Why and how do norms emerge? Which norms emerge and why these ones in particular? Such questions belong to the ‘problem of the emergence of norms’, which consists of an inquiry into the production of norms in social collectives. I address this question through the ethnographic study of the emergence of ‘norms against violence’ in the political collective Occupy Geneva. I do this, first, empirically, with the analysis of my field observations; and, second, theoretically, by discussing my findings. In consequence (...) of two episodes categorized as sexual assaults that occurred in their camp, the members of Occupy Geneva decided to tackle those issues in a general assembly. Their goal was to amend their first charter of good conduct in order to reform its norms and complete it with norms aiming to regulate ‘facts’ of ‘unjustified violence’. During a collective deliberation, new norms were devised, debated and consensually adopted. The writing of the new charter took place in a second general assembly during which the wording of the written norms was collectively decided. I show that indignation over the sexual assaults was the main motive that led to the collective deliberation, and that the entire process of the making of these norms was characterized by different collective emotions. Indeed, indignation, contempt and fear played major roles in the emergence of norms prohibiting violence, allowing punishment and exclusion of wrongdoers, and prescribing collective intervention against an aggressor to neutralize the threat represented. These findings prompt me to hypothesize that social norms emerge from emotions thanks to the latters’ internal structure; and that emotions provide causal and grounding explanations for this emergence. Thus, emotions allow us to answer the questions: ‘Why do norms emerge?’ and ‘Why do they have their specific forms?’ In short, I argue that social norms have emotional foundations. (shrink)

Ce texte a déjà paru dans la mineure « Rythmanalyses » de la revue Multitudes, n° 46, 2011. Nous remercions la revue Multitudes et Fédéric Bisson de nous avoir autorisé à le reproduire ici. Anna Cruz passe dans la rue au bruit de ses chaussures. Telle une sorte d'aura sonore, le martèlement sur l'asphalte est une puissance. Anna enfonce en cadence ses talons dans la conscience comme les aiguilles d'un vaudou quotidien. Le rythme prend son pied. Il n'est pas seulement (...) la carrure objective des pas, - Pour une éthique et une politique du rythme – Nouvel article. (shrink)

This article defends a Platonist view of streaming. It is opposite to the mainstream representation that streaming has “liquidated” the structure both objective and collective of musical experience. On the contrary, streaming is the support of a new kind of musical object, which is distinct both from the allographic notational objects and from the phonographic ones. This third kind of object has to be characterized as a flux-object. The way it is diffused and accessible implies a new kind of experience. (...) Cyberspace in which this experience takes place is characterized as an “hyperobjective noosphere”: the relation of streaming with the subjects of musical experience is akin to the relation of atmosphere or biosphere to the living beings. This article invites to an ascetic exercise: the everyday experience of the listener has to become mindful of the “swarm community” in which s/he participates by streaming. Thus it develops a renewed musical Platonism, as a kind of response to “object-oriented ontologies”. According to this renewed Platonism, dispositional properties are essential to the objects. Objects have no sense apart from the relation to individual and collective subjectivations that are potential parts of them. (shrink)

Cette nouvelle d’anticipation fantaisiste imagine un futur proche où notre vie quotidienne serait peuplée de robots anthropomorphes entièrement dédiés à l’usage sexuel. Elle spécule sur la manière dont ces robots pourraient peu à peu transformer en profondeur les relations sociales et conditionner l’avènement d’une humanité « post-biologique ». La place des sexo-robots dans la vie quotidienne divise les féministes. Elle révèle des lignes de fracture idéologiques entre le vieil humanisme et une nouvelle métaphysique plus généreuse du rapport homme-machine.

Cet article se propose de traiter la question de l’autorité. Après l’avoir définie selon un point de vue sociohistorique et linguistique, c’est dans une approche lacanienne que l’autorité est abordée afin d’appréhender ses soubassements. L’élucidation de cette opération psychique est essentiellement entreprise par le truchement de l’analyse de la paternité et nous avons tâché de repérer sur lequel de ses registres l’autorité est effective. C’est dans la prise en compte de la dimension du symbolique que l’autorité révèle le paradoxe qui (...) la fonde, à savoir qu’elle n’est pas due à la personne qui la manifeste, contrairement aux apparences, dans la mesure où elle est fondamentalement reçue de l’Autre. Cette perspective ne peut manquer de réinterroger la thèse du déclin de l’image paternelle et de ses conséquences sur le devenir de l’autorité. (shrink)

