Gadamer's aesthetics demonstrates that the experience of art is grounded in the objectivities of language, history and tradition. By treating words and images as transmittable placeholders for meanings and concepts, hermeneutics gives a persuasive account of how artworks communicate. Davey demonstrates how hermeneutics transforms aesthetic reflection into a poignant attentive practice that is open to the unexpected. This new "poetics" is relevant not only to the understanding of art but also to showing, explaining and defending the cognitive content of (...) the humanities. Hermeneutic aesthetics provides a sound basis for re-thinking humanities disciplines as critical-creative practices able to re-envision the future. (shrink)

How do words and images function hermeneutically? How does hermeneutic practice work? Answering these questions and more, Nicholas Davey develops the hermeneutical foundations of creative practice. In doing so, he not only uncovers the significance of philosophical hermeneutics for the arts and the humanities, but defends the humanities as a whole from the current scepticism inspired by deconstruction and post-structuralism. Taking Gadamer's language ontology as its cue, this pioneering volume not only addresses certain weaknesses that Davey observes (...) in Gadamer's thought but further takes Gadamerian thinking beyond Gadamer himself. In particular, Davey investigates the productive value of negativity that is central to hermeneutics and to wider spheres of creative learning. Advocating a renewed confidence in hermeneutics and the humanities, Negative Hermeneutics and the Question of Practice reveals how hermeneutical thinking provides a map of the dynamics within creative practice, eliminating the need for an externally imposed 'theory' of the arts. (shrink)

In this book, internationally recognized scholars in philosophical hermeneutics discuss various aspects of language and linguisticality. The translations of Hans-Georg Gadamer's two recent essays provoke a preliminary discussion on the philosopher's polemic claim in Truth and Method—"Being that can be understood is language." Topics addressed by the contributors include the relationship of rituals to tradition and the immemorial; the unity of the word; conversation; translation and conceptuality; and the interrelationship between the art of writing and linguisticality. This work is of (...) critical importance to anyone interested in Gadamer's claims regarding the boundaries of language, the transition from the prelinguistic to linguistic realms, and the role of rituals in this transition. (shrink)

To engage with the subtle philosophical implications of the hermeneutical term “lived experience” (Erlebnis) requires a referential differentiation not customary within Anglo‐Saxon empirical thought. Within Erlebnisse, the meaning of the terms understanding and experience become coterminous. In Gadamer's mind, “Erlebnis” is more a psychological category of experience whereas “Erfahrung” denotes a hermeneutical category of experience which explains its recursive nature. Epistemologically speaking, Erlebnisse represent circular units of experience. Erlebnisse understood as units of intense, immediate, personal feeling can only ever convey (...) the psychological predicament of the reading subject. Gadamer's philosophical language probes the limits of conventional usage when he implies that Erfahrungen would be better thought of as distinct occasions in ongoing processes of encounter, negotiation, and engagement. Gadamer's philosophy of Erfahrung exposes the arrogance, presumption, and folly of any claim to economic and political certainty that does not acknowledge or calculate for alternative outcomes. (shrink)

Using the notion of the “in-between as its primary focus, this paper argues that whereas hermeneutic practice has customarily been deployed to better understand the claims of religious texts, once hermeneutic practice itself becomes the object of understanding, then the practice emerges in its own right as a discipline for occasioning meditative thinking. How hermeneutic practice transforms itself into such a vehicle is the subject of this paper.

