This study explores the connection between dominant psychological type preferences and reader interpretations of biblical texts. Working in type-alike groups, a group of 40 Anglican clergy were invited to employ their strongest function to engage conversation between Mark’s account of Jesus sending out the disciples and the experience of ministry in today’s world. The data supported the hermeneutical theory proposed by the SIFT approach to biblical interpretation and liturgical preaching by demonstrating the four clear and distinctive voices of sensing, intuition, (...) feeling and thinking. (shrink)

This paper discusses the general problem of translation functions between logics, given in axiomatic form, and in particular, the problem of determining when two such logics are "synonymous" or "translationally equivalent." We discuss a proposed formal definition of translational equivalence, show why it is reasonable, and also discuss its relation to earlier definitions in the literature. We also give a simple criterion for showing that two modal logics are not translationally equivalent, and apply this to well-known examples. Some philosophical morals (...) are drawn concerning the possibility of having two logical systems that are "empirically distinct" but are both translationally equivalent to a common logic. (shrink)

Psalm 73 is a challenging Psalm in which the Psalmist draws on rich imagery to juxtapose doctrine and experience and to juxtapose the goodness of God with divine retribution. Drawing on data provided by 15 theological educators within the Anglican Diocese of Cyprus and the Gulf, this study tests the thesis that the imagery of Psalm 73 will be perceived differently by sensing types and by intuitive types and that the issue ‘Is God really good to the upright?’ will be (...) judged differently by feeling types and by thinking types. The findings from this study are consistent with the broader hermeneutical theory that the psychological type profile of the reader, in terms of perceiving preference and judging preference, plays a formative part in shaping the interpretation of biblical material.Contribution: Situated within the reader-perspective approach to biblical hermeneutics, the SIFT method is concerned with identifying the influence of the psychological type of the reader in shaping the interpretation of text. The present study demonstrates that this theory holds true for the way in which theological educators read Psalm 73. (shrink)

ABSTRACT In this article, we first document the virtually complete absence of infectious disease examples and concerns at the time bioethics emerged as a field. We then argue that this oversight was not benign by considering two central issues in the field, informed consent and distributive justice, and showing how they might have been framed differently had infectiousness been at the forefront of concern. The solution to this omission might be to apply standard approaches in liberal bioethics, such as autonomy (...) and the harm principle, to infectious examples. We argue that this is insufficient, however. Taking infectious disease into account requires understanding the patient as victim and as vector. Infectiousness reminds us that as autonomous agents we are both embodied and vulnerable in our relationships with others. We conclude by applying this reunderstanding of agency to the examples of informed consent and distributive justice in health care. (shrink)

The COVID-19 pandemic continues to pose significant health, economic, and social challenges. Given that many of these challenges have moral relevance, the present studies investigate whether the COVID-19 pandemic is influencing moral decision-making and whether moralisation of behaviours specific to the crisis predict adherence to government-recommended behaviours. Whilst we find no evidence that utilitarian endorsements have changed during the pandemic at two separate timepoints, individuals have moralised non-compliant behaviours associated with the pandemic such as failing to physically distance themselves from (...) others. Importantly, our findings show that this moralisation predicts sustained individual compliance with government-recommended behaviours. (shrink)

On retrace ici le parcours intellectuel de Marc Faessler, théologien réformé que son engagement de pasteur ouvert aux défis du monde reconduit sans fin aux sources vives des Écritures bibliques. En dialogue constant avec la pensée juive, il découvre dans l’œuvre philosophique d’Emmanuel Levinas une radicalité anthropologique qui lui permet de ressaisir autrement et plus généreusement les orientations fondamentales de sa propre tradition.

Excerpt from Bacon's Advancement of Learning and the New Atlantis To the King: acts performed by Kings and others for the advancement of learning (p. Three parts of human learning (p. 75) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged (...) copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

This article presents a review of the literature, summarizes current initiatives, and provides a heuristic for assessing the effectiveness of a range of institutional review board collaborative strategies that can reduce the regulatory burden of ethics review while ensuring protection of human subjects, with a particular focus on international research. Broad adoption of IRB collaborative strategies will reduce regulatory burdens posed by overlapping oversight mechanisms and has the potential to enhance human subjects protections.

