copy of Camoeracensis Acrotismus from Prague.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Giordano Bruno and the Kabbalah: Prophets, Magicians, and Rabbis by Karen Silvia de León-JonesMatt GoldishKaren Silvia de León-Jones. Giordano Bruno and the Kabbalah: Prophets, Magicians, and Rabbis (Yale Studies in Hermeneutics). New Haven: Yale University Press, 1997. Pp. ix + 272. Cloth, $40.00.Frances Yates’ Giordano Bruno and the Hermetic Tradition has become a standard work for the study of Renaissance thought, and it is through (...) her interpretation of Bruno in the tradition of Hermeticism and Lullism that he is generally understood by non-specialists. Karen Silvia de León-Jones proclaims her goal in the present volume to be a new reading of Bruno as a thinker far more affected by Kabbalah than Yates believed, and she expresses herself very sharply against many of Yates’ positions (e.g., 18–23).The book has appropriately been placed in a series on hermeneutics. It is essentially a detailed interpretation of Bruno’s dialogue La cabala del cavallopegaseo, along with two other related dialogues, Lo spaccio della bestia trionjante and De gli eroici furori. The non-specialist reader is not offered a clear introduction to the structure and content of these dialogues or an explanation of how they fit into Bruno’s thought and the larger Renaissance context. This is not to say that de León-Jones does not introduce her material at all, but the choppy prose and lack of overview, particularly in the early chapters of the book, lend it a certain amount of Bruno’s own famous obscurity for those not already conversant with Bruno’s oeuvre.I am not in a position to say whether de León-Jones interprets Bruno’s thought correctly, but I will comment on her approach to Kabbalah and its significance in Bruno’s thought. She makes clear that the Kabbalah “practiced” by Bruno is not identical with Jewish Kabbalah; it is rather what I would call “Cabala,” a group of hermeneutical and mystical techniques based loosely on Jewish Kabbalah, which was used by Renaissance and Baroque Christians. The author nicely defines the theurgic Kabbalah as absorbed by Christian savants: the study of the secret names of God, manipulation of [End Page 675] the Hebrew alphabet and numbers by gematria, temurah and notankon, and meditation on the sephiroth (10).In Bruno’s idiosyncratic theology, or “Cabala-teologia-filosofia” as it is described, Kabbalah has more specific significances. Kabbalah teaches the goal of prophecy and unio mystica; transmigration of souls; the image of God’s relationship to the world through the tree of the sephiroth (he especially emphasizes Hokhmah); the Mors osculi; and manipulation of the divine efflux. Bruno thinks of all Jewish sages who are not pedantic Talmudists as kabbalists, beginning with Moses and Solomon. Biblical wisdom too is Kabbalah. De León-Jones is therefore correct in saying that “Bruno is not a Kabbalist in the strictest sense of [the] word, but instead the example of Renaissance syncretism at its most extreme: in reality Bruno is Bruno; he proselytizes his own philosophy” (181). Going though the book one finds that Kabbalah, or Cabala, which the Nolan clearly learned mainly from Agrippa (as Yates stated), was simply another literature of the prisca sapientia to be manipulated, along with Hermetic writings, Plato, the Bible and many others, as “support” for his own system of thought. Syncretism is indeed the key here, and while de León-Jones is undoubtedly correct that Bruno used kabbalistic hermeneutics and symbols along with everything else in his satchel, I question whether it is meaningful to speak of Bruno and the Kabbalah in the normal sense of the term.After the author so roundly reproves Dame Yates for various errors, including her alleged narrowness in understanding Kabbalah, it is surprising to find that de León-Jones herself makes numerous mistakes when she talks about the Jewish Kabbalah. Over the course of four pages (12–15) for example, she errs with all the following. She says Yohanan Alemanno “was not a practitioner of Kabbalah but knew it well” (he was one of the great Renaissance Jewish kabbalists); that Pico learned Hebrew from Flavius Mithridates then translated and widely circulated Abulafian... (shrink)