This essay considers the foundations of reasonable evaluation in the arts. These we argue concern the relations that constitute our experience of art, and the ontology of the art work itself. The being of the artwork, the experience and the interpretation of it all involve over-lapping modes of part–whole relations. The experience of meaningfulness is not an experience of a singular object or framework of meaning as closed and complete but an experience of relational meaning whereby exposure to one set (...) of meaningful relations transforms another in an on-going and open manner. This suggests that the experience of art itself provides the norms for reasonableness of evaluation. These norms are not rules in the sense of offering a method. They are characteristic of the features of an experience of meaningfulness itself. The essay suggests that the reasonableness of a response to a work can be considered in terms of its appropriacy relative to the context of its own horizon and the horizon surrounding the production of the work; its plausibility, that is, its internal coherence and consistency as a reading; whether the structure of the response is consistent with, supplements, or expands the intelligible content of the work; and whether it gives a sense of the latent possibilities still held within a work and intimates where the movement of a work’s subject-matter might. (shrink)

Unfinished Worlds es un libro incompleto que, en cuanto obra, unidad o ensamble, articula un caleidoscopio que permite avisar nuevas configuraciones de la obra de Gadamer. No pretendo insinuar que esté escrito a medias o que tenga cortes y errores inexplicables que dificulten su lectura. Más bien, quiero señalar que se trata de un escrito que pone en movimiento las tesis de Gadamer sobre la textualidad y asume radicalmente uno de sus postulados: no existe un sentido completo o acabado, el (...) sentido siempre se está realizando. La ontología del lenguaje y de la lingüisticidad (o mejor, lenguajidad) nos revela su ´fundamental´ finitud en cuanto la lengua es siempre una visión parcial de mundo que sólo pervive en su trasmisión. Sin embargo, también ocurre con el sentido algo desconcertante: la belleza que se manifiesta en la obra de arte es avasalladora y acapara nuestra atención con una promesa de perfección e infinitud. Entonces, al experimentar lo bello no podemos más que decir con Goethe “so wahr, so seiend” (tan verdadero, tan siendo). ¿Cómo sobrevive la hermenéutica filosófica a esta aparente contradicción? (shrink)

Unfinished Worlds: Hermeneutics, Aesthetics and GadamerDaveyNicholasedinburgh university press. 2013. pp. viii + 190. £70.00.

(2009). Lest We Forget: The Question of Being and Philosophical Hermeneutics. Journal of the British Society for Phenomenology: Vol. 40, Hermeneutics, pp. 239-254.

This paper argues that the negativity of hermeneutic experience is revelatory for the following reasons. Hermeneutic failure is not the equivalent of making an erroneous step in a closed circuit of reasoning. Neither is it a refutation. It concerns becoming conscious of an omission, an oversight, an unjustifiable claim to completeness and even the displacement of one interpretation by another more suggestive. The negative dimension of hermeneutic failure is incontrovertibly connected with becoming progressively aware of how, contrary to expectations, a (...) different way of seeing is possible: something comes to light which displaces one’s former judgement. Consciousness of failure is, then, indissociable from an emergent awareness of overlooked and unremarked ways of thinking: “I should have been alert to this” or “I failed to take account of that”. Consciousness of failure is revelatory precisely because something else and something other than my expectation has shown itself to be decisive and in so doing has displaced my former understanding. This is the basis of the claim that the educative and spiritual importance of hermeneutics lies precisely in the practical pursuit of the impossible. It is a key contention of the paper that hermeneutic understanding expands and extends itself as a consequence of its impossible quest for completion. (shrink)

As words, images, and concepts are the media through which hermeneutic understanding takes place, reflection on their nature is central to any appreciation of how hermeneutics operates. The joy of coming to recognition entails the knowing of something again that we already know as if for the first time. In the image, what we already know (pre‐reflectively) emerges as if illuminated, from all the contingent and variable circumstances that condition it; it is grasped in its essence. It is known as (...) something”. The speculative dimension of language elucidates the capacity of an image to be future orientated. Words, images, and concepts have actual and potential satellite meanings able to upset and transform their core meanings. Indeterminacy of meaning is central. Reading, writing, and attentive looking are practices which because of the speculative dimensions of word, image, and concept disturb and disrupt what we think we know with certainty. (shrink)