Le livre de Dragoş Duicu présente l’oeuvre de Patočka comme une phénoménologie du mouvement dont il opère l’archéologie conceptuelle en effectuant un retour à Aristote, ce qui permet aussi de situer Patočka dans le paysage phénoménologique. Il est établi tout au long de l’ouvrage que le mouvement est le sens d’être de l’être, dès lors compris comme physis, et de l’existence elle-même qui est mouvement de part en part, force voyante. Ce qui pour la tradition philosophique échappe au mouvrement est (...) en vérité toujours une extase du mouvement, déposé par lui, et s’avère dès lors secondaire, dérivé, car sédimenté. La philosophie de Patočka se donne donc indissociablement comme une ontologie et une phénoménologie du mouvement, l’auteur proposant un approfondissement cosmologique de la phénoménologie largement étayé sur une théorie de la sédimentation. Le livre offre une interprétation aussi érudite qu’originale de la cosmologie et de l’anthropophénoménologie patočkiennes.The book of Dragoş Duicu, presents the work of Patočka as a phenomenology of movement wherein he operates a conceptual archaeology by returning to Aristotle, and which allows him to situate Patočka in the phenomenological landscape. It is established throughout the work that movement is the meaning of being, therefore understood as physis, and that existence itself is all-around movement, force voyante. That which in the philosophical tradition escapes from movement is always in truth an ecstasy of movement, laid by the movement, which happens to be secondary and derivative, for it is ‘sedimented.’ The philosophy of Patočka presents itself therefore inseparably as an ontology and phenomenology of movement, as the author proposes a cosmological deepening of phenomenology largely supported by a theory of sedimentation. The book offers an interpretation as scholarly as it is original of the Patočkian cosmology and anthropo-phenomenology.Il libro di Dragoş Duicu presenta l’opera di Jan Patočka come una fenomenologia del movimento di cui l’autore svolge un’archeologia concettuale, che risale fino ad Aristotele, e al tempo stesso una ricollocazione all’interno del paesaggio fenomenologico. Il libro è attraversato da un filo rosso: il movimento è il senso d’essere dell’essere, in quanto physis, e dell’esistenza stessa, in quanto movimento anch’essa da cima a fondo, movimento o forza veggente. In questa prospettiva, ciò che per la tradizione filosofica si sottrae al movimento è sempre in verità un’estasi del movimento, depositata dal movimento stesso e proprio perciò secondaria, derivata, sedimentata. La filosofia di Patočka si offre, indissociabilmente, come un’ontologia e come una fenomenologia del movimento, come mostra Duicu sulla base di un approfondimento cosmologico della fenomenologia patockiana largamente incentrato su una teoria della sedimentazione. Il libro offre quindi un’interpretazione tanto erudita quanto originale della cosmologia e dell’antropologia patočkiane. (shrink)

Depuis 2001, les gouvernements successifs ont mis en place différents dispositifs de prévention et de résolution des risques de fragilisation précoce et de rupture ultérieure des parcours scolaires des enfants et des jeunes exposés à des difficultés sociales et/ou familiales. L’acceptation et l’efficacité de ces dispositifs supposent non seulement le remaniement des représentations que parents et professionnels ont acquises les uns des autres, mais aussi l’établissement entre eux d’un climat de confiance et de respect mutuels. Après avoir décrit les tenants (...) et les aboutissants de ces enjeux, une approche co-éducative est promue. Décrite comme une « utopie réaliste », elle n’en vise pas moins à favoriser les conditions de la coopération entre parents et professionnels pour mieux inciter les enfants et les jeunes à reconsidérer avec eux le sens et la pertinence d’une articulation apaisée de l’éducation familiale et de l’éducation scolaire qui leur sont dispensées. (shrink)

The dominant position of science in our culture has ended. In our postmodern world, belief that science will provide the answer to our problems and that progress is inevitable has been shaken, if not toppled. Optimism has been replaced by realism, creating a milieu for the development of intelligent Christian belief. Participating in the Trinity Institute's conference on ÒThe Church in a Postmodern Age, these six prominent scholars explore the breakdown of the basic tenets of the Enlightenment, the sorry state (...) of biblical literacy in our culture, Christian faith in a pluralistic world, the relevance of the Bible today, and the role of the church in our age. Contributors include Robert N. Bellah, Diogenes Allen, George A. Lindbeck, James B. Miller, Sandra M. Schneiders, and Rowan D. Williams. (shrink)

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

The SIMS model offers an embodied perspective to cognition and behaviour that can be applied to organizational studies. This model enriches behavioural and brain research conducted by social scientists on emotional work (also known as emotional labour) by including the key role played by body-related aspects in interpersonal exchanges. Nevertheless, one could also study a more vocal aspect to smiling as illustrated by the development of strategies in organizations. We propose to gather face-to-face and voice-to-voice interactions in an embodied perspective (...) taking into account Lakoff and Johnson's (1980) theory of conceptual metaphors. (shrink)