Bridging feminist new materialism and feminist phenomenology, Astrida Neimanis’s volume, Bodies of Water, discusses water in terms of nurturing maternality based on a figural reservoir of what she terms “amniotics” and “planetary breastmilk” in order to posit this maternality as the material condition of the embodiment of life. In this article I show that this imagery is a construction consistently haunted by figures of anxiety and loss. I do this by first revisiting earlier interventions in deconstruction concerning materiality and feminist (...) theory as follows. First, pointing out a resonance between this figuration of wateriness and Kant’s notion of the dynamic sublime, I turn to Paul de Man’s reading of materiality in the Kantian sublime in order to suggest that Neimanis’s figuration of maternal water is an effect of an aesthetic ideology. Subsequently, I will revisit Diana Fuss’s reading of Irigaray – Neimanis’s main feminist resource – to show that the ontological status of water as maternal is constructed via an Irigarayan distinction between metaphor and metonymy. Finally, in order to show ways in which the maternal materiality of water is haunted by figures of anxiety and loss, I will consult Elissa Marder’s more recent work on the maternal function. (shrink)

This article discusses the New Materialist interest in biology and agency, drawing on Elizabeth Grosz's Becoming Undone, a work that provides a feminist ontology of life based on sexual difference. Grosz presents a ‘cross-fertilized’ reading of Charles Darwin and Luce Irigaray, placing them in what she calls the vitalist philosophy of ‘the question of life’. In order to conceptualize life, she posits sexual reproduction as the philosophical essence of life in terms of the maximalization of creativity, productivity (overabundance) and diversity. (...) In this context the article contrasts this vision with Jacques Derrida's reading, in Life Death, of the notion of life based on sexual reproduction in François Jacob's The Logic of Life, with particular attention to Jacob's discussions of sexual reproduction and death. Read in the light of Derrida's insights, Grosz's deployment of this vitalist discourse of infinite productivity necessarily misses complexity in the notion of life that she develops. (shrink)