In lieu of an abstract, here is a brief excerpt of the content:Chaos, Fractals, and the Pedagogical Challenge of Jackson Pollock's "All-Over" PaintingsFrancis Halsall (bio)IntroductionThe "all-over" abstract canvases that Jackson Pollock produced between 1943 and 1951 present a pedagogical challenge in how to account for their apparently chaotic structure. One reason that they are difficult to teach about is that they have proved notoriously difficult for art historians to come to terms with. This is undoubtedly a consequence of their abstraction. (...) In the face of an apparent disintegration of the traditional pictorial distinction between figure and ground, multiplicities of (sometimes contradictory) readings present themselves. The question, posed to students, as to what they represent is an open one. To many, recalling the opinions of the baffled audience of the 1950s, they are nothing but an inchoate mess. In 1950 Time magazine referred to them as "chaos," prompting Pollock to wire a heated reply, "NO CHAOS DAMN IT."1Pollock's claim of "no chaos" can, however, be unpacked. This article looks at how a scientific analysis based on Chaos Theory and fractal patterns can be used to demonstrate to students that the paintings are indeed chaotic, but that this in turn provides evidence of an internal structure, an order within the chaos. This order is mimetically similar to other chaotic patterns and systems, from coastlines to economic systems. My overall position in this article is one of skepticism as to what such analysis ultimately has to offer in art historical, aesthetic, or pedagogical terms.The ProblemFor a student encountering Pollock's work for the first time, especially after a standard first-year survey of Western art, it can seem incomprehensible. [End Page 1] The challenge of Pollock's work is that none of the multiple interpretations that have been brought to bear on the paintings have any special claim to validity. Given the suggestive ambiguity and "chaos" of the images, there is little in the work itself that challenges the numerous, often contradictory, readings that have been posited. In fact, how art historians approach such images tells students something about the way art history itself works and how art historians are faced with particular choices in applying their discursive models. They must choose whether these accounts "fit" or satisfy the conditions of "rightness," to evoke Nelson Goodman's terms.2The numerous questions that have been asked of what the paintings actually represent are themselves demonstrative of the wide variety of techniques that modern art historians have at their disposal. Analyses have been based upon observations that are couched in the vocabularies of the political (often Marxist theory), feminism, psychoanalysis, iconography, formalism, and so forth.3 At the time of the paintings' creation even the CIA was in on the act; apparently realizing the ambiguity of the work left it open to political manipulation, they secretly funded the promotion of abstract expressionism as a weapon of the cold war.4 Simultaneously, members of Congress such as George Dondero were actually claiming the opposite—that Pollock was making paintings that were a "means of espionage" (sic) and that "If you know how to read them... [they] will disclose weak spots in U.S. fortifications, and such crucial constructions as Boulder Dam."5Ernst Gombrich's celebrated frustration with abstract art highlights the problems that those following traditional art historical methods had with such art at the time. Writing on Pollock's Number 12 (1952), Gombrich also seemed perplexed in the face of chaos. His response to the lack of explicit representational content or apparently accountable meaning was to claim:It is quite consistent that these [action] painters must counteract all semblance of familiar objects or even of patterns in space. But few of them appear to realise that they can drive into the desired identification only those who know how to apply the various traditional consistency tests and thereby discover the absence of any meaning except the highly ambiguous meaning of traces.6Indeed, if there is any consensus to be communicated to students about the work, it is that a single, specific meaning will always allude them.All of the above reactions to the work makes the claims of three physicists to have found the... (shrink)

Rothstein (2010) argues that groups may be harmed by research on deidentified data. He concludes that researchers are obligated to minimize group harms and demonstrate respect for a studied group t...

Larry Horn is justifiably famous for his work on the semantics of the English conjunction or and both its relationship to the formal logic truth functions ∨ and @ (“inclusive” and “exclusive” disjunction respectively1) and its relationship to the ways people employ or in natural discourse. These interests have been present since his 1972 dissertation, where he argued for a “scalar implicature-based” account of many of these relationships as opposed to a presuppositional account. They have surfaced in his “Greek Grice” (...) paper (Horn 1973) as well as in his Negation book (Horn 1989) and his recent “Border Wars” paper (Horn, forthcoming) where he defends the position that there are two types of implicatures at work here: Q- implicatures based on Grice’s first maxim of Quantity (“Say Enough”) and R-implicatures based on Grice’s second maxim of Quantity (“Don’t Say Too Much”). In a nutshell, the idea is that when a speaker employs a sentence with a disjunction, the meaning (that is, the semantic value) of the or is inclusive. With careful and judicious use of the Q- and R-implicatures, Larry’s theory allows the hearer (often) to infer that the speaker wanted to convey an exclusive disjunction. (shrink)

Science breaks new trails for technology but social science has yet to break new trails for social technology. Why is this? One hypothesis explains this with reference to the complexity of the social world and the still rudimentary nature of the social sciences. This paper argues for an alternative hypothesis, claiming that social science research is incapable of generating technologies not already part of the human repertoire. Drawing on a range of social science inquiry from economics to psychology, it shows (...) that the ?mechanisms? posited to explain normal and puzzling human behavior depend on familiar facts about humans which future investigations cannot overturn. Finally, it is shown that even when these familiar facts are themselves explained, the generative mechanisms posited to account for them are no longer within the sphere of the social sciences. (shrink)

La beauté d’une œuvre musicale dépend de certaines de ses propriétés formelles perceptibles par un sujet dans une attitude esthétique. Elle n’est pas dans la forme musicale mais elle n’en est pourtant pas indépendante. Ce rapport est précisé grâce à l’analyse de la beauté dans une démonstration mathématique. Elle dépend du rapport entre la pauvreté et l’évidence des prémisses, et la richesse et l’éloignement de la conclusion. La beauté obéit ainsi à des principes leibniziens : celui, quantitatif, d’économie de moyens, (...) et celui, qualitatif, de perfection. On s’efforce ensuite d’appliquer ces principes à deux exemples musicaux : le début du Prélude en do mineur du Premier livre du Clavier bien tempéré de J.-S. Bach et une ligne de chant d’un air de Verdi. On en conclut que percevoir la beauté, c’est percevoir l’intelligible dans le sensible. (shrink)

Syndromic surveillance uses new ways of gathering data to identify possible disease outbreaks. Because syndromic surveillance can be implemented to detect patterns before diseases are even identified, it poses novel problems for informed consent, patient privacy and confidentiality, and risks of stigmatization. This paper analyzes these ethical issues from the viewpoint of the patient as victim and vector. It concludes by pointing out that the new International Health Regulations fail to take full account of the ethical challenges raised by syndromic (...) surveillance. (shrink)