This paper is about the musical meaning and its relation to verbal meaning. My aim is to show that musical meaning should be sharply differentiated from the verbal one, that it should not be understood as a subspecies of verbal meaning, or as a meaning of a verbal sort whatsoever. I will address this issue starting with the sounds of music and language, and working my way up from those: by comparing these sounds and the way they relate to their (...) meanings, I will show that musical sounds are strongly connected with musical meanings, that they have token-like qualities. Resulting from this is a suggestion to redefine the way we use the concepts of meaning and articulation, so that they would allow for the concept of non-verbal, musical meaning. Additionally, my suggestion is that musical meaning per se should be differentiated from the non-musical meanings music can communicate and convey – one does not exclude the other. (shrink)

Мета. Автори ставлять за мету дослідити еволюцію парадигм концепту зла в західній філософській та психологічній думці. Теоретичний базис. Дослідження ґрунтується на новітніх методологічних підходах до встановлення взаємозв’язку між філософським, психологічним і теологічним розумінням сутності зла та його проявів. Наукова новизна. Уперше в українській науці здійснено систематизацію еволюції концепту зла у філософському та психологічному розумінні. Висновки. Аналіз основних міфологічних, теологічних, філософських та психологічних концепцій зла дає можливість систематизувати їх у вигляді п’яти головних парадигм. Примордіальною парадигмою можна вважати дуалістичну, яка зберігає свій (...) вплив до нашого часу. Зло розуміється в ній як уособлення природних катастроф, хвороб, людських злочинів і силою, що протистоїть Добру. Антична філософія та християнство намагаються позбавити зло його онтологічного статусу: зло як таке не існує, а є лише відсутністю Добра. На основі такого розуміння формується привативна парадигма, яка панувала в європейській філософсько-теологічній свідомості понад тисячоліття. Вона стала підґрунтям для філософської теодицеї: виправдання всеблагого Бога перед лицем зла, що насправді існує. Але наприкінці ХVІІІ сторіччя ця парадигма поступилася місцем діалектико-романтичній, найбільш яскравими представниками якої є Шеллінг, Гегель та Ніцше. Концепт зла переосмислено й подано як необхідну складову світу, яка разом із добром належить до вищої реальності. Нове розуміння концепт зла отримує в психоаналізі Фройда, Юнга та Фрома: його джерелом визначено підсвідоме людини, а зовнішнім виявом – агресію. Подібне розуміння зла притаманне і багатьом іншим психологічним школам, деякі з них проводили навіть психологічні експерименти щодо первісно злої природи людини. Утім, подібні "експерименти" характерні для соціальних практик тоталітарних режимів, на підставі чого виникає концепція "банальності" зла. Поява ж останньої постмодерністської парадигми розуміння зла пов’язана зі спробою деяких мислителів відкинути всі попередні концепції та повернутися до найдавнішої дуалістичної парадигми. Здавалося б, падіння більшості тоталітарних режимів та очікування "кінця історії" не давали підстави для популяризації цієї парадигми, але події початку 20-х років нашого століття вказують на необхідність її актуалізації. (shrink)

This article explores contemporary approaches to the understanding and interpretation of the formation of inclusive society. The focus is on the investigation of the everyday experiences of individuals who face various limitations in their living conditions such as limited opportunities, special needs, and disabilities. The paper highlights the importance of considering the unique aspects of subjective time when systematically analyzing the functional characteristics and existential mechanisms of an inclusive society, which constitutes the living environment for people with disabilities. It points (...) out that the temporal intentionality of a mentally challenged individual manifests in a unique form of ordering, synchronization, and existence within various phenomena and events within the individual's mental imagery and inner experiences. The authors emphasize the necessity to differentiate two primary stages in an individual's perception and understanding of their actual existence—the evaluation stage and the stage of identifying prospects. The study shows how intentional temporality inherently transforms into individual time, revealing the peculiarities of internal experiences and the unique aspects of an individual's mental imagery. These are integral steps in the formation of a system of social events that are marked within the individual consciousness. The novelty of this study lies in the examination of intentionality within the framework of a disabled person's subjective time, a characteristic that is fundamentally individual yet resonates with the collective daily consciousness of disabled individuals within an inclusive micro-society. (shrink)

