This chapter contains sections titled: Cultural relativism Ethical absolutism A cognitive alternative to EA: ethical relativism External and internal objections to ER Finding the middle ground: pluralistic relativism Ethics in business Conclusion.

The interplay of Greek and Roman motifs in the Marcellus eulogy at the end of the Sixth Book of theAeneidpresents a complicated study in literary history. The association of roses with the dead is more Roman than Greek, but perhaps not so much so as one might imagine. Roses are not entirely absent from the Greek milieu, and in fact Vergil apparently drew on Greek rose motifs for the eulogy. Archaeology reveals that roses were an important symbol on tomb stelai, (...) along with the epigraphical references to roses. In general the rose in Greek inscriptions was reserved for girls, but at least one is for a boy, and another for a youth of twenty-two. Moreover, Vergil may well have been alluding to Bion's (?)Lament for Adonis, where the rose motif has striking importance. (shrink)

Crowe presents the evolution of Lonergan's thinking on Christology in the context of the radical developments contained within his other theological writings.

Christian ethicists rarely study apology or forgiveness about climate change, possibly because it is just another sin that God may forgive. Yet apology between humans may be critical to avoiding paralysis after people realize the horror of their actions and enabling cooperative responses to climate change among its perpetrators and victims. Climate change challenges traditional ideas and practices of apology because it involves unintentional, ongoing acts of diffuse collectives that harm other diffuse collectives across space and time. Developing concepts of (...) collective agency and responsibility enable a reconceptualization of apology for an era of climate change. While more work is needed to understand and implement such ideas, this paper lays the groundwork for future studies of collective apology and forgiveness by identifying general features of climate apologies including their symbolic dimensions and connection to ongoing changed actions. (shrink)

Frederick Brenk is a specialist, but, as this third volume of his collected essays makes clear, a multiple specialist, as skilled in dealing with visual materials as with texts, with epigraphy as with prosopography, with Christian writers as with pagan, with Egypt as with Greece, with style and language as with philosophy and religion. Few scholars have such wide learning, and fewer still can use it to weave together insights from so many different ways of thinking, feeling, seeing, and (...) writing. (shrink)

This collection contains many stimulating and important articles from the Plutarch renaissance, especially on the interaction between divine and human worlds, ...

In Consecrating Science: Wonder, Knowledge, and the Natural World, Lisa H. Sideris makes a compelling case that a new cosmology movement advocates for a new, universal, creation story grounded in the sciences. She fears the new story reinforces elite power structures and anthropocentrism and thus environmental degradation. Alternatively, she promotes genuine wonder which occurs in experiences of the natural world. As Sideris focuses on the likely logical outcome of the assumptions and arguments of the new cosmologies, she does not investigate (...) whether and how people react to these new myths. I suggest that methods of documentary studies, applied to popular book reviews on Amazon and Goodreads, shed light on the ramifications of the new cosmologies among the general public. While many reviewers exhibit attitudes and behaviors that would concern Sideris, responses are far from univocal. Using this case as a guide, I suggest that attention to the experience of laypeople could contribute productively to religion and science research in general. (shrink)

The topic of fictional objects and their nature is a familiar one, the topic of fictional properties less so. This article focuses on the way artefactualism – now arguably the most popular form of realism about fictional objects – might be extended to give an account of fictional properties. After describing what seems the most developed such extension, the article articulates a serious problem it faces, before showing how artefactualism about fictional properties would benefit from certain insights contained in an (...) alternative abstract-object version of fictional realism. (shrink)