Burned at the stake for heresy in Rome in 1600, the Italian philosopher Giordano Bruno was the first modern thinker to propose that the universe contained an infinite number of planetary systems revolving around individual stars. He announced his startling propositions at the moment when European explorers were beginning to reveal the real size and complexity of earth itself (indeed, Bruno also spoke forcefully against the violence and profiteering of Spanish colonial efforts) and when natural philosophers had begun to (...) dispute about the very structure of the universe. It may not be a coincidence that the religious troubles of sixteenth-century Europe arose at a time when humanity's very place in the world and the cosmos no longer seemed certain. In Bruno's case, pursuit of his ideas compelled him to leave behind not only the security of his Dominican convent in Naples, but also, and more radically, the security of a traditional sense of who and where he was. His infinite universe terrified a thinker as unconventional as Johannes Kepler, and still more it terrified the Inquisition. For Bruno himself, the excitement of this infinitely expanded vision of the cosmos was usually enough to overrule any doubt, but when Kepler compared living in Bruno's universe to permanent exile, he captured an essential quality of the Italian philosopher: an intense solitude, a solitude for which his philosophy was only ever a partial cure. (shrink)

The paper considers the Copernicanism of Giordano Bruno (1548–1600) as a central moment of his philosophy of nature, concentrating on his two principal cosmological works, La cena de le ceneri (The Ash Wednesday Supper), written and published in London in 1584, and the Latin De immenso, published in Frankfurt in 1591. The principal characteristic of Bruno’s reading of Copernicus which is underlined is his physical realism, which was particularly complex due to his extension of the still finite Copernican cosmology (...) to infinite dimensions. The paper shows how Bruno’s use of diagrams was essential in defining the terms of his new infinite, post-Copernican cosmology, which constitutes an essential if much debated link between Copernicus himself and the great astronomers of the early seventeenth century such as Kepler and Galileo. (shrink)

Giordano Bruno's notorious public death in 1600, at the hands of the Inquisition in Rome, marked the transition from Renaissance philosophy to the Scientific Revolution of the seventeenth century. In his philosophical works he addressed such delicate issues as the role of Christ as mediator and the distinction, in human beings, between soul and matter. This volume presents new translations of Cause, Principle and Unity, in which he challenges Aristotelian accounts of causality and spells out the implications of Copernicanism (...) for a new theory of an infinite universe, and of two essays on magic, On Magic and A General Account of Bonding, in which he interprets earlier theories about magical events in the light of the unusual powers of natural phenomena. (shrink)

La convinzione che la corretta comprensione della filosofia di Giordano Bruno sia imprescindibile dal tempo e dal luogo in cui il testo venne scritto è il principio ispiratore dell’originale metodo di ricerca di Guido del Giudice. Questa antologia, che raccoglie per la prima volta tutte le epistole dedicatorie delle opere latine, giunge a coronamento di un lavoro decennale dell’autore.

In occasione del bimillenario della morte del poeta latino Ovidio, l’articolo analizza l’influenza del poema delle Metamorfosi come fonte primaria di Giordano Bruno. L’esposizione della dottrina pitagorica, esposta nel libro XV del poema, si adatta perfettamente all’ontologia del Nolano e alla sua fede nella metempsicosi. In particolare il mito di Diana e Atteone viene adottato dal filosofo, nel De gl’Heroici furori, come ideale rappresentazione della propria esperienza conoscitiva. La tormentosa vicenda del cacciatore Atteone, tramutato in cervo per aver sorpreso (...) la Diana nuda, simboleggia in Bruno il passaggio dall’amore profano a quello divino. -/- On the occasion of the two thousandth anniversary of the death of the Latin poet Ovid, the article analyzes the influence of the poem of the Metamorphoses as a primary source of Giordano Bruno. The exposition of the Pythagorean doctrine, contained in the XV book of the poem, fits perfectly with the ontology of the Nolan and his faith in metempsychosis. In particular, the myth of Diana and Actaeon is adopted by the philosopher, in De gl'Heroici furori, as an ideal representation of his own cognitive experience. The tormenting story of the hunter Atteone, turned into a deer for having surprised the “naked Diana”, symbolizes in Bruno the passage from the profane love to the divine one. (shrink)