The article evaluates the search for the foundations of the aesthetic. In comparison with some positions of analytical and receptive aesthetics, the features of the phenomenological aesthetics of two outstanding students of Husserl—Wilhelm Schapp (1884–1965) and Kurt Stavenhagen (1884–1951) are revealed. The orientation and necessity of searching for aesthetic grounds for these thinkers lies in the possibilities of deviation from the well-known principle of transcendence in the aestheticization of the world of things and the surrounding reality as a whole. For (...) Schapp and Stavenhagen, manifestations of the phenomenological manifestation of the world of things through the experience of being are important—aesthetic. In classical aesthetics, the aesthetic is a certain level of reflection in the sensory-emotional perception of objects from the world of things. As established in the article, Schapp and Stavenhagen propose to identify the aesthetic as the experiential. At the same time, their joint position and beliefs of representatives of receptive aesthetics differ in terms of differentiating aesthetic as an experienced and aesthetic experience as such. The article presents some arguments regarding this orientation in the conceptualization of the aesthetic. The category of aesthetic, interpreted by philosophers as experimental, is revealed through the prism of the correlation of the key concepts of phenomenology—the subjective and the subjective. In this case, the aesthetic is thought of as subjective-subjective, expressed in human individual experience. It was found that Schapp and Stavenhagen, overcoming the inertia of phenomenology and philosophy of history in their theory, evaluated the historicization of the world of things in the aesthetic aspect. Thus, they search for the foundations of the aesthetic in three directions: (1) in the exposition of the subjective/subjective; (2) in the ratio of experience and “quasi-experience”; (3) in defining the boundaries of the experienced existential and experienced social. These directions have opened up the possibility of identifying the aesthetic not as a response to the attributive world of things and not as a given of its aestheticization, but rather as a condition for experiencing being as a result of individual experience. It is concluded that the search for aesthetic grounds for Schapp and Stavenhagen marked a new frontier in phenomenological aesthetics. (shrink)

_Purpose._ The authors aim to reveal the influence of philosophical and esoteric principles on the formation and further development of Roberto Assagioli’s concept of psychosynthesis. _The theoretical basis_ of the study is determined by the latest methodological approaches in the study of the relationship between philosophical, psychological, and esoteric approaches in the study of the unconscious and the formation of a harmonious personality. _Originality._ For the first time, a systematic analysis of the anthropological foundations of Roberto Assagioli’s work has been (...) carried out in Ukrainian philosophical literature, the specificity of the connection between esoteric teachings and psychosynthesis has been revealed on the basis of a thorough study of primary sources and biographical evidence of the life and work of the famous Italian thinker. _Conclusions._ Psychosynthesis, which is one of the leading directions of modern psychology, has a rather multicultural philosophical and methodological basis. Its founder Roberto Assagioli, while developing his concept, was influenced by theosophical-esoteric, pragmatic kabbalistic, and Eastern religious concepts and practices. Unlike psychoanalysis, which saw the unconscious as physiological-naturalistic determinants of the human psyche and behavior, psychosynthesis considers the unconscious as a hidden potential for self-development of the individual. Roberto Assagioli went through a long and difficult way to finally form his own concept, which became the basis of the psycho-techniques of disidentification and work with subpersonalities, which help to discover the true transpersonal self, which is the source of human self-improvement. Modern discussions about the relationship between psychosynthesis and various forms of parapsychology once again testify to the synthetic nature of Assagioli’s teaching, which combines various psychotherapeutic practices. This is what gives psychosynthesis a new push for development in the conditions of wars, disasters, loneliness, and related psychological disorders. (shrink)

This paper is about the specific character of the aesthetic experience of icons. I am arguing for the idea that the aesthetic experience of icons is a necessary condition of their role and function in Christian worship, and, moreover, that this particular aesthetic experience is of an apophatic kind. My arguments will be developed on the background of the Byzantine iconoclastic debate and the apophatic theology of Pseudo-Dionysius the Areopagite. Also, they should present the very debate from the perspective of (...) aesthetics, often overlooked in favour of more theological or ontological issues related to it. (shrink)

