Heideggers Verstrickung in den Nationalsozialismus war schon immer Gegenstand großer Kontroversen, doch gab es seit den Forschungen von Hugo Ott von vor 20 Jahren keine neuen Materialien mehr, auf deren Basis Heideggers Wirken beurteilt werden konnte. Holger Zaborowski hat nun erstmals umfassend bisher unbekannte Dokumente gesichtet und kann ein ganz neues und nüchternes Bild des großen Philosophen im Nationalsozialismus zeichnen.

The German philosopher Robert Spaemann provides an important contribution to a number of contemporary debates in philosophy and theology, opening up possibilities for conversation between these disciplines. He engages in a dialogue with classical and contemporary positions and often formulates important and original insights which lie beyond common alternatives. In this study Holger Zaborowski provides an analysis of the most important features of Spaemann's philosophy and shows the unity of his thought. The question 'Who is a person?' is of (...) increasing significance: Are all human beings persons? Are there animals that can be considered persons? What does it mean to speak of personal identity and of the dignity of the person? Spaemann provides an answer to these questions: Every human being, he argues, is a person and, therefore, 'has' his nature in freedom. In order to understand the person, Spaemann explains, we have to think about the relation between nature and freedom and avoid the reductive accounts of this relation prevalent in important strands of modern thought. Spaemann develops a challenging critique of modernity, incorporating analysis of modern anti-modernisms and showing that these are also subject to a dialectical development, perpetuating the problematic shortcomings of many features of modern reasoning. If we do not want to abolish ourselves as persons, Spaemann reasons, we need to find a way of understanding ourselves that evades the dialectic of modernity. Thus, he reminds his readers of 'self-evident' knowledge: insights that we have once already known, but tend to forget. (shrink)

It is characteristic that in consideration of the issues related to feeling, one encounters a problem of its definition; it is not only about determining the essence of feeling itself but first it must be explained how we understand and use the word ’feeling’. We could give examples from Polish, German, French, English and Latin as well as Ancient Greek to look into the issue of determining ’feeling’ as a language category. Feeling is described by words that are not cognates (...) in these languages; also, the terms function in ways that overlap only partially, so they are only partial counterparts. Does it mean that the very essence of feeling is different or appears as something different to the speakers of the many languages? Or is it that some languages create the word ’feeling’ more skillfully than others, some rendering it more aptly than others? Or maybe giving a name to feeling exceeds the capacity of language? Does the lack of the equivalent of the Polish word uczucie in the Greek language mean, as is often presupposed, that feeling was beyond the ancient philosophers’, psychologists’ or poets’ perception? (shrink)

My aim is to propose affectivity as a criterion for personal identity. My proposal is to be taken in its weak version: affectivity as _only one_ of the criteria for personal identity. I start by arguing for affectivity being a better candidate as a criterion for personal identity than thinking. Next, I focus on synchronic vs. diachronic and on ontic vs. epistemic distinctions (my proposal will concern diachronic ontic personal identity) and consider the realm of affectivity in its temporal dimension. (...) In my argument, I rely on the genuineness of affectivity and I exploit chiefly long- or everlasting feelings (or emotions) and those which involve the feeling subject more rather than less. I conclude by stating that genuine long-lasting feelings (or emotions) are constitutive of diachronic ontic personal identity. (shrink)

'This book makes a significant and needed contribution to post-structural philosophy and literary theory.

"In this edited collection, an international ensemble of scholars examine what contemporary cinema tells us about neoliberal capitalism and cinema, exploring whether filmmakers are able to imagine progressive alternatives under capitalist conditions. Individual contributions discuss filmmaking practices, film distribution, textual characteristics and the reception of films made in different parts of the world. They engage with topics such as class struggle, debt, multiculturalism and the effect of neoliberalism on love and sexual behaviour. Written in accessible, jargon-free language, Contemporary Cinema and (...) Neoliberal Ideology is an essential text for those interested in political filmmaking and the political meanings of films."--Provided by publisher. (shrink)

Experimental emotion inductions provide the strongest causal evidence of the effects of emotions on psychological and physiological outcomes. In the present qualitative review, we evaluated five common experimental emotion induction techniques: visual stimuli, music, autobiographical recall, situational procedures, and imagery. For each technique, we discuss the extent to which they induce six basic emotions: anger, disgust, surprise, happiness, fear, and sadness. For each emotion, we discuss the relative influences of the induction methods on subjective emotional experience and physiological responses. Based (...) on the literature reviewed, we make emotion-specific recommendations for induction methods to use in experiments. (shrink)

This is a continuation of [3]. We deal with algebras of type : T ! N. Assume that V is a variety of type . Let p = x be a strongly nonregular identity satised in V , i.e. x; y are variables of p and x =6 y . For a variety K 2 L; E; R; S or RS denotes the set of all, regular, symmetric or regular and symmetric identities satised in K, respectively.