Abstract: Il testo viene pubblicato per gentile concessione della casa editrice ESI ed e’ tratto dal libro di Stefano Ulliana “Il concetto creativo e dialettico dello Spirito nei Dialoghi Italiani di Giordano Bruno. Il confronto con la tradizione neoplatonico-aristotelica: il testo bruniano De l’Infinito, Universo e mondi”, Edizioni Scientifiche Italiane, Napoli, 2003. -/- Le argomentazioni presentate ne Il concetto creativo e dialettico dello Spirito nei Dialoghi Italiani di Giordano Bruno (Il confronto con la tradizione neoplatonico-aristotelica: il testo bruniano (...) De l’Infinito, Universo e mondi) costituiscono le conclusioni ultime e definitive di un lavoro di ricerca che ha investito l’insieme dei Dialoghi Italiani, riuscendo a reperire ed a far emergere quello che pare il nucleo più profondo ed importante—il vero e proprio elevato fondamento—della speculazione bruniana: la presenza attiva di un concetto triadico teologico-politico—il Padre, il Figlio e lo Spirito della tradizione trinitaria cristiana—però riformulato attraverso il capovolgimento rivoluzionario di questa stessa tradizione, attuato attraverso il concetto creativo e dialettico dell’infinito. In questo modo la stessa tradizione platonica pare subire una trasformazione essenziale, abbandonando qualunque forma di alienazione e negazione, per riaprirsi invece verso soluzioni che paiono riprendere moniti ed osservazioni suscitati dalle prime, grandi e maestose, speculazioni dei filosofi presocratici. Parmenide, Eraclito ed Empedocle sembrano rivivere nei testi bruniani, riproponendo una soluzione ben diversa a quei nodi e problemi teoretico-pratici—fondamentale il rapporto Uno-molti e tutto ciò che da esso consegue, sia sul piano naturale che politico—apparentemente risolti e codificati dal pensiero postsocratico, prima platonico e poi aristotelico. L’inscindibilità del principio di libertà (la figura teologica del Padre) ed eguaglianza (il Figlio), attraverso il richiamo alla fonte amorosa infinita ed universale (lo Spirito), consente alla riflessione bruniana di presentare per la prima volta nel panorama filosofico mondiale di tutti i tempi la possibilità di salvaguardare sia l’aspetto creativo naturale, che la diversità politica, presentando nel contempo un concetto di ragione capace di esprimere un movimento infinito sempre aperto ed attento alla molteplicità. In questa liberazione della potenza e della volontà dalle strettoie ordinate e gerarchiche della tradizione il pensiero e la riflessione di Giordano Bruno danno inizio alla modernità, ripresentandosi quale mirabile soluzione ogni qual volta potere e violenza paiono assestarsi e reciprocamente incrementarsi, in un circolo apparentemente indistruttibile. -/- Allora i capitoli di questo libro—attraverso l’analisi di concetti importanti nella filosofia bruniana, quali quelli del desiderio e dell’immaginazione, della materia e della ragione—riattraversano la storia della definizione filosofica delle entità reali più importanti—Dio, Natura, Ragione, Uno—per mostrare un’opposizione fondamentale: l’opposizione fra la fusione speculativa apportata dal pensiero neoplatonico-aristotelico (antico, moderno e contemporaneo), attenta alla difesa della necessità ordinata di un mondo unico, e la liberazione speculativo-pratica bruniana, attenta a far rivivere la coscienza dell’infinito, in noi e fuori di noi. -/- English Abstract: The arguments that have been presented in this essay, which are part of the book ‘The creative and dialectical concept of the Spirit in the Italian Dialogues of Jordanus Brunus. The comparison with the neoplatonic-Aristotelian tradition: the brunian text De l’Infinito, Universo e mondi’, constitute the ultimate and definitive conclusions of a body of research that has mainly focused on Bruno’s work “Dialoghi Italiani”. This research has managed to rise the deepest and most important core of the true foundation of Giordano Bruno’s speculative thinking—the active presence of a triadic theological-political concept of the Father, the Son and the Spirit of Christian tradition. However, this triad has also been reformulated through the revolutionary overturning of this tradition and realized through a creative and dialectical concept of the infinite. In this way the same Platonic tradition seems to undergo an essential transformation by abandoning any form of alienation and negation and indeed to open itself to recover those warnings and observations that the first great speculative thoughts of the Presocratics philosophers brought about. Parmenides, Heraclitus and Empedocles seem to come to life again in Bruno’s essays by proposing a different solution to those theoretical and practical problems such as the fundamental relation between One-many and what it can represent either at the natural level or at the political level which have been apparently solved and codified in the Platonic and Aristotelian thought. -/- The indissolubility of the freedom principle (the theological character of the Father) and equality (the Son), through the use of the loving, infinite and universal source (the Spirit), allows Bruno’s reflection to present for the first time in the entire philosophical tradition the possibility of safeguarding the creative aspect as well as the political diversity. He achieves this by showing a concept of reason which is able to express the infinite movement that it is always open and measured (careful) towards the multiplicity. In this release of power and will from the ordered and hierarchical paths of the philosophy tradition, Bruno’s thought gave birth to Modernity. (shrink)