Purpose. The research is aimed at understanding the philosophical and journalistic heritage of M. Scheler during 1914-1919. "The philosophy of war" is regarded as the middle link between the phenomenological and anthropological stages of its philosophical evolution. The theoretical and methodological basis of the study is the philosophical legacy of Max Scheler, as well as the work of domestic and Western researchers devoted to this issue. Problems of Weltkriegsphilosophie become comprehensible based on the historical, logical and comparative principles of historical (...) and philosophical analysis, which allowed to theoretically reconstruct the cultural and historical context, philosophical sources and ideological intentions of the German philosopher. Originality. For the first time in domestic historical and philosophical thought, it proved that the works by Max Scheler of the First World War played an outstanding role in the formation of philosophical anthropology as a separate philosophical trend. Conclusions. The basis of the Weltkriegsphilosophie by Max Scheler is the philosophical comprehension of the war in which the thinker tries to see the high sacral meaning, where the sacrifices that the nation brings to the altar of victory are not in vain: the nation is rallying this sacrifice, its readiness for it. According to Scheler, war is the most effective means of forming the so-called "love communities", to which he refers combat brotherhood, family and nation as a "collective personality", which recognizes itself through war. The philosopher is disappointed to some part with militaristic enthusiasm in his later military journalistic works and calls for a spiritual and moral renewal of Europe, fed from Christian roots. At the heart of this renewal should be the principle of personal solidarity, based on the Christian idea of love. However, Catholic universalism is an insufficient means for the formation of a "love community" and a new man who is co-creator of God that constitutes the main core of the philosophical anthropology of Max Scheler, which emerges in the 20s of the twentieth century. Based on this, the article affirms the existence in Sheler’s works of an intermediate stage between his phenomenology and philosophical anthropology – Weltkriegsphilosophie. (shrink)

У статті розглядається становище освічених верств міського населення України в період революції та громадянської війни 1917-1920 рр. Показано, що в умовах збройного протистояння інтелігенція лишилася між двома ворожими таборами й багато її представників вагалися з остаточним вибором. Погіршення матеріального становища поступово призвело до різкого зниження рівня соціальних потреб та очікувань людей і, як наслідок, до втрати соціальних ознак інтелігенції, як зовнішніх, так і внутрішніх. Політична позиція часто була не усвідомленим рішенням, а вервечкою випадкових вчинків, зумовлених, у першу чергу, фізичним виживанням. (...) У результаті частина інтелігенції покинула країну, частина погодилася співпрацювати з переможцями, більшість же опинилася в стані "внутрішньої" еміграції. (shrink)

The problem of responsibility has always been an important factor in moral teachings, for this is a problem not only of theory but of everyday practical life. Any system of moral precepts will be lifeless if it does not postulate some measure of responsibility of an individual for his acts. An unselfish, disinterested life becomes morally damaging if a person cannot foresee the moral consequences of his acts and their effects on the lives of those around him, or if the (...) individual's behavior does not correspond to his convictions and good will but is dictated only by external circumstances. (shrink)

The article deals with the problem of the boundaries in contemporary humanities – if “everything is a text” and the process of assimilation and interpretation of new meanings is fundamentally open and infinite, then do we have any grounds to distinguish between different kinds of understanding of the cultural phenomena surrounding us? The central thesis of the article is that precisely those claims that are theoretical in nature should be read and discussed in a way that is alien to the (...) philological perspective. However, this is not necessarily a problem – the internal heterogeneity of humanitarian thinking may be an advantage considering the point of development reached in the “camp” of the natural sciences. (shrink)

This paper is about the interconnectedness of the realm of language with that of social interactions, constitutive of all human communities. Arguing against the traditional and still present primacy of the rationally based understanding of language, I wish to stress the possibility of another approach to language, strongly related to the question of the Other. Relying on the idea that the Other is a constitutive part of any linguistic situation, I wish to inspect how it is possible for the voice (...) of the Other to be suppressed or silenced, and if that is the case, how we should understand the silence of the Other. The main result of my findings is that the silence of the Other is not only meaningful, but that it can have positive social and political effects, including the enhancement of the sensitivity for the various modalities of the voice of the Other. (shrink)

In this article on archival sources, deals with the activity of individual members of the public industrial areas of Ukraine in 1917-1920. to ensure that vital material goods. The factors impeding such activity, formulated two main types of behavior in extreme circumstances, attempt to analyze the social composition of the population depending on the model behavior.