Gianni Vattimo is renowned for his doctrine of weak thinking, which argues for a dialogical non‐fundamentalist approach to philosophy, an hermeneutically oriented critique of metaphysics and modernism devoted to unmasking privileged positions of authority and power, a deconstruction of Western philosophy as a pathway to nihilism, and finally a development of hermeneutics as a postmodern defense of Christianity in secularized form. He recognizes in hermeneutic philosophy the double effectiveness of philosophical engagement. Vattimo repositions Nietzsche's nihilism with debates concerning modernity and (...) postmodernity. Nietzsche's analysis of negative and affirmative nihilism sustains Vattimo's signature distinction between strong and weak thought. Vattimo's social and political perspective has clear theological undertones. The outcome of unending individual qualitative transformation is not arrival in a promised land but graceful acceptance of what humans are: hermeneutic creatures whose essence resides in tireless negotiation and transformation. (shrink)

This article advances a dialogue between the philosophical hermeneutics of Hans-Georg Gadamer and the ontological hermeneutics of Chung-ying Cheng. This discussion draws into relief a question of whether or not these respective theories provide us with decision-making procedures for determining appropriate or right action in any given situation. In other words, we are inquiring into whether or not these respective hermeneutical theories incorporate forms of ethics. Following this line of questioning, we turn to Cheng’s philosophy of the Yijing and Gadamer’s (...) analysis of Aristotle’s ethics. (shrink)

How should an acknowledgement of contingency affect our understanding of moral identity? The book considers various ways of thinking about this question in contemporary moral and political theory. Drawing on the work of Gadamer, Ricoeur, Taylor and others, it defends a realist but pluralist 'strong hermeneutic' view.

The ‘interpretive turn’ in twentieth-century hermeneutics rests on the general ontological claim that human reality is the reality of self-interpreting animals. But under the circumstances of advanced modernity, there are aspects of human life, or spheres of human thought and action, that appear to contradict this general thesis, in that they do not present themselves as the doings of self-interpreting animals at all. Of these, the predominant one is the sphere of work or 'productive' action. In face of historical circumstances (...) in which work presents itself as bereft of the meanings that concern self-interpreting animals, hermeneutic philosophy faces a choice: Does it exempt work from the realm of self-interpretive activity, making it an exception to the general ontological thesis; or does it seek to retrieve the hermeneutic provenance of productive action? With a focus on the writings of Gadamer and Ricoeur, the chapter shows that philosophical hermeneutics has vacillated on this issue and it suggests that retrieval of the self-interpretive dimension of productive action is a central task for hermeneutics today. (shrink)

The essay reflects on Gadamer’s ambiguous legacy for the philosophy of work. On the one hand, there are times when Gadamer reproduces the problematic distinction between language and labor which short-circuits the very idea of a hermeneutics of work. This is particularly evident in Gadamer’s reflections on technique and craftsmanship in the central sections of Truth and Method, as well as in his descriptions of the “art” of dialogue and the tasks of hermeneutics that separate them emphatically them from the (...) sphere of “making.” I raise some questions about the adequacy of the distinction Gadamer draws between techne and phronesis that structures this account. I argue here that Gadamer’s characterization of the learning process involved in the mastery of a technique, as well as his conception of the instrumentality and monologicality of technical knowledge, is difficult to sustain, especially in view of recent research in the psychology and anthropology of work. I then go on to point out that elsewhere in his oeuvre Gadamer himself is critical of the conception of work that emerges through the lens of the techne / phronesis distinction. Indeed, on these occasions he hints at a conception of work that points beyond the Arendt / Habermas conception towards a critical hermeneutics of working life. This alternative approach to work is particularly apparent in Gadamer’s appropriation of Hegel’s dialectic, in his understanding of play, and in some of his later diagnostic reflections on the spirit of the age. In section four, I offer some suggestions for explaining how the tensions evident in Gadamer’s approach to work came about. Here I am interested in what prevented Gadamer from embracing whole-heartedly the project of a hermeneutics of work that he himself helped to lay the foundations for. I conclude with some brief remarks on why we should seek to build upon these foundations and renew the project of a critical hermeneutics of work today. (shrink)