This issue of Mélusine pursues the research initiated in 1982 on the surrealist book, without giving the last word on such a complex subject. Demonstrating erudition worthy of La Revue d'histoire littéraire de la France, the contributors propose new ideas and points of view. By the sheer abundance of technical terms, the articles would have astonished the avant-garde poets and artists in question, who were so very fond of entertainment. Some contributors examine the illustrated book, the artist's book and the (...) book-object in general as surrealist publications, while others focus on a single book or even on the non-book imagined by André Breton.In her introduction, editor Andrea Oberhuber describes the evolution of .. (shrink)

Vauvenargues is one of those authors we think we know without having read. Sidelined among the minor moralists, the texts he published are rarely considered rigorous and powerful. Hence we are endebted to Laurent Bove for having taken this thought seriously, and for having systematically brought into relief its most striking intellectual aspects. Vauvenargues himself asked his readers to “read slowly” (“lire doucement”)—a reading ethic that has finally been followed to the letter. Pascal also sought the right rhythm of reading, (...) but not without a certain anxiety over an exaggerated slowness: “when one reads too fast or too slowly, one understands nothing.” In a brief and dense work, Bjornstad Hall finds a rhythm in .. (shrink)

A. Whisper; utter softly; speak privately; [fig.] confide; make known Breathe in Ear more modern God's old fashioned vows B. Inhale and exhale; process air through the lungs; [fig.] live; subsist And now, by Life deprived, In my own Grave I breathe C. Exist; show life force; [fig.] purr; yowl; make vibrant animal sounds With thee in the Tamarind wood -- Leopard breathes -- at last! D. Absorb; assimilate; internalize; infuse; gather. And now, removed from Air -- I simulate the (...) Breath, so well -- E. Gasp; draw in air; respond with admiration 'Tis Costly -- So are purples! 'Tis just the price of Breath -- F. Flutter; flicker; waver; hover; palpitate; [fig.] betray; vacillate; be unfaithful: An hour behind... Read More. (shrink)

В статье философия характеризуется на основе дискурсной парадигмы анализа: как текст, интеллектуальная деятельность и коммуникация. Характеризуются два равнозначных аспекта философского дискурса - когнитивный и коммуникативный. Обсуждается феномен философских контроверз, специфика философского спора, выразительные (знаковые) средства философского дискурса, роль мировоззренческого дискурса в современной общественно-политической ситуации в стране.

Upshot: In view of Kenny’s clinical insights, Hug’s notes on the intricacies of rational vs. a-rational “knowing” in the design sciences, and Chronaki & Kynigos’s notice of mathematics teachers’ meta-communication on experiences of change, this response reframes the heuristic power of bisociation and suspension of disbelief in the light of Kelly’s notion of “as-if-ism” (constructive alternativism. Doing as-if and playing what-if, I reiterate, are critical to mitigating intra-and inter-personal relations, or meta-communicating. Their epistemic status within the radical constructivist framework is (...) cast in the context of mutually enriching conversational techniques, or language-games, inspired by Maturana’s concepts of “objectivity in parenthesis” and the multiverse. (shrink)

'Jousse - il a trouvé un filon, comme on dit', confie Bergson dans un entretien avec Lydie Adolphe. La relation que Marcel Jousse, chercheur, professeur, homme d'Église, entretient tout au long de ses quelque quarante ans d'enseignement avec le philosophe Henri Bergson est pour le moins paradoxale. Entre admiration et rejet, Jousse revendique 'sa' lecture de Bergson. Libre et inspirante, souvent critique, voire frôlant la caricature, cette lecture tonique agit en retour sur le lecteur, qu'il soit connaisseur de l'œuvre de (...) Bergson ou pas. Selon Jousse, le geste corporel-manuel, le geste global, est au cœur de la pensée du philosophe. Bergson joue sa pensée avec ses mains, avec tout son corps avant de la jeter dans ses livres. La connaissance des lois anthropologiques du Style oral formulées par Jousse permet de mieux saisir la particularité du style de Bergson, proche de celui de Péguy, et qui s'apparente au style oral des rythmo-mimeurs. Jousse, Bergson : deux noms qui ont marqué leur époque. Le lien fort qui unit les deux penseurs est au cœur de cette enquête - que l'on pourrait aussi écrire 'en quête' - à la fois philosophique et historique. Ce livre s'inscrit dans la longue liste des 'lecteurs de Bergson' qu'ils soient ou non bergsoniens."--Page 4 of cover. (shrink)

Selected articles of Ēṭukūru Balarāmamūrti on Marxist philosophy; includes contributed on his life and work.

1. El acto humano, deber y derecho -- 2. Derechos individuales, familia y sociedad.