Regarding the influence of François Rabelais on the Giordano Bruno‟s works, up to now the criticism have only taken into consideration the lexical and thematic analogies. This article individualizes, in a passage of the Oratio Valedictoria, a literal quotation from the Gargantua et Pantagruel, showing that Rabelais was a direct source of inspiration for Bruno. The protagonist of the passage is the pythagorean Apollonius of Tyana, a character well known by the Nolan, who mentioned him in many occasions. He (...) represents the ideal medium with the oriental wisdom, that had so much influence on the thought of Bruno. Besides, he embodies the model of the "natural magician" in which the philosopher repeatedly identified himself, both in his works and life. (shrink)

One of the most striking features of Giordano Bruno’s philosophy is the marriage of universal animation with atomism. This unusual combination produced an extraordinary image of the universe, which was governed by the World-Soul and its universal intellect along with an infinite number of living atoms or corpuscles, animated by their internal spiritual principle. After examining Bruno’s principal arguments on the World-Soul, universal animation and living atoms or corpuscles, this article explores two possible sources among the works of his (...) near-contemporaries. The first author, Agostino Steuco, tried to reconcile the doctrine of the World-Soul with Christianity, integrating the idea of Anaxagoras on the cosmic mind as the demiurgic agent of the universe. The second figure, Jacob Schegk, further elaborated his unusual atomistic or corpuscular reinterpretation of this Presocratic philosopher’s ideas. (shrink)

In the eyes of his own contemporaries and successors, as well as many today, Giordano Bruno is something of an ‘outsider’ because of his views in metaphysics, ontology, cosmology, and theology. Concentrating on his central theses, I will show how, with an immense speculative energy, Bruno escaped the ordinary philosophical, scientific, and theological traditions. He conceived of himself, as it were, as a mirror reflecting an unending universe without a center, and through the power of language and ingenium transfers (...) the structure of this universe to the human mind. Bruno’s philosophy, which he himself referred to as ‘new’ or as a «philosophia nolana», required a semantic transformation of traditional terms, because he, no more than any other thinker, could start completely afresh. Although his views initially appear to place him outside of traditional discussions, they in fact touch, in each case, on central problems of traditional philosophical and theological discourse. (shrink)

Jill Kraye - Giordano Bruno: Philosopher of the Renaissance - Journal of the History of Philosophy 43:3 Journal of the History of Philosophy 43.3 357-358 Hilary Gatti, editor. Giordano Bruno: Philosopher of the Renaissance. Aldershot, England: Ashgate, 2002. Pp. xxiv + 424. Cloth, $89.95. The Italian philosopher Giordano Bruno was burned at the stake on 17 February 1600 in the Campo de' Fiori in Rome. The four-hundredth anniversary of this dramatic event, which has come to symbolize the (...) end of the High Renaissance, was a rather tepid and bland affair compared to the third centenary, which occurred at the height of "Brunomania," with all its attendant ideological fervor and political partisanship. In their struggle against the Church and other conservative elements in Italian society, nineteenth-century liberal and anti-clerical thinkers had transformed the renegade Dominican, whose radical ideas and heretical views were expressed in bombastic Italian prose and.. (shrink)