What happens when something happens? In Thinking the Event, senior continental philosophy scholar François Raffoul undertakes a philosophical inquiry into what constitutes an event as event, its very eventfulness: not what happens or why it happens, but that it happens, and what "happening" means. If, as Leibniz posited, it is true that nothing happens without a reason, does this principle of reason have a reason? For Raffoul, the event always breaks the demands of rational thought. Bringing together philosophical insights from (...) Heidegger, Derrida, Nancy, and Marion, Raffoul shows how the event, in its disruptive unpredictability, always exceeds causality, subjectivity, and reason. It is that "pure event," each time happening outside or without reason, which remains to be thought, and which is the focus of this work. In the final movement of the book, Raffoul takes on questions about the inappropriability of the event and the implications this carries for ethical and political considerations when thinking the event. In the wake of the exhaustion of traditional metaphysics, the notion of the event comes to the fore in an unprecedented way, with key implications for philosophy, ontology, ethics, and theories of selfhood. (shrink)

Against traditional interpretations, which claim either that Heidegger has rendered all accounts of subjectivity-and consequently of ethics-impossible, or, on the contrary, that Heidegger merely renews the modern metaphysics of subjectivity, Raffoul demonstrates how Heidegger's destruction/deconstruction of the subject opens the space for a radically nonsubjectivistic formulation of human being. Raffoul reconstitutes and analyzes Heidegger's debate with the great thinkers of subjectivity, in order to show that Heidegger's "destructive" reading of the modern metaphysics of subjectivity is, in fact, a positive reappropriation (...) of the ontological foundations of the subject. Raffoul's recasting of Heidegger's work on human subjectivity should prove indispensable in future debates on the fate of the subject in the postmodern era. (shrink)